The Makers of Modern Rome Part 21

Worse even than that--for Calixtus was a short-lived interruption, and perhaps might only have stopped the progress of events for some three years or so--Pope Nicolas's great plan, which was so complete, went out of sight, and was lost in the limbo of good intentions. His workmen were dispersed, and the fashion to which he had accustomed the world, changed. It was only resumed with earnestness after several generations, and never quite in the great lines which he had laid out.

Neither did the new Pope get his Crusade, which might have been a better thing. Yet Calixtus was a person _a.s.sai generoso_, Platina tells us; in any case he occupied his great post for a very short time.

His successor, Pius II., 1458, on the other hand, was such a man as might well have inherited the highest purpose. He is almost better known as Eneas Silvius, a famous traveller and writer--not the usual peasant monk without a surname as so many had been, but one of the Piccolomini of Sienna, a great house, though ruined or partially ruined in his day. He was a man who had travelled much, and was known at all the courts; at one time young, heretical, adventurous, and ready to pull down all authorities, the life and soul of that famous Council of Bale which took upon itself to depose Pope Eugenius; but not long after that outburst of independent youthfulness and energy was over, we find him filling the highest offices, the Legate of Eugenius and a very rising yet always much-opposed Cardinal. He it was who travelled to a remote and obscure little country called Scotland, in the Pope's name, to arrange matters there; and found the people very savage, digging stones out of the earth to make fires of them: but having plenty of fish and flesh, and surprisingly comfortable on the whole. He was one of the ablest men who ever sat on the Papal throne, but too reasonable, too moderate, too natural for the position. He loved literature, or at least he loved books, which is not always the same thing, and himself wrote a great many on various subjects; and he was so fortunate as to have the historian of the Popes, Platina--our guide, who we would have wished might live for ever--for his librarian, who was worth all the marble tombs in the world and all the epitaphs to a man whom he liked, and worse than any heathen conqueror to the man who was unkind to him.

Platina gives us a beautiful character of Pope Pius. He is very lenient to the faults of his youth, as indeed most historians are in respect to personages afterwards great, finding in their peccadilloes, we presume, a welcome and picturesque relief to the perfections that become a Pope. Yet Pius II. was never too perfect. He was a man who disliked the narrowness of a court, and loved the fresh air, and to give audience in his garden, and to eat his modest meal beside the tinkling of a fountain or under the shade of trees. He loved wit and a joke, and even gave ear to ridiculous things and to the excellent mimicry of a certain Florentine, who "took off" the courtiers and other absurd persons, and made his Holiness laugh. And he was hasty in temper, but bore no malice, and paid no attention to evil reports raised about himself. "He never punished those who spoke ill of him, saying that in a free city like Rome, every one should speak freely what he thought." He hated lying and story-tellers, and never made war unless he was forced to it. Whenever he was freed from the trials of business he took his pleasure in reading or in writing. "Books were more dear to him than sapphires or emeralds," says Platina, with a shrewd p.r.i.c.k by the way at his successor, Paul, as we shall afterwards see, "and he was used to say that his chrysolites and other jewels were all enclosed in them." He never took a meal alone if he could help it, but loved a lively companion, and to make his little feasts in his garden as we have said, shocking much the scandalised courtiers, who declared that no other Pope had ever done such a thing; for which Pope Pius cared nothing at all. He wrote upon all kinds of subjects; from a grammar which he made for the little King of Hungary, to histories of various kingdoms, and philosophical disquisitions.

Indeed the list of his subjects is like that of a series of popular lectures in our own day. "He wrote many books in dialogue--upon the power of the Council of Bale, upon the sources of the Nile, upon hunting, upon Fate, upon the presence of G.o.d." If he had been a University Extension lecturer, he could scarcely have been more many-sided. And he wrote largely upon peace, no less than thirty-two orations "upon the peace of kings, the concord of princes, the tranquillity of nations, the defence of religion, and the quiet of the world." There was neither peace among kings, concord among princes, nor tranquillity among nations when Pope Pius delivered and collected his orations. They ought to have had all the greater effect; but we fear he was too wise a man to put much faith in any immediate result.

His greatest work, however, was his _Commentaries_, an enlarged and philosophical study of his own times, which he did not live long enough to finish.

This Pontiff carried on the work of his predecessor more or less, but without any great zeal for it. "He collected ma.n.u.scripts, but with discretion; he built, but it was in moderation," Bishop Creighton says. Platina, with more warmth, tells us that "he took great delight in building," but he seems to have confined himself to his own immediate surroundings, working at the improvement of St. Peter's, building a chapel, putting up a statue, restoring the great flight of stairs which then as now led up to the portico which previous Popes had adorned; and adding a little to the defences and decoration of the Vatican. He is suspected of having had a guilty liking for the Gothic style in architecture which greatly shocked the Roman _dilettanti_; and certainly expressed his admiration for some of the great churches in Germany with enthusiasm. One great piece of architectural work he did, but it was not at Rome. It was in the headquarters of his family at Sienna, and specially in the little adjacent town of Corsignano, where he was born, one of those little fortified villages which add so much to the beauty of Italy. This little place he made glorious with beautiful buildings, forgetting his native wisdom and discretion in the foolishness of that narrow but intense patriotism which bound the Italian to his native town, and made it the joy of the whole earth to his eyes. It gives a charm the more to his interesting character that he should have been capable of such a folly; though not perhaps that he should have changed its name to Pienza, a reflection of his own pontifical name.

