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The Man Upstairs and Other Stories Part 36

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'Bob,' said the girl, as the first threatening mutters from the orchestra heralded an imminent storm of melody, 'when that boy comes tomorrow, what are going to do?'

'Call up the police.'

'No, but you must do something. We shouldn't have been here if it hadn't been for him.'

'That's true!' He pondered. 'I've got it; I'll get him a job with Raikes and Courtenay.'

'Why Raikes and Courtenay?'

'Because I have a pull with them. But princ.i.p.ally,' said Mr Ferguson, with a devilish grin, 'because they live in Edinburgh, which, as you are doubtless aware, is a long, long way from London.'

He bent across the table.

'Isn't this like old times?' he said. 'Do you remember the first time I ever ki--'

Just then the orchestra broke out.

THE GOOD ANGEL

Any man under thirty years of age who tells you he is not afraid of an English butler lies. He may not show his fear. Outwardly he may be brave--aggressive even, perhaps to the extent of calling the great man 'Here!' or 'Hi!' But, in his heart, when he meets that, cold, blue, introspective eye, he quakes.

The effect that Keggs, the butler at the Keiths', had on Martin Rossiter was to make him feel as if he had been caught laughing in a cathedral. He fought against the feeling. He asked himself who Keggs was, anyway; and replied defiantly that Keggs was a Menial--and an overfed Menial. But all the while he knew that logic was useless.

When the Keiths had invited him to their country home he had been delighted. They were among his oldest friends. He liked Mr Keith. He liked Mrs Keith. He loved Elsa Keith, and had done so from boyhood.

But things had gone wrong. As he leaned out of his bedroom window at the end of the first week, preparatory to dressing for dinner, he was more than half inclined to make some excuse and get right out of the place next day. The bland dignity of Keggs had taken all the heart out of him.

Nor was it Keggs alone who had driven his thoughts towards flight.

Keggs was merely a pa.s.sive evil, like toothache or a rainy day. What had begun actively to make the place impossible was a perfectly pestilential young man of the name of Barstowe.

The house-party at the Keiths had originally been, from Martin's view-point, almost ideal. The rest of the men were of the speechless, moustache-tugging breed. They had come to shoot, and they shot. When they were not shooting they congregated in the billiard-room and devoted their powerful intellects exclusively to snooker-pool, leaving Martin free to talk undisturbed to Elsa. He had been doing this for five days with great contentment when Aubrey Barstowe arrived. Mrs Keith had developed of late leanings towards culture. In her town house a charge of small-shot, fired in any direction on a Thursday afternoon, could not have failed to bring down a poet, a novelist, or a painter. Aubrey Barstowe, author of _The Soul's Eclipse_ and other poems, was a constant member of the crowd. A youth of insinuating manners, he had appealed to Mrs Keith from the start; and unfortunately the virus had extended to Elsa. Many a pleasant, sunshiny Thursday afternoon had been poisoned for Martin by the sight of Aubrey and Elsa together on a distant settee, matching temperaments. The rest is too painful. It was a rout. The poet did not shoot, so that when Martin returned of an evening his rival was about five hours of soul-to-soul talk up and only two to play. And those two, the after-dinner hours, which had once been the hours for which Martin had lived, were pure torture.

So engrossed was he with his thoughts that the first intimation he had that he was not alone in the room was a genteel cough. Behind him, holding a small can, was Keggs.

'Your 'ot water, sir,' said the butler, austerely but not unkindly.

Keggs was a man--one must use that word, though it seems grossly inadequate--of medium height, pigeon-toed at the base, bulgy half-way up, and bald at the apex. His manner was restrained and dignified, his voice soft and grave.

But it was his eye that quelled Martin. That cold, blue, dukes-have-treated-me-as-an-elder-brother eye.

He fixed it upon him now, as he added, placing the can on the floor.

'It is Frederick's duty, but tonight I hundertook it.'

Martin had no answer. He was dazed. Keggs had spoken with the proud humility of an emperor compelled by misfortune to shine shoes.

'Might I have a word with you, sir?'

'Ye-e-ss, yes,' stammered Martin. 'Won't you take a--I mean, yes, certainly.'

'It is perhaps a liberty,' began Keggs. He paused, and raked Martin with the eye that had rested on dining dukes.

'Not at all,' said Martin, hurriedly.

