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"But," I said, bewildered, "what is your object in coming to me? If Bronson will get them anyhow - "
She shut her fan with a click and her face was not particularly pleasant to look at.
"You are dense," she said insolently. "I want those papers - for myself, not for Andy Bronson."
"Then the idea is," I said, ignoring her tone, "that you think you have me in a hole, and that if I find those papers and give them to you you will let me out. As I understand it, our friend Bronson, under those circ.u.mstances, will also be in a hole."
She nodded.
"The notes would be of no use to you for a limited length of time," I went on, watching her narrowly.
"If they are not turned over to the state's attorney within a reasonable time there will have to be a nolle pros - that is, the case will simply be dropped for lack of evidence."
"A week would answer, I think," she said slowly. "You will do it, then?"
I laughed, although I was not especially cheerful.
"No, I'll not do it. I expect to come across the notes any time now, and I expect just as certainly to turn them over to the state's attorney when I get them."
She got up suddenly, pushing her chair back with a noisy grating sound that turned many eyes toward us.
"You're more of a fool than I thought you," she sneered, and left me at the table.
CHAPTER XXI Mc KNIGHT'S THEORY
I confess I was staggered. The people at the surrounding tables, after glancing curiously in my direction, looked away again.
I got my hat and went out in a very uncomfortable frame of mind. That she would inform the police at once of what she knew I never doubted, unless possibly she would give a day or two's grace in the hope that I would change my mind.
I reviewed the situation as I waited for a car. Two pa.s.sed me going in the opposite direction, and on the first one I saw Bronson, his hat over his eyes, his arms folded, looking moodily ahead. Was it imagination? or was the small man huddled in the corner of the rear seat Hotchkiss? As the car rolled on I found myself smiling. The alert little man was for all the world like a terrier, ever on the scent, and scouring about in every direction.
I found McKnight at the Incubator, with his coat off, working with enthusiasm and a manicure file over the horn of his auto.
"It's the worst horn I ever ran across," he groaned, without looking up, as I came in. "The blankety-blank thing won't blow."
He punched it savagely, finally eliciting a faint throaty croak.
"Sounds like croup," I suggested. "My sister-in-law uses camphor and goose greese for it; or how about a spice poultice?"
But McKnight never sees any jokes but his own. He flung the horn clattering into a corner, and collapsed sulkily into a chair.
"Now," I said, "if you're through manicuring that horn, I'll tell you about my talk with the lady in black."
"What's wrong?" asked McKnight languidly. "Police watching her, too?"
"Not exactly. The fact is, Rich, there's the mischief to pay."
Stogie came in, bringing a few additions to our comfort. When he went out I told my story.
"You must remember," I said, "that I had seen this woman before the morning of the wreck. She was buying her Pullman ticket when I did. Then the next morning, when the murder was discovered, she grew hysterical, and I gave her some whisky. The third and last time I saw her, until to-night, was when she crouched beside the road, after the wreck."
McKnight slid down in his chair until his weight rested on the small of his back, and put his feet on the big reading table.
"It is rather a facer," he said. "It's really too good a situation for a commonplace lawyer. It ought to be dramatized. You can't agree, of course; and by refusing you run the chance of jail, at least, and of having Alison brought into publicity, which is out of the question. You say she was at the Pullman window when you were?"
"Yes; I bought her ticket for her. Gave her lower eleven."
"And you took ten?"
"Lower ten."
McKnight straightened up and looked at me.
"Then she thought you were in lower ten."
"I suppose she did, if she thought at all."
"But listen, man." McKnight was growing excited. "What do you figure out of this? The Conway woman knows you have taken the notes to Pittsburg. The probabilities are that she follows you there, on the chance of an opportunity to get them, either for Bronson or herself.
"Nothing doing during the trip over or during the day in Pittsburg; but she learns the number of your berth as you buy it at the Pullman ticket office in Pittsburg, and she thinks she sees her chance. No one could have foreseen that that drunken fellow would have crawled into your berth.
"Now, I figure it out this way: She wanted those notes desperately - does still - not for Bronson, but to hold over his head for some purpose. In the night, when everything is quiet, she slips behind the curtains of lower ten, where the man's breathing shows he is asleep. Didn't you say he snored?"
