The Letters of Horace Walpole, Earl of Orford Volume IV Part 34

It was the present Bishop Dean who showed me the pictures and Ann's tomb, and consulted me on the new altar-piece. I advised him to have a light octangular canopy, like the cross at Chichester, placed over the table or altar itself, which would have given dignity to it, especially if elevated by a flight of steps; and from the side arches of the octacon, I would have had a semicircle of open arches that should have advanced quite to the seats of the prebends, which would have discovered the pictures; and through the octagon itself you would have perceived the shrine of Edward the Confessor, which is much higher than the level of the choir--but men who ask advice seldom follow it, if you do not happen to light on the same ideas with themselves.

P. S. The Houghton pictures are not lost-but to Houghton and England!(371)

(371) They had been sold to the Empress of Russia in the preceding September, and immediately transferred to that country.-E.

Letter 184 To Robert Jephson, Esq.(372) Berkeley Square, January 25, 1780. (page 238)

It was but yesterday, Sir, that I received the favour of your letter, and this morning I sent, according to your permission, to Mr. Sheridan the elder, to desire the ma.n.u.script of your tragedy;(373) for as I am but just recovering of a fit of the gout, which I had severely for above two months, I was not able to bear the fatigue of company at home; nor could I have had the pleasure of attending to the piece so much as I wished to do, if I had invited ladies to hear it, to whom I must have been doing the honours.

I have read your play once, Sir, rapidly, though alone, and therefore cannot be very particular on the details; but I can say already, with great truth, that you have made a great deal more than I thought possible out of the skeleton of a story.; and have arranged it so artfully, that unless I am deceived by being too familiar with it, it will be -very intelligible to the audience, even if they have not read the original fable; and you have had the address to make it coherent, without the marvellous, though so much depended on that part. In short, you have put my extravagant materials in an alembic, and drawn off only what was rational.

Your diction is very beautiful, often poetic, and yet what I admire, very simple and natural; and when necessary, rapid, concise, and sublime.

If I did not distrust my own self-love, I should say that I think it must be a very interesting piece: and yet I might say so without vanity, so much of the disposition of the scenes is your own. I do not yet know, Sir, what alterations you propose to make; nor do I perceive where the second and fourth acts want amendment. The first in your ma.n.u.script is imperfect. If I wished for any correction, it would be to shorten the scene in the fourth act between the Countess, Adelaide, and Austin, which rather delays the impatience of the audience for the catastrophe, and does not contribute to it, but by the mother's orders to the daughter at the end of the scene to repair to the great church.

In the last scene I should wish to have Theordore fall into a transport of rage and despair immediately on the death of Adelaide, and be carried off by Austin's orders; for I doubt the interval is too long for him to faint after Narbonne's speech.

The fainting, fit, I think, might be better applied to the Countess; it does not seem requisite that she should die, but the audience might be left in suspense about her.

My last observations will be very trifling indeed, Sir; but I think you use n.o.bleness, niceness, etc. too often, which I doubt are not cla.s.sic terminations for n.o.bility, nicety, etc. though I allow that n.o.bility will not always express n.o.bleness. My children's timeless deaths can scarce be said for untimely; nor should I choose to employ children's as a plural genitive case, which I think the s at the end cannot imply. "Hearted preference" is very bold for preference taken to heart. Raymond, in the last scene says--

"Show me thy wound--oh, h.e.l.l! 'tis through her heart!"

This line is quite unnecessary, and infers an obedience in displaying her wound which would be shocking; besides, as there is often a buffoon in an audience at a new tragedy, it might be received dangerously. The word "Jehovah" will certainly not be suffered on the stage.

In casting the parts I conclude Mrs. Yates, as women never cease to like acting young parts, would prefer that of Adelaide, though the Countess is more suitable to her age; and it is foolish to see her representing the daughter of women fifteen or twenty years younger. As my bad health seldom allows of my going to the theatre, I never saw Mr. Henderson but once. His person and style should recommend him to the parts of Raymond or Austin.

Smith, I suppose, would expect to be Theodore; but Lewis is younger, handsomer, and, I think, a better actor; but you are in the right, Sir, in having no favourable idea of our stage at present.

