The Lives of the Poets of Great Britain and Ireland (1753) Volume I Part 9

After our author had spent two years in the study of divinity amongst the priests, he was sent to Diling in Switzerland, where he continued about seventeen years, in explaining and discussing controverted questions, among those he called Heretics, in which time, for his zeal for the holy mother, he was promoted to the degree of Dr. of Divinity, and of the Four Vows. At length pope Gregory XIII. calling him away in 1581, he sent him, with others, the same year into the mission of England, and the rather because the brethren there told his holiness, that the harvest was great, and the labourers few [3]. Being settled then in the metropolis of his own country, and esteemed the chief provincial of the Jesuits in England, it was taken notice of, that he affected more the exterior shew of a lord, than the humility of a priest, keeping as grand an equipage, as money could then furnish him with. Dr. Fuller says, that our author was executed in the reign of Queen Elizabeth; but Sir Richard Baker tells us, that he was one of the chief of those 70 priests that were taken in the year 1585; and when some of them were condemned, and the rest in danger of the law, her Majesty caused them all to be shipp'd away, and sent out of England. Upon Heywood's being taken and committed to prison, and the earl of Warwick thereupon ready to relieve his necessity, he made a copy of verses, mentioned by Sir John Harrington, concluding with these two;

----Thanks to that lord, that wills me good; For I want all things, saving hay and wood.

He afterwards went to Rome, and at last settled in the city of Naples, where he became familiarly known to that zealous Roman Catholick, John Pitceus, who speaks of him with great respect.

It is unknown what he wrote or published after he became a Jesuit. It is said that he was a great critic in the Hebrew language, and that he digested an easy and short method, (reduced into tables) for novices to learn that language, which Wood supposes was a compendium of a Hebrew grammar. Our author paid the common debt of nature at Naples, 1598, and was buried in the college of Jesuits there.

[Footnote 1: Langb. Lives of the Poets, p. 249.]

[Footnote 2: Langb. ubi supra.]

[Footnote 3: Athen. Oxon.]

JOHN LILLY,

A writer who flourished in the reign of Queen Elizabeth; he was a Kentish man, and in his younger years educated at St. Mary Magdalen College in Oxon, where in the year 1575 he took his degree of Master of Arts. He was, says Langbaine, a very close student, and much addicted to poetry; a proof of which he has given to the world, in those plays which he has bequeathed to posterity, and which in that age were well esteemed, both by the court, and by the university. He was one of the first writers, continues Langbain, who in those days attempted to reform the language, and purge it from obsolete expressions. Mr. Blount, a gentleman who has made himself known to the world, by several pieces of his own writing (as Horae Subsecivae, his Microcosmography, &c.) and who published six of these plays, in his t.i.tle page stiles him, the only rare poet of that time, the witty, comical, facetiously quick, and unparallell'd John Lilly. Mr. Blount further says, 'That he sat 'at Apollo's table; that Apollo gave him a wreath of his own bays without s.n.a.t.c.hing; and that the Lyre he played on, had no borrowed strings:' He mentions a romance of our author's writing, called Euphues; our nation, says he, are in his debt, for a new English which he taught them; Euphues, and his England began first that language, and all our ladies were then his scholars, and that beauty in court who could not read Euphism, was as little regarded, as she who now speaks not French. This extraordinary Romance I acknowledge I have not read, so cannot from myself give it a character, but I have some reason to believe, that it was a miserable performance, from the authority of the author of the British Theatre, who in his preface thus speaks of it; "This Romance, says he, so fashionable for its wit; so famous in the court of Queen Elizabeth, and is said to have introduced so remarkable a change in our language, I have seen and read. It is an unnatural affected jargon, in which the perpetual use of metaphors, allusions, allegories, and a.n.a.logies, is to pa.s.s for wit, and stiff bombast for language; and with this nonsense the court of Queen Elizabeth (whose times afforded better models for stile and composition, than almost any since) became miserably infected, and greatly help'd to let in all the vile pedantry of language in the two following reigns; so much mischief the most ridiculous instrument may do, when he proposes to improve on the simplicity of nature."

Mr. Lilly has writ the following dramatic pieces;

Alexander and Campaspe, a tragical comedy; play'd before the Queen's Majesty on twelfth-night, by her Majesty's children, and the children of St. Paul's, and afterwards at the Black Fryars; printed in 12mo.

London, 1632. The story of Alexander's bestowing Campaspe, in the enamoured Apelles, is related by Pliny in his Natural History. Lib.

x.x.xv. L. x.

Endymion, a Comedy, presented before Queen Elizabeth, by the children of her Majesty's chaple, printed in 12mo. 1632. The story of Endymion's being beloved by the moon, with comments upon it, may be met with in most of the Mythologists. See Lucian's Dialogues, between Venus and the Moon. Mr. Gambauld has writ a romance called Endymion, translated into English, 8vo. 1639.

