The Life of Reason Part 6

More often, however, tertiary qualities are somewhat transposed in projection, as sound in being lodged in the bell is soon translated into sonority, made, that is, into its own potentiality. In the same way painfulness is translated into malice or wickedness, terror into hate, and every felt tertiary quality into whatever tertiary quality is in experience its more quiescent or potential form. So religion, which remains for the most part on the level of crude experience, attributes to the G.o.ds not only happiness--the object's direct tertiary quality--but goodness--its tertiary quality transposed and made potential; for goodness is that disposition which is fruitful in happiness throughout imagined experience. The devil, in like manner, is cruel and wicked as well as tormented. Uncritical science still attributes these transposed tertiary qualities to nature; the mythical notion of force, for instance, being a transposed sensation of effort.

In this case we may distinguish two stages or degrees in the transposition: first, before we think of our own pulling, we say the object itself pulls; in the first transposition we say it pulls against us, its pull is the counterpart or rival of ours but it is still conceived in the same direct terms of effort; and in the second transposition this intermittent effort is made potential or slumbering in what we call strength or force.

[Sidenote: Imputed mind consists of the tertiary qualities of perceived body.]

It is obvious that the feelings attributed to other men are nothing but the tertiary qualities of their bodies. In beings of the same species, however, these qualities are naturally exceedingly numerous, variable, and precise. Nature has made man man's constant study. His thought, from infancy to the drawing up of his last will and testament, is busy about his neighbour. A smile makes a child happy; a caress, a moment's sympathetic attention, wins a heart and gives the friend's presence a voluminous and poignant value. In youth all seems lost in losing a friend. For the tertiary values, the emotions attached to a given image, the moral effluence emanating from it, pervade the whole present world.

The sense of union, though momentary, is the same that later returns to the lover or the mystic, when he feels he has plucked the heart of life's mystery and penetrated to the peaceful centre of things. What the mystic beholds in his ecstasy and loses in his moments of dryness, what the lover pursues and adores, what the child cries for when left alone, is much more a spirit, a person, a haunting mind, than a set of visual sensations; yet the visual sensations are connected inextricably with that spirit, else the spirit would not withdraw when the sensations failed. We are not dealing with an articulate mind whose possessions are discriminated and distributed into a mastered world where everything has its department, its special relations, its limited importance; we are dealing with a mind all pulp, all confusion, keenly sensitive to pa.s.sing influences and reacting on them ma.s.sively and without reserve.

This mind is feeble, pa.s.sionate, and ignorant. Its sense for present spirit is no miracle of intelligence or of a.n.a.logical reasoning; on the contrary, it betrays a vagueness natural to rudimentary consciousness.

Those visual sensations suddenly cut off cannot there be recognised for what they are. The consequences which their present disappearance may have for subsequent experience are in no wise foreseen or estimated, much less are any inexperienced feelings invented and attached to that retreating figure, otherwise a mere puppet. What happens is that by the loss of an absorbing stimulus the whole chaotic mind is thrown out of gear; the child cries, the lover faints, the mystic feels h.e.l.l opening before him. All this is a present sensuous commotion, a derangement in an actual dream. Yet just at this lowest plunge of experience, in this drunkenness of the soul, does the overwhelming reality and externality of the other mind dawn upon us. Then we feel that we are surrounded not by a blue sky or an earth known to geographers but by unutterable and most personal hatreds and loves. For then we allow the half-deciphered images of sense to drag behind them every emotion they have awakened. We endow each overmastering stimulus with all its diffuse effects; and any dramatic potentiality that our dream acts out under that high pressure--and crude experience is rich in dreams--becomes our notion of the life going on before us. We cannot regard it as our own life, because it is not felt to be a pa.s.sion in our own body, but attaches itself rather to images we see moving about in the world; it is consequently, without hesitation, called the life of those images, or those creatures' souls.

[Sidenote: "Pathetic fallacy" normal yet ordinarily fallacious.]

The pathetic fallacy is accordingly what originally peoples the imagined world. All the feelings aroused by perceived things are merged in those things and made to figure as the spiritual and invisible part of their essence, a part, moreover, quite as well known and as directly perceived as their motions. To ask why such feelings are objectified would be to betray a wholly sophisticated view of experience and its articulation.

