The Magicians And Mrs. Quent Part 23

Mrs. Darendal said nothing. Her face was as motionless as one of the portraits on the wall. At last she nodded and started up the stairs, and I continued to the kitchen.

However, I could only imagine that Mrs. Darendal was pleased when it rained all the next day, forcing us to stay indoors, and after that there were several short lumenals in a row. With little sun to burn it off, a fog settled in around the house, so that even by day we had to resort to candlelight to read.

The children grew cross, and Chambley jumped at every noise. Nor did Clarette help in this regard, for I caught her more than once telling her brother fanciful stories: how quickly greatwolves could gobble a person up; how the eyes of the trophy animals in the front hall watched you no matter where you went; how there was something awful in one of the rooms upstairs, and that was why they were forbidden to go in there.

I did my best to counteract such stories when I was a witness to them. However, given the sly looks Clarette gave me-and how apprehensive Chambley appeared-I could only believe he was audience to many more such tales when I was not present.

My only hope was to fill his mind with other, better thoughts, and as we could not go outside we spent most of our time together reading in our parlor. Sensing their natural interest in things ancient and legendary, and hoping to direct that interest away from Clarette's macabre imaginings toward something more worthwhile, I took from the shelf a book of old Altanian epic poems.

At first the children could hardly be made to look at the book; to them, poetry was a punishment. However, I told them not to think of these as poems but rather as stories intended to be sung. I instructed them to picture a bard in a thatch-roofed hall, thick with the smoke of braziers onto which honeyed herbs had been thrown, strumming his lute while he sang of legends that were ancient even in those ancient days.

"We aren't going to have to sing, are we?" Chambley asked with an alarmed look.

"No," I said with a laugh. "You would find my singing to be very ill, I am sure. But let us imagine we are bards of old, telling tales to a chieftain in his hall, or perhaps to Queen Beanore herself."

This thought seemed to engage them, particularly Clarette, and after that they read with interest. We were thus kept occupied over several days as we read some of the oldest true Altanian literature.

Chambley particularly liked the story of King Atheld. He was lord of one of the petty kingdoms in southern Altania, in the time before the Tharosians sailed to these sh.o.r.es. In the first year of his reign, a greatnight came, longer than any that had ever been known before. On and on the umbral went. The world grew cold. Crops withered in the fields, and cattle froze to death.

Atheld knew his people would perish as well. So, alone except for his loyal squire, he sailed westward in a small coracle looking for the Isle of Night. At last he found it and there took back the coal of the sun from the magician who had stolen it. The greatnight ended; light and life returned to the world.

"But that's just a myth," Clarette said, crossing her arms. "It didn't really happen. The sun isn't a hot coal."

I smiled at her. "No, but astrographers have made the calculations, and they determined that an unusually long umbral-one lasting over two hundred hours-did indeed occur during the time of King Atheld. So you see, behind a myth can lie a greater truth." Then my smile faded, for I thought of the similar words you had written to me, Father.

"Is something wrong, Miss Lockwell?" Chambley was looking at me, his head tilted to one side.

I drew a breath. "Not at all. I was only thinking how to reply to Clarette. It is true that myths are stories. But for people who lived long ago, myths were also truth-and a way to explain and make sense of the world around them."

Clarette leaned over toward her brother. "Do you hear that, Chambley? Myths can be true. You know what that means, don't you?"

Chambley sat up straight in his chair. "That means there can be ghosts."

"On the contrary," I said in as cheerful a voice as I could manage. "While scientists have studied the heavens and can predict when a greatnight will end, they haven't found one whit of evidence that indicates there are ghosts."

"But if there aren't ghosts, then who's the Pale Lady?"

Clarette let out a hiss and seized her brother's wrist. "Chambley!"

"Clarette, let go of your brother," I said. And to him, more gently, "What lady do you speak of?"

"The lady out in the fields. The one who waves to us."

Clarette squeezed his wrist. "Stop it, Chambley."

"Clarette," I said, making my voice sharp. "Release your brother at once."

"She wants to make us into ghosts, doesn't she? That's why she keeps waving to us. She wants us to come to her."

"Stop it," Clarette said, his flesh turning white beneath her fingers. "Stop it now."

"Clarette, release him this instant!"

I started toward them, but at that moment Chambley's eyes went wide, staring at the window behind me.

