The Magnificent Montez Part 13

Baron Pechman, the Chief of Police, had a bad reception when he suggested that the populace might get out of control.

"If you can't manage the mob," said Ludwig, turning on him furiously, "I'll get someone who can. A change of air may do you good."

The next morning the discomfited Baron Pechman found himself _degomme_ and a successor appointed to his office.

The intrigue was too openly conducted to be "hushed up." Word of what was happening in Munich soon filtered through to Vienna. Queen Caroline-Augusta, Ludwig's sister, shook her head. "Alas," she sighed, "my wretched brother is always bringing fresh shame on me." She wrote him letters of tearful protest. They were ignored. She protested by word of mouth. Ludwig, in unbrotherly fashion, told her to "mind her own business." Caroline's next move was to take clerical counsel.

"These creatures are always venal," said the Jesuits. "They only care for cash." An emissary was accordingly despatched to the Barerstra.s.se mansion, to convey an offer. Unfortunately, however, he had not advanced beyond "_Gnadige Frau, erlauben_," when he himself capitulated to Lola's charms, and returned to the Hofburg, his task unaccomplished. Still, he must have made out some sort of story to save his face, for the Princess Melanie wrote: "Our good Senfft has come back. He was unable to speak to Lola Montez. The poor country of Bavaria is in a sad condition, which gets worse every day."

The least disturbed individual appeared to be Queen Therese. Her att.i.tude was one of placidity itself. But perhaps she was, by this time, accustomed to the dalliance of her Ludwig along the primrose path. Also, she probably knew by experience that it was not the smallest use making a fuss. The milk was spilled. To cry over it now would be a wasted effort.

The King's favourite was good "copy" for the Bavarian press; and the Munich journals were filled with accounts of her activities. Not in the least upset by their uncomplimentary references to himself, Ludwig instructed his librarian, Herr Lichenthaler, to collect all the pasquinades, lampoons, squibs, and caricatures (many of them far from flattering, and others verging on the indecent) that appeared and have them sumptuously bound. It was not long before enough had been a.s.sembled to fill half a dozen volumes. His idea was "to preserve for posterity all this mountain of mud, as a witness of Bavaria's shame."

That somebody else was responsible for the "shame" did not occur to him.

A choice specimen among the collection was one ent.i.tled _Lola Montez, oder Des Mench gehort dem Konige_ ("Lola Montez, or the Wench who belongs to the King"). There was also a scurrilous, and distinctly blasphemous, broadsheet, purporting to be Lola's private version of the Lord's Prayer:

"Our Father, in whom throughout my life, I have never yet had much belief, all's well with me. Hallowed be thy name--so far as I am concerned. Thy kingdom come, that is, my bags of gold, my polished diamonds, and my unpolished Alemannia. Thy will be done, if thou wilt destroy my enemies. Give me this day champagne and truffles and pheasant, and all else that is delectable, for I have a very good appet.i.te.... Lead me not into temptation to return to this country, for, even if I were bullet-proof, I might be arrested, clapped into a cage, and six francs charged for a peep at me. Amen!"

IV

Those were the days when gentlemen (at any rate, Bavarians) did not necessarily prefer blondes. Lola's raven locks were much more to their taste. If she were not a success in the ballet, she was certainly one in the boudoir. Of a hospitable and gregarious disposition, she kept what amounted to open house in her Barerstra.s.se villa. Every morning she held an informal levee there, at which any stranger who sent in his card was welcome to call and pay his respects; and in the evenings, when she was not dancing attendance on Ludwig at the Palace, the Barerstra.s.se reception would be followed by a soiree. These gatherings attracted--in addition to a throng of artists and authors and musicians--professors and scholars from all over Europe; and, as Gertrude Aretz remarks, in her admirable study, _The Elegant Woman_ (with considerable reference to this one): "the best intellects of her century helped to draw her victorious chariot." The uncultured mob, however, dubbed her a "Fair Impire" and a "Light o' Love," and flung even stronger and still more uncomplimentary epithets. Their subject, however, received them with a laugh. The shopkeepers, with an eye to business, embellished their wares with her portrait; and the University students, headed by Fritz Peissner, serenaded her in front of her windows.

_Lolita schon, wie Salamoni's Weiber.

Welch 'suszer Reis flog uber dich dahin!_

they sang in rousing chorus.

Among the students engaged in ama.s.sing light and learning at the University of Munich, there were a number of foreigners. One of them was a young American, Charles G.o.dfrey Leland ("Hans Breitmann"), who had gone there, he says, to "study aesthetics." But this did not take up all his time, for, during the intervals of attending cla.s.ses, he managed to see something of Lola Montez. "I must," he says, "have had a great moral influence on her, for, so far as I am aware, I am the only friend she ever had at whom she never threw a plate or a book, or attacked with a dagger, poker, broom, or other deadly weapon.... I always had a strange and great respect for her singular talents. There were few, indeed, if any there, were, who really knew the depths of that wild Irish soul."