With this, however, we have nothing to do, and not very much altogether with the great Piccolomini, though he is one of the most interesting and sympathetic figures which has ever sat upon the papal throne. His death was a strange and painful conclusion to a life full of work, full of admirable sense and intelligence without exaggeration or pretence. He followed the policy of his predecessors in desiring to inst.i.tute a Crusade, one more strenuously called for perhaps than any which preceded it, since Constantinople had now fallen into the hands of the Turks, and Christendom was believed to be in danger. It is scarcely possible to imagine that his full and active life should have been much occupied by this endeavour: nor can we think that this great spectator and observer of human affairs was consumed with anxiety in respect to a danger about which the civilised world was so careless: but in the end of his life he seems to have taken it up with tragical earnestness, perhaps out of compunction for previous indifference. The impulse which once moved whole nations to take the cross had died out; and not even the sight of the beautiful metropolis of Eastern Christianity fallen into the hands of the infidel, and so splendid a Christian temple as St. Sophia turned into a mosque had power to rouse Europe. The King of Hungary was the only monarch who showed any real energy in the matter, feeling his own safety imperilled, and Venice, also for the same reason, was the only great city; and except in these quarters the remonstrances and entreaties of Pius had no success. In these circ.u.mstances the Pope called his court about him and announced to them the plan he had formed, a most unlikely plan for such a man, yet possible enough if there was any remorseful sense of carelessness in the past. The Duke of Burgundy had promised to go if another prince would join him. The Pope determined that in the absence of any other he himself would be that prince. Old as he was, and sick, and no warrior, and perhaps with but little of the zeal which makes such a self-devotion possible, he would himself go forth to repel the infidel. "We do not go to fight," he said, with faltering voice. "We will imitate those who, when Israel fought against Amalek, prayed on the mountain. We will stand on the prow of our ship or upon some hill, and with the holy Eucharist before our eyes, we will ask from our Lord victory for our soldiers." After a pause of alarm and astonishment the Cardinals consented, and such preparations as were possible were made.

It was published throughout all Christendom that the Pope was to sail from Ancona at a certain date, and that every one who could provide for the expenses of the journey should meet him there. He invited the old Doge of Venice to join with himself and the Duke of Burgundy, also an old man. "We shall be three old men," he said, "and our trinity will be aided by the Trinity of Heaven." A kind of sublimity was in the suggestion, a sublimity almost trembling on the borders of the ridiculous; for the enterprise was no longer one which accorded with the spirit of the time, and all was hesitation and difficulty. A miscellaneous host crowded to Ancona, where the Pope, much suffering, was carried in his litter, quite unfit for a long journey; but the most of them had no money and had to be sent back; and the Venetian galleys engaged to transport those who were left did not arrive till the pilgrims had waited long, and were worn out with delay and confusion. They arrived at last a day or two before Pope Pius died, when he was no longer capable of moving--and with his death the ill-fated Crusade fell to pieces and was heard of no more. It was the most curious end, in an enthusiasm founded upon anxious calculation, of a man who was never an enthusiast, whose eyes were always too clear-sighted to permit him to be led away by feeling, a man of letters and of thought, rather than of romantic-solemn enterprises or the zeal of a martyr. That he was a kind of martyr to the strong conviction of a danger which threatened Christendom, and the forlorn hope of repelling it, there can be no doubt.

Pius II. was succeeded in 1464 by Paul II., also in his way a man of more than usual ability and note. He was a Venetian, the nephew of the last Venetian Pope, Eugenius; and it was he who built, to begin with, the fine palace still called the Palazzo Venezia, with which all visitors to Rome are so well acquainted. It was built for his own residence during his Cardinalate, and remained his favourite dwelling, a habitation still very much more in the centre of everything, as we say, than the remote and stately Vatican. The reader will easily recall the imposing appearance of this fine building, placed at the end of the straight street--the chief in Rome--in which were run the many races which formed part of the carnival festivities, a recent inst.i.tution in Pope Paul's day. The street was called the Corso in consequence; and it is not long since the last of these races, one of horses without riders, was abolished. The Palazzo Venezia commanded the long straight street from its windows, and all the humours and wonders of the town, in which the Pope took pleasure. It was Paul's fate to make himself an implacable enemy in the often contemned, but--as regards the place in history of either pope or king--all-important cla.s.s of writers, which it must have seemed ridiculous indeed for a Sovereign Pontiff to have kept terms with, on account of any power in their hands. But this was a shortsighted conclusion, unworthy the wisdom of a Pope. And the result of the Pontiff's ill-treatment of the historian Platina, to whom we are so much indebted, especially for the lives of those Popes who were his contemporaries, has been a lasting stigma upon his character, which the researches of the impartial critics of a later age have shown to be partly without foundation, but which until quite recently was accepted by everybody. In this way a writer has a power which is almost absolute. We have seen in our own days a conspicuous instance of this in the treatment by Mr. Froude of the life of Thomas Carlyle.