They do not need to be objectified, seeing they were objective from the beginning, inasmuch as they pertain to objects and have never, any more than those objects, been "subjectified" or localised in the thinker's body, nor included in that train of images which as a whole is known to have in that body its seat and thermometer. The thermometer for these pa.s.sions is, on the contrary, the body of another; and the little dream in us, the quick dramatic suggestion which goes with our perception of his motions, is our perception of his thoughts.

A sense for alien thought is accordingly at its inception a complete illusion. The thought is one's own, it is a.s.sociated with an image moving in s.p.a.ce, and is uncritically supposed to be a hidden part of that image, a metaphysical signification attached to its motion and actually existing behind the scenes in the form of an unheard soliloquy.

A complete illusion this sense remains in mythology, in animism, in the poetic forms of love and religion. A better mastery of experience will in such cases dispel those hasty conceits by showing the fundamental divergence which at once manifests itself between the course of phenomena and the feelings a.s.sociated with them. It will appear beyond question that those feelings were private fancies merged with observation in an undigested experience. They indicated nothing in the object but its power of arousing emotional and playful reverberations in the mind. Criticism will tend to clear the world of such poetic distortion; and what vestiges of it may linger will be avowed fables, metaphors employed merely in conventional expression. In the end even poetic power will forsake a discredited falsehood: the poet himself will soon prefer to describe nature in natural terms and to represent human emotions in their pathetic humility, not extended beyond their actual sphere nor fantastically uprooted from their necessary soil and occasions. He will sing the power of nature over the soul, the joys of the soul in the bosom of nature, the beauty visible in things, and the steady march of natural processes, so rich in momentous incidents and collocations. The precision of such a picture will accentuate its majesty, as precision does in the poems of Lucretius and Dante, while its pathos and dramatic interest will be redoubled by its truth.

[Sidenote: Case where it is not a fallacy.]

A primary habit producing widespread illusions may in certain cases become the source of rational knowledge. This possibility will surprise no one who has studied nature and life to any purpose. Nature and life are tentative in all their processes, so that there is nothing exceptional in the fact that, since in crude experience image and emotion are inevitably regarded as const.i.tuting a single event, this habit should usually lead to childish absurdities, but also, under special circ.u.mstances, to rational insight and morality. There is evidently one case in which the pathetic fallacy is not fallacious, the case in which the object observed happens to be an animal similar to the observer and similarly affected, as for instance when a flock or herd are swayed by panic fear. The emotion which each, as he runs, attributes to the others is, as usual, the emotion he feels himself; but this emotion, fear, is the same which in fact the others are then feeling.

Their aspect thus becomes the recognised expression for the feeling which really accompanies it. So in hand-to-hand fighting: the intention and pa.s.sion which each imputes to the other is what he himself feels; but the imputation is probably just, since pugnacity is a remarkably contagious and monotonous pa.s.sion. It is awakened by the slightest hostile suggestion and is greatly intensified by example and emulation; those we fight against and those we fight with arouse it concurrently and the universal battle-cry that fills the air, and that each man instinctively emits, is an adequate and exact symbol for what is pa.s.sing in all their souls.

Whenever, then, feeling is attributed to an animal similar to the percipient and similarly employed the attribution is mutual and correct.

Contagion and imitation are great causes of feeling, but in so far as they are its causes and set the pathetic fallacy to work they forestall and correct what is fallacious in that fallacy and turn it into a vehicle of true and, as it were, miraculous insight.

[Sidenote: Knowledge succeeds only by accident.]

Let the reader meditate for a moment upon the following point: to know reality is, in a way, an impossible pretension, because knowledge means significant representation, discourse about an existence not contained in the knowing thought, and different in duration or locus from the ideas which represent it. But if knowledge does not possess its object how can it intend it? And if knowledge possesses its object, how can it be knowledge or have any practical, prophetic, or retrospective value?

Consciousness is not knowledge unless it indicates or signifies what actually it is not. This transcendence is what gives knowledge its cognitive and useful essence, its transitive function and validity. In knowledge, therefore, there must be some such thing as a justified illusion, an irrational pretension by chance fulfilled, a chance shot hitting the mark. For dead logic would stick at solipsism; yet irrational life, as it stumbles along from moment to moment, and multiplies itself in a thousand centres, is somehow amenable to logic and finds uses for the reason it breeds.

