The Light That Failed Part 10

We're talking nonsense. Come along to a theatre.'

CHAPTER VI

'And you may lead a thousand men, Nor ever draw the rein, But ere ye lead the Faery Queen 'Twill burst your heart in twain.'

He has slipped his foot from the stirrup-bar, The bridle from his hand, And he is bound by hand and foot To the Queen o' Faery-land.

Sir Hoggie and the Fairies.

SOME weeks later, on a very foggy Sunday, d.i.c.k was returning across the Park to his studio. 'This,' he said, 'is evidently the thrashing that Torp meant. It hurts more than I expected; but the Queen can do no wrong; and she certainly has some notion of drawing.'

He had just finished a Sunday visit to Maisie,--always under the green eyes of the red-haired impressionist girl, whom he learned to hate at sight,--and was tingling with a keen sense of shame. Sunday after Sunday, putting on his best clothes, he had walked over to the untidy house north of the Park, first to see Maisie's pictures, and then to criticise and advise upon them as he realised that they were productions on which advice would not be wasted. Sunday after Sunday, and his love grew with each visit, he had been compelled to cram his heart back from between his lips when it prompted him to kiss Maisie several times and very much indeed. Sunday after Sunday, the head above the heart had warned him that Maisie was not yet attainable, and that it would be better to talk as connectedly as possible upon the mysteries of the craft that was all in all to her. Therefore it was his fate to endure weekly torture in the studio built out over the clammy back garden of a frail stuffy little villa where nothing was ever in its right place and n.o.body ever called,--to endure and to watch Maisie moving to and fro with the teacups. He abhorred tea, but, since it gave him a little longer time in her presence, he drank it devoutly, and the red-haired girl sat in an untidy heap and eyed him without speaking. She was always watching him.

Once, and only once, when she had left the studio, Maisie showed him an alb.u.m that held a few poor cuttings from provincial papers,--the briefest of hurried notes on some of her pictures sent to outlying exhibitions. d.i.c.k stooped and kissed the paint-smudged thumb on the open page. 'Oh, my love, my love,' he muttered, 'do you value these things?

Chuck 'em into the waste-paper basket!'

'Not till I get something better,' said Maisie, shutting the book.

Then d.i.c.k, moved by no respect for his public and a very deep regard for the maiden, did deliberately propose, in order to secure more of these coveted cuttings, that he should paint a picture which Maisie should sign.

'That's childish,' said Maisie, 'and I didn't think it of you. It must be my work. Mine,--mine,--mine!'

'Go and design decorative medallions for rich brewers' houses. You are thoroughly good at that.' d.i.c.k was sick and savage.

'Better things than medallions, d.i.c.k,' was the answer, in tones that recalled a gray-eyed atom's fearless speech to Mrs. Jennett. d.i.c.k would have abased himself utterly, but that other girl trailed in.

Next Sunday he laid at Maisie's feet small gifts of pencils that could almost draw of themselves and colours in whose permanence he believed, and he was ostentatiously attentive to the work in hand. It demanded, among other things, an exposition of the faith that was in him.

Torpenhow's hair would have stood on end had he heard the fluency with which d.i.c.k preached his own gospel of Art.

A month before, d.i.c.k would have been equally astonished; but it was Maisie's will and pleasure, and he dragged his words together to make plain to her comprehension all that had been hidden to himself of the whys and wherefores of work. There is not the least difficulty in doing a thing if you only know how to do it; the trouble is to explain your method.

'I could put this right if I had a brush in my hand,' said d.i.c.k, despairingly, over the modelling of a chin that Maisie complained would not 'look flesh,'--it was the same chin that she had sc.r.a.ped out with the palette knife,--'but I find it almost impossible to teach you.

There's a queer grin, Dutch touch about your painting that I like; but I've a notion that you're weak in drawing. You foreshorten as though you never used the model, and you've caught Kami's pasty way of dealing with flesh in shadow. Then, again, though you don't know it yourself, you shirk hard work. Suppose you spend some of your time on line alone. Line doesn't allow of shirking. Oils do, and three square inches of flashy, tricky stuff in the corner of a pic sometimes carry a bad thing off,--as I know. That's immoral. Do line-work for a little while, and then I can tell more about your powers, as old Kami used to say.'

Maisie protested; she did not care for the pure line.

'I know,' said d.i.c.k. 'You want to do your fancy heads with a bunch of flowers at the base of the neck to hide bad modelling.' The red-haired girl laughed a little. 'You want to do landscapes with cattle knee-deep in gra.s.s to hide bad drawing. You want to do a great deal more than you can do. You have sense of colour, but you want form. Colour's a gift,--put it aside and think no more about it,--but form you can be drilled into.

Now, all your fancy heads--and some of them are very good--will keep you exactly where you are. With line you must go forward or backward, and it will show up all your weaknesses.'

'But other people----' began Maisie.

'You mustn't mind what other people do. If their souls were your soul, it would be different. You stand and fall by your own work, remember, and it's waste of time to think of any one else in this battle.'

d.i.c.k paused, and the longing that had been so resolutely put away came back into his eyes. He looked at Maisie, and the look asked as plainly as words, Was it not time to leave all this barren wilderness of canvas and counsel and join hands with Life and Love?

