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The Little Colonel's Chum: Mary Ware Part 3

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She cast another furtive glance at her over her lead-stringing, slowly making up her estimate of her.

"She's what Joyce would call a drab blonde--washed out complexion and sallow hair. She looks drab all the way through to me, but she may be the kind that improves on acquaintance. She certainly has a good figure, and looks as stylish as one of those fashion ladies in _Vogue_."

From time to time Mary proffered bits of information as occasion offered, as to which of the drawers were empty and how to pull the wardrobe door a certain way when it stuck, but her friendly advances were so coldly received, that presently she slipped out of the room and went over to the East wing to see what Elise Walton was doing.

Elise had already made friends with her room-mate, a little dumpling of a girl by the name of Agnes Olive Miggs, and was calling her A.O. as every one else did. In five minutes Mary was calling her A.O. too, and wishing a little enviously that either one of these bright friendly girls could have fallen to her lot instead of the polite iceberg she had run away from.

"But I won't complain of her to them," she thought loyally. "Maybe she'll improve on acquaintance and be so nice that I'd be sorry some day that I said anything against her."

Several other girls came in while she sat there, and a box of candy was pa.s.sed around. Finding herself in the company of congenial young spirits was a new experience for Mary.

"Now I know what it means to be 'in the swim,'" she thought exultantly.

"I feel like a duck who has found a whole lake to swim in, when it has never had anything bigger than a puddle before."

The sensation was so exhilarating that it prompted her to exert herself to keep on saying funny things and send her audience off into gales of laughter. And all the time the consciousness deepened that they really liked her, that she was really entertaining them.

After lunch the day went by in a rush. Each teacher met her cla.s.ses, programmes were arranged and lessons a.s.signed. By night Mary had made the acquaintance of every girl in the Freshman cla.s.s and many of the others. She started to her room all aglow with the new experiences, thinking that if she could only find Ethelinda responsive it would put the finishing touch to a perfect day. Betty was in the upper hall surrounded by an admiring circle, for all the old girls who remembered her as the star of her cla.s.s, and all the new ones who had been attracted to her from the moment they saw her were crowding around her as if she were holding some kind of court. It was a moment of triumph for Mary when Betty laughingly excused herself from them all and drew her aside.

"Come into my room a few minutes," she said. "I've something to show you," While she was looking through her desk to find it she asked, "Well, how goes it, little girl? Is school all you dreamed it would be?"

"Betty, she won't thaw out a bit."

"Who, dear?"

"That Miss Ethelinda Hurst. When I went up stairs to dress for dinner I tried my best to be sociable, and brought up every subject that I thought would interest her. She barely answered till she found that I had come out to Warwick Hall from the city alone. That horrified her, to think I'd taken a step without a chaperon, and she said it in such a way that I couldn't help saying that I thought one must feel like a poodle tied to a string--always fastened to a chaperon. As for me give me liberty or give me death. And she answered, 'Oh, aren't you _queer_!'

Then after awhile I tried again, but she wouldn't draw out worth a cent.

Said she had never roomed with any one before, but supposed it was one of the disagreeable things one had to put up with when one went away to school. Imagine! Pleasant for me, wasn't it!"

"Try letting her alone for awhile," advised Betty. "Beat her at her own game. Play dumb for--say a week."

"But that is so much good time wasted, when we might be chums from the start. When you're going to bed is the cream of the day. You see you always had Lloyd, so you don't know what it is like to room with an oyster."

"Here it is," announced Betty, unwrapping the package she had just found, and pa.s.sing it to Mary. "Lloyd's latest photograph, the best she has ever had taken, in my opinion. It's so lifelike you almost wait to hear her speak. And I like it because it's so simple and girlish. I suppose the next one will be taken in evening gown after she makes her debut."

"Oh, is it for me?" was the happy cry.