Numbers of Carlyle's friends made instant protest against the view taken by his biographer; but they did so in evanescent methods--in periodical literature, the nature of which is to die after it has had its day--while a book remains. Very likely many of Pope Paul's friends protested against the coolly ferocious account of his life given by the aggrieved and revengeful author; but it is only quite recently, in the calm of great distance, that people have come to think--charitably in respect to Pope Paul II.--that perhaps Platina's strictures might not be true.

Platina, however, had great provocation. He was one of the disciples of the famous school of Humanists, the then new school of learning, literature, and criticism, which had arisen under the papacy and patronage of Pope Nicolas V., and had continued to exist, though with less encouragement, under his successors. Pius II. had not been their patron as Nicolas was, but he had not been hostile to them, and his tastes were all of a kind congenial to their work. But Paul looked coldly upon the group of contemptuous scholars who had made themselves into an academy, and vapoured much about cla.s.sical examples and the superiority of ancient times. He had no quarrel with literature, but he persuaded himself to believe that the academy which talked and masqueraded under cla.s.sic names, and played with dangerous theories of liberty, and criticism of public proceedings, was a nest of conspirators and heretics scheming against himself. There was no foundation whatever for his fears, but that mattered little in those arbitrary days. This is Platina's own account of the matter:

"When Pius was dead and Paul created in his place, he had no sooner grasped the keys of Peter, than he proceeded--whether in consequence of a promise to do so, or because the decrees and proceedings of Pius were odious to him--to dismiss all the officials elected by Pius, on the ground that they were useless and ignorant (as he said): and deprived them of their dignity and revenues without permitting them to say a word in their own defence, though they were men who for their erudition and doctrine had been gathered together from all the ends of the world, and attracted to the court of Rome by the promise of great reward. The College was full of men of letters and virtuous persons learned in the law both divine and human. Among them were poets and orators who gave no less ornament to the court than they received from it. Paul sent them all away as incapable and as strangers, and deprived them of everything, although those who had bought their offices were allowed to retain them. Those who suffered most attempted to dissuade him from this intention, and I, who was one of them, begged earnestly that our cause might be committed to the judge of the Rota. Then he fixed on me his angry eyes. 'So,' he said, 'thou wouldst appeal to other judges against the decision we have made! Know ye not that all justice and law are in the casket of our bosom? Thus I will it to be. Begone, all of you! for, whatever you may wish I am Pope, and according to my pleasure can make and unmake.'"

After hearing this determined a.s.sertion of right, the displaced scholars withdrew, but continued to plead their cause by urgent letters, which ended at last in an unwise threat to make the continental princes aware how they were treated, and to bring about the Pope's ears a Council, to which he would be obliged to give account. The word Council was to a Pope what the red flag is to a bull, and in a transport of rage Paul II. threw Platina into prison.

He never in his life did a more foolish thing. The historian was kept in confinement for two years, and pa.s.sed one long winter without fire, subjected to every hardship; but finally was set free by the intercession of Cardinal Gonzaga, and remained, by order of the Pope, under observation in Rome, where watching with a vigilant eye all that went on, he laid up his materials for that brief but scathing biography of Paul II. which forms one of the keenest effects in his work, and from which the Pope's memory has never recovered. It is a dangerous thing to provoke a man of letters who has a keen tongue and a gift of recollection, especially in those days when such men were not so many as now.

Nevertheless Platina did a certain justice to his persecutor. "He built magnificently," he says, "splendidly in St. Marco, and in the Vatican." The Church of St. Marco is close to the Palazzo Venezia where Paul chiefly lived; he had taken his t.i.tle as Cardinal from his native saint. Both in St. Peter's and in the Vatican he carried on the works begun by his predecessors, and though he was unkind to the scholars, he was not so in every case. "He expended his money liberally enough," says Platina, "giving freely to poor Cardinals and bishops, and to princes and persons of n.o.ble houses when cast out of their homes, and especially to poor women and widows, and the sick who had no one else to think of them. And he also took great trouble to secure that corn and other things necessary to life should be furnished in abundance, and at lower prices than had been known ever before." These were good and n.o.ble qualities which his enemy did not attempt to disguise.

The special service done by Pope Paul to the city would seem, however, to have been the restoration of some of those ancient monuments which belonged to imperial Rome, of which none of his predecessors had made much account. If he still helped himself freely, like them, from the great reservoir of the Colosseum, he bestowed an attention and care, which they had not dreamed of, upon some of the great works of cla.s.sic art, the arches of t.i.tus and of Septimus Severus in particular, and the famous statue of Marcus Aurelius. M. Muntz comments with much spirit on the reason why this Pope's works of restoration have been so little celebrated. His taste was toward sculpture rather than painting. "To the eyes of the world," says the historian of the arts, "the smallest fresco is of more account than the finest monuments of architecture, or of sculpture. Nicolas V. did better for his fame in engaging Fra Angelico than in undertaking the reconstruction of St.

Peter's. Pius II. owes a sort of posthumous celebrity to the paintings in the library of the cathedral of Sienna."

