The Marble Faun; Or, The Romance of Monte Beni Volume II Part 12

There is no one want or weakness of human nature for which Catholicism will own itself without a remedy; cordials, certainly, it possesses in abundance, and sedatives in inexhaustible variety, and what may once have been genuine medicaments, though a little the worse for long keeping.

To do it justice, Catholicism is such a miracle of fitness for its own ends, many of which might seem to be admirable ones, that it is difficult to imagine it a contrivance of mere man. Its mighty machinery was forged and put together, not on middle earth, but either above or below. If there were but angels to work it, instead of the very different cla.s.s of engineers who now manage its cranks and safety valves, the system would soon vindicate the dignity and holiness of its origin.

Hilda had heretofore made many pilgrimages among the churches of Rome, for the sake of wondering at their gorgeousness. Without a glimpse at these palaces of worship, it is impossible to imagine the magnificence of the religion that reared them. Many of them shine with burnished gold. They glow with pictures. Their walls, columns, and arches seem a quarry of precious stones, so beautiful and costly are the marbles with which they are inlaid. Their pavements are often a mosaic, of rare workmanship. Around their lofty cornices hover flights of sculptured angels; and within the vault of the ceiling and the swelling interior of the dome, there are frescos of such brilliancy, and wrought with so artful a perspective, that the sky, peopled with sainted forms, appears to be opened only a little way above the spectator. Then there are chapels, opening from the side aisles and transepts, decorated by princes for their own burial places, and as shrines for their especial saints. In these, the splendor of the entire edifice is intensified and gathered to a focus. Unless words were gems, that would flame with many-colored light upon the page, and throw thence a tremulous glimmer into the reader's eyes, it were wain to attempt a description of a princely chapel.

Restless with her trouble, Hilda now entered upon another pilgrimage among these altars and shrines. She climbed the hundred steps of the Ara Coeli; she trod the broad, silent nave of St. John Lateran; she stood in the Pantheon, under the round opening in the dome, through which the blue sunny sky still gazes down, as it used to gaze when there were Roman deities in the antique niches. She went into every church that rose before her, but not now to wonder at its magnificence, when she hardly noticed more than if it had been the pine-built interior of a New England meeting-house.

She went--and it was a dangerous errand--to observe how closely and comfortingly the popish faith applied itself to all human occasions. It was impossible to doubt that mult.i.tudes of people found their spiritual advantage in it, who would find none at all in our own formless mode of worship; which, besides, so far as the sympathy of prayerful souls is concerned, can be enjoyed only at stated and too unfrequent periods. But here, whenever the hunger for divine nutriment came upon the soul, it could on the instant be appeased. At one or another altar, the incense was forever ascending; the ma.s.s always being performed, and carrying upward with it the devotion of such as had not words for their own prayer. And yet, if the worshipper had his individual pet.i.tion to offer, his own heart-secret to whisper below his breath, there were divine auditors ever ready to receive it from his lips; and what encouraged him still more, these auditors had not always been divine, but kept, within their heavenly memories, the tender humility of a human experience. Now a saint in heaven, but once a man on earth.

Hilda saw peasants, citizens, soldiers, n.o.bles, women with bare heads, ladies in their silks, entering the churches individually, kneeling for moments or for hours, and directing their inaudible devotions to the shrine of some saint of their own choice. In his hallowed person, they felt themselves possessed of an own friend in heaven. They were too humble to approach the Deity directly. Conscious of their unworthiness, they asked the mediation of their sympathizing patron, who, on the score of his ancient martyrdom, and after many ages of celestial life, might venture to talk with the Divine Presence, almost as friend with friend.

Though dumb before its Judge, even despair could speak, and pour out the misery of its soul like water, to an advocate so wise to comprehend the case, and eloquent to plead it, and powerful to win pardon whatever were the guilt. Hilda witnessed what she deemed to be an example of this species of confidence between a young man and his saint. He stood before a shrine, writhing, wringing his hands, contorting his whole frame in an agony of remorseful recollection, but finally knelt down to weep and pray. If this youth had been a Protestant, he would have kept all that torture pent up in his heart, and let it burn there till it seared him into indifference.