"He did!" I affirmed. "But I tell you - "
"Now keep still and listen. She gropes cautiously around in the darkness, finally discovering the wallet under the pillow. Can't you see it yourself?"
He was leaning forward, excitedly, and I could almost see the gruesome tragedy he was depicting.
"She draws out the wallet. Then, perhaps she remembers the alligator bag, and on the possibility that the notes are there, instead of in the pocket-book, she gropes around for it. Suddenly, the man awakes and clutches at the nearest object, perhaps her neck chain, which breaks. She drops the pocket-book and tries to escape, but he has caught her right hand.
"It is all in silence; the man is still stupidly drunk. But he holds her in a tight grip. Then the tragedy.
She must get away; in a minute the car will be aroused. Such a woman, on such an errand, does not gowithout some sort of a weapon, in this case a dagger, which, unlike a revolver, is noiseless.
"With a quick thrust - she's a big woman and a bold one - she strikes. Possibly Hotchkiss is right about the left-hand blow. Harrington may have held her right hand, or perhaps she held the dirk in her left hand as she groped with her right. Then, as the man falls back, and his grasp relaxes, she straightens and attempts to get away. The swaying of the car throws her almost into your berth, and, trembling with terror, she crouches behind the curtains of lower ten until everything is still. Then she goes noiselessly back to her berth."
I nodded.
"It seems to fit partly, at least," I said, "In the morning when she found that the crime had been not only fruitless, but that she had searched the wrong berth and killed the wrong man; when she saw me emerge, unhurt, just as she was bracing herself for the discovery of my dead body, then she went into hysterics. You remember, I gave her some whisky.
"It really seems a tenable theory. But, like the Sullivan theory, there are one or two things that don't agree with the rest. For one thing, how did the remainder of that chain get into Alison West's possession?"
"She may have picked it up on the floor."
"We'll admit that," I said; "and I'm sure I hope so. Then how did the murdered man's pocket-book get into the sealskin bag? And the dirk, how account for that, and the blood-stains?"
"Now what's the use," asked McKnight aggrievedly, "of my building up beautiful theories for you to pull down? We'll take it to Hotchkiss. Maybe he can tell from the blood-stains if the murderer's finger nails were square or pointed."
"Hotchkiss is no fool," I said warmly. "Under all his theories there's a good hard layer of common sense. And we must remember, Rich, that neither of our theories includes the woman at Doctor Van Kirk's hospital, that the charming picture you have just drawn does not account for Alison West's connection with the case, or for the bits of telegram in the Sullivan fellow's pajamas pocket. You are like the man who put the clock together; you've got half of the works left over."
"Oh, go home," said McKnight disgustedly. "I'm no Edgar Allan Poe. What's the use of coming here and asking me things if you're so particular?"
With one of his quick changes of mood, he picked up his guitar.
"Listen to this," he said. "It is a Hawaiian song about a fat lady, oh, ignorant one! and how she fell off her mule."
But for all the lightness of the words, the voice that followed me down the stairs was anything but cheery.
"There was a Kanaka in Balu did dwell, Who had for his daughter a monstrous fat girl- he sang in his clear tenor. I paused on the lower floor and listened. He had stopped singing as abruptly as he had begun.
CHAPTER XXII AT THE BOARDING-HOUSE
I had not been home for thirty-six hours, since the morning of the preceding day. Johnson was not in sight, and I let myself in quietly with my latchkey. It was almost midnight, and I had hardly settled myself in the library when the bell rang and I was surprised to find Hotchkiss, much out of breath, in the vestibule.
"Why, come in, Mr. Hotchkiss," I said. "I thought you were going home to go to bed." "So I was, so I was." He dropped into a chair beside my reading lamp and mopped his face. "And here it is almost midnight, and I'm wider awake than ever. I've seen Sullivan, Mr. Blakeley."
"You have!"
"I have," he said impressively.
"You were following Bronson at eight o'clock. Was that when it happened?"
"Something of the sort. When I left you at the door of the restaurant, I turned and almost ran into a plain clothes man from the central office. I know him pretty well; once or twice he has taken me with him on interesting bits of work. He knows my hobby."
"You know him, too, probably. It was the man Arnold, the detective whom the state's attorney has had watching Bronson."