Maisie a.s.sented to the new programme of schooling so adorably that d.i.c.k could hardly restrain himself from picking her up then and there and carrying her off to the nearest registrar's office. It was the implicit obedience to the spoken word and the blank indifference to the unspoken desire that baffled and buffeted his soul. He held authority in that house,--authority limited, indeed, to one-half of one afternoon in seven, but very real while it lasted. Maisie had learned to appeal to him on many subjects, from the proper packing of pictures to the condition of a smoky chimney. The red-haired girl never consulted him about anything.

On the other hand, she accepted his appearances without protest, and watched him always. He discovered that the meals of the establishment were irregular and fragmentary. They depended chiefly on tea, pickles, and biscuit, as he had suspected from the beginning. The girls were supposed to market week and week about, but they lived, with the help of a charwoman, as casually as the young ravens. Maisie spent most of her income on models, and the other girl revelled in apparatus as refined as her work was rough. Armed with knowledge, dear-bought from the Docks, d.i.c.k warned Maisie that the end of semi-starvation meant the crippling of power to work, which was considerably worse than death.

Maisie took the warning, and gave more thought to what she ate and drank. When his trouble returned upon him, as it generally did in the long winter twilights, the remembrance of that little act of domestic authority and his coercion with a hearth-brush of the smoky drawing-room chimney stung d.i.c.k like a whip-lash.

He conceived that this memory would be the extreme of his sufferings, till one Sunday, the red-haired girl announced that she would make a study of d.i.c.k's head, and that he would be good enough to sit still, and--quite as an afterthought--look at Maisie. He sat, because he could not well refuse, and for the s.p.a.ce of half an hour he reflected on all the people in the past whom he had laid open for the purposes of his own craft. He remembered Binat most distinctly,--that Binat who had once been an artist and talked about degradation.

It was the merest monochrome roughing in of a head, but it presented the dumb waiting, the longing, and, above all, the hopeless enslavement of the man, in a spirit of bitter mockery.

'I'll buy it,' said d.i.c.k, promptly, 'at your own price.'

'My price is too high, but I dare say you'll be as grateful if----' The wet sketch, fluttered from the girl's hand and fell into the ashes of the studio stove. When she picked it up it was hopelessly smudged.

'Oh, it's all spoiled!' said Maisie. 'And I never saw it. Was it like?'

'Thank you,' said d.i.c.k under his breath to the red-haired girl, and he removed himself swiftly.

'How that man hates me!' said the girl. 'And how he loves you, Maisie!'

'What nonsense? I knew d.i.c.k's very fond of me, but he had his work to do, and I have mine.'

'Yes, he is fond of you, and I think he knows there is something in impressionism, after all. Maisie, can't you see?'

'See? See what?'

'Nothing; only, I know that if I could get any man to look at me as that man looks at you, I'd--I don't know what I'd do. But he hates me. Oh, how he hates me!'

She was not altogether correct. d.i.c.k's hatred was tempered with grat.i.tude for a few moments, and then he forgot the girl entirely. Only the sense of shame remained, and he was nursing it across the Park in the fog. 'There'll be an explosion one of these days,' he said wrathfully. 'But it isn't Maisie's fault; she's right, quite right, as far as she knows, and I can't blame her. This business has been going on for three months nearly.

Three months!--and it cost me ten years' knocking about to get at the notion, the merest raw notion, of my work. That's true; but then I didn't have pins, drawing-pins, and palette-knives, stuck into me every Sunday.

Oh, my little darling, if ever I break you, somebody will have a very bad time of it. No, she won't. I'd be as big a fool about her as I am now. I'll poison that red-haired girl on my wedding-day,--she's unwholesome,--and now I'll pa.s.s on these present bad times to Torp.'

Torpenhow had been moved to lecture d.i.c.k more than once lately on the sin of levity, and d.i.c.k listened and replied not a word. In the weeks between the first few Sundays of his discipline he had flung himself savagely into his work, resolved that Maisie should at least know the full stretch of his powers. Then he had taught Maisie that she must not pay the least attention to any work outside her own, and Maisie had obeyed him all too well. She took his counsels, but was not interested in his pictures.

'Your things smell of tobacco and blood,' she said once. 'Can't you do anything except soldiers?'

'I could do a head of you that would startle you,' thought d.i.c.k,--this was before the red-haired girl had brought him under the guillotine,--but he only said, 'I am very sorry,' and harrowed Torpenhow's soul that evening with blasphemies against Art. Later, insensibly and to a large extent against his own will, he ceased to interest himself in his own work.

For Maisie's sake, and to soothe the self-respect that it seemed to him he lost each Sunday, he would not consciously turn out bad stuff, but, since Maisie did not care even for his best, it were better not to do anything at all save wait and mark time between Sunday and Sunday.

Torpenhow was disgusted as the weeks went by fruitless, and then attacked him one Sunday evening when d.i.c.k felt utterly exhausted after three hours' biting self-restraint in Maisie's presence. There was Language, and Torpenhow withdrew to consult the Nilghai, who had come in to talk continental politics.

'Bone-idle, is he? Careless, and touched in the temper?' said the Nilghai.

'It isn't worth worrying over. d.i.c.k is probably playing the fool with a woman.'

'Isn't that bad enough?'