The Lives of the Poets of Great Britain and Ireland (1753) Volume III Part 8

19. The Kind Keeper; or Mr. Limberham, a Comedy, acted at the duke's theatre, printed in 4to. 1680. It is dedicated to John lord Vaughan. Mr.

Langbain says, it so much exposed the keepers about town, that all the old letchers were up in arms against it, and d.a.m.ned it the third night.

20. The Spanish Fryar; or the Double Discovery, a Tragi Comedy, acted at the duke's theatre, and printed 1681. It is dedicated to John lord Haughton. This is one of Mr. Dryden's best plays, and still keeps possession of the stage. It is said, that he was afterwards so much concerned for having ridiculed the character of the Fryar, that it impaired his health: what effect bigotry, or the influence of priests, might have on him, on this occasion, we leave others to determine.

21. Duke of Guise, a Tragedy, acted 1688. It was written by Dryden and Lee, and dedicated to Hyde earl of Rochester. This play gave great offence to the Whigs, and engaged several writers for and against it.

22. Albion and Albanius, an Opera, performed at the Queen's theatre in Dorset-Gardens, and printed in folio 1685. The subject of it is wholly allegorical, and intended to expose my lord Shaftfbury and his party.

23. Don Sebastian King of Portugal, a Tragedy, acted 1690, dedicated to the earl of Leicester.

24. King Arthur; or the British worthy, a Tragedy, acted 1691, dedicated to the marquis of Hallifax.

25. Amphytrion; or the two Socias, a Comedy, acted 1691, dedicated to Sir Leveson Gower, taken from Plautus and Moliere.

26. Cleomenes, the Spartan Hero, a Tragedy, acted at the theatre-royal, and printed in 4to. 1692, dedicated to the earl of Rochester. There is prefixed to it the Life of Cleomenes, translated from Plutarch by Mr.

Creech. This play was first prohibited by the lord Chamberlain, but upon examination being found innocent of any design to satirize the government, it was suffered to be represented, and had great success.

In the preface, the author tells us, that a foolish objection had been raised against him by the sparks, for Cleomenes not accepting the favours of Ca.s.sandra. 'They (says he) would not have refused a fair lady; I grant they would not, but let them grant me, that they are no heroes.'

27. Love Triumphant; or Nature will prevail, a Tragi-comedy, acted 1694.

It is dedicated to the earl of Shaftsbury, and is the last Mr. Dryden wrote, or intended for the theatre. It met with but indifferent success, tho' in many parts the genius of that great man breaks out, especially in the discovery of Alphonfo's successful love, and in the catastrophe, which is extremely effecting.

In Obitum JOHAN. DRYDENI, poetarum Anglorum facile principis.

Pindarus Anglorum magnus, cujusque senilem Ornavit nuper frontem Parnissia laurus, Sive cothurnatum molitur musa laborem, Sive levem ludit focc.u.m, seu grande Maronis Immortalis epos tentat, seu carmine pingit Mordaci mores homitium, nunc occidit, eheu!

Occidit, atque tulit sec.u.m Permessidos undas; Et fontem exhausit totum Drydenius Heros.

Heu! miserande senex! jam frigida tempora circ.u.m Marcessit laurus, musae, maestissima turba!

Circ.u.mstant, largoque humeclant imbre cadaver; Sheffeildum video, in lacrymis multoque dolore Formosum, aetatis Flacc.u.m, vatisque patronum; Te Montacute, te, cujus musa triumphos Carmine Boynaeos cucinit, magnumque Wilhelmum aeternavit, et olim Boynam, ign.o.bile flumen; Teque, O! et legum et musarum gloria! et alter Maecenas; cui lingua olim facunda labantem Defendit mitrae causam; nee teruit aula Prava jubens--vos, O jam tanguni funera vatis!

