The Lost Road Part 6

Standish shook his head. "I didn't forget it," he said.

"Well, suppose I did," demanded Aintree. "Suppose I did go on the loose, just to pa.s.s the time, just because I'm sick of this d.a.m.ned ditch? Is it fair to wipe out all that went before, for that? I'm the youngest major in the army, I served in three campaigns, I'm a medal-of-honor man, I've got a career ahead of me, and--and I'm going to be married. If you give me a chance-"

Standish struck the table with his fist.

"I will give you a chance," he cried. "If you'll give your word to this man and to me, that, so help you G.o.d, you'll never drink again--I'll let you go."

If what Standish proposed had been something base, Aintree could not have accepted it with more contempt.

"I'll see you in h.e.l.l first," he said.

As though the interview was at an end, Standish dropped into his chair and leaning forward, from the table picked up a cigar. As he lit it, he motioned Meehan toward his prisoner, but before the policeman could advance the sound of footsteps halted him.

Bullard, his eyes filled with concern, leaped up the steps, and ran to the desk.

"Lieutenant!" he stammered, "that man--the n.i.g.g.e.r that officer shot--he's dead!"

Aintree gave a gasp that was partly a groan, partly a cry of protest, and Bullard, as though for the first time aware of his presence, sprang back to the open door and placed himself between it and Aintree.

"It's murder!" he said.

None of the three men spoke; and when Meehan crossed to where Aintree stood, staring fearfully at nothing, he had only to touch his sleeve, and Aintree, still staring, fell into step beside him.

From the yard outside Standish heard the iron door of the cell swing shut, heard the key grate in the lock, and the footsteps of Meehan returning.

Meehan laid the key upon the desk, and with Bullard stood at attention, waiting.

"Give him time," whispered Standish. "Let it sink in!"

At the end of half an hour Standish heard Aintree calling, and, with Meehan carrying a lantern, stepped into the yard and stopped at the cell door.

Aintree was quite sober. His face was set and white, his voice was dull with suffering. He stood erect, clasping the bars in his hands.

"Standish," he said, "you gave me a chance a while ago, and I refused it. I was rough about it. I'm sorry. It made me hot because I thought you were forcing my hand, blackmailing me into doing something I ought to do as a free agent. Now, I am a free agent. You couldn't give me a chance now, you couldn't let me go now, not if I swore on a thousand Bibles. I don't know what they'll give me--Leavenworth for life, or hanging, or just dismissal. But, you've got what you wanted--I'm leaving the army!" Between the bars he stretched out his arms and held a hand toward Meehan and Standish. In the same dull, numbed voice he continued.

"So, now," he went on, "that I've nothing to gain by it, I want to swear to you and to this man here, that whether I hang, or go to jail, or am turned loose, I will never, so help me G.o.d, take another drink."

Standish was holding the hand of the man who once had been his hero.

He clutched it tight.

"Aintree," he cried, "suppose I could work a miracle; suppose I've played a trick on you, to show you your danger, to show you what might come to you any day--does that oath still stand?"

The hand that held his ground the bones together.

"I've given my word!" cried Aintree. "For the love of G.o.d, don't torture me. Is the man alive?"

As Standish swung open the cell door, the hero of Batangas, he who could thrash any man on the isthmus, crumpled up like a child upon his shoulder.

And Meehan, as he ran for water, shouted joyfully.

"That n.i.g.g.e.r," he called to Bullard, "can go home now. The lieutenant don't want him no more."

EVIL TO HIM WHO EVIL THINKS

As a rule, the instant the season closed Aline Proctor sailed on the first steamer for London, where awaited her many friends, both English and American--and to Paris, where she selected those gowns that on and off the stage helped to make her famous. But this particular summer she had spent with the Endicotts at Bar Harbor, and it was at their house Herbert Nelson met her. After Herbert met her very few other men enjoyed that privilege. This was her wish as well as his.

They behaved disgracefully. Every morning after breakfast they disappeared and spent the day at opposite ends of a canoe. She, knowing nothing of a canoe, was happy in stabbing the waters with her paddle while he told her how he loved her and at the same time, with anxious eyes on his own paddle, skilfully frustrated her efforts to drown them both. While the affair lasted it was ideal and beautiful, but unfortunately it lasted only two months.

Then Lord Albany, temporarily in America as honorary attache to the British emba.s.sy, his adoring glances, his accent, and the way he brushed his hair, proved too much for the susceptible heart of Aline, and she chucked Herbert and asked herself how a woman of her age could have seriously considered marrying a youth just out of Harvard! At that time she was a woman of nineteen; but, as she had been before the public ever since she was eleven, the women declared she was not a day under twenty-six; and the men knew she could not possibly be over sixteen!

Aline's own idea of herself was that without some one in love with her she could not exist--that, unless she knew some man cared for her and for her alone, she would wither and die. As a matter of fact, whether any one loved her or not did not in the least interest her. There were several dozen men who could testify to that. They knew! What she really wanted was to be head over ears in love--to adore some one, to worship him, to imagine herself starving for him and making sacrifice hits for him; but when the moment came to make the sacrifice hit and marry the man, she invariably found that a greater, truer love had arisen--for some one else.

This greater and truer love always made her behave abominably to the youth she had just jilted. She wasted no time on post-mortems. She was so eager to show her absolute loyalty to the new monarch that she grudged every thought she ever had given the one she had cast into exile. She resented him bitterly. She could not forgive him for having allowed her to be desperately in love with him. He should have known he was not worthy of such a love as hers. He should have known that the real prince was waiting only just round the corner.