The same cla.s.sical tastes of which he thus gave token made Pope Paul a great collector of bronzes, cameos, medals, intaglios, the smaller precious objects of ancient art; the love of which he was the first to bring back as a special study and pursuit. His collection of these was wonderful for his time, and great for any time. All the other adornments of ancient art were dear to him, and his palace, which, after all, is his most complete memorial in Rome, was adorned like a bride with every kind of glory in carved and inlaid work, in vessels of gold and silver, embroideries and tapestries. He had the still more personal and individual characteristic of a love for fine clothes, which the gorgeous costumes of the popedom permitted him to indulge in to a large extent: and jewels, which he not only wore like an Eastern prince, but kept about him unset in drawers and cabinets for his private delight, playing with them, as Platina tells us, in the silent hours of the night. Some part at least of these magnificent tastes arose no doubt from the fact that he was himself a magnificent specimen of manhood, so distinguished in personal appearance that he had the nave vanity of suggesting the name of Formosus for himself when elected Pope, though he yielded the point to the scandalised remonstrances of the Cardinals. This simplicity of self-admiration, so undoubting as to be almost a moral quality, no doubt gave meaning to the glorious mitres and tiara encrusted with the richest jewels, which it gave him so much pleasure to wear, and which take rank with the other great embellishments of Rome, though their object was more personal than official. The habits of his life were strange, for he slept during the day, and performed the duties of life during the night, the reason a.s.signed for this being that he was tormented by a cough which prevented him from sleeping at the usual hours. "It was difficult to come to speech of him," Platina says, for this reason.

"And when, after long waiting, he opened the door, you were obliged rather to listen than to speak; for he was very copious and long in speaking. In everything he desired to be thought astute, and therefore his conversation was in very intricate and ambiguous language He liked many sorts of viands on his table, all of the worst taste; and took much pleasure in eating melons, crawfish, pastry, fish, and salt pork, from which, I believe, came the apoplexy from which he died."

Thus the prejudices of his enemy penetrated the most private details of the Pope's life. The venom of hatred defeats itself and becomes ridiculous when carried so far.

His fine collection was seized by his successor and broken up, as is the fate of such treasures; and his works in St. Peter's, as we shall see, had much the same fate, along with the great works of his predecessor for the embellishment of the same building, all of which perished or were set aside in the fever of rebuilding which ensued.

But there is still a sufficient memorial of him in the sombre magnificence of his Venetian palace, to recall to us the image of a true Renaissance Pope, mingling the most exquisite tastes with the rudest, the perfection of personal vanity--for he loved to see himself in a procession, head and shoulders over all the people--with the likings of a gondolier. Thus we see him in the records of his contemporaries, watching from his windows the strange sports in the long street newly named the Corso, races of men and of horses, and carnival processions accompanied by all the c.u.mbrous and coa.r.s.e humour of the period; or a stranger sight still, seated by night in his cabinet turning over his wealth of sparkling stones, enjoying the glow of light in them and twinkle of many colours, while the big candles flared, or a milder light shone from the beaks of the silver lamps.

Notwithstanding which strange humours, tastes, and vanities, he remains in all these records a striking and remarkable figure, no intellectualist, but an effective and notable man.

[Ill.u.s.tration: PIAZZA COLONNA.

_To face page 564._]

It is not the intention of these chapters to enter at all into the political life of the Popes of this period. They were still a power in Christendom, perhaps no less so that the Papacy had ceased to maintain those great pretensions of being the final arbiter in all disputes among the nations. But the papal negotiations, as always, came to very little when not aided by the events which are in no man's hand.

Matthias of Hungary, though supported by all the influence and counsels of Pope Paul, made little head against the heretical George Podiebrad of Bohemia, until death suddenly overtook that prince, and left a troubled kingdom without a head, at the mercy of the invaders, an event such as constantly occurred to overturn all combinations and form the crises of history under a larger providence than that of human effort. And Paul no more than Pius could move Christendom against the Turk, or form again, when all its elements had crumbled, and the inspiration of enthusiasm was entirely gone, a new crusade. So far as our purpose goes, however, the Venetian Palace, the Church of St. Marco attached to it, and certain portions of the Vatican, better represent the life of this Pope, to whom the picturesque circ.u.mstances of his life and the rancour of a disappointed man of letters have given a special place of his own in the long line, than any summary we could give of the agitated sea of continental politics. The history of Rome was working up to that climax, odious, dazzling, and terrible, to which the age of the Renaissance, with all its luxury, its splendour, and its vice, brought the great city, and even the Church so irrevocably bound to it. Nicolas, Pius, and Paul at the beginning of that period, yet but little affected by its worst features, give us a pause of satisfaction before we get further. They were very different men. Pope Nicolas, with his crowd of copyists forming a ragged regiment after him, and the noise of all the workshops in his ears; and Paul, alone in his chamber pouring from one hand to another the stream of glowing and sparkling jewels which threw out radiance like the waterways of his own Venice under the light, afford images as unlike as it is possible to conceive; while the wise and thoughtful Pius, with those eyes "which had kept watch o'er man's mortality,"