Galathea, a Comedy, played before the Queen at Greenwich on New year's day, at night, by the children of St. Paul's, printed in 12mo. London, 1632. In the characters of Galathea and Philidia, the poet has copied the story of Iphis and Ianthe, which the reader may find at large in the ninth book of Ovid's Metamorphosis.

Maid's Metamorphosis, a Comedy, acted by the children of St. Paul's, printed in 12mo. 1632.

Mydas, a Comedy, played before the Queen on Twelfth-night, printed in 12mo. London, 1632. For the story, see the xith book of Ovid's Metamorphosis.

Sappho and Phaon, a Comedy, played before the queen on Shrove-Tuesday, by the children of Paul's, and afterwards at Black-Fryars, printed in Twelves, London 1632. This story the reader may learn from Ovid's Epistles, of Sappho to Phaon, Ep. 21.

Woman in the Moon, presented before the Queen, London 1667. Six of these plays, viz. Alexander and Campaspe, Endymion, Galathea and Mydas, Sappho and Phaon, with Mother Bombie, a Comedy, by the same author, are printed together under the t.i.tle of the Six Court-Comedies, 12mo, London 1632, and dedicated by Mr. Blount, to the lord viscount Lumly of Waterford; the other two are printed singly in Quarto.----He also wrote Loves Metamorphosis, a courtly pastoral, printed 1601.

Sir THOMAS OVERBURY

Was son of Nicholas Overbury, Esq; of Burton in Gloucestershire, one of the Judges of the Marches[1]. He was born with very bright parts, and gave early discoveries of a rising genius. In 1595, the 14th year of his age, he became a gentleman commoner in Queen's-College in Oxford, and in 1598, as a 'squire's son, he took the degree of batchelor of arts; he removed from thence to the Middle-Temple, in order to study the munic.i.p.al law, but did not long remain there[2].

His genius, which was of a sprightly kind, could not bear the confinement of a student, or the drudgery of reading law; he abandoned it therefore, and travelled into France, where he so improved himself in polite accomplishments, that when he returned he was looked upon as one of the most finished gentlemen about court.

Soon after his arrival in England, he contracted an intimacy, which afterwards grew into friendship with Sir Robert Carre, a Scotch gentleman, a favourite with king James, and afterwards earl of Somerset. Such was the warmth of friendship in which these two gentlemen lived, that they were inseparable. Carre could enter into no scheme, nor pursue any measures, without the advice and concurrence of Overbury, nor could Overbury enjoy any felicity but in the company of him he loved; their friendship was the subject of court-conversation, and their genius seemed so much alike, that it was reasonable to suppose no breach could ever be produced between them; but such it seems is the power of woman, such the influence of beauty, that even the sacred ties of friendship are broke asunder by the magic energy of these superior charms. Carre fell in love with lady Frances Howard, daughter to the Earl of Suffolk, and lately divorced from the Earl of Ess.e.x[3]. He communicated his pa.s.sion to his friend, who was too penetrating not to know that no man could live with much comfort, with a woman of the Countess's stamp, of whose morals he had a bad opinion; he insinuated to Carre some suspicions, and those well founded, against her honour; he dissuaded him with all the warmth of the sincerest friendship, to desist from a match that would involve him in misery, and not to suffer his pa.s.sion for her beauty to have so much sway over him, as to make him sacrifice his peace to its indulgence.

Carre, who was desperately in love, forgetting the ties of honour as well as friendship, communicated to the lady, what Overbury had said of her, and they who have read the heart of woman, will be at no loss to conceive what reception she gave that unwelcome report. She knew, that Carre was immoderately attached to Overbury, that he was directed by his Council in all things, and devoted to his interest.

Earth has no curse like love to hatred turn'd, Nor h.e.l.l a fury like a woman scorn'd.

This was literally verified in the case of the countess; she let loose all the rage of which she was capable against him, and as she panted for the consummation of the match between Carre and her, she so influenced the Viscount, that he began to conceive a hatred likewise to Overbury; and while he was thus subdued by the charms of a wicked woman, he seemed to change his nature, and from the gentle, easy, accessible, good-natured man he formerly appeared, he degenerated into the sullen, vindictive, and implacable. One thing with respect to the countess ought not to be omitted. She was wife of the famous Earl of Ess.e.x, who afterwards headed the army of the parliament against the King, and to whom the imputation of impotence was laid. The Countess, in order to procure a divorce from her husband, gave it out that tho'

she had been for some time in a married state, she was yet a virgin, and which it seems sat very uneasy upon her. To prove this, a jury of matrons were to examine her and give their opinion, whether she was, or was not a Virgin: This scrutiny the Countess did not care to undergo, and therefore entreated the favour that she might enter masked to save her blushes; this was granted her, and she took care to have a young Lady provided, of much the same size and exterior appearance, who personated her, and the jury a.s.serted her to be an unviolated Virgin. This precaution in the Countess, no doubt, diminishes her character, and is a circ.u.mstance not favourable to her honour; for if her husband had been really impotent as she pretended, she needed not have been afraid of the search; and it proves that she either injured her husband, by falsely aspersing him, or that she had violated her honour with other men. But which ever of these causes prevailed, had the Countess been wise enough, she had no occasion to fear the consequences of a scrutiny; for if I am rightly informed, a jury of old women can no more judge accurately whether a woman has yielded her virginity, than they can by examining a dead body, know of what distemper the deceased died; but be that as it may, the whole affair is unfavourable to her modesty; it shews her a woman of irregular pa.s.sions, which poor Sir Thomas Overbury dearly experienced; for even after the Countess was happy in the embraces of the Earl of Somerset, she could not forbear the persecution of him; she procured that Sir Thomas should be nominated by the King to go amba.s.sador to Russia, a destination she knew would displease him, it being then no better than a kind of honourable grave; she likewise excited Earl Somerset to seem again his friend, and to advise him strongly to refuse the emba.s.sy, and at the fame time insinuate, that if he should, it would only be lying a few weeks in the Tower, which to a man well provided in all the necessaries, as well as comforts of Life, had no great terror in it. This expedient Sir Thomas embraced, and absolutely refused to go abroad; upon which, on the twenty-first of April 1613, he was sent prisoner to the Tower, and put under the care of Sir Gervis Yelvis, then lord lieutenant. The Countess being so far successful, began now to conceive great hopes of compleating her scheme of a.s.sa.s.sination, and drew over the Earl of Somerset her husband, to her party, and he who a few years before, had obtained the honour of knighthood for Overbury, was now so enraged against him, that he coincided in taking measures to murder his friend. Sir Gervis Yelvis, who obtained the lieutenancy by Somerset's interest, was a creature devoted to his pleasure. He was a needy man, totally dest.i.tute of any principles of honour, and was easily prevailed upon to forward a scheme for destroying poor Overbury by poison.

Accordingly they consulted with one Mrs. Turner, the first inventer (says Winstanley of that horrid garb of yellow ruffs and cuffs, and in which garb he was afterwards hanged) who having acquaintance with one James Franklin, a man who it seems was admirably fitted to be a Cut-throat, agreed with him to provide that which would not kill presently, but cause one to languish away by degrees. The lieutenant being engaged in the conspiracy, admits one Weston, Mrs. Turner's man, who under pretence of waiting on Sir Thomas, was to do the horrid deed. The plot being thus formed, and success promising so fair, Franklin buys various poisons, White a.r.s.enick, Mercury-Sublimate, Cantharides, Red-Mercury, with three or four other deadly ingredients, which he delivered to Weston, with instructions how to use them; who put them into his broth and meat, increasing and diminishing their strength according as he saw him affected; besides these, the Countess sent him by way of present, poisoned tarts and jellies: but Overbury being of a strong const.i.tution, held long out against their influence: his body broke out in blotches and blains, which occasioned the report industriously propagated by Somerset, of his having died of the French Disease. At last they produced his death by the application of a poisoned clyster, by which he next day in painful agonies expired. Thus (says Winstanley) "by the malice of a woman that worthy Knight was murthered, who yet still lives in that witty poem of his, ent.i.tled, A Wife, as is well expressed by the verses under his picture."

A man's best fortune or his worst's a wife, Yet I, that knew no marriage, peace nor strife Live by a good one, by a bad one lost my life.

Of all crimes which the heart of man conceives, as none is so enormous as murder, so it more frequently meets punishment in this life than any other. This barbarous a.s.sa.s.sination was soon revealed; for notwithstanding what the conspirators had given out, suspicions ran high that Sir Thomas was poisoned; upon which Weston was strictly examined by Lord Cook, who before his lordship persisted in denying the same; but the Bishop of London afterwards conversing with him, pressing the thing home to his conscience, and opening all the terrors of another life to his mind, he was moved to confess the whole. He related how Mrs. Turner and the Countess became acquainted, and discovered all those who were any way concerned in it; upon which they were all apprehended, and some sent to Newgate, and others to the Tower. Having thus confessed, and being convicted according to due course of law, he was hanged at Tyburn, after him Mrs. Turner, after her Franklin, then Sir Gervis Yelvis, being found guilty on their several arraignments, were executed; some of them died penitent. The Earl and the Countess were both condemned, but notwithstanding their guilt being greater than any of the other criminals, the King, to the astonishment of all his subjects, forgave them, but they were both forbid to appear at court.

