The Mapleson Memoirs, 1848-1888 Volume Ii Part 18

Notwithstanding all our recent reverses, my Company was intact, except that the refractory tenor Ravelli had been replaced by Signor Baldanza, and the ba.s.so Cherubini by Signor Bologna. Here, again, in Chicago, my usual stronghold for Italian Opera, the reports of our troubles had been exaggerated and enlarged upon, so that the general public had lost all confidence, notwithstanding the fact that, through Mrs. Marshall Field's influence, a party of the most distinguished citizens had secured the whole of the boxes for the entire season.

The Chicago engagement was expected to recoup us for our losses in the West. But, unfortunately, this hope was not realized; and in consequence of the wild reports that got into general circulation, and, of course, into the newspapers, the Company began to clamour for their pay. I referred them to Mr. Henderson, the Manager of the Chicago Opera-house; and his office was crowded daily with prime donne, chorus people, dancers, musicians, property men, bill-board men, and supernumeraries, all demanding money. "Lucia" was begging for dollars and cents; "Manrico" insisted on having at least three meals a day; while the "Count di Luna," who shared his rival's apartments, protested that unless he had a pint of good wine before he went on he could not get out his F's with due effect in _Il Balen_.

Mr. Henderson proclaimed his managerial life a burden, but made no other response.

Of the orchestral players the drum was the noisiest; though the hautboy and the piccolo were every whit as emphatic. It was a united and determined strike, the keynote of which was, "No pay no play."

Only two weeks' pay was owing to them, and it was agreed that Mr.

Henderson, the Manager, should give them one week's salary on account.

But when the musicians a.s.sembled to receive it they suddenly, through the persuasiveness of one of their body, insisted upon having all arrears paid up; otherwise they would not enter the orchestra.

Finding they were obdurate and would not take the money that was offered them, I was forced to seek musicians from among the various musical societies of the city, and called a rehearsal as soon as I was ready.

After the new orchestra had been brought together, a hasty rehearsal was ordered for 7.30 that evening; and not long after the opening of the doors the public was regaled with the sounds of my new orchestra, who were practising underneath the pit, from which they were separated only by a very thin flooring.

On Arditi's notifying Signor Bimboni, the accompanist and under-conductor, that he would require him to a.s.sist on the piano in the orchestra, Bimboni replied: "Bless you! I have struck too."

Nothing discouraged, though somewhat wrath, Arditi succeeded in unearthing an accompanist, who struggled bravely with the pianoforte score.

During the performance, Parry, our stage manager, met Bimboni near the stage door, and reproached him sharply for deserting his post. This altercation led to blows. Bimboni struck out wildly, and soon went down with a black eye and a bruised face as a souvenir of the encounter.

The chorus, finding that I had provided another orchestra, and had threatened to find other choristers, gave in; and I must say we succeeded in giving a very excellent performance, despite all difficulties.

The next day all was again serene, and I was enabled to continue my representations until the close, finishing up the season with success.

The Chicago engagement concluded with a benefit tendered to me by most of the prominent citizens. They thus showed their appreciation of my efforts as a pioneer; for I was the first manager who had introduced into their city grand opera worthy of the name.

Amongst the signatures to the doc.u.ment embodying this fact were the following well-known names:--The Hon. Carter H. Harrison, Judge Eugene Carey, Marshall Field, Ferd. W. Peck, J. Harding, Professor Swing, George Boyne, Irving Pearce, A. A. Sprague, George Schneider, John R.

Walsh, J. McGregor Adams, George F. Harding, S. S. Shortball, J. Russell Jones, Edson Keith, C. M. Henderson, Hon. J. Medill, Potter Palmer, John B. Drake, N. K. Fairbank, T. B. Blackstone, A. S. Gage, &c.

On being called before the curtain I thanked the public for the liberal support they had given to my undertaking; also the press for the encouraging notices which it had published daily, notwithstanding all my troubles. These had been fully made known to everyone by means of the daily papers, which really took more interest in my affairs than I did myself.