Now, in the relation of a natural being to similar beings in the same habitat there is just the occasion we require for introducing a miraculous transcendence in knowledge, a leap out of solipsism which, though not prompted by reason, will find in reason a continual justification. For tertiary qualities are imputed to objects by psychological or pathological necessity. Something not visible in the object, something not possibly revealed by any future examination of that object, is thus united with it, felt to be its core, its metaphysical truth. Tertiary qualities are emotions or thoughts present in the observer and in his rudimentary consciousness not yet connected with their proper concomitants and antecedents, not yet relegated to his private mind, nor explained by his personal endowment and situation.

To take these private feelings for the substance of other beings is evidently a gross blunder; yet this blunder, without ceasing to be one in point of method, ceases to be one in point of fact when the other being happens to be similar in nature and situation to the mythologist himself and therefore actually possesses the very emotions and thoughts which lie in the mythologist's bosom and are attributed by him to his fellow. Thus an imaginary self-transcendence, a rash pretension to grasp an independent reality and to know the unknowable, may find itself accidentally rewarded. Imagination will have drawn a prize in its lottery and the pathological accidents of thought will have begotten knowledge and right reason. The inner and unattainable core of other beings will have been revealed to private intuition.

[Sidenote: Limits of insight]

This miracle of insight, as it must seem to those who have not understood its natural and accidental origin, extends only so far as does the a.n.a.logy between the object and the instrument of perception.

The gift of intuition fails in proportion as the observer's bodily habit differs from the habit and body observed. Misunderstanding begins with const.i.tutional divergence and deteriorates rapidly into false imputations and absurd myths. The limits of mutual understanding coincide with the limits of similar structure and common occupation, so that the distortion of insight begins very near home. It is hard to understand the minds of children unless we retain unusual plasticity and capacity to play; men and women do not really understand each other, what rules between them being not so much sympathy as habitual trust, idealisation, or satire; foreigners' minds are pure enigmas, and those attributed to animals are a grotesque compound of aesop and physiology.

When we come to religion the inept.i.tude of all the feelings attributed to nature or the G.o.ds is so egregious that a sober critic can look to such fables only for a pathetic expression of human sentiment and need; while, even apart from the G.o.ds, each religion itself is quite unintelligible to infidels who have never followed its worship sympathetically or learned by contagion the human meaning of its sanctions and formulas. Hence the stupidity and want of insight commonly shown in what calls itself the history of religions. We hear, for instance, that Greek religion was frivolous, because its mystic awe and momentous practical and poetic truths escape the Christian historian accustomed to a catechism and a religious morality; and similarly Catholic piety seems to the Protestant an aesthetic indulgence, a religion appealing to sense, because such is the only emotion its externals can awaken in him, unused as he is to a supernatural economy reaching down into the incidents and affections of daily life.

Language is an artificial means of establishing unanimity and transferring thought from one mind to another. Every symbol or phrase, like every gesture, throws the observer into an att.i.tude to which a certain idea corresponded in the speaker; to fall exactly into the speaker's att.i.tude is exactly to understand. Every impediment to contagion and imitation in expression is an impediment to comprehension.

For this reason language, like all art, becomes pale with years; words and figures of speech lose their contagious and suggestive power; the feeling they once expressed can no longer be restored by their repet.i.tion. Even the most inspired verse, which boasts not without a relative justification to be immortal, becomes in the course of ages a scarcely legible hieroglyphic; the language it was written in dies, a learned education and an imaginative effort are requisite to catch even a vestige of its original force. Nothing is so irrevocable as mind.

Unsure the ebb and flood of thought, The moon comes back, the spirit not.

[Sidenote: Perception of character]

There is, however, a wholly different and far more positive method of reading the mind, or what in a metaphorical sense is called by that name. This method is to read character. Any object with which we are familiar teaches us to divine its habits; slight indications, which we should be at a loss to enumerate separately, betray what changes are going on and what promptings are simmering in the organism. Hence the expression of a face or figure; hence the traces of habit and pa.s.sion visible in a man and that indescribable something about him which inspires confidence or mistrust. The gift of reading character is partly instinctive, partly a result of experience; it may amount to foresight and is directed not upon consciousness but upon past or eventual action.

