The Lizard's Bite Part 5

Bracci scowled. "Then he's made. You could put up anything there. A hotel. Some kind of shopping mall like they have on terra firma. If the Arcangeli had any sense they'd just put the whole place out onto the open market. They'd make a fortune. Except they want to keep on making gla.s.s. Stupid."

Costa found this perception of Ma.s.siter interesting. The Englishman was a man of substance already. With the island in his grasp, he would become even more important.

"How do you feel about the idea of an English neighbour?" he asked Bracci.

"Wonderful. But at least we'd have just the one a.s.shole to contend with. Is there something serious you want to ask me? Because if there isn't . . ." He looked at the pile of gla.s.s cartoon characters on the desk, then gently scooped them back into the box.

"Tell me about the Bracci family. Parents. Brothers. Sisters."

"I'm the brother." He kicked open the door to the furnace. Two men in their twenties, thickset and surly, glared back at them by the side of an oven a tenth the size of the Arcangeli's. One had close-cropped hair. His sleeves were rolled up, revealing a set of old deep-blue tattoos on each arm. The other was a touch slimmer, with longer hair, a little less aggressive-looking, but not much.

"Enzo."

Tattoos nodded.

"Fredo. These are my sons," Aldo Bracci said. "The staff here too, most of the time. Their mother p.i.s.sed off to Padova with some insurance clerk years back. Better off without the b.i.t.c.h."

"Yeah." Enzo Bracci nodded, then glowered at his brother, waited for him to go back to work before closing the door on them.

"n.o.body else?" Peroni wondered.

"It was just me and Bella. I think my dad kind of stretched some of the rules about being a Catholic, if you get my meaning. Not that there's anyone around to ask anymore. There's been Braccis here for five hundred years. Go take a look in the church if you don't believe me. The old man sp.a.w.ned the two of us and that's enough to make sure we won't disappear. My boys will do the same. As for Bella . . . She was the one who decided to marry into that bunch of jumped-up peasants. That was her problem. Besides . . ."

Aldo Bracci suddenly looked displeased with himself, a rare event, Costa guessed. It was as if he'd decided he'd gone too far.

"Yes?" Peroni prodded.

"It was a bad idea all along," Bracci said with a dismissive wave of his hand. "I never really understood it. Uriel wasn't the greatest catch in the sea. Bella was pretty. A looker. She could have done better. It was almost as if . . ." He grimaced. "This was after my dad was gone. He'd never have allowed it. I almost thought it was an arranged marriage, somehow. Bella and Uriel just sprung it on us and I wasn't going to get into some vendetta to stop them. Besides, it was Michele who kept pushing. To begin with, I thought he was the one who was really after her. But he was just too d.a.m.ned old. It was all money anyway. I guess Michele thought maybe we could save him. Bella was from a gla.s.s family. She knew things. Production techniques. Little secrets we don't share outside the island. I used to think that what Michele really wanted was to get his hands on those. But she never let them see her working. She just did it at dead of night, no one around. At least, that's what she said. Good job too. If they'd been found stealing, they'd have been dead in Murano. Finished. What we've got is ours. It doesn't go elsewhere. Least of all to a bunch of boatmen."

Bracci's comments rang a bell in Costa's head. He'd read several histories of Venice during all those long empty evenings on his own. One of them had gone into detail about the gla.s.s industry on the island, which had been placed there from the thirteenth century, moved on the Doge's orders because of the constant fires it caused in Venice itself. There was a brotherhood on the island, a closed, almost Masonic organisation that swore its members to secrecy, and threatened dire consequences to any who gave away its techniques to those outside.

"Bella knew about gla.s.s?" Costa asked.

Bracci nodded vigorously. "She was as good with a furnace as any man out there. Not that a woman was supposed to do that work. The Arcangeli thought different. She never used to talk about it much but they let her in there a lot. She had her own clothes. Her own ap.r.o.n. Bella made Uriel a better omo de note omo de note than he deserved to be. And look what she got in return!" than he deserved to be. And look what she got in return!"

Thrust into the Arcangeli's vast anachronism of a furnace, Costa thought. For no apparent reason.

"Did it ever occur to you that your sister could be in danger?" Peroni wondered.