stands over both, the perennial spectator and commentator of the world. They were all of one mind to glorify Rome, to make her a wonder in the whole earth, as Jerusalem had been, if not to pave her streets with gold, yet to line them with n.o.ble edifices more costly than gold, and to build and adorn the first of Christian churches, the shrine to which every Christian came. Alas! by that time it was beginning to be visible that all Christians would not long continue to come to the one shrine, that the pictorial age of symbols and representations was dying away, and that Rome had not learned at all how to meet that great revolution. It was not likely to be met by even the most splendid restoration of the fated city, any more than the necessities of the people were to be met by those other resurrections of inst.i.tutions dead and gone, attempted by Rienzi, and his still less successful copyist Porcaro; but how were these men to know? They did their best, the worst of them not without some n.o.ble meaning, at least at the beginning of their several careers; but they are all reduced to their place, so much less important than they believed, by the large sweep of history, and the guidance of a higher hand.

Paul II. died in August 1471. Another order of man now succeeded these remarkable personages, the first of the line of purely secular princes, men of the world, splendid, unprincipled, and more or less vicious, although in this case it is once more a peasant, without so much as a surname, Sixtus IV., who takes his place in the scene, and who has left his name more conspicuously than any of his predecessors upon the later records of Rome. So far as the reader is concerned, the inscription at the end of the life of Pope Paul is a more melancholy one than anything that concerns that Pope. "Fin qui, scrisse il Platina," says the legend. We miss in the after-records his individual touch, the hand of the contemporary, in which the frankness of the chronicler is modified by the experience and knowledge of an educated mind. The work of Panvinio, _scriba del Senato e popolo Romano_, who completes the record, is without the same charm.

We have said that Pope Sixtus IV. was a man without a surname, Francesco of Savona, his native place furnishing his only patronymic: but there was soon found for him--probably for the satisfaction of the nephews who took so large a place in his life--a name which bore some credit, that of a family of gentry in which it is said the young monk had fulfilled the duties of tutor in the beginning of his career. By what imaginary pedigree this was brought about we are not told; but it is unlikely that the real della Roveres would reject the engrafting of a great Pope into their stock, and it soon became a name to conjure with throughout Italy. Although he also vaguely made proposals about a Crusade, and languidly desired to drive back the Turk, he was a man much more interested in the internal squabbles of Italy, and in his plans for endowing and establishing his nephews, than in any larger purpose. But he was also a man of boundless energy and power, cooped up for the greater part of his life, but now bursting forth like the strong current of a river. Whether it was from a natural inclination towards beauty and splendour, or because he saw it to be the best way in which to distinguish himself and make his own name as well as that of his city glorious, matters little to the result. He was, in the fullest sense of the words, one of the chiefest of the Popes who made the modern city of Rome, as still existing and glorious in the sight of all the world.

It was still a confused and disorderly place, in which narrow streets and tortuous ways, full of irregularities and projections of all kinds, threaded through the large and pathetic desert of the ancient city, leaving a rim of ruin round the too-closely cl.u.s.tered centre of life where men crowded together for security and warmth after the custom of the mediaeval age--when Sixtus began to reign; and this it was which specially impressed King Ferdinand of Naples when he paid his visit to the Pope in the year 1475, and had to be led about by Cardinals and other high officials, sometimes, it would appear, by his Holiness himself, to see the sights. The remarks he made upon the town were very useful if not quite civil to the seat of Roman influence and authority. Infessura gives this little incident vividly, so that we almost see the streets with their outer stairs crowded with bystanders, their balconies laden with bright tapestries and fair women, and every projecting gable and pillared doorway pushing out into the pavement at its own unfettered will. The course of sightseeing followed by the King, conducted by the Pope and Cardinals, is fully set forth in these quaint pages. King Ferrante came to make his devotions _allo perdono_, probably the Jubilee of 1475, and offered to each of the three churches of St. Peter, St. John Lateran, and St. Paul, a pallium of gold for each, besides many other gifts.

"He went over all Rome to see the great buildings, and to Santa Maria Rotonda, and the columns of Antonius and of Trajan; and every man did him great honour. And when he had seen all these things he turned back to the palace, and talking to Pope Sixtus said that he (the Pope) could never be the lord of the place, nor ever truly reign over it, because of the porticoes and balconies which were in the streets; and that if it were ever necessary to put men at arms in possession of Rome the women in the balconies, with small bombs, could make them fly; and that nothing could be more easy than to make barricades in the narrow streets; and he advised him to clear away the balconies and the porticoes and to widen the streets, under pretence of improving and embellishing the city. The Pope took this advice, and as soon as it was possible cast down all those porticoes, and balconies, and widened the ways under pretence of improving them. And the said King remained there three days, and then went away."