As a rule the rejected ones behaved well. Each decided Aline was much too wonderful a creature for him, and continued to love her cautiously and from a distance. None of them ever spoke or thought ill of her and would gladly have punched any one who did. It was only the women whose young men Aline had temporarily confiscated, and then returned saddened and chastened, who were spiteful. And they dared say no more than that Aline would probably have known her mind better if she had had a mother to look after her. This, coming to the ears of Aline, caused her to reply that a girl who could not keep straight herself, but needed a mother to help her, would not keep straight had she a dozen mothers.

As she put it cheerfully, a girl who goes wrong and then pleads "no mother to guide her" is like a jockey who pulls a race and then blames the horse.

Each of the young men Aline rejected married some one else and, except when the name of Aline Proctor in the theatrical advertis.e.m.e.nts or in electric lights on Broadway gave him a start, forgot that for a month her name and his own had been linked together from Portland to San Francisco. But the girl he married did not forget. She never understood what the public saw in Aline Proctor. That Aline was the queen of musical comedy she attributed to the fact that Aline knew the right people and got herself written about in the right way. But that she could sing, dance, act; that she possessed compelling charm; that she "got across" not only to the tired business man, the wine agent, the college boy, but also to the children and the old ladies, was to her never apparent.

Just as Aline could not forgive the rejected suitor for allowing her to love him, so the girl he married never forgave Aline for having loved her husband. Least of all could Sally Winthrop, who two years after the summer at Bar Harbor married Herbert Nelson, forgive her. And she let Herbert know it. Herbert was properly in love with Sally Winthrop, but he liked to think that his engagement to Aline, though brief and abruptly terminated, had proved him to be a man fatally attractive to all women. And though he was hypnotizing himself into believing that his feeling for Aline had been the grand pa.s.sion, the truth was that all that kept her in his thoughts was his own vanity. He was not discontented with his lot--his lot being Sally Winthrop, her millions, and her estate of three hundred acres near Westbury. Nor was he still longing for Aline. It was only that his vanity was flattered by the recollection that one of the young women most beloved by the public had once loved him.

"I once was a king in Babylon," he used to misquote to himself, "and she was a Christian slave."

He was as young as that.

Had he been content in secret to a.s.sure himself that he once had been a reigning monarch, his vanity would have harmed no one; but, unfortunately, he possessed certain doc.u.mentary evidence to that fact.

And he was sufficiently foolish not to wish to destroy it. The evidence consisted of a dozen photographs he had snapped of Aline during the happy days at Bar Harbor, and on which she had written phrases somewhat exuberant and sentimental.

From these photographs Nelson was loath to part--especially with one that showed Aline seated on a rock that ran into the waters of the harbor, and on which she had written: "As long as this rock lasts!"

Each time she was in love Aline believed it would last. That in the past it never had lasted did not discourage her.

What to do with these photographs that so vividly recalled the most tumultuous period of his life Nelson could not decide. If he hid them away and Sally found them, he knew she would make his life miserable.

If he died and Sally then found them, when he no longer was able to explain that they meant nothing to him, she would believe he always had loved the other woman, and it would make her miserable. He felt he could not safely keep them in his own house; his vanity did not permit him to burn them, and, accordingly, he decided to unload them on some one else.

The young man to whom he confided his collection was Charles Cochran.

Cochran was a charming person from the West. He had studied in the Beaux Arts and on foot had travelled over England and Europe, preparing himself to try his fortune in New York as an architect. He was now in the office of the architects Post & Constant, and lived alone in a tiny farmhouse he had made over for himself near Herbert Nelson, at Westbury, Long Island.

Post & Constant were a fashionable firm and were responsible for many of the French chateaux and English country houses that were rising near Westbury, Hempstead, and Roslyn; and it was Cochran's duty to drive over that territory in his runabout, keep an eye on the contractors, and dissuade clients from grafting mansard roofs on Italian villas. He had built the summer home of the Herbert Nelsons, and Herbert and Charles were very warm friends. Charles was of the same lack of years as was Herbert, of an enthusiastic and sentimental nature; and, like many other young men, the story of his life also was the lovely and much-desired Aline Proctor. It was this coincidence that had made them friends and that had led Herbert to select Charles as the custodian of his treasure. As a custodian and confidant Charles especially appealed to his new friend, because, except upon the stage and in restaurants, Charles had never seen Aline Proctor, did not know her--and considered her so far above him, so unattainable, that he had no wish to seek her out. Unknown, he preferred to worship at a distance. In this determination Herbert strongly encouraged him.

When he turned over the pictures to Charles, Herbert could not resist showing them to him. They were in many ways charming. They presented the queen of musical comedy in several new roles. In one she was in a sailor suit, giving an imitation of a girl paddling a canoe. In another she was in a riding-habit mounted upon a pony of which she seemed very much afraid.

In some she sat like a siren among the rocks with the waves and seaweed s.n.a.t.c.hing at her feet, and in another she crouched beneath the wheel of Herbert's touring car. All of the photographs were unprofessional and intimate, and the legends scrawled across them were even more intimate.

"'As long as this rock lasts!'" read Herbert. At arm's length he held the picture for Cochran to see, and laughed bitterly and unmirthfully as he had heard leading men laugh in problem plays.