I am sorry, Sir, that neither my talents nor health allow me to offer to supply you with Prologue and Epilogue. Poetry never was my natural turn; and what little propensity I had to it, is totally extinguished by age and pain. It is honour enough to me to have furnished the canons of your tragedy; I should disgrace it by attempting to supply advent.i.tious ornaments. The clumsiness of the seams would betray my gouty fingers. I shall take the liberty of reading your play once more before I return it. It will be extraordinary indeed if it is not accepted, but I cannot doubt but it will be, and very successful; though it will be great pity but you should have some zealous friend to attend to it, and who is able to bustle, and see justice done to it by the managers. I lament that such a superannuated being as myself is not only totally incapable Of that office, but that I am utterly' unacquainted -with the managers, and now too retired to form new Connexions. I was still more concerned, Sir, to hear of your unhappy accident, though the bad consequences are past.

(372) now first published.

(373) Mr. Jephson's tragedy of The Count of Narbonne, founded on Walpole's Gothic story of the Castle of Otranto. It will be seen, that it was brought out, in the following year, With considerable success, at Covent Garden theatre. "On Friday evening" says Hannah More, in a letter to one of her sisters, "I went to Mr. Tighe's to hear him read Jephson's tragedy.

'Praise,' says Dr. Johnson, 'is a tribute which every man is expected to pay for the grant of perusing a ma.n.u.script;' and indeed I could praise without hurting my Conscience, for The Count of Narbonne has considerable merit; the language is very Poetical, and parts of the fable very interesting; the plot managed with art, and the characters well drawn. The love scenes I think are the worst: they are prettily written, and full of flowers, but are rather cold; they have more poetry than pa.s.sion.

I do not mean to detract from Mr. Jephson's merit by this remark; for it does not lessen a poet's fame to say he excels more in Painting the terrible, than the tender pa.s.sions."-Memoirs, vol.

i, P, 206.-E.

Letter 185 To Robert Jephson, Esq.(374) Berkeley Square, Jan. 27, 1780. (page 240)

I have returned Your tragedy, Sir, to Mr. Sheridan, after having read it again, and without wishing any more alterations than the few I hinted before. There may be some few incorrectnesses, but none of much consequence. I must -again applaud your art and judgment, Sir, in having made so rational a play out of my wild tale - and where you have changed the arrangement of the incidents, you have applied them to great advantage The Characters of the mother and daughter you have rendered more natural by giving jealousy to the mother, and more pa.s.sion to the daughter. In short, you have both honoured and improved my outlines: my vanity is content, and truth enjoins me to do justice. Bishop Warburton, in his additional notes to Pope's works, which I saw in print in his bookseller's hands, though they have not yet been published, observed that the plan of The Castle of Otranto was regularly a drama(375) (an intention I am sure I do not pretend to have conceived; nor, indeed, can I venture to affirm that I had any intention at all but to amuse myself--no, not even a plan, till some pages were written). You, Sir, have realized his idea, and yet I believe the Bishop would be surprised to see how well you have succeeded. One cannot be quite ashamed of one's follies, if genius condescends to adopt, and put them to a sensible use. Miss Aikin flattered me even by stooping to tread in my eccentric steps. Her " Fragment," though but a specimen, showed her talent for imprinting terror. I cannot compliment the author of the " Old English Baron,"

professedly written in imitation, but as a corrective of The Castle of Otranto. It was totally void of imagination and interest, had scarce 'any incidents, and, though it condemned the marvellous, admitted a ghost. I suppose the author thought a tame ghost might come within the laws of probability. You alone, Sir, have kept within nature, and made superst.i.tion supply the place of phenomenon, yet acting as the agent of divine justice--a beautiful use of bigotry.

I was mistaken in thinking the end of the first act deficient.

The leaves stuck together, and, there intervening two or three blank pages between the first and second acts, I examined no farther, but concluded the former imperfect, which on the second reading I found it was not.

