The Mapleson Memoirs, 1848-1888 Volume I Part 21

"E. ANTROBUS,

"Captain and Adjutant 2nd Battalion Grenadier Guards.

"Approved

"EDWARD SAXE WEIMAR,

"Major-General Commanding Home District."

Among my experiences of exercise and drill I remember an incident in connection with a Scottish regiment which, though I cannot very well narrate it in minute detail, I can say enough to make the whole story intelligible to those who have worn a kilt. At Edinburgh, in 1873, the 93rd Highlanders were one morning placed under my orders in the Queen's Park by the Commanding Officer, at that time Colonel Burroughs. The regiment was on the slope of a hill looking downwards. I gave the word to fire a volley at a distance of 500 yards, and my military readers are aware that at a distance beyond 200 yards the position for firing is the kneeling one.

A great number of persons were looking on. Suddenly an adjutant rode up to me, and pointing to the crowd exclaimed--

"For heaven's sake give the word, 'As you were!'"

Friends have often asked me how, occupied, absorbed, distracted as I must have been by the affairs of a great operatic establishment, I could nevertheless find time, leisure, and even strong inclination for military pursuits. The simple explanation is that I needed diversion from my ordinary labours, and that I found this in the active duties of a volunteer officer. Frequently at the end of a long rehearsal I have, without finding time to dine, had to put on my uniform, get on horseback, and hurry to take the command of my regiment in the Regent's or in Hyde Park. The entire change of occupation was, I am convinced, the best possible relaxation I could have. I never could have recruited my energies by simple idleness, which, besides being in my case intolerable, is apt to lead one into sc.r.a.pes.

Many years ago, at the beginning of the volunteer movement, at which time I was still a.s.sociated with Mr. E. T. Smith, I qualified myself for the duties of sergeant, and used to receive half-a-guinea a time from the corps for drilling recruits, who came to us, naturally under the circ.u.mstances, in the rawest condition. My reflection (not, perhaps, a particularly new one) as to the perils of idleness was forcibly ill.u.s.trated when, a short time afterwards, I found myself at Walton-on-the-Naze doing duty with a battery. Anything more hopelessly dull than that place when drill was once at an end, can scarcely be imagined. At last I could stand it no longer, and was obliged to devise some means of diversion, which if culpable was, I hope, original.

The people of the place told me that, though Walton was dull and desolate, there were plenty of farmers in the neighbourhood who had buxom wives and pretty daughters, and that when anything really worth seeing was going on whole families would flock in, and render the place quite lively with their presence.

What would attract them? I put the question to myself as an impresario just beginning his career, but already accustomed to consider such questions. Our artillery drill was evidently not enough. The great sensation of the moment with the British public was Blondin and his tight-rope performances.

Would Blondin fetch them? I asked myself; and, Blondin himself being out of the question, would public announcements to the effect that Blondin would appear on a certain day have the desired result?

A day or two afterwards the walls of Walton-on-the-Naze as well as Colchester were covered with placards setting forth that on a fixed day Blondin would appear and walk on the tight-rope from the end of the pier to the top of the hotel in which we were staying.

On the day appointed the sun shone brightly, and long before the time at which Blondin was expected an army of holiday folks from the surrounding country came in with as many pretty girls as one could wish to see in the somewhat similar scene of the "statute fair" in the opera of _Martha_.

There was no room for the carts in the stables of the place, and they had to be packed close together on the beach.

The regimental band played on the pier, and the holiday folk had, I am sure, an agreeable time. Some disappointment may have been caused when telegrams in _fac-simile_ were posted on the walls with the information that Blondin from indisposition would be unable to appear. But this was atoned for by an announcement that in lieu of the tight-rope performance there would be a grand display of fireworks; and the pyrotechnics, which the organizers of the hoax paid for, went off most brilliantly.

At one time, moreover, I used to find solace from my managerial cares in the pursuit of politics, and, with or without justification, I nourish the hope that I did something towards securing the return of Mr. W. H.

Smith for Westminster. I was an active member of his committee, both in connection with the elections which went against him and the subsequent one which brought him triumphantly in. After his second failure I remember the late Mr. Lionel Lawson saying to me--

"The thing is impossible; I would not mind giving you a written promise to pay you 10,000 if ever he gets in."

Lists were at that time in the hands of the registration committees, showing on which side each elector gave his vote. It seemed useless to interfere with those who were marked "L," as voting firmly on the Liberal side. But among the Westminster shop-keepers there were numbers who were marked "LC," who apparently did not care on which side they voted, and who generally divided their vote between a Liberal and a Conservative candidate. With these undecided men there was evidently something to be done; and I gave them to understand that, having strong Conservative sympathies, I should feel it my duty to place on my free list those of the undecided who could bring themselves to support that side.

As the ballot system had just been introduced when Mr. W. H. Smith was for the first time returned, I cannot, of course, say to what extent my advocacy and aid may have benefited him. But I hope, as before observed, that I did something towards securing his presence in Parliament.