A scream rang out. It was Clarette. She s.n.a.t.c.hed her hand back and covered her eyes. She screamed again, and Chambley cried out as well, and then both of them together screamed again and again, making a shrill racket. I tried to move, but I was a thing formed of cold clay; I could not bring myself to look at the window, for a dread of what I would see there had come over me. Only by great will did I finally manage to turn my head, to move to the window, to gaze through the gla.s.s.

I saw only fog and my own white reflection.

Still the children screamed. I went to them, trying to pull their hands from their eyes, but they were rigid, their limbs filled with uncanny strength. Their hands were making red marks on their faces.

"Stop it!" I said, but my voice could not be heard over their cries. "There's nothing out there. Stop it at once!" But they were hysterical, rocking in their chairs. Chambley's breath came in gasps. I went to him, grasping his shoulders. I fear I would have shaken him, except for at that moment a deep voice spoke behind me.

"What is going on in here?"

At once the children fell silent, slumping in their chairs like castoff dolls. Their faces were white beneath scarlet splotches. Their eyes were wide, only this time they looked not at the window but at the door of the parlor.

I turned around. A man stood in the door. He was not particularly tall, but there was a substance to him that made him seem larger than he was, so that when he stepped into the parlor his presence was felt as a heavy weight. I laid a hand on the back of a nearby chair, as if, without this grip, I might otherwise have fallen toward him.

His eyes were dark beneath scowling brows, his mouth a line set deep in a curling beard. His hair was wet against his forehead, as if he had just come in from outside. Indeed, his brown coat, which was cut for riding, and the mud spattered on his boots left no question to the matter. Nor could there be any question as to who he was.

"Mr. Quent, it is good to meet you," I said, having recovered the ability to think. I took a step from the chair and held out my hand to him.

He did not take my hand. Instead, he turned his gaze on the children. "Leave us," he said. "I must speak with Miss Lockwell alone."

Clarette and Chambley said nothing. They did not look at him. They rose from their chairs. Clarette took Chambley's hand and led him from the parlor.

"Go play in your room," I called after them, but I received no answer; they were gone, and I was alone with Mr. Quent. He said nothing, but I could not feel it was my place to speak first. Nor did I have any idea what I would say. I was still trying to understand myself what had happened. I went to the window and drew the curtains shut, then gathered up the books on the table, which had been scattered in the commotion.

He cleared his throat. "Is everything well, then?"

"Yes, very well."

A silence. Then, "The children seemed very excited just now."

I could not bring myself to look at him. "They were so, I confess. I was trying to calm them. They have very strong imaginations."

"Those books-what were you reading to them?"

"We were reading from the old Altanian epics."

I could feel him glowering.

"And you feel such topics are appropriate for young children?"

"I read the same stories myself when I was their age. A knowledge of the cla.s.sics can only form a solid foundation upon which to base a study of more-modern works. Though I admit, it is possible the story today encouraged their minds more than I intended."

I carried the books to the shelf and returned them to their places.

At last he spoke. His voice was so deep I could feel it as a vibration on the air. "You were brought here to keep order and quiet, Miss Lockwell, not to encourage their minds."

It was foolish. He was my employer and I had only just met him, but an indignation rose within me at these words. The way he had been so short with the children-had not even greeted them after so many days away-how could he not expect them to disobey him? I turned and looked at him directly.

"Is that the case, Mr. Quent? Then I must be in error. You see, I was under the impression that I was brought here to teach them. How that can be accomplished without encouragement is, I confess, beyond me. Perhaps you can instruct me in the matter, for it seems you have very particular thoughts on the topic. Indeed, so particular that I can only wonder how you ever wanted for a governess at all."

I thought he would raise his voice with me or express his displeasure. Instead, he regarded me in silence, and I could only regard him in turn.

He was not so old as I had thought he would be, though he was over forty, I was certain, despite his dark hair. His figure was athletic rather than fine, being somewhat barrel-chested. As for his face, it was stern and squarish, with a high forehead: not handsome, though it might have been described as strong, even well-crafted. However, fashionable observers would also have p.r.o.nounced his visage utterly ruined by weather, for it was deeply tanned, with lines incised across his brow and around his eyes. To me his face seemed as wind-hewn as the landscape around Heathcrest Hall. I could no more imagine a smile blossoming upon it than flowers upon the moor.

At last I could endure the force of his dark eyes no longer. If he was not going to speak, I could not imagine a need to remain in the room with him. I started toward the door.

"You are very sure of yourself, Miss Lockwell."

I halted at the door, gripping the molding so he could not see my hand tremble. How could he have been more wrong? At that moment I wished I was back on Whitward Street, back with my sisters, and with all my familiar things. I felt a child myself.