"Yes, frame, picture, nail to hang it on and all. Lloyd sent it with her love. The day the photographs came home, she found that funny slip of paper with all the questions on it Jack was to ask. And you wanted so especially to know just how the Princess looked and how she was wearing her hair and all that, that she said, 'I believe I'll send one of these to Mary. She'll admire it whether any one else does or not.'"

"Tell me about her," begged Mary, propping the frame up in front of her that she might watch the beloved face while she listened.

Nothing loath, Betty sat down and began to talk of the gay summer just gone, of the picnics and the barn parties, the moonlight drives, the rainy days at the Log Cabin, the many knights who came a-riding by to pay court to the fair daughter of the house. Then she told of her own good times and the disappointment when her ma.n.u.script had been returned, and the reason for her coming to Warwick Hall to teach.

"I have come to serve my apprenticeship," she explained. "The old Colonel advised me to. He said I must live awhile--have some experiences that go deeper than the carefree existence I have been living, before I can write anything worth while. I am sure he is right."

When Mary had heard all that Betty could remember to tell, she took her departure, carrying the picture and the nail on which to hang it. She wanted to show it to Ethelinda, she was so proud of it, but heroically refrained. Early as it was Ethelinda was undressing.

Mary had intended to do many things before bed-time, write in her journal, mend the rip in her skirt, start a letter to Jack, and maybe make some break in the wall of reserve which Ethelinda still kept persistently between them. But when she saw the preparations for retiring she hesitated, perplexed.

"She's tired from her long journey," she thought, "so maybe I ought not to sit up and keep the light burning. Maybe she'll appreciate it if I go to bed, too. I can lie and think even if I'm not sleepy."

The rip in the skirt had to be mended, however, or she would not be presentable in the morning. It was a small one, and she did not sit down to the task, but in order that she might work faster stood up and took short hurried st.i.tches. Next, taking off her shoe to use the heel as a hammer, she drove the nail in the wall over the side of her bed, and hung the picture where she could see it the last thing at night and the first in the morning. Then, retiring behind her screen, she made her preparations for the night. They were completed long before Ethelinda's, and climbing into bed she lay looking at the new picture, glad for this opportunity to gaze at it to her heart's content.

It made her think of so many things that she loved to recall--little incidents of her visit to The Locusts; and the smiling lips seemed to be saying, "Don't you remember" in such a friendly companionable way that she whispered to herself, "Oh, you dear! If you were only here this year, what an angel of a chum you would make!"

Then she looked across at Ethelinda, who had arranged the windows to her satisfaction and was now stretching the electric light cord from her dressing table to her bed, so that the bulb would hang directly over it.

In another moment she had propped herself comfortably against the pillows, and settled down with a book.

Mary sat up astonished. She had sacrificed her own plans and come to bed for Ethelinda's sake, and now here was the electric light blazing full in her eyes, utterly regardless of _her_ comfort. She was about to sputter an indignant protest when she looked up at the picture. It seemed to smile back at her as if it were a real person with whom she might exchange amused glances. "Did you ever see such colossal unconcern?" she whispered, as if the pictured Lloyd could hear.

For a moment she thought she would get up and do the things she had intended doing when she came up stairs, but it required too much of an effort to dress again, and she was more tired than she had realized after her exciting day. So she lay still. She began to get drowsy presently, but she could not go to sleep with that irritating light in her eyes. She threw a counterpane over the foot-board, but it was too low to shield her. Finally in desperation she slipped out of bed and got her umbrella. Then opening it over her she thrust its handle under the pillow to hold it in place, and lay back under its sheltering canopy with a suppressed giggle.

[Ill.u.s.tration: "LAY BACK UNDER ITS SHELTERING CANOPY WITH A SUPPRESSED GIGGLE."]

Again she looked up at Lloyd's picture, thinking, "I'd have been awfully mad if you hadn't been here to smile with me over it."