"Bella?" Bracci laughed. "You never knew her. Bella was in fear of no one. Certainly not that husband of hers."

"Someone killed her," Costa said severely, and instantly regretted it. There was thunder in Bracci's face, an ugly, rapid response that perhaps betrayed more about the man than he intended.

"Don't f.u.c.king patronise me, sonny!" Bracci bellowed. "It's your job to work out what went on there, isn't it? If I knew Uriel was going to kill her, he'd he'd have been the one in that furnace. But I didn't." The man's dead, tired face turned thoughtful for a brief moment. "You want the truth?" he asked. "It still seems crazy to me. But that's Bella's bad luck and my bad judgment. Now do you have any more stupid questions? Or can a man get on with his work around here?" have been the one in that furnace. But I didn't." The man's dead, tired face turned thoughtful for a brief moment. "You want the truth?" he asked. "It still seems crazy to me. But that's Bella's bad luck and my bad judgment. Now do you have any more stupid questions? Or can a man get on with his work around here?"

Work. That was all Murano seemed interested in. Not two strange, inexplicable deaths. Just money, the daily spectacle of fires and mutable gobbets of gla.s.s visible through so many workshop doorways, beacons trying to attract the diminishing numbers of pa.s.sersby, lure them into the darkness and loosen their purses.

"You could tell us whether you have a set of keys to the Arcangelo place," Costa asked, undeterred. "And where you were around two this morning."

Bracci stood up, stormed across the room and held open the door into the alley outside.

"Get out!" he barked.

Neither of the policemen moved.

"They're simple questions," Peroni observed. "I don't think they should interfere with your grief."

Bracci glared furiously at both of them. The door to the workshop opened. The two sons stood there, big and menacing, both eyeing Gianni Peroni, recognising him as the greater threat. There was violence inside this particular clan, Costa thought. Something he never detected within the Arcangeli at all.

The cops didn't move. Peroni gave the sons his best battered grin and said, "Just two questions, Bracci. Then we're gone."

The older man shot a vicious, bitter look at his offspring, mad their presence hadn't done the job. "No! I don't have a set of keys. Why the h.e.l.l should I? And last night? Ask them. We were all here. I was the omo de note omo de note. These two were helping. Or . . ." He shot a bitter glance at the box of seconds. " . . . trying anyway. We do what's necessary around here. We work. We earn."

"All night?" Costa wondered.

Enzo stepped forward. He had his father's sour face, now covered in soot and sweat. A big, powerful man, Costa thought. The tattoos were something to do with music. Heavy metal. Thrash. Images of swords and skulls, thick strokes, the kind that must have hurt.

"All night," Fredo said halfheartedly, glancing at the other two to see if he was doing the right thing. "The three of us. We can vouch for each other."

"That's what families do best," Peroni said gently.

Enzo picked up a rag and wiped the soot and grease from his large hands. Then he looked them over and asked, "You're not from around here, are you?"

Peroni smiled again. "You noticed?"

"Yeah," Enzo grunted, walked over to the seconds box, withdrew the flawed vase, and slammed it into the side of the table, exposing a line of jagged sharp gla.s.sy teeth.

He didn't wave the thing in their direction. He didn't need to.

"A word of advice," he said. "Go careful out there. It gets dark sooner than you think."