Often and long, Hilda lingered before the shrines and chapels of the Virgin, and departed from them with reluctant steps. Here, perhaps, strange as it may seem, her delicate appreciation of art stood her in good stead, and lost Catholicism a convert. If the painter had represented Mary with a heavenly face, poor Hilda was now in the very mood to worship her, and adopt the faith in which she held so elevated a position. But she saw that it was merely the flattered portrait of an earthly beauty; the wife, at best, of the artist; or, it might be, a peasant girl of the Campagna, or some Roman princess, to whom he desired to pay his court. For love, or some even less justifiable motive, the old painter had apotheosized these women; he thus gained for them, as far as his skill would go, not only the meed of immortality, but the privilege of presiding over Christian altars, and of being worshipped with far holier fervors than while they dwelt on earth. Hilda's fine sense of the fit and decorous could not be betrayed into kneeling at such a shrine.

She never found just the virgin mother whom she needed. Here it was an earthly mother, worshipping the earthly baby in her lap, as any and every mother does, from Eve's time downward. In another picture, there was a dim sense, shown in the mother's face, of some divine quality in the child. In a third, the artist seemed to have had a higher perception, and had striven hard to shadow out the Virgin's joy at bringing the Saviour into the world, and her awe and love, inextricably mingled, of the little form which she pressed against her bosom. So far was good. But still, Hilda looked for something more; a face of celestial beauty, but human as well as heavenly, and with the shadow of past grief upon it; bright with immortal youth, yet matronly and motherly; and endowed with a queenly dignity, but infinitely tender, as the highest and deepest attribute of her divinity.

"Ah," thought Hilda to herself, "why should not there be a woman to listen to the prayers of women? A mother in heaven for all motherless girls like me? In all G.o.d's thought and care for us, can he have withheld this boon, which our weakness so much needs?"

Oftener than to the other churches, she wandered into St. Peter's.

Within its vast limits, she thought, and beneath the sweep of its great dome, there should be s.p.a.ce for all forms of Christian truth; room both for the faithful and the heretic to kneel; due help for every creature's spiritual want.

Hilda had not always been adequately impressed by the grandeur of this mighty cathedral. When she first lifted the heavy leathern curtain, at one of the doors, a shadowy edifice in her imagination had been dazzled out of sight by the reality. Her preconception of St. Peter's was a structure of no definite outline, misty in its architecture, dim and gray and huge, stretching into an interminable perspective, and overarched by a dome like the cloudy firmament. Beneath that vast breadth and height, as she had fancied them, the personal man might feel his littleness, and the soul triumph in its immensity. So, in her earlier visits, when the compa.s.sed splendor Of the actual interior glowed before her eyes, she had profanely called it a great prettiness; a gay piece of cabinet work, on a t.i.tanic scale; a jewel casket, marvellously magnified.

This latter image best pleased her fancy; a casket, all inlaid in the inside with precious stones of various hue, so that there Should not be a hair's-breadth of the small interior unadorned with its resplendent gem. Then, conceive this minute wonder of a mosaic box, increased to the magnitude of a cathedral, without losing the intense l.u.s.tre of its littleness, but all its petty glory striving to be sublime. The magic transformation from the minute to the vast has not been so cunningly effected but that the rich adornment still counteracts the impression of s.p.a.ce and loftiness. The spectator is more sensible of its limits than of its extent.

Until after many visits, Hilda continued to mourn for that dim, illimitable interior, which with her eyes shut she had seen from childhood, but which vanished at her first glimpse through the actual door. Her childish vision seemed preferable to the cathedral which Michael Angelo, and all the great architects, had built; because, of the dream edifice, she had said, "How vast it is!" while of the real St.

