The Man of the Forest Part 49

"Roy, tell me what he did--what TOM did--or I'll scream," cried Bo.

"Miss Helen, did you ever see the likes of thet girl?" asked Roy, appealing to Helen.

"No, Roy, I never did," agreed Helen. "But please--please tell us what has happened."

Roy grinned and rubbed his hands together in a dark delight, almost fiendish in its sudden revelation of a gulf of strange emotion deep within him. Whatever had happened to Riggs had not been too much for Roy Beeman. Helen remembered hearing her uncle say that a real Westerner hated nothing so hard as the swaggering desperado, the make-believe gunman who pretended to sail under the true, wild, and reckoning colors of the West.

Roy leaned his lithe, tall form against the stone mantelpiece and faced the girls.

"When I rode out after Las Vegas I seen him 'way down the road," began Roy, rapidly. "An' I seen another man ridin' down into Pine from the other side. Thet was Riggs, only I didn't know it then. Las Vegas rode up to the store, where some fellars was hangin' round, an' he spoke to them. When I come up they was all headin' for Turner's saloon. I seen a dozen hosses. .h.i.tched to the rails. Las Vegas rode on. But I got off at Turner's an' went in with the bunch. Whatever it was Las Vegas said to them fellars, sh.o.r.e they didn't give him away. Pretty soon more men strolled into Turner's an' there got to be 'most twenty altogether, I reckon. Jeff Mulvey was there with his pards. They had been drinkin'

sorta free. An' I didn't like the way Mulvey watched me. So I went out an' into the store, but kept a-lookin' for Las Vegas. He wasn't in sight. But I seen Riggs ridin' up. Now, Turner's is where Riggs hangs out an' does his braggin'. He looked powerful deep an' thoughtful, dismounted slow without seein' the unusual number of hosses there, an'

then he slouches into Turner's. No more 'n a minute after Las Vegas rode down there like a streak. An' just as quick he was off an' through thet door."

Roy paused as if to gain force or to choose his words. His tale now appeared all directed to Bo, who gazed at him, spellbound, a fascinated listener.

"Before I got to Turner's door--an' thet was only a little ways--I heard Las Vegas yell. Did you ever hear him? Wal, he's got the wildest yell of any cow-puncher I ever beard. Quicklike I opened the door an' slipped in. There was Riggs an' Las Vegas alone in the center of the big saloon, with the crowd edgin' to the walls an' slidin' back of the bar. Riggs was whiter 'n a dead man. I didn't hear an' I don't know what Las Vegas yelled at him. But Riggs knew an' so did the gang. All of a sudden every man there sh.o.r.e seen in Las Vegas what Riggs had always bragged HE was.

Thet time comes to every man like Riggs.

"'What 'd you call me?' he asked, his jaw shakin'.

"'I 'ain't called you yet,' answered Las Vegas. 'I just whooped.'

"'What d'ye want?'

"'You scared my girl.'

"'The h.e.l.l ye say! Who's she?' bl.u.s.tered Riggs, an' he began to take quick looks 'round. But he never moved a hand. There was somethin' tight about the way he stood. Las Vegas had both arms half out, stretched as if he meant to leap. But he wasn't. I never seen Las Vegas do thet, but when I seen him then I understood it.

"'You know. An' you threatened her an' her sister. Go for your gun,'

called Las Vegas, low an' sharp.

"Thet put the crowd right an' n.o.body moved. Riggs turned green then. I almost felt sorry for him. He began to shake so he'd dropped a gun if he had pulled one.

"'Hyar, you're off--some mistake--I 'ain't seen no gurls--I--'

"'Shut up an' draw!' yelled Las Vegas. His voice just pierced holes in the roof, an' it might have been a bullet from the way Riggs collapsed.

Every man seen in a second more thet Riggs wouldn't an' couldn't draw.

He was afraid for his life. He was not what he had claimed to be. I don't know if he had any friends there. But in the West good men an' bad men, all alike, have no use for Riggs's kind. An' thet stony quiet broke with haw--haw. It sh.o.r.e was as pitiful to see Riggs as it was fine to see Las Vegas.

"When he dropped his arms then I knowed there would be no gun-play. An'

then Las Vegas got red in the face. He slapped Riggs with one hand, then with the other. An' he began to cuss him. I sh.o.r.e never knowed thet nice-spoken Las Vegas Carmichael could use such language. It was a stream of the baddest names known out here, an' lots I never heard of.