ENZO BRACCI WAS WRONG. NIGHT FELL SLOWLY ON Venice, the way it did at the end of every clear, fine day, with a sunset so lovely it seemed unreal, a magical hour of golden glory that trapped the city on the water in radiant amber. Leo Falcone watched it from the busy vaporetto terminus at Piazzale Roma, wondering about what he'd just seen in the simple city morgue, what he'd heard, from a pathologist who was so unlike Teresa Lupo it was difficult to imagine the man was in the same profession at all. Alberto Tosi was seventy if he was a day, a tall, stiff individual of the old school, more meticulous in his manners than his work, if Falcone had read him correctly. A man of ideas too. He didn't possess Teresa Lupo's down-to-earth practicality, though he was well enough read to have mentioned some of her cases when Falcone revealed he was on attachment from Rome. And that, with the formal news Tosi had imparted, raised possibilities too. Along with the meagre report on Hugo Ma.s.siter that Falcone had read in the central Questura, watched, he had noted, with a degree of curiosity by the archives officer in charge of the place. Venice, the way it did at the end of every clear, fine day, with a sunset so lovely it seemed unreal, a magical hour of golden glory that trapped the city on the water in radiant amber. Leo Falcone watched it from the busy vaporetto terminus at Piazzale Roma, wondering about what he'd just seen in the simple city morgue, what he'd heard, from a pathologist who was so unlike Teresa Lupo it was difficult to imagine the man was in the same profession at all. Alberto Tosi was seventy if he was a day, a tall, stiff individual of the old school, more meticulous in his manners than his work, if Falcone had read him correctly. A man of ideas too. He didn't possess Teresa Lupo's down-to-earth practicality, though he was well enough read to have mentioned some of her cases when Falcone revealed he was on attachment from Rome. And that, with the formal news Tosi had imparted, raised possibilities too. Along with the meagre report on Hugo Ma.s.siter that Falcone had read in the central Questura, watched, he had noted, with a degree of curiosity by the archives officer in charge of the place.

The inspector glanced at his watch, wondered, with some foreboding, what kind of restaurant Gianni Peroni would find so compelling he ate there four or five times a week, then walked down the jetty, out to the boat stop, and waited for the fast service, straight to San Zaccaria.

RAFFAELLA ARCANGELO WATCHED the dying golden light too, acknowledging the familiar sight at the window of the kitchen in the dusty, crumbling mansion by the water. She was untouched by any sense of wonder. This was one more unexpected side effect of sudden loss. She was thinking of herself, of her life on this little island, home for nearly half a century apart from that brief period at college in Paris when, foolishly, she believed she might escape Murano and the hard, unrelenting grip of her family. But those were dreams, and the Arcangeli never put much store in anything they couldn't see and touch, buy and sell. Which was why she was about to do what she always did at this time of night: make a meal, on this occasion simple penne pasta and tomato sauce. Some salad too. And fruit. She didn't have the time or money for better. the dying golden light too, acknowledging the familiar sight at the window of the kitchen in the dusty, crumbling mansion by the water. She was untouched by any sense of wonder. This was one more unexpected side effect of sudden loss. She was thinking of herself, of her life on this little island, home for nearly half a century apart from that brief period at college in Paris when, foolishly, she believed she might escape Murano and the hard, unrelenting grip of her family. But those were dreams, and the Arcangeli never put much store in anything they couldn't see and touch, buy and sell. Which was why she was about to do what she always did at this time of night: make a meal, on this occasion simple penne pasta and tomato sauce. Some salad too. And fruit. She didn't have the time or money for better.

Raffaella had briefly visited the city that day, walked into a few of the antique merchants scattered close to Fondamente Nuove, negotiated the best price she could for her father's crystal, then used the cash to pay for a burial on San Michele, when the police allowed, with one of the undertakers situated by the vaporetto stop across from the island. He'd taken a good discount when she offered to pay in full, fixed for up to a year. It was an odd thing for a Venetian to do, stumping up money early. But at least that way Uriel's burial was settled. No one, not even Michele, could use the money once it was locked in the safe of a funeral service across the water.

After that, she'd made a perfunctory stop at the small grocery store near the lighthouse, paid cash for two fewer portions than normal, accepting the store owners' quiet, muted sympathies with a nod, nothing more. It was her opinion that the island did not dislike the Arcangeli anything like as much as the family imagined. Even the residents of Murano lacked the unhealthy enthusiasm needed to maintain a vendetta over the years. Ordinary people simply weren't made that way.

Then, before starting on the meal, she sat down with a gla.s.s of weak spritz and began to turn over the day's events in her mind. The dead were buried twice, she thought. Once in the earth. A second, more important time, in the memory. Neither event seemed as close as the family deserved.

The card was still in the pocket of her bag. She took it out and stared at the name there: Inspector Leo Falcone. With the address of a Questura in Rome and two phone numbers, one, the land line, scribbled out in a legible, firm hand, replaced with a number for Verona. She walked to the window and watched the fire dying on the lagoon, holding the card to her lips, wondering. The pasta was boiling: eight minutes to al dente. A decision had to be made. The Arcangeli rarely dealt with the police over the years. They shared the conviction of the community around them that it was best to avoid all contact, unless absolutely necessary. Problems were there to be solved in the old ways, by negotiation and bargaining, alliances and trysts.