Jamque dies aderat, magna stipante caterva, Quo Phoebea cohors facras comitatur ad urnam Reliquias, et supremum pia solvit honorem; Jamque graves planctus, jamque illaetabile murmur Audio Melpomenis late, dum noster Apollo Flebilis ante omnes, Sacvillus, tristia ducit Agmina Pieridum, Cytharamqueaccommodatodae; Ipse ego, dum totidem comitentur funera musae, Ipse sequor maestus; bustum venerabile fletu Carminibufque struam multis, animumque poetae His faltem donis c.u.mulabo, et fungar inani Munere.----

At te musa mori vetat, O post sata, vel ipsa Marmora, c.u.m annorum fuerint rubigine scabra; Major eris vivo; tibi scripta perennius aere Aut faxo, condent monumentum ill.u.s.tre per orbem, Secula cuncta legant, et te mirentur in illis.

JOHAN. PHILIPS,

1700. aetat. 24. Interioris templi alumnus.

The above were thrown in Dryden's grave. We are a.s.sured they were never in print before.

[Footnote 1: Athen. Oxon.]

[Footnote 2: He might have added, 'twas unnatural.]

[Footnote 3: Defence, or the Essay on Dramatic Poetry.]

[Footnote 4: Original Poems.]

[Footnote 5: This was written before Mr. Dodsley's edition of Virgil in English appeared.]

[Footnote 6: Essay on Criticism.]

[Footnote 7: Life of Congreve.]

[Footnote 8: In Millar's edition of the bishop's work, we have the following note upon this pa.s.sage. 'This (says the editor) must be understood of his performances for the stage; for as to his personal character, there was nothing remarkably vicious in it: but his plays are, some of them, the fullest of obscenity of any now extant.']

Sir CHARLES SEDLEY, Bart.

This gentleman, who obtained a great name in the world of gallantry, was son of Sir John Sedley, of Aylesford in Kent. When our author was about the age of 17, he became a fellow of Wadham college 1656, but he took no degree. When he quitted the university, he retired into his own country, and neither went to travel nor to the inns of court. As soon as the restoration was effected, Sir Charles came to London, in order to join in the general jubilee, and then commenced wit, courtier, poet, and gallant.

He was so much applauded in all conversations that he began to be the oracle of the poets; and it was by his judgment every performance was approved or condemned; which made the King jest with him, and tell him, that nature had given him a patent to be Apollo's viceroy. Lord Rochester bears testimony to this, when he puts him foremost among the judges of poetry.

I loath the rabble, tis enough for me, If Sedley, Shadwell, Shepherd, Wycherly, G.o.dolphin, Butler, Buckhurst, Buckingham, And some few more, whom I omit to name, Approve my sense, I count their censure same.

It happened by Sir Charles, in respect of the king, as is said of the famous cardinal Richlieu, viz. That they who recommended him to the Royal savour, thereby supplanted themselves, and afterwards envied him; but with this difference between the Cardinal and Sir Charles, that the latter was never ungrateful. When he had a taste of the court, as the King never would part with him, so he never would part from the King; and yet two things proved particularly detrimental to him in it, first his estate, so far from being improved was diminished; and secondly his morals were debauched. The King delighted in his conversation, and he was the dearer to his Majesty on this account, that he never asked a favour; whereas some other courtiers by their bold importunity exhausted that prince's treasures, who could not deny a man who craved, tho' he hated his forwardness; nor could remember the silent indigence of his friend, tho' he applauded the modesty of it. He was deeply immersed in the public distractions of the times, and is said to have committed many debaucheries, of which the following instance has been recorded.

