The Little Colonel's Holidays Part 1

The Little Colonel's Holidays.

by Annie Fellows Johnston.

CHAPTER I.

THE MAGIC KETTLE.

ONCE upon a time, so the story goes (you may read it for yourself in the dear old tales of Hans Christian Andersen), there was a prince who disguised himself as a swineherd. It was to gain admittance to a beautiful princess that he thus came in disguise to her father's palace, and to attract her attention he made a magic caldron, hung around with strings of silver bells. Whenever the water in the caldron boiled and bubbled, the bells rang a little tune to remind her of him.

"Oh, thou dear Augustine, All is lost and gone,"

they sang. Such was the power of the magic kettle, that when the water bubbled hard enough to set the bells a-tinkling, any one holding his hand in the steam could smell what was cooking in every kitchen in the kingdom.

It has been many a year since the swineherd's kettle was set a-boiling and its string of bells a-jingling to satisfy the curiosity of a princess, but a time has come for it to be used again. Not that anybody nowadays cares to know what his neighbour is going to have for dinner, but all the little princes and princesses in the kingdom want to know what happened next.

"What happened after the Little Colonel's house party?" they demand, and they send letters to the Valley by the score, asking "Did Betty go blind?" "Did the two little Knights of Kentucky ever meet Joyce again or find the Gate of the Giant Scissors?" Did the Little Colonel ever have any more good times at Locust, or did Eugenia ever forget that she too had started out to build a Road of the Loving Heart?

It would be impossible to answer all these questions through the post-office, so that is why the magic kettle has been dragged from its hiding-place after all these years, and set a-boiling once more. Gather in a ring around it, all you who want to know, and pa.s.s your curious fingers through its wreaths of rising steam. Now you shall see the Little Colonel and her guests of the house party in turn, and the bells shall ring for each a different song.

But before they begin, for the sake of some who may happen to be in your midst for the first time, and do not know what it is all about, let the kettle give them a glimpse into the past, that they may be able to understand all that is about to be shown to you. Those who already know the story need not put their fingers into the steam, until the bells have rung this explanation in parenthesis.

(In Lloydsboro Valley stands an old Southern mansion, known as "Locust."

The place is named for a long avenue of giant locust-trees stretching a quarter of a mile from house to entrance gate, in a great arch of green.

Here for years an old Confederate colonel lived all alone save for the negro servants. His only child, Elizabeth, had married a Northern man against his wishes, and gone away. From that day he would not allow her name to be spoken in his presence. But she came back to the Valley when her little daughter Lloyd was five years old. People began calling the child the Little Colonel because she seemed to have inherited so many of her grandfather's lordly ways as well as a goodly share of his high temper. The military t.i.tle seemed to suit her better than her own name, for in her fearless baby fashion she won her way into the old man's heart, and he made a complete surrender.

Afterward when she and her mother and "Papa Jack" went to live with him at Locust, one of her favourite games was playing soldier. The old man never tired of watching her march through the wide halls with his spurs strapped to her tiny slipper heels, and her dark eyes flashing out fearlessly from under the little Napoleon cap she wore.

She was eleven when she gave her house party. One of the guests was Joyce Ware, whom some of you have met, perhaps, in "The Gate of the Giant Scissors," a bright thirteen-year-old girl from the West. Eugenia Forbes was another. She was a distant cousin of Lloyd's, who had no home-life like the other girls. Her winters were spent in a fashionable New York boarding-school, and her summers at the Waldorf-Astoria, except the few weeks when her busy father could find time to take her to some seaside resort.

The third guest, Elizabeth Lloyd Lewis, or Betty, as every one lovingly called her, was Mrs. Sherman's little G.o.d-daughter. She was an orphan, boarding on a backwoods farm on Green River. She had never been on the cars until Lloyd's invitation found its way to the Cuckoo's Nest. Only these three came to stay in the house, but Malcolm and Keith MacIntyre (the two little Knights of Kentucky) were there nearly every day. So was Rob Moore, one of the Little Colonel's summer neighbours.

The four Bobs were four little fox terrier puppies named for Rob, who had given one to each of the girls. They were so much alike they could only be distinguished by the colour of the ribbons tied around their necks. Tarbaby was the Little Colonel's pony, and Lad the one that Betty rode during her visit.

After six weeks of picnics and parties, and all sorts of surprises and good times, the house party came to a close with a grand feast of lanterns. Joyce regretfully went home to the little brown house in Plainsville, Kansas, taking her Bob with her. Eugenia and her father went to New York, but not until they had promised to come back for Betty in the fall, and take her abroad with them. It was on account of something that had happened at the house party, but which is too long a tale to repeat here.

Betty stayed on at Locust until the end of the summer in the House Beautiful, as she called her G.o.dmother's home, and here on the long vine-covered porch, with its stately white pillars, you shall see them first through the steam of the magic caldron.)

Listen! Now the kettle boils and the bells begin the story!