On my arrival in London I was notified that the Royal Italian Opera, Covent Garden, Limited, had not yet been floated. But this result was daily expected. I was precluded then from taking further steps towards opening my London season of 1882, fearing that the Company might be floated just as I started, in which case I should have to close up again.

In the meantime, fire insurances, poor rates, and taxes generally kept on acc.u.mulating, and although I notified that I was ready to hand over possession of the theatre, I still could get no reply. The consequence was that I had to pay all sorts of arrears whilst an action for ejectment was brought against me for having been a few days late in paying the fire insurance. My landlord, in order to keep his superior lease straight with the Woods and Forests, had also paid it, so that the Company received the money twice over. Considerable battles hereupon commenced in the law courts with a view of ejecting me from my theatre, and it was not till late in the season that the long-expected notification came that the Company had been floated.

The consideration I was to receive consisted of a payment of 2,500 in cash and 1,000 fully paid up 10 shares in the new Company. I need hardly inform the reader that I never saw one of the shares, and could never get them; whilst all the cash that I received was consumed in paying off the arrears of ground rent of Her Majesty's Theatre, insurance, etc., whilst I was waiting for the Company to be floated.

The main object of the Gyes and of the new Royal Italian Opera, Covent Garden, Limited, was to obtain possession of the new Metropolitan Opera-house, New York, which was then approaching completion. By the terms of my agreement with the Academy of Music in New York I was prohibited from parting with or a.s.signing my interest or any part thereof in that building during the remaining portion of my tenancy, which still had two years to run. The agreement in reference to my services for the next season at the Academy had to be drawn so as to make it appear that I had not in any way parted with my interest or any portion thereof; although by another agreement it was stipulated that I ran no pecuniary risks whatever in connection with the approaching season, simply receiving my personal expenses, my salary of 1,000 a year, and my 50 per cent. of the profits, while retaining, as. .h.i.therto, the sole direction of the whole concern.

On starting from Europe, the Royal Italian Opera Company, Limited, gave me a financial secretary to accompany me; and I was also a.s.sisted by Commander Gye as treasurer. I formed, as I considered, a most brilliant Company, which included Mdme. Adelina Patti, Mdlle. Savio, a new singer whom I had heard in Italy, Mdlle. Rossini, Mdlle. Minnie Hauk, Mdme.

Fursch-Madi, Mdlle. Dotti, Mdlle. Valleria, Mdlle. Zagury, Mdme.

Scalchi, Signori Mierzwinski, Ravelli, Campanini, Nicolini, Gala.s.si, Del Puente, and Durat, a Parisian baritone of some note. I augmented the strength of the chorus, and when on the point of publishing my prospectus I found that the general manager in London had added a Mdlle.

Berghi, without my knowledge, who on her appearance later on made probably the greatest _fiasco_ ever known in America. He also, however, added his wife, Mdme. Albani, whose brilliant talents added l.u.s.tre to the season. We began, therefore, in grand style, and had an enormous subscription.

The opera troupe arrived in New York early in October, and was met in the usual way by steamers and bands of music up the bay. These accompanied us to the wharf, where the party landed amidst great cheering.

Whilst on board I organized a grand opera concert, in which the whole of the princ.i.p.al singers and chorus took part, under the direction of Arditi, in aid of the Liverpool Sailors' Orphanage. The saloon was elegantly decorated for the occasion, and, without exception, every pa.s.senger aided the scheme by attendance and contributions. I directed the musical arrangements, whilst the prince of American orators, the Hon. Daniel Dogherty, presided. Over 50 was realized for the charity.

It was now announced by the Royal Italian Opera Company, Limited, that on the completion of the new Metropolitan Opera-house, which Gye felt so sure of obtaining, the Academy would be closed, so that a monopoly of Italian Opera would thus be established in New York.

The papers took the idea up warmly, but in a hostile spirit; the _Herald_ declaring in a leading article that if the Royal Italian Opera, Covent Garden, Limited, of London, ever expected to monopolize opera in America it was very much mistaken. The people in America, it stated, would heartily encourage them in all efforts to establish and maintain a first-cla.s.s Opera in New York; but when they talked of repeating the London proceeding by closing up either one of the existing Opera-houses for the purpose of monopolizing the business, they might as well understand that they were proposing a scheme which the American public would readily defeat. It was contended that New York was large enough for two Italian Opera-houses, and, if the performances in both were meritorious, both would be well supported.

Of course all the attention of the public was concentrated on the expected arrival of Patti, which in due course took place. There was the usual crowd on the wharf all night awaiting the ship's arrival. I had left orders for a telegram to be sent to me as soon as the vessel pa.s.sed Fire Island in order that I might be in time to dress and go down to one of the specially chartered steamers with Signor Franchi, Patti's agent, Commander Herbert Gye, and a party of artists and reporters, accompanied by military bands, fireworks, etc. The _Servia_ was out in the middle of the stream, and we steamed up alongside, when we saw Patti, who had been up since half-past four in the morning, in feverish anxiety to reach _terra firma_.