Habits and pa.s.sions, however, have metaphorical psychic names, names indicating dispositions rather than particular acts (a disposition being mythically represented as a sort of wakeful and haunting genius waiting to whisper suggestions in a man's ear). We may accordingly delude ourselves into imagining that a pose or a manner which really indicates habit indicates feeling instead. In truth the feeling involved, if conceived at all, is conceived most vaguely, and is only a sort of reverberation or penumbra surrounding the pictured activities.

[Sidenote: Conduct divined, consciousness ignored.]

It is a mark of the connoisseur to be able to read character and habit and to divine at a glance all a creature's potentialities. This sort of penetration characterises the man with an eye for horse-flesh, the dog-fancier, and men and women of the world. It guides the born leader in the judgments he instinctively pa.s.ses on his subordinates and enemies; it distinguishes every good judge of human affairs or of natural phenomena, who is quick to detect small but telling indications of events past or brewing. As the weather-prophet reads the heavens so the man of experience reads other men. Nothing concerns him less than their consciousness; he can allow that to run itself off when he is sure of their temper and habits. A great master of affairs is usually unsympathetic. His observation is not in the least dramatic or dreamful, he does not yield himself to animal contagion or re-enact other people's inward experience. He is too busy for that, and too intent on his own purposes. His observation, on the contrary, is straight calculation and inference, and it sometimes reaches truths about people's character and destiny which they themselves are very far from divining. Such apprehension is masterful and odious to weaklings, who think they know themselves because they indulge in copious soliloquy (which is the discourse of brutes and madmen), but who really know nothing of their own capacity, situation, or fate.

If Rousseau, for instance, after writing those Confessions in which candour and ignorance of self are equally conspicuous, had heard some intelligent friend, like Hume, draw up in a few words an account of their author's true and contemptible character, he would have been loud in protestations that no such ign.o.ble characteristics existed in his eloquent consciousness; and they might not have existed there, because his consciousness was a histrionic thing, and as imperfect an expression of his own nature as of man's. When the mind is irrational no practical purpose is served by stopping to understand it, because such a mind is irrelevant to practice, and the principles that guide the man's practice can be as well understood by eliminating his mind altogether. So a wise governor ignores his subjects' religion or concerns himself only with its economic and temperamental aspects; if the real forces that control life are understood, the symbols that represent those forces in the mind may be disregarded. But such a government, like that of the British in India, is more practical than sympathetic. While wise men may endure it for the sake of their material interests, they will never love it for itself. There is nothing sweeter than to be sympathised with, while nothing requires a rarer intellectual heroism than willingness to see one's equation written out.

[Sidenote: Consciousness untrustworthy.]

Nevertheless this same algebraic sense for character plays a large part in human friendship. A chief element in friendship is trust, and trust is not to be acquired by reproducing consciousness but only by penetrating to the const.i.tutional instincts which, in determining action and habit, determine consciousness as well. Fidelity is not a property of ideas. It is a virtue possessed pre-eminently by nature, from the animals to the seasons and the stars. But fidelity gives friendship its deepest sanct.i.ty, and the respect we have for a man, for his force, ability, constancy, and dignity, is no sentiment evoked by his floating thoughts but an a.s.surance founded on our own observation that his conduct and character are to be counted upon. Smartness and vivacity, much emotion and many conceits, are obstacles both to fidelity and to merit. There is a high worth in rightly const.i.tuted natures independent of incidental consciousness. It consists in that ingrained virtue which under given circ.u.mstances would insure the n.o.blest action and with that action, of course, the n.o.blest sentiments and ideas; ideas which would arise spontaneously and would make more account of their objects than of themselves.

[Sidenote: Metaphorical mind.]

The expression of habit in psychic metaphors is a procedure known also to theology. Whenever natural or moral law is declared to reveal the divine mind, this mind is a set of formal or ethical principles rather than an imagined consciousness, re-enacted dramatically. What is conceived is the G.o.d's operation, not his emotions. In this way G.o.d's goodness becomes a symbol for the advantages of life, his wrath a symbol for its dangers, his commandments a symbol for its laws. The deity spoken of by the Stoics had exclusively this symbolic character; it could be called a city--dear City of Zeus--as readily as an intelligence. And that intelligence which ancient and ingenuous philosophers said they saw in the world was always intelligence in this algebraic sense, it was intelligible order. Nor did the Hebrew prophets, in their emphatic political philosophy, seem to mean much more by Jehovah than a moral order, a principle giving vice and virtue their appropriate fruits.