There was something strangely unaccountable in the behaviour of Somerset after condemnation. When he was asked what he thought of his condition, and if he was preparing to die, he answered, that he thought not of it at all, for he was sure the King durst not command him to be executed. This ridiculous boasting and bidding defiance to his majesty's power, was construed by some in a very odd manner; and there were not wanting those who a.s.serted, that Somerset was privy to a secret of the King's, which if it had been revealed, would have produced the strangest consternation in the kingdom that ever was known, and drawn down infamy upon his majesty for ever; but as nothing can be ascertained concerning it, it might seem unfair to impute to this silly Prince more faults than he perhaps committed: It is certain he was the slave of his favourites, and not the most shocking crime in them, it seems, could entirely alienate his affections, and it is doubtful whether the saving of Somerset or the execution of Raleigh reflects most disgrace upon his reign. Some have said, that the body of Sir Thomas Overbury was thrown into an obscure pit; but Wood, says it appears from the Tower registers, that it was interred in the chapel; which seems more probable. There is an epitaph which Winstanley has preserved, written by our author upon himself, which I shall here insert, as it serves to ill.u.s.trate his versification.

The span of my days measured here I rest, That is, my body; but my soul, his guest Is hence ascended, whither, neither time, Nor faith, nor hope, but only love can climb, Where being new enlightened, she doth know The truth, of all men argue of below: Only this dust, doth here in p.a.w.n remain, That when the world dissolves, she come again.

The works of Overbury besides his Wife, which is reckoned the wittiest and most finished of all, are, first Characters, or witty descriptions of the prophesies of sundry persons. This piece has relation to some characters of his own time, which can afford little satisfaction to a modern reader.

Second, The Remedy of Love in two parts, a poem 1620, Octavo, 2s.

Third, Observations in his Travels, on the State. of the seventeen Provinces, as they stood anno 1609.

Fourth, Observations on the Provinces united, and the state of France, printed London 1631.

Sir Thomas was about 32 years old when he was murthered, and is said to have possessed an accuteness, and strength of parts that was astonishing; and some have related that he was proud of his abilities, and over-bearing in company; but as there is no good authority for the a.s.sertion, it is more agreeable to candour to believe him the amiable knight Winstanley draws him; as it seldom happens that a soul formed for the n.o.ble quality of friendship is haughty and insolent. There is a tragedy of Sir Thomas Overbury wrote by the late Richard Savage, son of earl Rivers, which was acted in 1723, (by what was then usually called The Summer Company) with success; of which we shall speak more at large in the life of that unfortunate gentleman.

[Footnote 1: Wood Athen. Oxon.]

[Footnote 2: Winst. ubi supra.]

[Footnote 3: Winst. ubi supra.]

JOHN MARSTEN.

There are few things on record concerning this poet's life. Wood says, that he was a student in Corpus-Christi College, Oxon; but in what country he was born, or of what family descended, is no where fixed.

Mr. Langbain says, he can recover no other information of him, than what he learned from the testimony of his bookseller, which is, "That he was free from all obscene speeches, which is the chief cause of making plays odious to virtuous and modest persons; but he abhorred such writers and their works, and professed himself an enemy to all such as stuffed their scenes with ribaldry, and larded their lines with scurrilous taunts, and jests, so that whatsoever even in the spring of his years he presented upon the private and public theatre, in his autumn and declining age he needed not to to be ashamed of."

He lived in friendship with the famous Ben Johnson, as appears by his addressing to his name a tragi-comedy, called Male-Content: but we afterwards find him reflecting pretty severely on Ben, on account of his Cataline and Seja.n.u.s, as the reader will find on the perusal of Marsten's Epistle, prefixed to Sophonisba.--"Know, says he, that I have not laboured in this poem, to relate any thing as an historian, but to enlarge every thing as a poet. To transcribe authors, quote authorities, and to translate Latin prose orations into English blank verse, hath in this subject been the least aim of my studies."----Langbain observes, that none who are acquainted with the works of Johnson can doubt that he is meant here, if they will compare the orations in Sal.u.s.t with those in Cataline. On what provocation Marsten thus censured his friend is unknown, but the practice has been too frequently pursued, so true is it, as Mr. Gay observes of the wits, that they are oft game c.o.c.ks to one another, and sometimes verify the couplet.

That they are still prepared to praise or to abhor us, Satire they have, and panegyric for us.----

Marsten has contributed eight plays to the stage, which were all acted at the Black Fryars with applause, and one of them called the Dutch Courtezan, was once revived since the Restoration, under the t.i.tle of the Revenge, or a Match in [1]Newgate. In the year 1633 six of this author's plays were collated and published in one volume, and dedicated to the lady viscountess Faulkland. His dramatic works are these:

Antonio and Melida, a history, acted by the children of St. Paul's, printed in 1633.

Antonius's Revenge; or the second part of Antonio and Melida. These two plays were printed in Octavo several years before the new edition.