In normal times, she whispered to herself. she whispered to herself.

Raffaella Arcangelo turned down the pasta, then called the inspector's mobile from the kitchen phone, speaking quietly, praying she would not be overheard.

"p.r.o.nto," said a firm, preoccupied voice on the other end of the line. said a firm, preoccupied voice on the other end of the line.

"Inspector . . ."

There was the sound of a vaporetto, the chatter of people close to the man. Police inspectors led ordinary lives too, she reminded herself. They were merely mortal.

"Signora Arcangelo?"

He sounded surprised. Flattered perhaps.

"I was wondering . . ." she began, and found it difficult to phrase such a simple question.

"Wondering?" he asked.

There was the hint of amus.e.m.e.nt in his voice, which was quite warm, it seemed to her.

"I didn't find the keys," he said pleasantly. "They weren't in the furnace. That was the question, I believe?"

"You're a very perceptive man, Inspector. Are you sure?"

"Absolutely. The only metal they found . . ."

His voice disappeared. She wondered if the line had gone dead.

"Yes?"

"The only metal they found was gold," he said flatly. "A small amount. Melted. Bella had a wedding ring?"

"Yes," she replied, in a quiet yet untroubled voice. These were practical matters. An Arcangelo knew how to address such things.

"I'm sorry." His voice sounded dejected. "These aren't pleasant details. Perhaps you would prefer it if I discussed them with your brothers."

"I can speak for myself, thank you. And this is is my business. More than yours in some ways." my business. More than yours in some ways."

There was a pause on the line again.

"You didn't find anything either then?" he asked.

An intelligent man, Raffaella thought. One who didn't miss much.

"I've looked everywhere," she answered. "Not a sign. To be honest with you, I never saw Bella and Uriel's apartment looking so tidy. She was never one for housework."

There was the sound of voices, an attendant calling the stop. San Zaccaria. San Zaccaria.

"Signora . . ."

"My name is Raffaella," she interjected with a sudden determination. "From listening to your men speaking when you're not around, I believe yours is Leo. Do they normally call their superiors by their first name? No matter. We should. I want the truth now. You don't believe this is as simple as it seems. Nor do I. You have professional reasons. I have personal ones. Are we going to work together? Or are you going to be some stiff and pompous policeman who does everything by the book?"

He did laugh then. She could hear clearly over the crowd and the sound made her feel bold, more confident than ever that this was a man she could trust.

"I'm not from around here," he answered. "I don't know what pa.s.ses for a book in Venice."

"Leave that to me. I must make it clear, Leo. No one must know about this. Not my brothers. Not your officers either. This city has a very poor record of keeping secrets. I want to make an exception."

"Of course. So what do you want me to do?"

She hesitated. "Tell me what you think."

"I have to have some limits," he warned. There was caution in his voice.

"I understand that."

"When?" he wondered.

"Not with my brothers tomorrow, Leo. We'll act as if this conversation has never taken place."

A small rush of excitement and pleasure ran through her veins. Raffaella Arcangelo was aware she was blushing, and the thought made her feel deeply guilty.

"After that . . ." she continued.

"Ma.s.siter has this party in your exhibition hall tomorrow."

"He does?"

Another detail kept from her. Michele must surely have known.

"I thought you would have been invited."

"We're not the sociable kind. Not normally. A party?" It was inconceivable. Should she wear black? Or what? "That wouldn't be right, Leo. Not in the circ.u.mstances."

"Right or not," he said, "I think you should go. I want want you to go. This is important. Besides . . ." you to go. This is important. Besides . . ."

His voice was firm. But not like Michele's. There was no coercion, no threat in it. Leo Falcone had a reason to ask this, she believed.

She waited before answering, trying to imagine what he was doing now, on that busy portion of waterfront close to La Pieta, where the fast boat to Murano departed every hour.

"There's something I must ask," Falcone added, rapidly changing the direction of the conversation. "Did Bella or anyone else in the family own a mobile phone?"

"No," she answered. "Why do you ask?"

"No reason."

A policeman never asked questions without some point.