In another pa.s.sage Leland offers further details: "The great, the tremendous, celebrity at that time in Munich was also an opera dancer, though not on the stage. This was Lola Montez, the King's last favourite.... She wished to run the whole kingdom and government, kick out the Jesuits, and kick up the devil, generally speaking.

"One of her most intimate friends was wont to tell her that she and I had many very strange characteristics in common, which we shared with no one else, while we differed utterly in other respects. It was very like both of us, for Lola, when defending the existence of the soul against an atheist, to tumble over a great trunk of books of the most varied kind, till she came to an old vellum-bound copy of _Apuleius_, and proceed to establish her views according to his subtle neo-Platonism. But she romanced and embroidered so much in conversation that she did not get credit for what she really knew."

Well, if it comes to that, Leland for his part was not above "romancing" and "embroidering." His books are full of these qualities.

"Marvels," says a biographer, "fill his descriptions of student life at Munich. Interesting people figure in his reminiscences....

Prominent among them was Lola Montez, the King's favourite of the day, cordially hated by all Munich for an interference in public affairs, hardly to be expected from the 'very small, pale, and thin or _frele_ little person with beautiful blue eyes and curly black hair' who flits across the pages of the Memoirs."

If this were Leland's real opinion of Lola's appearance, he must have formed it after drinking too much of the Munich beer of which he was so fond. He seems to have drunk a good deal at times, as he admits in one pa.s.sage: "after the dinner and wine, I drank twelve _schoppens_."

A dozen imperial pints would take some swallowing, and not leave the memory unclouded as to subsequent events.

V

Despite the alleged Spanish blood in her veins, Lola (with, perhaps, some dim stirring of memory for the far-off Montrose chapter) declared herself a staunch Protestant, and, like her pet bull dog, disavowed the Jesuits and all their works. Hence, she supported the Liberal Government; and, as an earnest of her intentions, started operations by attempting to establish contact with von Abel, the head of the Ultramontane Ministry. He, however, affecting to be hurt at the bare suggestion, would have nothing to do with the "Scarlet Woman," as he did not scruple to call her. Following his example, the clerical press redoubled their attacks. As a result, Lola decided to form an opposition and to have a party of her own. For this purpose she turned to some of the younger students, among whom she had a particular admirer in one Fritz Peissner. In response to her smiles, he, together with Count Hirschberg and a number of his friends, embodied themselves in a special corps, pledged to act as her bodyguard. Its members elected to be known as the Alemannia, and invited her to accept the position of _Ehren-Schwester_ ("honorary sister"). Lola was quite agreeable, and reciprocated by setting apart a room in her villa where the swash-bucklers could meet. Not to be outdone in paying compliments, the Alemannia planted a tree in her garden on Christmas Day. Their distinguishing badge (which would now probably be a black shirt) was a red cap. As was inevitable, they were very soon at daggers drawn with the representatives of the other University Corps, who, having long-established traditions, looked upon the newcomers as upstarts, and fights between them were constantly occurring when they met in public. Altogether, Ludwig had reason to regret his action in transferring the University from its original setting at Landshut. On the other hand, Councillor Berks, a thick and thin champion of Lola (and not above taking her lap-dogs for an airing in the Hofgarten), supported the Alemannia, declaring them to be "an example to corrupt youth." Prince Leiningen retaliated by referring to him as "that wretched subst.i.tute for a minister, commonly held by public opinion in the deepest contempt."

The origin of the Alemannia was a little curious. Two members of the Palatia Corps happened one afternoon, while peering through the windows of the Barerstra.s.se mansion, to see Lola entertaining a couple of their fellow-members. This they held to be "an affront to the honour of the Palatia," and the offenders, glorying in their conduct, were expelled by the committee. Thereupon, they joined with Fritz Peissner when he was thinking of establishing a fresh corps.

In her new position, Lola did not forget her old friends. Feeling her situation with Ludwig secure, she wrote to Liszt, offering him "the highest order that Bavaria could grant." He declined the suggestion, and sent word of her doings to Madame d'Agoult:

Apropos of this too celebrated Anglo-Spanish woman, have you heard that King Louis of Bavaria has demanded the sacrifice of her theatrical career? and that he is keeping her at Munich (where he has bought her a house) in the quality of a favourite Sultanah?

Later on, he returned to the subject:

I have been specially pleased with a couple of allusions to Lola and this poor Mariette; but, to be perfectly candid--and being afraid that you would find the subject a little indecorous--I began to reproach myself for having mentioned it to you in my last letter from Czernowitz.