CHAPTER II.

THE END OF THE SUMMER.

"Oh, the sun shines bright on my old Kentucky home, 'Tis summer, the darkies are gay, The corn-top's ripe and the meadows are in bloom, And the birds make music all the day."

IT was Malcolm who started the old tune, thrumming a soft accompaniment on his banjo, as he sat leaning against one of the great white pillars of the vine-covered porch. Then Betty, swinging in a hammock with a new _St. Nicholas_ in her lap, began to hum with him. Rob Moore, sitting on the step below, took it up next, whistling it softly, but the Little Colonel and Keith went on talking.

It was a warm September afternoon, and all down the long avenue of giant locust-trees there was scarcely a leaf astir. Keith fanned himself with his hat as he talked.

"I wish schools had never been invented," he exclaimed, "or else there was a law that they couldn't begin until cold weather. It makes me wild when I think of having to go back to Louisville to-morrow and begin lessons in that hot old town. Lloyd, I don't believe that you are half thankful enough for being able to live in the country all the year round."

"But it isn't half so nice out heah aftah you all leave," answered the Little Colonel. "You don't know how lonesome the Valley is with you all gone. I can't beah to pa.s.s Judge Moore's place for weeks aftah the house is closed for the season. It makes me feel as if somebody's dead when I see every window shut and all the blinds down. When Betty goes home next week I don't know how I shall stand it to be all by myself. This has been such a lovely summah."

"We've had some jolly good times, that's a fact," answered Keith with a sigh, to think that they were so nearly over. Then beating time with his foot to the music of Malcolm's banjo, he began to sing with the others:

"'Oh, weep no more, my lady, weep no more to-day.

We will sing one song for my old Kentucky home, For my old Kentucky home far away.'"

Something in the mournful melody, coupled with the thought that this was the end of the summer, and the last of such visits to beautiful old Locust for many a long day, touched each face with a little shade of sadness. For several minutes after the last note of the song died away no one spoke. The only sounds were the bird-calls, and the voices of the cook's grandchildren, who were playing on the other side of the house.

As in many old Southern mansions, the kitchen at Locust was a room some distance back from the house. In the path that led from one to the other, three little darkies were romping and tumbling over each other like three black kittens.

Fat old Aunt Cindy, waddling into the pantry to flour-bin or sugar-barrel, glanced at them occasionally through the open window to see that they were in no mischief, and then went calmly on with her baking. She knew that they were not like white children who need a nurse to watch every step. They had taken care of themselves and each other from the time that they had learned to crawl.

In Aunt Cindy's slow journeys around the kitchen, she stopped from time to time to open the oven door and peep in. Finally she flung it wide open, and, with a satisfied grunt, took out a big square pan. A warm delicious odour filled the kitchen, and floated out around the house to the group on the porch.

"I smell gingerbread!" exclaimed Rob, starting up and sniffing the air excitedly with his short freckled nose.

"Me too!" exclaimed Keith. "It's the best thing I ever smelled in my life. Doesn't it make you hungry?"

"Fairly starved!" answered Malcolm.

Lloyd tiptoed to the end of the porch and listened. "If Aunt Cindy's singin' one of her old camp-meetin' tunes then I'd know she was feelin'

good, and I wouldn't mind tellin' her that we wanted the whole pan full.

But if she happened to be in one of her black tempahs I wouldn't da'h ask for a crumb. She always grumbles if she has to cut a cake while it's hot. She says it spoils them. No, she isn't singin' a note."

"Somebody might slip it out while she isn't looking," suggested Rob.

"I'd offer to try, but Aunt Cindy seems to have a grudge against me. She cracked me over the head one day with a gourd dipper, because I spilled mola.s.ses on the pantry floor. We wanted to make some candy, and Lloyd sent me in through the window to get it. I dropped the jug, and Aunt Cindy charged at me so furiously that I went out of that window a sight faster than I came in. Whew! I can feel that whack yet!" he added, s.c.r.e.w.i.n.g up his face, and rubbing his head. "You'd better believe I've kept out of her reach ever since."

"I'll tell you what let's do," suggested Keith, growing hungrier every minute as he snuffed that tantalising fragrance. "Let's play that Aunt Cindy is an ogre, a dreadful old fat black ogre, and the gingerbread is some kind of a magic cake that will break the spell she has cast over us, if we can only manage to get it and eat some."

"Oh, yes," agreed Rob, eagerly. "Don't you remember the story that Joyce used to tell us about the Giant Scissors that could do anything they were bidden, if the command were only given in rhyme? Whoever rescues the cake will be the magic Scissors. We can draw lots to see who will be it. Make up a rhyme somebody."

"Giant Scissahs, so bewitchin', Get the cake out of the kitchen!"

ventured the Little Colonel after a moment's thought.

"Giant Scissors, for our sake Will you please to take the cake."

added Malcolm, while Betty followed with the suggestion: