The Lock and Key Library Part 9

The invention was admirable, it does honor to your genius. But if Fritz has been but the instrument to carry out your sublime conceptions, why do you laugh at his stupidity?"

"Oh, poor soul!" replied Stephane, with animation, "oh! the donkey, how he spoiled my idea! I didn't order him to call M. Saville his comrade, but to treat him as a comrade, which is a different thing.

Unfortunately I had not time to give him minute instructions, and he misunderstood me, but he did what he could conscientiously to earn his fee. The poor fellow must be pardoned. I am the only guilty one, I repeat it. I am the one to be punished."

"And might we know, sir," said the Count, "what your intention was in causing M. Saville to be insulted by a servant?"

"I wished to humiliate him, to disgust him, and to force him to leave this house."

"And your motive?"

"My motive is that I hate him!" answered he in a hoa.r.s.e voice.

"Always exaggerations," replied the Count sneeringly. "Can you not, sir, rid yourself of this detestable habit of perpetual exaggeration in the expression of your thoughts? Can I not impress upon your mind the maxims upon this subject which two men of equal genius have given us: M. de Metternich and Pigault Lebrun! The first of these ill.u.s.trious men used to say that superlatives were the seals of fools, and the second wrote these immortal words:

"'Everything exaggerated is insignificant.'" Then extending his arm:

"To hate! to hate!" exclaimed he. "You say the word glibly. Do you know what it is? Sorrow, anger, jealousy, antipathy, aversion, you may know all these; but hatred, hatred!--you have no right to say this terrible word. Ah! hatred is a rough work! it is ceaseless torture, it is a cross of lead to carry, and to sustain its weight without breaking down requires very different shoulders than yours!"

At this moment Stephane ventured to look his father in the face.

He slowly uplifted his eyes, inclining his head backward. His look signified "You are right, I will take your word for it; you are better acquainted with it than I."

But the Count's face was so terrible that Stephane closed his eyes and resumed his former att.i.tude. A slight shudder agitated his whole frame. The Count perceived that he was near forgetting himself, and drove back the bitter wave which came up from his heart to his lips in spite of himself:

"Besides, my young friend here is the least detestable being in the world," pursued he in a tranquil tone. "Judge for yourself; just now he pleaded your cause to me with so much warmth, that he drew from me a promise not to punish you for what he has the kindness to call only a boy's freak. He even stipulates that I shall restore you your flowers, which he pretends give you delight, and within an hour Ivan will have carried them to your room. In short, two words of apology are all he requires of you. You must admit that one could not have a more accommodating disposition, and that you owe him a thousand thanks."

"Apologies! to him!" cried Stephane with a gesture of horror.

"You hesitate! oh! this is too much! Do you then wish to revisit a certain rather gloomy hall?"

Stephane shuddered, his lips trembled.

"In mercy," cried he, "inflict any other punishment upon me you please, but not that one. Oh, no! I cannot go back to that frightful hall. Oh! I entreat you, deprive me of my customary walks for six months; sell Soliman, cut my hair, shave my head,-- anything, yes, anything rather than put my feet in that horrible dungeon again! I shall die there or go mad. You don't want me to become insane?"

"When one is unfortunate enough to believe in ghosts and apparitions at the age of sixteen," retorted the Count, "he should free himself as soon as possible from the ridiculous weakness."

Stephane's whole body trembled. He staggered a few steps, and falling on his knees before his father, clung to him and cried: "I am only a poor sick child, have pity on me. You are still my father, are you not? and I am still your child? Mon Dieu! Mon Dieu! You do not, you cannot, want your child to die!"

"Put an end to this miserable comedy," cried the Count, disengaging himself from Stephane's clasp. "I am your father, and you are my son; no one here doubts it; but your father, sir, has a horror of scenes. This has lasted too long; end it, I tell you. You are already in a suitable posture. The most difficult part is done, the rest is a trifle!"

"What do you say, sir?" answered the child impetuously, trying to rise. "I am on my knees to you only. Ah! great G.o.d! I to kneel before this man! it is impossible! you know very well it is impossible!

The Count, however, pressing his hand upon his shoulder, constrained him to remain upon his knees, and turning his face to Gilbert:

"I tell you, you are kneeling before the man you have insulted, and we all understand it."