I imagine, Sir, that the theatres of Dublin cannot have fewer good Performers than those of London; may I ask why you prefer ours? Your own directions and instructions would be of great advantage to your play; especially if you suspect ant.i.tragic prejudices in the managers. You, too, would be the best judge of the rehearsal of what might be improvements. Managers will take liberties, and often curtail necessary speeches, so as to produce nonsense. Methinks it is unkind to send a child, of which you have so much reason to be proud, to a Foundling Hospital.

(374) NOW first printed.

(375) Bishop Warburton's panegyric on the Castle of Otranto appears in a note to the following lines in Pope's imitation of one of Horace's epistles:--

"Then peers grew proud in horsemanship t'excel, Newmarket's glory rose as Britain's fell'

The soldier breathed the gallantries of France, And ev'ry flow'ry courtier Writ Romance."

"Amidst all this nonsense," says the Bishop, "when things were at the worst, we have been lately entertained with what I will venture to call, a masterpiece in the Fable; and of a new species likewise. The piece I mean is, The Castle of Otranto. The scene is laid in Gothic chivalry; where a beautiful imagination, supported by strength of judgment, has enabled the author to go beyond his Subject, and effect the full purpose of the ancient tragedy; that is, to purge the pa.s.sions by Pity and terror, in colouring as great and harmonious as in any of the best dramatic writers."-E.

Letter 186 To The Rev. Mr. Cole.

Berkeley Square, Feb. 5, 1780. (PAGE 242)

I have been turning over the new second volume of the Biographia, and find the additions very poor and lean performances. The lives entirely new are partial and flattering, being contributions of the friends of those whose lives are recorded.

This publication made at a time when I have lived to see several of my contemporaries deposited in this national temple of fame has made me smile, and reflect that many preceding authors, who have been installed there with much respect, may have been as trifling personages as those we have l(nown and now behold consecrated to memory. Three or four have struck me particularly, as Dr. Birch,(376) who was a worthy, good-natured soul, full of industry and activity, and running about like a young setting-dog in quest of any thing, new or old, and with no parts, taste, or judgment. Then there is Dr. Blackwell,(377) the most impertinent literary c.o.xcomb upon earth--but the editor has been so just as to insert a very merited satire on his Court of Augustus.

The third is Dr. Brown, that mountebank, who for a little time made as much noise by his Estimate, as ever quack did by a nostrum. I do not know if I ever told you how much I was struck the only time I ever saw him. You know one object, and the anathemas of his Estimate was the Italian Opera; yet did I find him one evening, in Pa.s.sion Week, accompanying some of the Italian singers, at a concert at Lady Carlisle's. A clergyman, no doubt, is not obliged to be on his knees the whole week before Easter, and music and a concert are harmless amus.e.m.e.nts; but when Cato or Calvin are out of character, reformation becomes ridiculous--but poor Dr. Brown was mad,(378) and therefore might be in earnest, whether he played the fool or the reformer.

You recollect, perhaps, the threat of Dr. Kippis to me, which is to be executed on my father, for my calling the first edition of the Biographia the Vindicatio Britannica--but observe how truth emerges at last! In his new volume he confesses that the article of Lord Arlington, which I had specified as one of the most censurable, is the one most deserving that censure, and that the character of Lord Arlington is palliated beyond all truth and reason"-words stronger than mine--yet mine deserved to draw vengeance on my father! so a Presbyterian divine inverts divine judgment, and visits the sins of the children on the parents!

Cardinal Beaton's character, softened in the first edition, gentle Dr. Kippis p.r.o.nounces "extremely detestable"--yet was I to blame for hinting such defects in that work!--and yet my words are quoted to show that Lord Orrery's poetry was ridiculously bad. In like manner Mr. c.u.mberland, who a.s.sumes the whole honour of publishing his grandfather's Lucan, and does not deign to mention its being published at Strawberry Hill, (though by the way I believe it will be oftener purchased for having been printed there, than for wearing Mr. c.u.mberland's name to the dedication,) and yet he quotes me for having praised his ancestor in one of my publications. These little instances of pride and spleen divert me, and then make me reflect sadly on human weaknesses. I am very apt myself to like what flatters my opinions or pa.s.sions, and to reject scornfully what thwarts them, even in the same persons. The more one lives, the more one discovers one's uglinesses in the features of others! Adieu! dear Sir; I hope you do not suffer by this severe season.