In regard to the strike of my orchestra, an account of which was published in the _Inter-Ocean_, Mr. David Henderson, manager of the Chicago Opera-house, said to an interviewer:--"The new orchestra played this evening in a satisfactory manner. The Musical Union held a meeting during the day, and decided, I am told, that the members of the Colonel's orchestra did wrong in taking the stand in the matter of wages that they did; that is, in demanding from me back salaries. After the meeting several of them expressed a desire to come back; but I only took those needed--five or six in all. The rest are out of employment. The orchestra is now better than before, and everything is going along smoothly. At the conclusion of the engagement of the Company, Sunday night, a number of the princ.i.p.als and of the chorus and executive staff will return with Colonel Mapleson direct to London. I ought to add that since the beginning of the engagement he has not touched one cent of the box-office receipts. I have distributed the money as equitably as I could, giving to each artist, on present and past salaries, as much as the receipts would permit. I have learned that the Colonel is not as much in arrears to his Company as newspaper reports led the public to believe. Some of the leading people have been, as near as I can ascertain, only behindhand some three or four performances, before coming to Chicago. The orchestra that left, I understand, have two weeks' salaries due to them, that were incurred during the past eight weeks since the Colonel's bad business in California, and through the lengthened voyage. The best proof of the belief on the part of his company that the Colonel intends doing what is right by its members is the willingness with which every one of them has consented to appear at his benefit, Sat.u.r.day evening, without compensation."

"The Mapleson Opera Company," wrote the Tribune, "with the Colonel's trials and tribulations, have pretty well filled the public eye the past week. Outside of the Columbia Theatre, with the McCaull people there has been nothing to talk about but the Colonel. There are times when Mapleson, unconsciously, perhaps, appeals to sympathy. He is the only living man to-day with nerve enough to go into the business at all, who can govern and control the average opera singer. The latter is the most trying beast on earth. Male or female, Italian or Greek, German or 'American,' they are all alike. A more obstreperous, cantankerous, and altogether unreasonable being than an opera singer it is hard to find in any other walk of life. The Italian contingent of the guild is the worst to get along with. The Italian singer is rapacious, improvident, ungrateful, and wholly inconsiderate of his manager. At the same time he is a vain fool whom a word of flattery will move. Mapleson speaks Italian fluently, and hence when trouble arises he seeks the complainer, gives him a lot of Tuscan taffy, and the idiot goes off and sings as if nothing had happened. The Mapleson season at the Chicago Opera-house has had its difficulties, yet it has scored successes. The leading people have stood by the Colonel. He has had trouble with the orchestra, but that was quickly remedied. Yesterday Giannini, whom Mapleson picked up, as it were, out of the gutter in New York, where the Milan Company dropped him, and to whom he has since paid thousands of dollars, whether he earned it or not, made a strike just before the _matinee_. Giannini wanted 600 dollars. Mapleson offered 400 dollars. Giannini refused it, and would not sing. Then the Colonel began to talk Italian in his charming way, and the result was that the tenor went back, dressed, and sang, and that, too, without a 'cent,' and did it with meekness. _La Sonnambula_, which gave Mdlle. Fohstrom her last chance to appear, drew a good house at the _matinee_, and the Colonel's benefit in the evening was a gratifying tribute. There were no more breaks, and the audience showed a warm appreciation throughout. The programme was just what Colonel Mapleson's admirers wanted. Last night's performance ended the season. From here the company scatters. The princ.i.p.als seek their homes in Europe, and the Colonel travels post-haste to London, where he is to superintend the Patti appearance in June. Mapleson is disgusted with his present season's experience, but he is by no means disheartened. He threatens to come back at an early period."

At the end of some three weeks we learned that Sergeant Smith, the commissionaire who jumped out of the window in his shirt, had been discovered comfortably asleep and unhurt. Some difficulty was experienced in marching him along in the costume in which he then was to the hospital, whither it was thought prudent first to take him until some clothing could be provided. Whilst he was detained there a lady who had come to visit a sick gardener recognized the sergeant as having crossed on the same boat with her some six months previously. He readily accepted her offer of the vacant place, and forthwith began work; and it was only after many inquiries as to how the missing body had been disposed of that we discovered the man was still alive. On this being made known several articles came out in various journals, some giving the life of Sergeant Smith, and saying where and how he had won his numerous medals, whilst others expatiated generally on the valour and endurance of the British army.

In due course the gallant sergeant joined the main body and donned his uniform.

While we were at Chicago another Opera Company, calling itself the Milan Grand Italian Opera Company, was giving performances, and an amusing incident happened during a representation of _Lucia_. The audience was waiting for the appearance of the heroine in the third act.