Was it, indeed thus, that Gilbert understood it? Quiet, impa.s.sible, his eyes fixed upon the window, he seemed a perfect stranger to all that pa.s.sed around him.

A cry of anguish escaped Stephane, a frightful change came over his face. Three times he tried to rise, and three times the hand of his father weighed him down again, and kept him in a kneeling posture. Then, as if annihilated by the thought of his weakness and powerlessness, he yielded, and covering his eyes with both hands, he murmured these words in a stifled and convulsive voice:

"Sir they do me violence,--I ask pardon for hating you."

And immediately his strength abandoned him, and he fainted; as a lily broken by the storm, his head sank, and he would have fallen backward, if his father had not signed to Ivan, who raised him like a feather in his robust arms, and carried him hastily out of the room.

Gilbert's first care after returning to his turret, was to light a candle and burn Stephane's letter. Then he opened a closet and began to prepare his trunk. While engaged in this task, someone knocked at the door. He had only time to close the closet and the trunk when Ivan appeared with a basket on his arm. The serf came for the flowers, which he had orders to carry to the apartment of his young master. Having placed five or six in his basket, he turned to Gilbert and gave him to understand, in his Teutonic gibberish mingled with French, that he had something important to communicate to him. Gilbert answered in a tone of ill-humor, that he had not time to listen to him. Ivan shook his head with a pensive air, and left. Gilbert immediately seated himself at the table, and upon the first sc.r.a.p of paper which came under his hand, hastily wrote the following lines:

"Poor child, do not distress yourself too much for the humiliation to which you have just submitted. As you said yourself, you yielded only to violence, and your apologies are void in my eyes.

Believe me, I exact nothing. Why did I not divine, this morning, that Fritz spoke in your name! I should not have felt offended, for it is not to me that your insults are addressed, it is to some strange Gilbert of your imagination. I am not acquainted with him.

But what can it avail you to provoke contests, the result of which is certain in advance? It is a hand of iron which lately weighed upon your shoulder. Do you hope then to free yourself so soon from its grasp? Believe me, submit yourself to your lot, and mitigate its rigors by patience, until the day when your eyes have become strong enough to dare to look him in the face, and your hand manly enough to throw the gage of battle. Poor child the only consolation I can offer you in your misfortune I should be a culprit to refuse. I have but one night more to pa.s.s here; keep this secret for me for twenty-four hours, and receive the adieus of that Gilbert whom you have never known. One day he pa.s.sed near you and looked at you, and you read an offensive curiosity in his eyes.

I swear to you, they were full of tears."

Gilbert folded this letter, and slid it under the facing of one of his sleeves; then taking the key of the private door in his hand, and posting himself at the head of the staircase, he waited Ivan's return. As soon as he heard the sound of his steps in the corridor, he descended rapidly and met him on the landing at the gallery.

"I do not know what to do," said Ivan to him. "My young master is not himself, and he has broken the first flower-pots I carried to him in a thousand pieces."

"Take the others too," replied Gilbert, taking care to let him see the key which he flourished in his hand. "You can put them in your room for the time being. When he becomes calmer he will be glad to see them again."

"But will it not be better to leave them with you until he asks for them?"

"I don't want to keep them half an hour longer," replied Gilbert quickly, and he descended the first steps of the private staircase.

"As you are going on the terrace, sir," cried the serf to him, "don't forget, I beg of you, to close the door behind you."

Gilbert promised this. "It works well," thought he; "his caution proves to me that the wicket is not closed." He was not mistaken.

For the convenience of his transportation, the serf had left it half open, only taking the precaution to close and double-lock the door of the grand staircase. Gilbert waited until Ivan had reached the second story, and immediately remounting upon tiptoe, he darted into the corridor, followed its entire length, turned to the right, pa.s.sed before the Count's study, turned a second time to the right, found himself in the gallery which led to the square tower, sprang through the wicket, and arrived without obstacle at the foot of the tower staircase. He found the steps littered with the debris of broken pots and flowers. As he began to descend, loud voices came to his ears; he thought for a moment that M. Leminof was with his son. This did not turn him from his project. He had nothing to conceal. "I will beg the Count himself," thought he, "to read my farewell letter to his son." Having reached the top of the staircase, he crossed a vestibule and found himself in a long, dark alcove, lighted by a solitary gla.s.s door, opening into the great room ordinarily occupied by Stephane. This door was ajar, and the strange scene which presented itself to Gilbert, as he approached, held him motionless a few steps from the threshold. Stephane, with his back towards him, stood with his arms crossed upon his breast.