Our band struck up "G.o.d Save the Queen" and everyone bared his head; the Englishmen partly from traditional reverence, but most of those present from admiration of the lyric queen who had come for another reign to the delighted people of New York. Handshaking and greetings followed.

After we had got the Patti through the Custom House she was placed in a carriage and taken to the Windsor Hotel, the room being piled up with telegrams, cards, and bouquets. There was also a large set piece with the word "Welcome!" embroidered on it in roses. In the evening there was a midnight serenade in front of the Windsor Hotel, and ultimately _la Diva_ had to appear at the window, when orchestra and chorus, who were outside, performed the grand prayer from _I Lombardi_. After three hearty cheers for Adelina Patti people went home, and she was left in peace.

Mdme. Patti made her _debut_ a few days afterwards as "Lucia di Lammermoor," followed by the _Traviata_, etc. To describe in detail her success would be to repeat an oft-told tale.

Amongst the numberless inquiries at the box-office several were made as to how long Mdme. Patti remained on the stage in each of the different operas; and the newspapers busied themselves as to the number of notes she sang in each particular work; larger demands for seats being made on those evenings when she sang more notes. _La Traviata_ generally carried off the palm, perhaps because one journal had calculated the interest of the money accruing on her diamonds, whilst she was singing in that work.

A party of amateurs would buy a ticket between them, each one taking 20 minutes of the ticket and returning with the pa.s.s-out check to the next.

Lots were drawn to decide who was to go in first; and in the event of anyone overstaying his 20 minutes he had to pay for the whole ticket; correctness of time being the essence of the arrangement.

CHAPTER XIX.

NON-ARRIVAL OF SCALCHI--GENERAL INDISPOSITION--KING KALAKAUA ENn.o.bLES PATTI--RAVELLI CONSULTS HIS DOG--THE COMPANY VACCINATED--PATTI EATEN BY MICE--ARRIVAL OF ALBANI--CINCINNATI OPERA FESTIVAL OF '83--FREEDOM OF THE CITY.

I was getting very anxious about the arrival of Scalchi, who had never yet appeared in New York, and who had lately been singing in Rio Janeiro and at Buenos Ayres. It was not until the 20th November that I received notice of the sighting of her ship, the _Plato_, from Rio Janeiro, which at length arrived on the 24th, after a tempestuous voyage of twenty-two days. The vessel had been laden with coffee, hundreds of boxes of which had been thrown overboard to lighten it. Provisions running short, the pa.s.sengers had mostly to live on biscuit and coffee, so that Mdme.

Scalchi on her arrival was in a very feeble state; and in lieu of going down to the Academy to rehearsal, as I proposed, took to her bed and remained there for nearly a month. I was almost daily in attendance upon her.

Early in December I was within a very close shave of closing the theatre. The opera announced for the evening in question was _William Tell_. At about four o'clock I received a doctor's certificate from Mdlle. Dotti, who performed the princ.i.p.al female character, notifying me that she had been attacked with diphtheria. I therefore had to set about to find a subst.i.tute, having decided to give the opera anyhow. Shortly after a notification came from Mierzwinski, the tenor, who was also indisposed, though after a deal of trouble he promised to go on and do his best.

I was, however, compelled to change the opera to _Lucia di Lammermoor_, as the lady who had undertaken to replace the prima donna in _William Tell_ was in such a nervous state. There was no time for a rehearsal; I therefore decided to give _Lucia_ instead. On the notice being sent to Mdlle. Laura Zagury, the soprano, she informed me that although _Lucia_ was in the _repertoire_ she furnished me on her engagement she had never sung that _role_. The opera therefore had to be changed to _Aida_.

Orders had just been given to the various departments as to the scenery, dresses, music, etc., when the news came that Mdlle. Rossini, whom I had counted upon for the princ.i.p.al part, was lying ill at her house in Fifth Avenue.

I now changed the opera to _Rigoletto_; but Mdme. Zagury was not ready with the part of "Gilda," and absolutely refused to appear. _Les Huguenots_ was next announced, it being now half-past five. Everything was set in motion for the production of that opera, when Mdme.

Fursch-Madi declared her inability to a.s.sume the part of the heroine, as she had taken some medicine, believing that her services would not be required until the early part of the following week. Thereupon an attack was made on Mdme. Savio, who, however, regretted that she was unable to appear as "Valentine."

Nothing was left but to try _La Favorita_; but Signor Ravelli, who had just finished a _Carmen_ rehearsal, declared it would be utterly impossible for him to sing the _role_ of "Fernando." Then Minnie Hauk was sought for; but she was saving herself for her appearance in Brooklyn on the morrow, and distinctly declined.