Peter's she could only say, "After all, it is not so immense!" Besides, such as the church is, it can nowhere be made visible at one glance.

It stands in its own way. You see an aisle, or a transept; you see the nave, or the tribune; but, on account of its ponderous piers and other obstructions, it is only by this fragmentary process that you get an idea of the cathedral.

There is no answering such objections. The great church smiles calmly upon its critics, and, for all response, says, "Look at me!" and if you still murmur for the loss of your shadowy perspective, there comes no reply, save, "Look at me!" in endless repet.i.tion, as the one thing to be said. And, after looking many times, with long intervals between, you discover that the cathedral has gradually extended itself over the whole compa.s.s of your idea; it covers all the site of your visionary temple, and has room for its cloudy pinnacles beneath the dome.

One afternoon, as Hilda entered St. Peter's in sombre mood, its interior beamed upon her with all the effect of a new creation. It seemed an embodiment of whatever the imagination could conceive, or the heart desire, as a magnificent, comprehensive, majestic symbol of religious faith. All splendor was included within its verge, and there was s.p.a.ce for all. She gazed with delight even at the multiplicity of ornament.

She was glad at the cherubim that fluttered upon the pilasters, and of the marble doves, hovering unexpectedly, with green olive-branches of precious stones. She could spare nothing, now, of the manifold magnificence that had been lavished, in a hundred places, richly enough to have made world-famous shrines in any other church, but which here melted away into the vast sunny breadth, and were of no separate account. Yet each contributed its little all towards the grandeur of the whole.

She would not have banished one of those grim popes, who sit each over his own tomb, scattering cold benedictions out of their marble hands; nor a single frozen sister of the Allegoric family, to whom--as, like hired mourners at an English funeral, it costs them no wear and tear of heart--is a.s.signed the office of weeping for the dead. If you choose to see these things, they present themselves; if you deem them unsuitable and out of place, they vanish, individually, but leave their life upon the walls.

The pavement! it stretched out illimitably, a plain of many-colored marble, where thousands of worshippers might kneel together, and shadowless angels tread among them without brushing their heavenly garments against those earthly ones. The roof! the dome! Rich, gorgeous, filled with sunshine, cheerfully sublime, and fadeless after centuries, those lofty depths seemed to translate the heavens to mortal comprehension, and help the spirit upward to a yet higher and wider sphere. Must not the faith, that built this matchless edifice, and warmed, illuminated, and overflowed from it, include whatever can satisfy human aspirations at the loftiest, or minister to human necessity at the sorest? If Religion had a material home, was it not here?

As the scene which we but faintly suggest shone calmly before the New England maiden at her entrance, she moved, as if by very instinct, to one of the vases of holy water, upborne against a column by two mighty cherubs. Hilda dipped her fingers, and had almost signed the cross upon her breast, but forbore, and trembled, while shaking the water from her finger-tips. She felt as if her mother's spirit, somewhere within the dome, were looking down upon her child, the daughter of Puritan forefathers, and weeping to behold her ensnared by these gaudy superst.i.tions. So she strayed sadly onward, up the nave, and towards the hundred golden lights that swarm before the high altar. Seeing a woman; a priest, and a soldier kneel to kiss the toe of the brazen St. Peter, who protrudes it beyond his pedestal for the purpose, polished bright with former salutations, while a child stood on tiptoe to do the same, the glory of the church was darkened before Hilda's eyes. But again she went onward into remoter regions. She turned into the right transept, and thence found her way to a shrine, in the extreme corner of the edifice, which is adorned with a mosaic copy of Guido's beautiful Archangel, treading on the prostrate fiend.

This was one of the few pictures, which, in these dreary days, had not faded nor deteriorated in Hilda's estimation; not that it was better than many in which she no longer took an interest; but the subtile delicacy of the painter's genius was peculiarly adapted to her character. She felt, while gazing at it, that the artist had done a great thing, not merely for the Church of Rome, but for the cause of Good. The moral of the picture, the immortal youth and loveliness of virtue, and its irresistibles might against ugly Evil, appealed as much to Puritans as Catholics.