This story and the spirit in which the suggestion was made recall Napoleon's grim whiff of grapeshot, and the policy which has made the present Paris a city of straight lines which a battery of artillery could clear in a moment, instead of all the elbows and corners of the old picturesque streets. Pope Sixtus appreciated the suggestion, knowing how undisciplined a city he had to deal with, and what a good thing it might be to fill up those hornets' nests, with all their capabilities of offence. Probably a great many picturesque dwellings perished in the destruction of those centres of rebellion, which recall to us so vividly the scenes in which Rienzi the tribune fluttered through his little day, and which were continually filled with the rustle and tumult of an abounding populace. We cannot be so grateful to King Ferdinand, or so full of praise for this portion of the work of Pope Sixtus, as were his contemporaries, though no doubt it gave to us almost all the leading thoroughfares we know. It was reserved for his kinsman-Pope to strike Rome the severest stroke that was possible, and commit the worst of iconoclasms; but we do not doubt that the destruction of the porches, and stairheads, and balconies must have greatly diminished the old-world attraction of a city--in which, however, it was the mediaeval with all its irregularities that was the intruder, while what was new in the hand of Sixtus and his architects linked itself in sympathy with the most ancient, the originator yet survivor of all.

It was with the same purpose and intentions that the Pope built in place of the Ponte Rotto--which had lain long in ruins--a bridge over the Tiber, which he called by his own name, and which still remains, affording a second means of reaching the Borgo and the Sanctuaries, as a relief to the bridge of St. Angelo, upon which serious accidents were apt to happen by reason of the crowd. Both the chroniclers, Infessura and Panvinio, the continuator of Platina, describe the bridge as being a rebuilding of the actual Ponte Rotto itself. "It was his intention to mend this bridge," says the former authority, and he takes the opportunity to point out the presumptuous and proud attempt of Sixtus to preserve his own name and memory by it, a fault already committed by several of his predecessors; "he accordingly descended to the river and placed in the foundations by the said bridge a square stone on which was written: _Sixtus Quartus Pontifex Maximus fecit fieri sub Anno Domini 1473_. Behind this stone the Pope placed certain gold medals bearing his head, and afterwards built that bridge, which after this was no longer called _Ponte Rotto_, but _Ponte Sisto_, as is written on it." It is a wonderful point of view, commanding as it does both sides of the river, St. Peter's on one hand and the Palatine on the other, with all the ma.s.s of buildings which are Rome. The _Scritte_ on the Ponte Sis...o...b..gs the prayers of the pa.s.ser-by for its founder, who certainly had need of them both for his achievements in life and in architecture. There is still, however, a Ponte Rotto further up the stream.

Besides the work of widening the streets, which necessitated much pulling down and rebuilding of houses, and frequent encounters with the inhabitants, who naturally objected to proceedings so summary--and removing the excrescences, balconies, and porticoes, "which occupied, obscured, and made them ugly (_brutte_) and disorderly:" Pope Sixtus rebuilt the great Hospital of the Santo Spirito, which had fallen into disrepair, providing shelter in the meantime for the patients who had to be removed from it, and arranging for the future in the most grandfatherly way. This great infirmary is also a foundling hospital, and there was a large number of children to provide for. "Seeing that many children both male and female along with their nurses were thrown out on the world, he a.s.signed them a place where they could live, and ordained that the marriageable girls should be portioned and honestly married, and that the others who would not marry should become the nurses of the sick. He also arranged that there should be (in the new hospital) more honourable rooms and better furnished for sick gentle-folks, so that they might be kept separate from the common people": an arrangement which is one of the things (like so many ancient expedients) on which we now pride ourselves as an invention of our own age, though the poor gentle-folks of Pope Sisto were not apparently made to pay for their privileges. This hospital in some of its details is considered the most meritorious of the Pope's architectural work.

Sixtus IV. was a man of the most violent temper, which led him into some curious scenes which have become historical. When one of the unfortunate proprietors of a house which stood in the way of his improvements resisted the workmen, Sixtus had him cast into prison on the moment, and savagely stood by to see the house pulled down before he would leave the spot. He delighted, the chroniclers say, in the ruins he made. A more tragic instance of his rage was the judicial murder of the Protonotary Colonna, who paid with his life for crossing the will of the Pope. But this masterful will and impetuous temper secured an incredible swiftness in the execution of his work.

The prudent suggestion of Ferdinand resulted in the clearance of those straight streets which led from the Flaminian Gate--now called the Porta del Popolo, which Sixtus built or restored, as well as the church of Sta. Maria del Popolo, which stands close by--to all the princ.i.p.al places in the city; the Corso being the way to the Capitol, the Ripetta to St. Angelo and the Borgo. He repaired once more the church and ancient palace of the Lateran, which had so long been the home of the Popes, and was still formally their diocesan church to which they went in state after their election. It is unnecessary, however, to give here a list of the many churches which he repaired or rebuilt. His work was Rome itself, and pervaded every part, from St.

Peter's and the Vatican to the furthest corners of the city. The latter were, above all, the chief objects of his care, and he seems to have taken up with even a warmer ardour, if perhaps with a less cultivated intelligence, the plan of Nicolas V. in respect to the Palace at least. Like him he gathered a crowd of painters, chiefly strangers, around him, so that there is scarcely a great name of the time that does not appear in his lists; but he managed these great craftsmen personally like a slave-driver, pushing them on to a breathless speed of execution, so that the works produced for him are more memorable for their extent than for their perfection.

The fame of a sanitary reformer before his time seems an unlikely one for Pope Sixtus, yet he seems to have had no inconsiderable right to it. _Nettare_ and _purgare_ are two words in constant use in the record of his life. He restored to efficient order the Cloaca Maxima.