[Sidenote: Summary.]

True society, then, is limited to similar beings living similar lives and enabled by the contagion of their common habits and arts to attribute to one another, each out of his own experience, what the other actually endures. A fresh thought may be communicated to one who has never had it before, but only when the speaker so dominates the auditor's mind by the instrumentalities he brings to bear upon it that he compels that mind to reproduce his experience. a.n.a.logy between actions and bodies is accordingly the only test of valid inference regarding the existence or character of conceived minds; but this eventual test is far from being the source of such a conception. Its source is not inference at all but direct emotion and the pathetic fallacy. In the beginning, as in the end, what is attributed to others is something directly felt, a dream dreamed through and dramatically enacted, but uncritically attributed to the object by whose motions it is suggested and controlled. In a single case, however, tertiary qualities happen to correspond to an experience actually animating the object to which they are a.s.signed. This is the case in which the object is a body similar in structure and action to the percipient himself, who a.s.signs to that body a pa.s.sion he has caught by contagion from it and by imitation of its actual att.i.tude. Such are the conditions of intelligible expression and true communion; beyond these limits nothing is possible save myth and metaphor, or the algebraic designation of observed habits under the name of moral dispositions.

CHAPTER VII--CONCRETIONS IN DISCOURSE AND IN EXISTENCE

[Sidenote: So-called abstract qualities primary.]

Ideas of material objects ordinarily absorb the human mind, and their prevalence has led to the rash supposition that ideas of all other kinds are posterior to physical ideas and drawn from the latter by a process of abstraction. The table, people said, was a particular and single reality; its colour, form, and material were parts of its integral nature, qualities which might be attended to separately, perhaps, but which actually existed only in the table itself. Colour, form, and material were therefore abstract elements. They might come before the mind separately and be contrasted objects of attention, but they were incapable of existing in nature except together, in the concrete reality called a particular thing. Moreover, as the same colour, shape, or substance might be found in various tables, these abstract qualities were thought to be general qualities as well; they were universal terms which might be predicated of many individual things. A contrast could then be drawn between these qualities or ideas, which the mind may envisage, and the concrete reality existing beyond. Thus philosophy could reach the familiar maxim of Aristotle that the particular alone exists in nature and the general alone in the mind.

[Sidenote: General qualities prior to particular things.]

Such language expresses correctly enough a secondary conventional stage of conception, but it ignores the primary fictions on which convention itself must rest. Individual physical objects must be discovered before abstractions can be made from their conceived nature; the bird must be caught before it is plucked. To discover a physical object is to pack in the same part of s.p.a.ce, and fuse in one complex body, primary data like coloured form and tangible surface. Intelligence, observing these sensible qualities to evolve together, and to be controlled at once by external forces, or by one's own voluntary motions, identifies them in their operation although they remain for ever distinct in their sensible character. A physical object is accordingly conceived by fusing or interlacing spatial qualities, in a manner helpful to practical intelligence. It is a far higher and remoter thing than the elements it is compacted of and that suggest it; what habits of appearance and disappearance the latter may have, the object reduces to permanent and calculable principles. It is altogether erroneous, therefore, to view an object's sensible qualities as abstractions from it, seeing they are its original and component elements; nor can the sensible qualities be viewed as generic notions arising by comparison of several concrete objects, seeing that these concretions would never have been made or thought to be permanent, did they not express observed variations and recurrences in the sensible qualities immediately perceived and already recognised in their recurrence. These are themselves the true particulars. They are the first objects discriminated in attention and projected against the background of consciousness.

The immediate continuum may be traversed and mapped by two different methods. The prior one, because it is so very primitive and rudimentary, and so much a condition of all mental discourse, is usually ignored in psychology. The secondary method, by which external things are discovered, has received more attention. The latter consists in the fact that when several disparate sensations, having become recognisable in their repet.i.tions, are observed to come and go together, or in fixed relation to some voluntary operation on the observer's part, they may be a.s.sociated by contiguity and merged in one portion of perceived s.p.a.ce.