Now an' then I caught somethin' like low-down an' sneak an' four-flush an' long-haired skunk, but for the most part they was just the cussedest kind of names. An' Las Vegas spouted them till he was black in the face, an' foamin' at the mouth, an' hoa.r.s.er 'n a bawlin' cow.

"When he got out of breath from cussin' he punched Riggs all about the saloon, threw him outdoors, knocked him down an' kicked him till he got kickin' him down the road with the whole haw-hawed gang behind. An' he drove him out of town!"

CHAPTER XVIII

For two days Bo was confined to her bed, suffering considerable pain, and subject to fever, during which she talked irrationally. Some of this talk afforded Helen as vast an amus.e.m.e.nt as she was certain it would have lifted Tom Carmichael to a seventh heaven.

The third day, however, Bo was better, and, refusing to remain in bed, she hobbled to the sitting-room, where she divided her time between staring out of the window toward the corrals and pestering Helen with questions she tried to make appear casual. But Helen saw through her case and was in a state of glee. What she hoped most for was that Carmichael would suddenly develop a little less inclination for Bo. It was that kind of treatment the young lady needed. And now was the great opportunity. Helen almost felt tempted to give the cowboy a hint.

Neither this day, nor the next, however, did he put in an appearance at the house, though Helen saw him twice on her rounds. He was busy, as usual, and greeted her as if nothing particular had happened.

Roy called twice, once in the afternoon, and again during the evening.

He grew more likable upon longer acquaintance. This last visit he rendered Bo speechless by teasing her about another girl Carmichael was going to take to a dance. Bo's face showed that her vanity could not believe this statement, but that her intelligence of young men credited it with being possible. Roy evidently was as penetrating as he was kind.

He made a dry, casual little remark about the snow never melting on the mountains during the latter part of March; and the look with which he accompanied this remark brought a blush to Helen's cheek.

After Roy had departed Bo said to Helen: "Confound that fellow! He sees right through me."

"My dear, you're rather transparent these days," murmured Helen.

"You needn't talk. He gave you a dig," retorted Bo. "He just knows you're dying to see the snow melt."

"Gracious! I hope I'm not so bad as that. Of course I want the snow melted and spring to come, and flowers--"

"Hal Ha! Ha!" taunted Bo. "Nell Rayner, do you see any green in my eyes?

Spring to come! Yes, the poet said in the spring a young man's fancy lightly turns to thoughts of love. But that poet meant a young woman."

Helen gazed out of the window at the white stars.

"Nell, have you seen him--since I was hurt?" continued Bo, with an effort.

"Him? Who?"

"Oh, whom do you suppose? I mean Tom!" she responded, and the last word came with a burst.

"Tom? Who's he? Ah, you mean Las Vegas. Yes, I've seen him."

"Well, did he ask a-about me?"

"I believe he did ask how you were--something like that."

"Humph! Nell, I don't always trust you." After that she relapsed into silence, read awhile, and dreamed awhile, looking into the fire, and then she limped over to kiss Helen good night and left the room.

Next day she was rather quiet, seeming upon the verge of one of the dispirited spells she got infrequently. Early in the evening, just after the lights had been lit and she had joined Helen in the sitting-room, a familiar step sounded on the loose boards of the porch.

Helen went to the door to admit Carmichael. He was clean-shaven, dressed in his dark suit, which presented such marked contrast from his riding-garb, and he wore a flower in his b.u.t.tonhole. Nevertheless, despite all this style, he seemed more than usually the cool, easy, careless cowboy.

"Evenin', Miss Helen," he said, as he stalked in. "Evenin', Miss Bo. How are you-all?"

Helen returned his greeting with a welcoming smile.

"Good evening--TOM," said Bo, demurely.

That a.s.suredly was the first time she had ever called him Tom. As she spoke she looked distractingly pretty and tantalizing. But if she had calculated to floor Carmichael with the initial, half-promising, wholly mocking use of his name she had reckoned without cause. The cowboy received that greeting as if he had heard her use it a thousand times or had not heard it at all. Helen decided if he was acting a part he was certainly a clever actor. He puzzled her somewhat, but she liked his look, and his easy manner, and the something about him that must have been his unconscious sense of pride. He had gone far enough, perhaps too far, in his overtures to Bo.