Johnson being otherwise occupied, I had asked for Arnold myself.
I nodded.
"Well, he stopped me at once; said he'd been on the fellow's tracks since early morning and had had no time for luncheon. Bronson, it seems, isn't eating much these days. I at once jotted down the fact, because it argued that he was being bothered by the man with the notes."
"It might point to other things," I suggested. "Indigestion, you know."
Hotchkiss ignored me. "Well, Arnold had some reason for thinking that Bronson would try to give him the slip that night, so he asked me to stay around the private entrance there while he ran across the Street and got something to eat. It seemed a fair presumption that, as he had gone there with a lady, they would dine leisurely, and Arnold would have plenty of time to get back."
"What about your own dinner?" I asked curiously.
"Sir," he said pompously, "I have given you a wrong estimate of Wilson Budd Hotchkiss if you think that a question of dinner would even obtrude itself on his mind at such a time as this."
He was a frail little man, and to-night he looked pale with heat and over-exertion.
"Did you have any luncheon?" I asked.
He was somewhat embarra.s.sed at that.
"I - really, Mr. Blakeley, the events of the day were so engrossing - "
"Well," I said, "I'm not going to see you drop on the floor from exhaustion. Just wait a minute."
I went back to the pantry, only to be confronted with rows of locked doors and empty dishes.
Downstairs, in the bas.e.m.e.nt kitchen, however, I found two unattractive looking cold chops, some dry bread and a piece of cake, wrapped in a napkin, and from its surrept.i.tious and generally hang-dog appearance, destined for the coachman in the stable at the rear. Trays there were none - everything but the chairs and tables seemed under lock and key, and there was neither napkin, knife nor fork to be found.
The luncheon was not attractive in appearance, but Hotchkiss ate his cold chops and gnawed at the crusts as though he had been famished, while he told his story.
"I had been there only a few minutes," he said, with a chop in one hand and the cake in the other, "when Bronson rushed out and cut across the street. He's a tall man, Mr. Blakeley, and I had had work keeping close. It was a relief when he jumped on a pa.s.sing car, although being well behind, it was a hard run for me to catch him. He had left the lady. "Once on the car, we simply rode from one end of the line to the other and back again. I suppose he was pa.s.sing the time, for he looked at his watch now and then, and when I did once get a look at us face it made me - er - uncomfortable. He could have crushed me like a fly, sir."
I had brought Mr. Hotchkiss a gla.s.s of wine, and he was looking better. He stopped to finish it, declining with a wave of his hand to have it refilled, and continued: "About nine o'clock or a little later he got off somewhere near Washington Circle. He went along one of the residence streets there, turned to his left a square or two, and rang a bell. He had been admitted when I got there, but I guessed from the appearance of the place that it was a boarding-house.
"I waited a few minutes and rang the bell. When a maid answered it, I asked for Mr. Sullivan. Of course there was no Mr. Sullivan there.
"I said I was sorry; that the man I was looking for was a new boarder. She was sure there was nosuch boarder in the house; the only new arrival was a man on the third floor - she thought his name was Stuart.
"'My friend has a cousin by that name,' I said. 'I'll just go up and see.'
"She wanted to show me up, but I said it was unnecessary. So after telling me it was the bedroom and sitting-room on the third floor front, I went up.
"I met a couple of men on the stairs, but neither of them paid any attention to me. A boarding-house is the easiest place in the world to enter."
"They're not always so easy to leave," I put in, to his evident irritation.
"When I got to the third story, I took out a bunch of keys and posted myself by a door near the ones the girl had indicated. I could hear voices in one of the front rooms, but could not understand what they said.
"There was no violent dispute, but a steady hum. Then Bronson jerked the door open. If he had stepped into the hall he would have seen me fitting a key into the door before me. But he spoke before he came out.
"'You're acting like a maniac,' he said. 'You know I can get those things some way; I'm not going to threaten you. It isn't necessary. You know me.'
"'It would be no use,' the other man said. 'I tell you, I haven't seen the notes for ten days.'
"'But you will,' Bronson said savagely. 'You're standing in your own way, that's all. If you're holding out expecting me to raise my figure, you're making a mistake. It's my last offer.'