But they waited and watched in vain. The chorus stood in mute amazement, while the musicians in the orchestra looked somewhat amused. The audience stamped their feet and clapped their hands, while the gallery hissed repeatedly. The curtain was rung down, and there was a wait of a few minutes, when finally Signor Alberto Sarata, the manager of the Company, appeared on the stage, and said that Miss Eva c.u.mmings, who had been singing the part of "Lucia," had suddenly become ill, and was quite unable to continue her performance. The opera would, therefore, go on without her. He had scarcely finished speaking when "Lucia" herself came on to the stage, and declared that she was in perfect health, and that she wanted her salary. This announcement was received with mingled cheers and hisses.

The prima donna bowed gracefully first to one side of the house, then to the other, and was about to follow the manager, who had already left the stage, when she found that the curtain was held fast by invisible forces. From one exit she went to the other, but still was unable to escape from the presence of the public.

"I will get off this time, anyhow!" she exclaimed, and with a rush pushed the curtain back. The invisible forces still resisted; but after a time "Lucia" succeeded in making her way to the wings.

Then the curtain went up, and "Edgardo" began to bewail the death of a "Lucia" who had not died.

Towards the close of our Chicago engagement attachments, writs, summonses, etc., began to fall thick and fast, which had to be dealt with speedily in order to ensure our departure.

I therefore made arrangements for a farewell Sunday concert in order to raise the wind for the purpose.

I cannot allow this opportunity to pa.s.s without tendering my sincere thanks to my esteemed and valued friend, President Peck, who very kindly came to the rescue by affording me the monetary a.s.sistance I required to enable us to get out of the city.

As fast as one attachment was released another came on. The last one I got rid of about 2 a.m., and left the theatre satisfied that all was serene. On seating myself at the Pacific Hotel, with a view to supper, I was called to the door, and notified that the waggons I had seen properly started had all been arrested and were at the corner of Dearborn Street. Placing down my knife and fork I hastened off; and by the aid of my friend Henderson, who gave bonds, the attachment was released. Meanwhile the whole of the Company was on the qui vive for the entraining order, the steam having been up some ten hours and the train not yet started.

At the station I came across the remnants of the Milan Opera Company which had been stranded some fortnight previously, and whose members were supplicating aid towards getting to New York. I thereupon had the great pleasure of affording them all a free pa.s.sage in my train; and after sundry salutations from my numerous friends who came to see me off we took our departure. The Company reached Jersey City very early the following Tuesday morning, and went straight on board the boat which was to sail late that afternoon. I meanwhile crossed over into New York, where I attended at the Inman Steamship Office, and arranged for them to give a pa.s.sage to my Company and to take an embargo on my belongings for their protection, as well as mine.

I must here set forth that every year on entering the port of New York the Customs authorities had charged me duty at the rate of some 50 per cent. on all my theatrical costumes, scenery, and properties, although the majority of them had originally been manufactured in the United States. Explanation was useless. The tax was invariably levied, though I always paid it under protest. I maintained that the things which accompanied me were tools of my profession, and were ent.i.tled under the State law to enter free; but inasmuch as I did not wear the clothing myself, it was contended that the property could not be so entered. To be free of duty the costumes, it was argued, must be the personal property of each performer. Mdme. Sarah Bernhardt on entering the United States brought some thousands of pounds worth of beautiful dresses, which were seized, she refusing to pay the amount of import duty claimed. Her case was heard, and it was decided from Washington that her dresses, since she wore them herself, were the tools of her profession or trade, and must be allowed to enter free. My case was different. But I inst.i.tuted law proceedings against the United States, which, in consequence of various delays, lasted some four or five years. A decision was at last given in my favour. An order was, in fact, issued to refund me the duty I had previously paid, together with 6 per cent.

interest.

On leaving the Inman Company's office I met my attorney, who informed me that the money that I was ent.i.tled to in the action I had won against the United States was payable to me on demand. This was, indeed, good news, and through my attorney's indefatigable exertions I was enabled to obtain the final signature of the Customs House authorities to the cheque which had been drawn to my order, and through his kindness to get it cashed.

I had, before leaving Chicago, received a letter from the ticket speculator Rullmann, to whom I was indebted upon a libretto contract, suggesting I should embark at Jersey City to avoid difficulties at New York. Angelo also recommended this course, saying that at New York there would be a plant put upon me, in order to delay my departure. As I was a resident of New York, and stood well there, I decided to start from that city; and it was a good thing I did so, as I afterwards learned that preparations had been made at Jersey City to prevent my starting, the "plant" having been prepared there. As I had a deal of business in New York the day of my departure, I decided to sail from Castle Garden in the health-officer's steamer, which was kindly placed at my disposal, the Captain of the Inman steamer having agreed, on my hoisting the health flag, to heave-to when outside in order to allow me to get on board.