He was not speaking to his father, but to two pictures of saints hanging from the wall above a lighted taper. These two paintings on wood, in the style of Father Alexis, represented St. George and St. Sergius. The child, looking at them with burning eyes, apostrophized them in a voice trembling with anger, at intervals stamping his foot and running his hands furiously through his long hair and tossing it in wild disorder. Ill.u.s.trious Saints of the Eastern Church, heard you ever such language before?

Then he sprang on a chair, tore the two pictures from the wall, threw them to the ground, and seizing his riding whip, switched them furiously. In this affair, St. George lost half of his head and one of his legs, and St. Sergius was disfigured for the rest of his days. When he had satisfied his fury, Stephane hung them up again on their nails, turning their faces to the wall, and blew out the lamp; then he rolled upon the floor, twisting his arms and tearing his hair--but suddenly sitting up, he drew from his bosom a small, heart-shaped medallion which he gazed on fixedly, and as he looked the tears began to roll down his cheeks, and in the midst of his sobs, he cried out:

"Oh, my mother! I desire nothing from you! you could do nothing for me; but why did I have time to know you? To remember! to remember-- what torment! Yes, I can see you now-- Every morning you gave me a kiss, high on my forehead at the roots of my hair. The mark is there yet--sometimes it burns me. I have often looked in the gla.s.s to see if I had not a scar there-- Oh, my mother! come and heal my wound by renewing it! To be kissed by one's mother, Great G.o.d!

what happiness! Oh! for a kiss, for a single kiss from you, I would brave a thousand dangers, I would give my blood, my life, my soul. Ah! how sad you look! there are tears in your eyes. You recognize me, do you not? I am much changed, much changed; but I have always your look, your forehead, your mouth, your hair."

Then starting up suddenly, Stephane walked around the room with an unsteady step. He held the medallion closely grasped in his right hand and kept his eyes upon it. Again he held it out at arm's length and looked at it steadily with half-closed eyes, or drawing it nearer to him, he said to it sweet and tender things, pressing it to his lips, kissing it a thousand times and pa.s.sing it over his hair and his cheeks wet with tears; it seemed as though he were trying to make some particle of this sacred image penetrate his life and being. At last, placing it on the bed, he knelt before it, and burying his face in his hands, cried out sobbing, "Mother, mother, it is long since your daughter died. When will you call your son to you?"

Gilbert retired in silence. A voice from this room said to him: "Thou art out of place here. Take care not to meddle in the secret communion of a son and his mother. Great sorrows have something sacred about them. Even pity profanes them by its presence." He descended the staircase with precaution. When he had reached the last step,--extending his arm in the direction of the Count's room, he muttered in a low tone: "You have lied! Under that tunic of black velvet there is a beating heart!" Then advancing with a rapid step through the corridor, he hoped to pa.s.s out unseen; but on reaching the wicket, he found himself face to face with Ivan, who was coming out of his room, and who in his surprise dropped the basket he held in his hand.

"You here!" exclaimed he in a severe tone. "Another would have paid dearly for this--"

Then in a soft voice, expressing profound melancholy:

"Brother," said he, "do you want both of us to be killed? I see you do not know the man whose orders you dare to brave." And he added, bowing humbly: "You will pardon me for calling you brother?

In my mouth, that does not mean 'comrade.'"

Gilbert gave a sign of a.s.sent, and started to leave, but the serf, holding him by the arm, said:

"Fortunately the barine has gone out; but take care; two days since he had one of his turns, he has one every year, and while they last, his mind wanders at night, and his anger is terrible during the day. I tell you there is a storm in the air, do not draw the thunderbolt upon your head."

Then placing himself between Gilbert and the door, he added with a grave air:

"Upon your conscience, what have you been doing here? Have you seen my young father? Has he been talking to himself? You could understand what he said, for he always talks in French. He only knows enough Russian to scold me. Tell me, what have you heard? I must know."