All the same, I stood straight and looked back at him. "Will you be joining us for supper tonight, Mr. Quent?"

"I seldom know what my business will allow. It is most unpredictable. That I might be called away in a moment is all I can say. I fear I can tell you nothing more about it."

Despite myself, I smiled. "I did not ask you about your business, Mr. Quent. Only about supper. I hope you will be able to join us."

Without waiting for his reply-indeed, if my patience would ever have rewarded me with one-I left him in the parlor.

H E DID JOIN us for supper that night, in body if not in spirit. For he entered the dining room, sat down, and picked up his soup spoon without giving us so much as a glance. He appeared startled when I greeted him, as if he had forgotten anyone else would be there.

After that he made only the sparest replies to any of my attempts at conversation and for his part made no inquiry regarding the progress of our studies. Nor did he inquire about my sisters-or even about you, Father, though I knew you had once been acquaintances. He ate his soup as if it were the gravest of tasks.

The children were sullen and slouched in their chairs; the clock consumed each bite of time with a tick. Lanna came in, bringing a plate of beef and cabbages but no hope for conversation.

At last I grew peeved at the silence. "Would you like the children to demonstrate their reading after supper, Mr. Quent?" I said in as lively a voice as I could manage. "I believe you will find they are improved, even in just these last few days."

He had already risen before I finished speaking. "I must attend to my work. Good night." He gave a stiff bow, turned on a heel, and was gone.

"He doesn't like us," Clarette said. "He wishes we weren't here."

"You know that isn't so," I said, but it was an automatic utterance, like the clock chiming the hour. I affected a smile for their sake. "Mr. Quent is a busy man, that's all. That's why he brought me here."

Chambley hung his head. "But you don't want to be here either."

"Now you're speaking nonsense," I said. "I would not have come all this way if that were the case. Let's go upstairs. It's time for bed."

I do not know if it was their cherubic faces or the way they slipped their hands into mine, but all the vexation I had felt toward them after their outburst in the parlor vanished, and I held their little hands tightly in my own as I led them up the stairs.

"You should not have frightened me like that today, you know," I said as we reached their room. "I'm afraid I did not make a good first impression on Mr. Quent because of it."

"We didn't want to frighten you," Chambley said.

"On the contrary, I think you had every intention of frightening me." I looked down at Clarette. "It was a game, wasn't it?"

She smiled up at me. "Yes, that was it," she said. "A game."

"There, that wasn't so hard, was it?" I brushed her dark hair. It was fine as silk. Chambley started to say something, but I shook my head. "No more talk. It's time to sleep." With that I sent them into their room.

I took a candle and went up to my own room. I tried to read, but as always the candlelight was too dim, and my thoughts kept turning back to that afternoon's commotion. I rued the way my introduction to my employer had gone. However, that the children should be p.r.o.ne to bursting out in an improper manner could only be expected given the oppressive atmosphere in this house. I had felt it myself ever since coming here and especially since Mr. Quent's arrival-the dreadful need to always go about like a mouse, creeping along without making a noise.

No doubt that was why today's outburst in the parlor had disturbed me so, for in no way did I believe the children had seen any sort of apparition. They had wanted to frighten me, that was all. And for a moment, suffering under all the gloomy weight of the silence that possessed this house, I had almost believed in ghosts.

However, the only presence that haunted Heathcrest Hall had sat at the head of the table earlier this evening, eating beef and cabbage. While I would grant the spirit the respect it was due, I was determined that I would not exist in fear of it.

T HE MASTER OF the house was in residence for the next several days, though if Mrs. Darendal had not repeatedly reminded me of this fact, I would have been hard-pressed to know it. He did not come to observe the children's progress, nor did he take any more meals with us. If he was seen at all, it was from a distance, and at such time he was always moving away, his s.h.a.ggy head bowed and his broad shoulders slumped.

I confess, I could not find cause to complain about the arrangement. The farther he was from our parlor, the less we had to fear making some unwanted noise. While it was my intention that our studies should be ordered and not boisterous or unruly, it was not my belief that the children should never be allowed to laugh or to make such cheerful or even silly noises as were a natural part of childhood.

Mrs. Darendal was not of a similar mind, and on more than one occasion her stiff gray figure appeared in the door of the parlor.

"Hush!" she would say. "The master is at work, and your voices carry like a flock of crows."