Prior to leaving New York I arranged with the Mayor of Liverpool, through the medium of the cable, to give a grand concert at the Liverpool Exhibition building with the whole of my princ.i.p.al artists, for which I was to receive two-thirds of the gross receipts; and as the papers stated that the Exhibition was a very great success, I antic.i.p.ated sufficient results to enable me, after landing, to take the Company on to London and send the choruses over to Italy.

We arrived in Liverpool three days before the time fixed for the proposed concert.

On landing I at once looked at the morning papers, when to my astonishment no announcement whatever of the concert had been made. On presenting myself at the Mayor's office I was informed that his Worship, who had just been knighted, had gone to the north to rest himself, leaving no instructions whatever with regard to the concert. A few bills had been ordered at the printers', but the proofs had not been corrected.

Feeling myself placed in a very trying position, I set personally about the arrangements, every obstacle meanwhile being thrown in my way by the executive, who contended that the Mayor had no right to enter into any arrangement without their sanction. I at last got placed up in the Exhibition two bills; which had vanished, however, by the next morning.

The concert-room was in a most chaotic state, stray pieces of wood, broken chairs, etc., lying about the floor. I had to arrange the room myself, and even number the seats.

The evening of the concert arrived; but the public as well as my own artists were debarred from entering the doors unless they first paid for admission to the Exhibition, the whole of the gate money having been pledged to some banker in Liverpool.

The concert gave great satisfaction, but the receipts only reached some 70 or 80; of which to the present moment I have been unable to obtain my share.

As I had to pay Mdlle. Fohstrom 50, Del Puente 40, and all the others in proportion, I found myself, counting the hotel bills, some 180 out of pocket.

The day after the concert we all reached London. As it was now the 18th of June it was too late to think of giving a London season; and my doings were limited to my benefit, which took place at Drury Lane under the immediate patronage of Her Majesty the Queen and H.R.H. the Prince of Wales. Mdme. Patti volunteered her services on this occasion, the Theatre, kindly placed at my disposal by Mr. Augustus Harris, being crowded.

CHAPTER XV.

BACK IN THE OLD COUNTRY--THE LONDON SEASON--SLUGGISH AUDIENCES--MY OUTSIDE PUBLIC--THE PATTI DISAPPOINTMENTS--THE "SANDWICH'S" STORY.

Shortly afterwards I organized a very strong opera party, determining, during the coming September, to revisit the English provinces, which I had rather neglected during the previous seven or eight years. I, therefore, arranged to visit Dublin, Cork, Liverpool, Manchester, Glasgow, Edinburgh, Birmingham, etc., etc., resolved on giving a series of excellent performances. Engagements were concluded with Mdlle. Alma Fohstrom, Mdme. Nordica, Mdlle. Dotti, Mdlle. Marie Engle, Mdme.

Hastreiter, Mdlle. Bianca Donadio, Mdlle. Jenny Broch, together with Signor Frapolli, Signor Runcio, Signor Del Puente, Signor Padilla, Signor Ciampi, Signor Vetta, a promising young ba.s.so, and Signer Foli; my conductors being Signor Arditi and Signor Vianesi.

My performances were admirably given; which was readily acknowledged by the whole of the provincial Press. But during the seven or eight years I had been away a younger generation had grown up and the elder ones had gone elsewhere. Inferior English Opera seemed now to be preferred to my grand Italian Opera; and it was only after I had been playing three or four nights in a town that the public began to understand the superiority of the latter.

In Dublin we had to feel our way with the performances, which culminated on the last night with a crowded house. I was anxiously expecting the arrival of Mdlle. Fohstrom, who had been delayed in Russia through the illness of a relative. She made her appearance at Dublin in the latter part of September to one of the most crowded houses I have ever seen.

We afterwards visited Cork, where I fear, as in Mdme. Gerster's case some years previously, Mdlle. Fohstrom took the germs of typhoid fever, which developed some ten days afterwards. Whilst singing at the grand concert of the Liverpool Philharmonic the lady found herself scarcely able to move, much to the astonishment of myself as well as the Committee. She, however, got through her work, and came on to Manchester, where she lay in bed for nearly three months, which was, of course, a great drawback to our success.