Suddenly, and as if it were done in a dream, Hilda found herself kneeling before the shrine, under the ever-burning lamp that throws its rays upon the Archangel's face. She laid her forehead on the marble steps before the altar, and sobbed out a prayer; she hardly knew to whom, whether Michael, the Virgin, or the Father; she hardly knew for what, save only a vague longing, that thus the burden of her spirit might be lightened a little.

In an instant she s.n.a.t.c.hed herself up, as it were, from her knees, all a-throb with the emotions which were struggling to force their way out of her heart by the avenue that had so nearly been opened for them. Yet there was a strange sense of relief won by that momentary, pa.s.sionate prayer; a strange joy, moreover, whether from what she had done, or for what she had escaped doing, Hilda could not tell. But she felt as one half stifled, who has stolen a breath of air.

Next to the shrine where she had knelt there is another, adorned with a picture by Guercino, representing a maiden's body in the jaws of the sepulchre, and her lover weeping over it; while her beatified spirit looks down upon the scene, in the society of the Saviour and a throng of saints. Hilda wondered if it were not possible, by some miracle of faith, so to rise above her present despondency that she might look down upon what she was, just as Petronilla in the picture looked at her own corpse. A hope, born of hysteric trouble, fluttered in her heart. A presentiment, or what she fancied such, whispered her, that, before she had finished the circuit of the cathedral, relief would come.

The unhappy are continually tantalized by similar delusions of succor near at hand; at least, the despair is very dark that has no such will-o'-the-wisp to glimmer in it.

CHAPTER x.x.xIX

THE WORLD'S CATHEDRAL

Still gliding onward, Hilda now looked up into the dome, where the sunshine came through the western windows, and threw across long shafts of light. They rested upon the mosaic figures of two evangelists above the cornice. These great beams of radiance, traversing what seemed the empty s.p.a.ce, were made visible in misty glory, by the holy cloud of incense, else unseen, which had risen into the middle dome. It was to Hilda as if she beheld the worship of the priest and people ascending heavenward, purified from its alloy of earth, and acquiring celestial substance in the golden atmosphere to which it aspired, She wondered if angels did not sometimes hover within the dome, and show themselves, in brief glimpses, floating amid the sunshine and the glorified vapor, to those who devoutly worshipped on the pavement.

She had now come into the southern transept. Around this portion of the church are ranged a number of confessionals. They are small tabernacles of carved wood, with a closet for the priest in the centre; and, on either side, a s.p.a.ce for a penitent to kneel, and breathe his confession through a perforated auricle into the good father's ear. Observing this arrangement, though already familiar to her, our poor Hilda was anew impressed with the infinite convenience--if we may use so poor a phrase--of the Catholic religion to its devout believers.

Who, in truth, that considers the matter, can resist a similar impression! In the hottest fever-fit of life, they can always find, ready for their need, a cool, quiet, beautiful place of worship. They may enter its sacred precincts at any hour, leaving the fret and trouble of the world behind them, and purifying themselves with a touch of holy water at the threshold. In the calm interior, fragrant of rich and soothing incense, they may hold converse with some saint, their awful, kindly friend. And, most precious privilege of all, whatever perplexity, sorrow, guilt, may weigh upon their souls, they can fling down the dark burden at the foot of the cross, and go forth--to sin no more, nor be any longer disquieted; but to live again in the freshness and elasticity of innocence.

"Do not these inestimable advantages," thought Hilda, "or some of them at least, belong to Christianity itself? Are they not a part of the blessings which the system was meant to bestow upon mankind? Can the faith in which I was born and bred be perfect, if it leave a weak girl like me to wander, desolate, with this great trouble crushing me down?"

A poignant anguish thrilled within her breast; it was like a thing that had life, and was struggling to get out.

"O help! O help!" cried Hilda; "I cannot, cannot bear it!"