Whether it was our voices she thought of as crows or if it was we who bore the comparison, I did not know. But one time, after she had left, the children paraded around the table, flapping their arms and letting out caws and cackles. I ordered them to cease-but not so quickly as I might have done, for it took me a moment to be sure I would not cackle with laughter myself.

Since the incident in the parlor, I had not taken the children on any more walks outside the manor; I was reluctant to give them any opportunity that might allow them to claim they had seen apparitions. However, the lack of exercise had an ill effect on them as well as me, until none of us could keep our eyes on a book. After that, we resumed our walks. A series of longer days had burned away the mist, so that the weather was clear and not at all conducive to the viewing of ghosts. All the same, we did not wander so far from the house as before.

Yet often I was tempted. On fair days I longed to venture to the edge of the rise that Heathcrest commanded, to gaze at the straggled line of the Wyrdwood to the east, to see something green. However, I did not want to take the children so far, and I never had enough time during daylight hours to go there on my own, for the children required all my attention.

What little time I did have to myself came in the afternoons of longer lumenals-days that contained too many hours for all of them to be spent in walking or reading or studying. At such times I would send the children to play as they wished in their room, and I in turn would retreat to the kitchen to sit and take a cup of tea.

On those occasions Lanna often joined me. Through gentle and persistent effort I had won first a look from her and eventually a smile. She could not talk to me, but I was grateful for her company; Heathcrest was not an easy place to be alone. I found that if I spoke about whatever thoughts came to my mind, she would find something to work on nearby.

Thus, while she polished plates or sliced radishes, I would speak of Invarel; of all the little gardens and cloisters I had loved; of the Citadel on its crag; of the grand carriages I saw driving up to the New Quarter; and of the boys hawking broadsheets on corners. I knew that she listened, for sometimes she ceased her work and stood with her head tilted and eyes shut. So I would keep speaking-until Mrs. Darendal entered, as she always did before long, and Lanna scurried away. Mrs. Darendal would treat me to a sharp look. I, in turn, would reply with a smile and ask if she wanted a cup of tea.

"You leave the children to themselves often," she said one afternoon. "I heard them in their room. Should you not be looking in on them?"

I sipped my tea. "I'm sure they are very well."

The housekeeper started toward the door, then paused. "But I cannot think it is good for them to spend so much time alone."

"On the contrary, being on their own is exactly what they need. One should never feel they are being observed at every moment. If one does not feel trusted, one will never learn to be trustworthy."

"But you cannot know what they are doing."

I set down my cup and stood, feeling a warmth in my cheeks-from the tea, of course. "Mrs. Darendal, I was hired by Mr. Quent to care for the children. I trust you will not question his judgment by instructing me how to do my job." Without waiting for a reply, I left the kitchen.

After that, much as I enjoyed Lanna's company, I found myself avoiding the kitchen. Instead, during such time I had to myself, I took to making a tour of the house. It was quickly apparent that making a thorough exploration of Heathcrest Hall would take some time; it was larger than I had thought at first, for there were many parts of it the current occupants never went into. However, while the doors to these rooms and wings were shut, they were not locked, so I spent several afternoons wandering through chambers filled with claw-footed chairs, yellowed Murghese vases, and scientific instruments of greenish copper whose purpose I could not fathom.

Portraits hung on many of the walls, their subjects clad in the attire of another age, their faces proud, even haughty. I wondered if these were Mr. Quent's forebears. Only they did not look like him. Some of the men wore large rings with a crest upon them. I had seen no rings of any kind on Mr. Quent's hands. Nor did he seem to have a t.i.tle other than Esquire, which any well-to-do gentleman might append to his name. I could not help thinking this seemed a grand house for a mere gentleman.

At the head of the main stairs was a portrait of what I supposed was, given its prominent location and the more modern attire of its subjects, the last family to dwell in the house prior to Mr. Quent. A lordly-looking man of late-middle years sat in a chair, a similarly aged but still-handsome woman resting her hand on his shoulder. Beside them stood a young man, his good looks marred by the hint of a smirk the artist's brush had lent him.

Only after pa.s.sing the painting several times did I notice that there was one more figure in the portrait. A girl of perhaps nine or ten stood apart from the others, her dark dress and dark hair melding with the shadows cast by a curtain. Only her face stood out, as pale as that of the porcelain doll she held in her hands. As I explored the house, I saw the lordly man, the woman, and the younger man who was surely their son in other paintings, but in no other portraits did the dark-haired girl appear. Who she was, what had become of her, was something I did not discover in my explorations.