He brought in, a more beautiful office, the Acqua Vergine, a name of itself enough to glorify any master-builder, "remaking," says the chronicler, "the aqueducts, which were in ruins, from Monte Pincio to the fountain of Trevi." Here is perhaps a better reason for blessing Pope Sixtus than even his bridge, for those splendid and abundant waters which convey coolness and freshness and pleasant sound into the very heart of Rome were brought hither by his hand, a gift which may be received without criticism, for not upon his name lies the guilt of the prodigious construction, a creation of the eighteenth century, through which they now flow. The traveller from the ends of the earth who takes his draught of this wonderful unfailing fountain, rejoicing in the sparkle and the flow of water so crystal-clear and cold even in the height of summer, and hoping to secure as he does so his return to Rome, may well pour a libation to Papa Sisto, who, half pagan as they all were in those days, would probably have liked that form of recollection quite as much as the prayers he invokes according to the formal requirements of piety and the custom of the Church. However, they found it quite easy to combine the two during that strange age.

The chief thing of all, however, which perpetuates the name of Sixtus is the famous Sistine chapel, although its chief attraction is not derived from anything ordained by him. Some of the greatest names in art were concerned in its earlier decorations--Perugino, Botticelli, Ghirlandajo, along with many others. Michael Angelo was not yet, neither had Raphael appeared from the Umbrian _bottega_ with his charm of grace and youth. But the Pope collected the greatest he could find, and set them to work upon his newly-built walls with a magnificence and liberality which deserved a more lasting issue. The reader will shiver, yet almost laugh with consternation and wonder, to hear that several great pictures of Perugino were destroyed on these walls by the orders of another Pope in order to make room for Michael Angelo.

There could not be a more characteristic token of the course of events in the Papal succession, and of the wanton waste and destruction by one of the most cherished work of another.

Sixtus was none the less a warlike prince, struggling in perpetual conflict with the princes of the other states, perhaps with even a fiercer strain of ambition, fighting for wealth and position with which to endow the young men who were as his sons--as worldly in his aims as any Malatesta or Sforza, as little scrupulous about his means of carrying them out, shedding blood or at least permitting it to be shed in his name, extorting money, selling offices, trampling upon the rights of other men. Yet amid all these distractions he pursued his n.o.bler work, not without a wish for the good of his people as well as for his own ends, making his city more habitable, providing a lordly habitation for the sick, pouring floods of life-giving water into the hot and thirsty place. The glory of building may have many elements of vanity in it as well as the formation of galleries of art, and the employment of all the greatest art-workmen of their time. But ours is the advantage in these latter respects, so that we may well judge charitably a man who, in devising great works for his own honour and pleasure, has at the same time endowed us, and especially his country and people, with a lasting inheritance. Perhaps, even in compet.i.tion with these, it is most to his credit that he fulfilled offices which did not so much recommend themselves to his generation, and cleansed and cleared out and let in air and light like any modern sanitary reformer. The Acqua Vergine and the Santo Spirito Hospital are as fine things as even a Botticelli for a great prince's fame. He may even be forgiven the destruction of the balconies and all the picturesque irregularities which form the charm of ancient streets, in consideration of the sewerage and the cleaning out. The pictures, the libraries, and all the more beautiful things of life, in which we of the distant lands and centuries have our share of benefit, are good deeds which are not likely to be forgotten.

It is however naturally the beautiful things of which it is most pleasant to think. The chroniclers, whom we love to follow, curiously enough, have nothing to say about the pictures, perhaps because it was not an art favoured by the Romans, or which they themselves pursued, except in its lower branches. Infessura mentions a certain Antonazzo Pintore, who was the author of a Madonna, painted on the wall near the church of Sta. Maria, below the Capitol at the foot of the hill, which on the 26th of June, in the year 1470, began to do miracles, and was afterwards enshrined in a church dedicated to our Lady of Consolations. Antonazzo was a humble Roman artist, whose name is to be found among the workmen in the service of Pope Paul II., who was not much given to pictures. Perhaps he is mentioned because he was a Roman, more likely because he had the good luck to produce a miraculous Madonna. The same writer makes pa.s.sing mention of I Fiorentini, under which generic name all the _bottegas_ were included.

"He renewed the Palace of the Vatican, drawing it forth under great colonnades," says, picturesquely, the chronicler Panvinio, working probably from Platina's notes, "and making under his chapel a library": which was the finest thing of all, for he there reinstated Platina, who had been kept under so profound a shadow in the time of Paul II., and called back the learned men whom his predecessor had discouraged, sending far and near through all Europe for books, and thus enlarging the library begun by Pope Nicolas which is one of the most celebrated which the world possesses, and to which he secured a revenue, "enough to enable those who had the care of it to live, and even to buy more books." This provision still exists, though it is no longer sufficient for the purpose for which it was dedicated. The Cardinals emulated the Pope both in palace and church, each doing his best to leave behind him some building worthy of his name. Ornament abounded everywhere; sometimes rather of a showy than of a refined kind. There is a story in Vasari of how one of the painters employed on the Sistine, competing for a prize which the Pope had offered, piled on his colours beyond all laws of taste or harmony, and was laughed at by his fellows; but proved the correctness of his judgment by winning the prize, having gauged the knowledge and taste of Sixtus better than the others whose attempt had been to do their best--a height entirely beyond his grasp.