In speaking of Lola, you tell me that you defend her (which I do also, but not for the same reasons) because she stands for progress. Then, a page further on, in resuming the subject at Vienna, you find me very young to still believe in justice, not realising that, in this little circle of ideas and things, I represent in Europe a progressive and intelligent movement. "Alas! Who represents anything in Europe to-day?" you enquire with Bossuet.

Well, then, Lola stands for the nineteenth century, and Daniel Stern stands for the woman of the ninth century; and, were it not for having contributed to the representation of others, I too shall finish by representing something else, by means of the 25,000 francs of income it will be necessary for me to end up by securing.

CHAPTER IX

"MAiTRESSE DU ROI"

I

The role for which Lola cast herself was that of La Pompadour to the Louis XV of Ludwig I. She had been a coryphee. Now she was a courtesan. History was repeating itself. Like an Agnes Sorel or a Jane Sh.o.r.e before her, she held in Munich the semi-official and quite openly acknowledged position of the King's mistress. It is said of her that she was so proud of the t.i.tle and all it implied, that she would add "Maitresse du Roi" to her signature when communicating with understrappers at the palace. Ludwig, however, thought this going too far, and peremptorily forbade the practice. Lola gave way. Perhaps the only time on record. In return, however, she advanced a somewhat embarra.s.sing demand.

"My position as a king's favourite," she said, "ent.i.tles me to the services of a confessor and a private chapel."

Ludwig was quite agreeable, and instructed Count Reisach, the Ultramontane Archbishop of Munich, to select a priest for this responsible office. His Grace, however, reported that all the clergy in a body had protested to him that, "fearing for their virtue, they could not conscientiously accept the post."

Disappointed at the rebuff, Lola herself then applied to Dr.

Windischmann, the Vicar-General, telling him that if he would undertake the office she would reciprocate by securing him a bishopric. This dignitary, however, was not to be tempted. "Madame,"

he said, "my confessional is in the Church of Notre-Dame; and you can always go there when you want to accuse yourself of any of the numerous sins you have committed."

Nor would His Eminence, the Primate of Poland, give any help. All he would do was to get into his carriage and set off to expostulate with the King. But it was a wasted effort, for Ludwig insisted that his relations with the conscience-stricken postulant were "nothing more than platonic." Thereupon, "the superior clergy announced that the designs of Providence were indeed inscrutable to mere mortals, but they trusted that His Majesty would at any rate change his mistress."

Ludwig, however, brooking no interference with his amours, refused to do anything of the kind.

"What are you thinking about?" he stormed. "How dare you hint that I am the man to roll myself in the mud of the gutter? My feelings for this lady are of the most lofty and high-minded description. If you drive me to extremes, heaven alone knows what will happen!"

His Eminence met the outburst by whispering in the ear of the Bishop of Augsburg that the King was "possessed." As for the Bishop of Augsburg, he "wept every day." A leaky prelate.

"It is a paradox," was the expert opinion of Archbishop Diepenbrock, "that the more shameful she is, the more beautiful is a courtesan." A "Day of Humiliation," with a special prayer composed by himself, was his suggestion for mending matters; and Madame von Krudener, not to be outdone in coming to the rescue, preached the necessity of "public penance." Thus taken to task, Ludwig solemnly declared in writing that he had "never exacted the last favours" from Lola Montez, and furnished the entire episcopal bench with a copy of this declaration.

"That only makes his folly the greater," was the caustic comment of Canitz, who was not to be deluded by eye-wash of this description.

With the pa.s.sage of time, Lola's influence at the Palace grew stronger. Before long, it became abundantly clear to the Ministry that she was the real channel of approach to the King and, in fact, his political Egeria. "During that period," says T. Everett Harre, "when she was known throughout the world as the 'Uncrowned Queen of Bavaria,' Lola Montez wielded a power perhaps enjoyed by no woman since the Empress Theodora, the circus mime and courtesan, was raised to imperial estate by the Emperor Justinian." Well aware of this fact, and much as they objected to it, the Cabinet, headed by von Abel, began by attempting to win her to their side. When they failed, they put their thick heads together, and, announcing that she was an emissary of Palmerston--just as La Paiva was credited with being in Bismarck's employ--they hinted that her room was preferable to her company. The hints having no effect, other measures were adopted.

Thus, Ludwig's sister offered her a handsome sum (for the second time) to leave the country, and Metternich improved on it; the Bishop of Augsburg, drying his tears, composed another and longer special prayer; the Cabinet threatened to resign; and caricatures and scurrilous paragraphs once more appeared in Munich journals. But all to no purpose. Lola refused to budge. Nothing could shake her resolve, _J'y suis, j'y reste_, might well have been her motto.

"I will leave Bavaria," she said, "when it suits me, and not before."

II