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"Is anybody here?"
"Mrs. Morse and myself, that's all."
"No visitors at all?"
"No, sir."
"That's queer. Haven't seen anything of Mrs. Langmore's son to-day?"
The policeman shook his head. "You haven't seen him, have you?" he asked of the woman.
"No, and I don't want to see him," she answered tartly. "I don't want anybody to bother me," and she looked directly at the detective.
"I shan't bother you," was the quick reply. "But as I am working on behalf of Miss Langmore, and as this was her father's house and the one in which she lived, I think I shall take a look around," he went on, in a slightly stiffer voice.
"But orders--" began the policeman.
"You may go around with me, so that you can be sure I do not touch anything."
"Well, I dunno--" began the bluecoat.
His speech was cut short by the banging of a rear door, as the wind caught it. Mrs. Morse gave a cry.
"What was that? I didn't leave any door open!"
She ran to the rear of the mansion and the policeman followed. Adam Adams stepped to the front door and then out on the lawn. He was in time to see a man leap a side fence and start down the road. A moment later Charles Vapp was following the disappearing individual. The detective stepped into the house again.
"Well, that's mighty queer," muttered the policeman, as he came back.
"It is queer," answered Adam Adams, eying him sternly. "You had better explain it if you want to keep out of trouble."
"Explain what?" came from Mrs. Morse.
"You just told me that n.o.body was in the house."
"Well?"
"A man just left by the back door and ran away. Either you knew he was here or else you are not taking proper care of these premises."
"Why, sir--" began the woman, but then her eyes dropped before the steady gaze of the detective. "I--that is--"
"Who was that man? Come, answer me truthfully, or I shall report this, and let me say, my word will carry great weight."
"Oh, well, if you must know, it was Mr. Ostrello, Mrs. Langmore's son.
He wanted--er--some books he left here some time ago. I don't know why he left in such a hurry. Perhaps because he didn't wish to meet you."
"Then you admit you lied to me, do you?"
At this the woman broke down completely and began to cry. "I didn't want to do any wrong, sir. He said he wanted to get the books and he didn't want every Tom, d.i.c.k and Harry to know he was here--those are his own words. He's a very nice gentleman, and so--so--I said what I did."
"You let him go through the house?"
"He had that right. It was his mother's home, wasn't it?"
"Yet you didn't want me to go through."
"A relative is different."
"Nevertheless, I think I'll take a look around, now he has gone,"
returned Adam Adams.
To this the woman felt she could no longer object and the policeman merely shrugged his shoulders. From the pair the detective learned that the safe had been opened by an expert in the presence of the coroner and chief of police, who had then had the combination set to suit themselves.
A tour of the mansion brought nothing new to light and Adam Adams left by the back way and walked down to the brook. Then he leaped the stream and took to a narrow path leading through the woods beyond.
Deep in the woods he paused, to make several changes in his appearance, putting on a light wig and blue goggles and also an old-fashioned collar and necktie. Then he rubbed a little brown powder on his hands and face, rendering his complexion several shades darker than ordinary,
From a map of the county he had studied the surrounding roads thoroughly, and soon came out on a highway leading to Matlock Styles'
residence. He was more than ever interested in the Englishman and wondered what John Watkins, Tom Ostrello and Styles might have in common.
In the distance he presently beheld a house he knew must be the Styles place. There was a turn in the road and instead of going up to the house by the front way the detective leaped a fence and pa.s.sed through a wheatfield. Beyond this, and quite close to the house and the out-buildings, was a field planted with corn, between the rows of which were pumpkins and squashes.
He had hoped to gain the vicinity of the residence without being observed, as it was now growing darker, but he was not yet halfway through the cornfield when the deep baying of a mastiff burst upon his ear, coming nearer and nearer.
"Hullo! this is something I didn't bargain for," he muttered. He did not wish to shoot a valuable dog and at the same time he did not intend to run the risk of being bitten and perhaps torn to pieces.
He halted and drew his pistol, and a second later the dog burst into view. He was a full-blooded mastiff and a magnificent creature in every way. He came to a halt and showed his teeth, and presently his mate also appeared.
"Back there!" cried the detective. "Back, I say!" But the dogs only came closer, baying loudly and eying him in anything but a friendly fashion.
"Hi, there, Nelson!" came a voice from the other side of the cornfield.
"Hi, Queen, what's the matter?"
"Call off your dogs, unless you want me to shoot them!" exclaimed Adam Adams.
"Blast you, don't you shoot my dogs," was the answer, and in a moment more Matlock Styles put in an appearance. He carried a dog-whip and motioned the animals away. "Back, Nelson, you b.l.o.o.d.y brute! Back, Queen!" And both animals slunk to his rear.
"Thanks! I am glad you came," said Adam Adams, and slipped his pistol back into his pocket.
"Are you?" sneered the Englishman. "If you had killed one of those dogs you would have gotten into a mess, I can warrant. They are worth a hundred pounds--five hundred dollars--each."
"Great smoke! I'm glad I didn't touch 'em, sir. I couldn't pay for one leg," and the detective grinned.
"What are you doing in this field?"
"I thought I'd take a short-cut to the Knoxbury road. It's getting late and I want to get back to the tavern there."
"The Knoxbury road? Why, man, you're a good three miles out of your bloomin' way. The Knoxbury road isn't this way--it's over there," and Matlock Styles pointed with his whip.
"Is that so? Then I'm twisted. Too bad! I'm so dog tired I can't walk much further either."