The bulb began to sway, throwing shadows across the wall. Ethelinda had struck the cord in reaching up to pull her pillows higher. The flickering shadows made Mary think of something--a verse that Lloyd had written in her autograph alb.u.m once, because it was the motto of the Seminary Shadow Club.

"This learned I from the shadow on a tree That to and fro did sway upon the wall, Our shadowy selves--our influence, may fall Where we can never be."

She repeated it drowsily, peering out from under her umbrella at the swaying shadows, till something the lines suggested made her sit up, wide awake.

"Why, I can take _you_ for my chum, of course," she thought. "Your _shadow-self_. Then it won't make any difference whether Miss Haughtiness Hurst talks to me or not, _You'll_ understand and sympathize with me."

All her life when Mary's world did not measure up to her expectations, she had been in the habit of making a world of her own; a beautiful make-believe place that held all her heart's desires. It had given her gilded coaches and Cinderella ball-attire in her nursery days, and enchanted orchards whose trees bore all manner of confections. It had bestowed beauty and fortune and accomplishments on her, and sent dashing cavaliers to seek her hand when she came to the romance-reading age.

Friends and social pleasures were hers at will when the lonely desert life grew irksome. Whatever was dull the Midas touch of her imagination made golden, so now it was easy to close her eyes and conjure up a make-believe chum that for the time was as good as a real one.

Absorbed in her book, Ethelinda read on until the signal sounded for lights out. Never before accustomed to such restrictions, she looked up impatiently. She had forgotten where she was for the moment in the interest of her book. When her glance fell on the umbrella, spread over Mary's bed like a tent, she raised herself on her elbow with a look of astonishment. It took her some time to understand why it had been put there.

Never having roomed with any one before, and never having had to consider any one's convenience besides her own, it had not occurred to her that she might be making Mary uncomfortable. The mute umbrella called attention to the fact more eloquently than any protest could have done. Ethelinda had endured having a room-mate as she endured all the other disagreeable requirements of the school. Now for the first time it dawned upon her that there might be two sides to this story, also that this strange girl who seemed so eager to intrude herself on her notice might be worth knowing after all. If Mary could have seen her bewildered stare and then the amused expression which twitched her mouth for an instant, she would have had hopes that the thawing out process had begun.

CHAPTER IV

"AYE, THERE'S THE RUB!"

True to the course she had laid out for herself, Mary was as dumb next morning as if she had really lost the power of speech. Judging from her manner one would have thought that she was alone in the room, and that she was having a beautiful time all by herself. She was waiting for Ethelinda to make the advances this time, and as she did not see fit even to say good-morning, the dressing proceeded in a silence so profound that it could almost be felt.

There was a broad smile on Mary's face most of the time. She was ready to laugh outright over the absurd situation, and from time to time she cast an amused glance at Lloyd's picture, as if her amus.e.m.e.nt were understood and shared. It was wonderful how that life-like picture seemed to bring Lloyd before her and give her a delightful sense of companionship, and she fell into the way of "thinking to it," as she expressed it. The things she would have said aloud had Lloyd been with her, she said mentally, finding a satisfaction in this silent communion that a less imaginative person could not have experienced.

"I wish you could go down to breakfast with me, Princess," she thought, turning for a last glance when she was dressed, and pausing with her hand on the door-k.n.o.b. "I dread to go down alone before all those strangers."

Dinner, the night before, had been a very stately affair, with Madam at the head of the table in the long banquet hall, and Hawkins in solemn charge of his corps of waiters. But breakfasts were to be delightfully informal, Mary found a few minutes later, when she paused at the dining room door and saw many small round tables, each cozily set for six: five pupils and a teacher. Betty, presiding at one, looked up and beckoned to her.

"You're a trifle early, but come on in. You're to have a seat here by me, with Elise and A.O. just around the corner. Now tell me what has happened to give you that 'glorious morning face,' as Stevenson puts it.

You look as if you had found some rare good fortune."

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The Little Colonel's Chum: Mary Ware Part 3 summary

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