All these buildings, however, were fatal to the remnants still existing of ancient Rome. The Colosseum and the other great relics of antiquity were still the quarries out of which the new erections were built. The Sistine Bridge was founded upon huge blocks of travertine brought directly from the ruins of the Colosseum. The buildings of the Imperial architects thus melted away as we are told now everything in the world does, our own bodies among the rest, into new combinations, under a law which if just and universal in nature is not willingly adopted in art. The wonder is how they should have supplied so many successive generations, and still remain even to the extent they still do. Every building in Rome owes something to the Colosseum--its stones were sold freely in earlier ages, and carried off to the ends of the earth; but it has remained like the widow's cruse, inexhaustible: which is almost more wonderful than the fact of its constant use.

There is a picture in the Vatican gallery, which though not one of the highest merit is very interesting from a historical point of view. We quote the description of it from Bishop Creighton.

"It represents Sixtus IV. founding the Vatican library. The Pope with a face characterised by mingled strength and coa.r.s.eness, his hands grasping the arms of his chair, sits looking at Platina, who kneels before him, a man whose face is that of a scholar, with square jaw, thin lips, finely cut mouth, and keen glancing eye. Cardinal Giuliano stands like an official who is about to give a message to the Pope, by whose side is Pietro Riario with aquiline nose and sensual chin, red-cheeked and supercilious. Behind Platina is Count Girolamo with a shock of black hair falling over large black eyes, his look contemptuous and his mien imperious."

These were the three men for whom the Pontiff fought and struggled and soiled his hands with blood, and sold his favour to the highest bidder. Giuliano della Rovere and Pietro Riario were Cardinals: Count Girolamo or Jeronimo was worse--he was of the rudest type of the predatory baron, working out a fortune for himself with the sword, the last man in the world to be the henchman of a Pope. They were but one step from the peasant race, without distinction or merit which had given them birth, and all three built upon that rude stock the dissolute character and grasping greed for money, acquired by every injustice, and expended on every folly, which was so common in their time. They were all young, intoxicated with their wonderful success and with every kind of extravagance to be provided for. They made Rome glitter and glow with pageants, always so congenial to the taste of the people, seizing every opportunity of display and magnificence.

Infessura tells the story of one of these wonderful shows, with a mixture of admiration and horror. The Cardinal of San Sisto, he tells us, who was Pietro Riario, covered the whole of the Piazza of the Santi Apostoli, and hung it with cloth of arras, and above the portico of the church erected a fine _loggia_ with panels painted by the Florentines for the festa of San ... (the good Infessura forgets the name with a certain contempt one cannot but feel for the foreign painters and their works), and in front made two fountains which threw water very high, as high as the roof of the church. This wonderful arrangement was intended for the delectation of the royal guest Madonna Leonora, daughter of King Ferrante for whom he and his cousin Girolamo made a great feast.

"After the above banquet was seen one of the finest things that were ever seen in Rome or out of Rome: for between the banquet and the festa, several thousands of ducats were spent. There was erected a buffet with so much silver upon it as you would never have believed the Church of G.o.d had so much, in addition to that which was used at table: and even the things to eat were gilt, and the sugar used to make them was without measure, more than could be believed.

And the said Madonna Leonora was in the aforesaid house with many demoiselles and baronesses. And every one of these ladies had a washing basin of gold given her by the Cardinal. Oh guarda! in such things as these to spend the treasure of the Church!"

Next year the Cardinal Riario died at twenty-eight, "poisoned,"

Infessura says: "and this was the end of all our fine festas." Another day it was the layman among the nephews who stirred all Rome, and the world beyond, with an immeasurable holiday.

"On St. Mark's Day, 1746, the Count Jeronimo, son, or nephew of Pope Sixtus, held a solemn tournament in Navona, where were many valiant knights of Italy and much people, Catalans and Burgundians and other nations; and it was believed that at this festivity there were more than a hundred thousand people, and it lasted over Friday, Sat.u.r.day, and Sunday. And there were three prizes, one of which was won by Juliano Matatino, and another by Lucio Poncello, and the third by a man of arms of the Kingdom (Naples, so called until very recent days), and they were of great value."

The Piazza Navona, the scene of this tournament, was made by Pope Sixtus the market-place of Rome, where markets were held once a month, an inst.i.tution which still continues. The n.o.ble Pantheon occupies the end of this great square, as when Count Jeronimo with his black brows, marshalled his knights within the long enclosure, so fit for such a sight. We have now come to a period of history in which all the localities are familiar, and where we can identify every house and church and tower.

"Sixtus," says the chronicler, "left nothing undone which he saw to be for the ornament or comfort of the city. He defended intrepidly the cause of the Romans and the dignity of the Holy See." The first of these statements is more true perhaps than the last; and we may forgive him his shortcomings and his nephews on that great score. He ended his reign in August 1484, having held the Pontificate thirteen years.

[Ill.u.s.tration: FOUNTAIN OF TREVI.]