Those having, like sensations of touch and sight, an essentially spatial character, may easily be superposed; the surface I see and that I touch may be identified by being presented together and being found to undergo simultaneous variations and to maintain common relations to other perceptions. Thus I may come to attribute to a single object, the term of an intellectual synthesis and ideal intention, my experiences through all the senses within a certain field of a.s.sociation, defined by its practical relations. That ideal object is thereby endowed with as many qualities and powers as I had a.s.sociable sensations of which to make it up. This object is a concretion of my perceptions in s.p.a.ce, so that the redness, hardness, sweetness, and roundness of the apple are all fused together in my practical regard and given one local habitation and one name.

[Sidenote: Universals are concretions in discourse.]

This kind of synthesis, this superposition and mixture of images into notions of physical objects, is not, however, the only kind to which perceptions are subject. They fall together by virtue of their qualitative ident.i.ty even before their spatial superposition; for in order to be known as repeatedly simultaneous, and a.s.sociable by contiguity, they must be a.s.sociated by similarity and known as individually repeated. The various recurrences of a sensation must be recognised as recurrences, and this implies the collection of sensations into cla.s.ses of similars and the apperception of a common nature in several data. Now the more frequent a perception is the harder it will be to discriminate in memory its past occurrences from one another, and yet the more readily will its present recurrence be recognised as familiar. The perception in sense will consequently be received as a repet.i.tion not of any single earlier sensation but of a familiar and generic experience. This experience, a spontaneous reconstruction based on all previous sensations of that kind, will be the one habitual _idea_ with which recurring sensations will be henceforth identified. Such a living concretion of similars succeeding one another in time, is the idea of a nature or quality, the universal falsely supposed to be an abstraction from physical objects, which in truth are conceived by putting together these very ideas into a spatial and permanent system.

Here we have, if I am not mistaken, the origin of the two terms most prominent in human knowledge, ideas and things. Two methods of conception divide our attention in common life; science and philosophy develop both, although often with an unjustifiable bias in favour of one or the other. They are nothing but the old principles of Aristotelian psychology, a.s.sociation by similarity and a.s.sociation by contiguity.

Only now, after logicians have exhausted their ingenuity in criticising them and psychologists in applying them, we may go back of the traditional position and apply the ancient principles at a deeper stage of mental life.

[Sidenote: Similar reactions, merged in one habit of reproduction, yield an idea.]

a.s.sociation by similarity is a fusion of impressions merging what is common in them, interchanging what is peculiar, and cancelling in the end what is incompatible; so that any excitement reaching that centre revives one generic reaction which yields the idea. These concrete generalities are actual feelings, the first terms in mental discourse, the first distinguishable particulars in knowledge, and the first bearers of names. Intellectual dominion of the conscious stream begins with the act of recognising these pervasive ent.i.ties, which having character and ideal permanence can furnish common points of reference for different moments of discourse. Save for ideas no perception could have significance, or acquire that indicative force which we call knowledge. For it would refer to nothing to which another perception might also have referred; and so long as perceptions have no common reference, so long as successive moments do not enrich by their contributions the same object of thought, evidently experience, in the pregnant sense of the word, is impossible. No fund of valid ideas, no wisdom, could in that case be acquired by living.

[Sidenote: Ideas are ideal.]

Ideas, although their material is of course sensuous, are not sensations nor perceptions nor objects of any possible immediate experience: they are creatures of intelligence, goals of thought, ideal terms which cogitation and action circle about. As the centre of ma.s.s is a body, while it may by chance coincide with one or another of its atoms, is no atom itself and no material const.i.tuent of the bulk that obeys its motion, so an idea, the centre of ma.s.s of a certain mental system, is no material fragment of that system, but an ideal term of reference and signification by allegiance to which the details of consciousness first become parts of a system and of a thought. An idea is an ideal. It represents a functional relation in the diffuse existences to which it gives a name and a rational value. An idea is an expression of life, and shares with life that transitive and elusive nature which defies definition by mere enumeration of its materials. The peculiarity of life is that it lives; and thought also, when living, pa.s.ses out of itself and directs itself on the ideal, on the eventual. It is an activity.