In the month of June 1663 our author, Charles lord Buckhurst, and Sir Thomas Ogle, were convened at a public house in Bow-street, Covent-Garden, and being enflamed with strong liquors, they went up to the balcony belonging to that house, and there shewed very indecent postures, and gave great offence to the pa.s.sengers in the street by very unmannerly discharges upon them; which done, Sedley stripped himself naked, and preached to the people in a gross and scandalous manner; whereupon a riot being raised, the mob became very clamorous, and would have forced the door next to the street; but being opposed, the preacher and his company were driven off the balcony, and the windows of a room into which they retired were broken by the mob. The frolic being soon spread abroad, and as persons of fashion were concerned in it, it was so much the more aggravated. The company were summoned to appear before a court of justice in Westminster-Hall, where being indicted for a riot before Sir Robert Hyde, lord chief justice of the Common Pleas, they were all fined, and Sir Charles being sentenced to pay 500 l. he used some very impertinent expressions to the judge; who thereupon asked him if he had ever read a book called the Compleat Gentleman; to which Sir Charles made answer, that he had read more books than his lordship.

The day for payment being appointed, Sir Charles desired Mr. Henry Killegrew, and another gentleman to apply to his Majesty to have the fine remitted, which they undertook to do; but in place of supplicating for it, they represented Sir Charles's frolic rather in an aggravating light, and not a farthing was abated.

After this affair, Sir Charles's mind took a more serious turn, and he began to apply himself to the study of politics, by which he might be of some service to his country. He was chosen, says Wood, a recruiter of that long parliament, which began at Westminster the 8th of May 1661, to serve for New Romney in Kent, and sat in three succeeding Parliments since the dissolution of that.

Sir Charles, considered as an author, has great delicacy in his turns, and Eachard observes in his dedication of Plautus's three comedies to Sir Charles, that the easiness of his stile, the politeness of his expressions in his Bellamira, and even those parts of it which are purely translation, are very delightful, and engaging to the reader.

Lord Rochester, in his imitation of the 10th satire of the first book of Horace, has the following verses in his commendation.

Sedley has that prevailing gentle art, That can with a resistless charm impart.

The loosest wishes to the chastest heart: Raise such a conflict, kindle such a fire, Betwixt declining virtue and desire; That the poor vanquish'd maid dissolves away In dreams all night, in sighs and tears all day.

Before we give an account of our author's works, it will not be amiss to observe, that he was extremely active in effecting the revolution, which was thought the more extraordinary, as he had received favours from King James II. That Prince, it seems, had fallen in love with a daughter of Sir Charles's, who was not very handsome; for James was remarkable for dedicating his affections to women who were not great beauties; in consequence of his intrigue with her, and in order to give her greater l.u.s.tre in life, he created Miss Sedley countess of Dorchester. This honour, so far from pleasing, greatly shocked Sir Charles. However libertine himself had been, yet he could not bear the thoughts of his daughter's dishonour; and with regard to this her exaltation, he only considered it as rendering her more conspicuously infamous. He therefore conceived a hatred to James, and readily joined to dispossess him of his throne and dominions.

Being asked one day, why he appeared so warm against the King, who had created his daughter a Countess? It is from a principle of grat.i.tude I am so warm, returns Sir Charles; for since his Majesty has made my daughter a Countess, it is fit I should do all I can to make his daughter a Queen.

Our author's works are,

1. The Mulberry Garden, a Comedy, acted by his Majesty's servants at the theatre-royal 1668, dedicated to the d.u.c.h.ess of Richmond and Lennox.

2. Anthony and Cleopatra, a Tragedy, acted at the Duke of York's theatre 1667. This play was acted with great applause. The Story from Plutarch's Life of Anthony.

3. Bellamira; or the Mistress, a Comedy, acted by his Majesty's servants, 1687. It is taken from Terence's Eunuch. While this play was acting, the roof of the play-house fell down, but very few were hurt, except the author: whose merry friend Sir Fleetwood Shepherd told him, that there was so much fire in the play, that it blew up the poet, house and all: Sir Charles answered, No, the play was so heavy it brought down the house, and buried the poet in his own rubbish.

4. Beauty the Conqueror; or the Death of Mark Anthony, a Tragedy.

Besides these plays, Mr. c.o.xeter says, he is author of the two following, which were never printed till with his works in 2 vols. 8vo.

1719, dedicated by Briscoe the bookseller to the duke of Chandois.