'I should like,' went on Keggs, bowing, 'to speak to you on a somewhat intimate subject--Miss Elsa.'

Martin's eyes and mouth opened slowly.

'You are going the wrong way to work, if you will allow me to say so, sir.'

Martin's jaw dropped another inch.

'Wha-a--'

'Women, sir,' proceeded Keggs, 'young ladies--are peculiar. I have had, if I may say so, certain hopportunities of observing their ways. Miss Elsa reminds me in some respects of Lady Angelica Fendall, whom I had the honour of knowing when I was butler to her father, Lord Stockleigh.

Her ladyship was hinclined to be romantic. She was fond of poetry, like Miss Elsa. She would sit by the hour, sir, listening to young Mr Knox reading Tennyson, which was no part of his duties, he being employed by his lordship to teach Lord Bertie Latin and Greek and what not. You may have noticed, sir, that young ladies is often took by Tennyson, hespecially in the summertime. Mr Barstowe was reading Tennyson to Miss Elsa in the 'all when I pa.s.sed through just now. _The Princess_, if I am not mistaken.'

'I don't know what the thing was,' groaned Martin. 'She seemed to be enjoying it.'

'Lady Angelica was greatly addicted to _The Princess_. Young Mr Knox was reading portions of that poem to her when his lordship come upon them. Most rashly his lordship made a public hexpose and packed Mr Knox off next day. It was not my place to volunteer advice, but I could have told him what would happen. Two days later her ladyship slips away to London early in the morning, and they're married at a registry-office. That is why I say that you are going the wrong way to work with Miss Elsa, sir. With certain types of 'igh spirited young lady hopposition is useless. Now, when Mr Barstowe was reading to Miss Elsa on the occasion to which I 'ave alluded, you were sitting by, trying to engage her attention. It's not the way, sir. You should leave them alone together. Let her see so much of him, and n.o.body else but him, that she will grow tired of him. Fondness for poetry, sir, is very much like the whisky 'abit. You can't cure a man what has got that by hopposition. Now, if you will permit me to offer a word of advice, sir, I say, let Miss Elsa 'ave all the poetry she wants.'

Martin was conscious of one coherent feeling at the conclusion of this address, and that was one of amazed grat.i.tude. A lesser man who had entered his room and begun to discuss his private affairs would have had reason to retire with some speed; but that Keggs should descend from his pedestal and interest himself in such lowly matters was a different thing altogether.

'I'm very much obliged--' he was stammering, when the butler raised a deprecatory hand.

'My interest in the matter,' he said, smoothly, 'is not entirely haltruistic. For some years back, in fact, since Miss Elsa came out, we have had a matrimonial sweepstake in the servants' hall at each house-party. The names of the gentlemen in the party are placed in a hat and drawn in due course. Should Miss Elsa become engaged to any member of the party, the pool goes to the drawer of his name. Should no engagement occur, the money remains in my charge until the following year, when it is added to the new pool. Hitherto I have 'ad the misfortune to draw nothing but married gentlemen, but on this occasion I have secured you, sir. And I may tell you, sir,' he added, with stately courtesy, 'that, in the opinion of the servants' hall, your chances are 'ighly fancied,--very 'ighly. The pool has now reached considerable proportions, and, 'aving had certain losses on the Turf very recent, I am extremely anxious to win it. So I thought, if I might take the liberty, sir, I would place my knowledge of the s.e.x at your disposal. You will find it sound in every respect. That is all. Thank you, sir.'

Martin's feelings had undergone a complete revulsion. In the last few minutes the butler had shed his wings and grown horns, cloven feet, and a forked tail. His rage deprived him of words. He could only gurgle.

'Don't thank me, sir,' said the butler, indulgently. 'I ask no thanks.

We are working together for a common hobject, and any little 'elp I can provide is given freely.'

'You old scoundrel!' shouted Martin, his wrath prevailing even against that blue eye. 'You have the insolence to come to me and--'

He stopped. The thought of these hounds, these demons, coolly gossiping and speculating below stairs about Elsa, making her the subject of little sporting flutters to relieve the monotony of country life, choked him.

'I shall tell Mr Keith,' he said.

The butler shook his bald head gravely.

'I shouldn't, sir. It is a 'ighly fantastic story, and I don't think he would believe it.'

'Then I'll--Oh, get out!'

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The Man Upstairs and Other Stories Part 36 summary

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