The Lion's Mouse Part 22

"I may have dropped something that's put him wise," the girl persisted in desperation. "I tell you I'm not talking to hear myself talk when I ask for a new place."

"Krantz's Keller, then, eleven thirty."

"Right for Krantz's Keller. But I can't be sure of eleven thirty. I'll have to keep an eye on Pete till I know what he's up to. Maybe I can 'phone you there. What's Krantz's number?"

"Can't give it to you without looking it up. Haven't you got the book there?"

"No. Somebody must have nicked it."

"Ain't there one in your own room next door?"

"Yes. But say--a fool thing's happened. I locked my door when I came in to Pete's, and I've dropped my key."

"Find it, and go look at the book. Jake's got mine. I'll call you up in your room in five minutes. Then if Pete's back it won't matter. See?"

"Yes. But----Have you gone?"

There was no answer. Clo could do nothing save hang up the receiver, and begin to search for a key which, despite her elaborate deductions, might be in "Kit's" pocket for all she knew. Luck was with her once more, however. On the floor by the mantelpiece lay a key, almost hidden in the deep fur of a mangy, goat-hair rug. Clo might have wasted twice the time in her search, had she not stepped on it.

"I'll make the best of a bad bargain," she promised herself. "If I must go to Kit's room, I won't throw away a single second."

She fastened Peterson's door on the outside, and fitted the key she had found, into the lock of the door at the left, in front of which stood the brown trunk.

The key served, as she had felt certain it would. Hastily she locked herself into the room, and switched on the light. It was a mean little room, a facsimile of Peterson's in most of its features, but a woman's clothing hung from hooks on the door, and on the bed and chairs and dressing table a woman's belongings were flung untidily about; hats, gloves, collars, and a handbag of jet and steel beads. Kit must have hated to leave that bag, thought Clo. She drew the ribbons, and took a hasty peep at the bag's contents. There was a soiled suede purse, and in that purse, mixed up with a few greenbacks, there were some papers. Clo dared not stop to examine them. She could only hope that they might give clues which she had failed to obtain from the telephone.

There were four or five frocks hanging on the door, showy blouses and bright-coloured skirts; but Clo searched in vain for pockets. In the chest of drawers, which was the twin of Peterson's, was a certain amount of underclothing, much trimmed with cheap lace. There were silk petticoats with torn frilling, and shoes and slippers. But nothing was marked with name, or even initials. Kit, though gaudily coquettish in her taste, was apparently careless in her habits. Clo no longer visioned Kit large, masculine, and determined, a tigress woman. Instead she saw a lithe, cat-like creature, strong, no doubt (it had taken strength to strike that blow and Clo would have staked her life that it had been struck by Kit) but not big or ma.s.sive.

The five minutes grace must certainly have pa.s.sed before Clo had come to the end of her inspection, but the telephone was silent. This struck the girl as ominous, for it might mean that Kit had appeared in person at the other end of the line. It might mean that some trap was being laid to catch Kit's double.

"If she turns up, and tells everything, they can't let me get away with what I know, even about Krantz's Keller," Clo told herself. "They'll have to send someone to watch, especially if they think I'm a 'tec, who's found Peterson's body. They won't know what I'm like. All the same, if they don't call me up in just one minute more, I must make a bolt. I'll count sixty, and--see what happens."

XXII

THE VOICE THAT DID NOT SEEM STRANGE

What happened was that the telephone began ringing in the next room--Peterson's room. It began when Clo had counted up to forty.

She had hoped not to go back to the room of the dead man. She had searched it from end to end. But now she knew the thing would have to be done.

Already the jet and steel bag hung by its ribbons over her arm. Clo switched off the electricity, and let herself out into the hall. Before she had finished her count of sixty seconds she was once more locked in Peterson's room. So confidently had she expected to hear the same foreign-sounding accents that she almost dropped the receiver and started away when her "h.e.l.lo!" was answered by a strange voice.

Yet--was it a strange voice? As it went on to ask: "Is this Mr.

Peterson?" Clo had a strong impression that she had heard the voice before. a.s.suredly it was not the one which had talked to "Kit," but it sounded astonishingly familiar. Though she could not yet identify the tones recognition was only a question of instants.

"This is Mr. Peterson's room," she replied. "He is--here. He wishes me to speak for him."