Only by the reverberations that followed--arch echoing the sound to arch, and a pope of bronze repeating it to a pope of marble, as each sat enthroned over his tomb--did Hilda become aware that she had really spoken above her breath. But, in that great s.p.a.ce, there is no need to hush up the heart within one's own bosom, so carefully as elsewhere; and if the cry reached any distant auditor, it came broken into many fragments, and from various quarters of the church.

Approaching one of the confessionals, she saw a woman kneeling within.

Just as Hilda drew near, the penitent rose, came forth, and kissed the hand of the priest, who regarded her with a look of paternal benignity, and appeared to be giving her some spiritual counsel, in a low voice.

She then knelt to receive his blessing, which was fervently bestowed.

Hilda was so struck with the peace and joy in the woman's face, that, as the latter retired, she could not help speaking to her.

"You look very happy!" said she. "Is it so sweet, then, to go to the confessional?"

"O, very sweet, my dear signorina!" answered the woman, with moistened eyes and an affectionate smile; for she was so thoroughly softened with what she had been doing, that she felt as if Hilda were her younger sister. "My heart is at rest now. Thanks be to the Saviour, and the Blessed Virgin and the saints, and this good father, there is no more trouble for poor Teresa!"

"I am glad for your sake," said Hilda, sighing for her own. "I am a poor heretic, but a human sister; and I rejoice for you!"

She went from one to another of the confessionals, and, looking at each, perceived that they were inscribed with gilt letters: on one, Pro Italica Lingua; on another, Pro Flandrica Lingua; on a third, Pro Polonica Lingua; on a fourth, Pro Illyrica Lingua; on a fifth, Pro Hispanica Lingua. In this vast and hospitable cathedral, worthy to be the religious heart of the whole world, there was room for all nations; there was access to the Divine Grace for every Christian soul; there was an ear for what the overburdened heart might have to murmur, speak in what native tongue it would.

When Hilda had almost completed the circuit of the transept, she came to a confessional--the central part was closed, but a mystic room protruded from it, indicating the presence of a priest within--on which was inscribed, Pro Anglica Lingua.

It was the word in season! If she had heard her mother's voice from within the tabernacle, calling her, in her own mother-tongue, to come and lay her poor head in her lap, and sob out all her troubles, Hilda could not have responded with a more inevitable obedience. She did not think; she only felt. Within her heart was a great need. Close at hand, within the veil of the confessional, was the relief. She flung herself down in the penitent's place; and, tremulously, pa.s.sionately, with sobs, tears, and the turbulent overflow of emotion too long repressed, she poured out the dark story which had infused its poison into her innocent life.

Hilda had not seen, nor could she now see, the visage of the priest.

But, at intervals, in the pauses of that strange confession, half choked by the struggle of her feelings toward an outlet, she heard a mild, calm voice, somewhat mellowed by age. It spoke soothingly; it encouraged her; it led her on by apposite questions that seemed to be suggested by a great and tender interest, and acted like magnetism in attracting the girl's confidence to this unseen friend. The priest's share in the interview, indeed, resembled that of one who removes the stones, cl.u.s.tered branches, or whatever entanglements impede the current of a swollen stream. Hilda could have imagined--so much to the purpose were his inquiries--that he was already acquainted with some outline of what she strove to tell him.

Thus a.s.sisted, she revealed the whole of her terrible secret! The whole, except that no name escaped her lips.

And, ah, what a relief! When the hysteric gasp, the strife between words and sobs, had subsided, what a torture had pa.s.sed away from her soul! It was all gone; her bosom was as pure now as in her childhood. She was a girl again; she was Hilda of the dove-cote; not that doubtful creature whom her own doves had hardly recognized as their mistress and playmate, by reason of the death-scent that clung to her garments!

After she had ceased to speak, Hilda heard the priest bestir himself with an old man's reluctant movement. He stepped out of the confessional; and as the girl was still kneeling in the penitential corner, he summoned her forth.