"I had better tell you before we go further, then, that I'm talking for Mr. John Heron. When you have explained that, Mr. Peterson will decide whether he'd rather come to the 'phone and attend to the business himself."

Clo was glad of the pause. "John Heron!" That was the man Peterson had mentioned during her second conversation with him. He had said that Roger Sands was "working for John Heron" when Roger and Beverley met in the train; and she--Clo--had heard the name with a queer thrill which she could not understand. So far as she knew, it was strange to her: yet she seemed to have heard it in dreams--sad dreams, where someone had sobbed in the dark. Through the strenuous adventures which had kept body and brain busy the girl had recalled it again and again, since the moment when the name had fallen from Peterson's lips. She had wondered if she would ever have the "cheek" to ask Angel who was John Heron.

Whoever he might be, John Heron was in some way concerned with Beverley's secret, or Peterson would not have spoken his name in that connection.

She answered quietly: "Mr. Peterson allows me to go on speaking for him."

"Very well," returned the voice. "Mr. Peterson called Mr. Heron up not long ago, to say he could sell him a rope of fine pearls for Mrs. Heron, at a low price. He'd heard, it appears, that Mr. Heron wished to buy pearls, and he suggested an appointment for to-night. Mr. Heron did not receive this message himself; he was indisposed at the time it came, and Mrs. Heron took it, but was unable to answer for her husband. He asks me to say, in his name, that if Mr. Peterson has some particularly fine pearls to dispose of, he'll be pleased to look at them, not to-night, but to-morrow morning about ten o'clock, at his hotel, the Dietz."

"The Dietz!" cried Clo. "Now I know who's speaking to me. You're Justin O'Reilly!"

Inadvertently she had kept her lips at the receiver. The cry had flown to the man who held the line.

"And you're my girl burglar! By Jove, I thought I knew that voice! Are you in the pearl business, too? Has Mrs. Sands commissioned you and some fellow called Peterson to sell her pearls to Mrs. Heron? Now I begin to see light! She tried to make a bargain with me over those pearls. I refused in Heron's name and my own. What's her game now, when there's nothing left to bargain for, and you've sent the papers back?"

"Sent the papers back!" Clo gasped into the telephone. This coming into touch with O'Reilly over the wire had been a shock. But she forgot the surprise of it in the new surprise of his last words.

"Wasn't it you who sent them?" he went on.

She stopped to think before daring a reply. O'Reilly had got the papers back, or he wanted her to think so, for some reason of his own.

"Well, if you must know, perhaps I did send them," she prevaricated.

"I'm glad to have this chance to thank you for repenting. I felt at the time you weren't the stuff trick-confidence-ladies and burglaresses are made of."

"I didn't exactly repent," confessed Clo. "I had an object to gain. I'm glad the papers weren't lost on the way. You're sure no one had tampered with the envelope?"

"Apparently not. The messenger handed it to me sealed up and seemingly intact, with the address of my bank on it in my own handwriting. The boy wouldn't say how he knew I was staying at the Dietz. He is an ornament to his profession! I want you to know that I don't bear malice."

As Clo listened she was surprised at the soothing effect of his voice upon her nerves. It was like hearing the voice of a friend. After all, why should they be enemies, since of the two O'Reilly was the injured party, and had just a.s.sured her that he didn't "bear malice?" But he was going on to ask what was the "object" she had wished to gain. "Do you mean to tell me, or is it one of your many mysteries?"

"I realized I'd gone to work with you in the wrong way," she ventured.

"Now I need someone's help. I need it horribly. It ought to be a man's help. And, except Mr. Sands, you're the only man I know."

She heard O'Reilly laughing. He wouldn't laugh if he could see what her eyes saw!

"So you want to call a truce?" he asked.

"Yes, if I could trust you."

"I like that! I wasn't the betrayer. But never mind. Your second thoughts are best. And anyhow, you weren't working for yourself. Do you really want my help?"

"Don't I? But it would be for--for----You know whom I mean. And you're her enemy, aren't you?"

"Not the least in the world. But I can't buy her pearls, and I'm sure Heron will refuse to bargain if----"

"The pearls aren't for sale any more. They've been stolen. She thinks you took them for a hold-up."

"The devil she does! But you know better. Tell me what you wish me to do for you, and I'll do it; I wanted to see you again. You were like a bad but interesting dream, broken off in the midst, that I longed to dream over again."