P. S. I remember two other instances, where my impartiality, or at least sincerity, have exposed me to double censure. You perhaps condemned my severity on Charles the First; yet the late Mr. Hollis wrote against me in the newspapers, for condemning the republicans for their destruction of ancient monuments. Some blamed me for undervaluing the Flemish and Dutch pictures in my preface to the Aedes Walpolianae. Barry the painter, because I laughed at his extravagances, says, in his rejection of that school, "But I leave them to be admired by the Hon. Horace Walpole, and such judges."

Would not one think I had been their champion!

(376) See vol. i. p. 434, letter 177.-E.

(377) Dr. Thomas Blackwell, princ.i.p.al of the Marischal College in Aberdeen. Besides the above work, he wrote "An Enquiry into the Life and Writings of Homer," and "Letters concerning Mythology."

He died in 1757.

(378) In September, 1766, he destroyed himself in a fit of insanity. See vol. ii. p. 232, letter 119, note 234.-E.

Letter 187 To The Rev. Mr. Cole.

Berkeley Square, Feb. 27, 1780. (PAGE 243)

Unapt as you are to inquire after news, dear Sir, you wish to have Admiral Rodney's victory confirmed.(379) I can now a.s.sure you, that he has had a considerable advantage, and took at least four Spanish men-of-war, and an admiral, who they say is since dead of his wounds. We must be glad of these deplorable successes--but I heartily wish we had no longer occasion to hope for the destruction of any of our species but, alas! it looks as if devastation would still open new fields of blood! The prospect darkens even at home--but, however you and I may differ in our political principles, it would be happy. if every body would pursue others with as little rancour. How seldom does it happen in political contests, that any side can count any thing but its wounds! your habitudes seclude you from meddling in our divisions; so do my age and my illnesses me. Sixty-two is not a season for bustling among young partisans. Indeed, if the times grow perfectly serious, I shall not wish to reach sixty-three.

Even a superannuated spectator is then a miserable being; for though insensibility is one of the softenings of old age, neither one's feelings nor enjoyments can be accompanied with tranquillity. We veterans must hide ourselves in inglorious security, and lament what we cannot prevent; nor shall be listened to, till misfortunes have brought the actors to their senses; and then it will be too late, or they will calm themselves faster than they could preach--but I hope the experience of the last century will have some operation and check our animosities. Surely, too, we shall recollect the ruin a civil war would bring on, when accompanied by such collaterals as French and Spanish wars. Providence alone can steer us amidst all these rocks. I shall watch the interposition of its aegis with anxiety and humility. It saved us this last summer, and nothing else I am sure did; but often the mutual follies of enemies are the instruments Of Heaven. If it pleases not to inspire wisdom, I shall be content if it extricates us by the reciprocal blunders and oversights of all parties--of which, at least, we ought never to despair. It is almost my systematic belief, that as cunning and penetration are seldom exerted for good ends, it is the absurdity of mankind that often acts as a succedaneum, and carries on and maintains the equilibrium that Heaven designed should subsist. Adieu, dear Sir! Shall we live to lay down our heads in peace? Yours ever.

28th.--A second volume of Sir George Rodney's exploits arrived to-day. I do not know the authentic circ.u.mstances, for I have not been abroad yet, but they say he has taken four more Spanish ships of the line and five frigates; of the former, one of ninety guns. Spain was sick of the war before--how fortunate if she would renounce it!

I have just got a new History of Leicester, in six small volumes.

It seems to be superficial; but the author is young, and talks modestly which, if it Will not serve instead of merit, makes one at least hope he will improve, and not grow insolent on age and more knowledge. I have also received from Paris a copy of an illumination from La Cit'e des Dames of Christina of Pisa, in the French King's library. There is her own portrait with three allegoric figures. I have learnt much more about her, and of her amour with an English peer;(380) but I have not time to say more at present.

(379) Admiral Sir George Rodney, who had been despatched to the relief of Gibraltar, the garrison of which was much distressed for provisions, after taking a convoy of Spanish ships bound to the Caraccas, fell in, on the 16th of February off Cape St.

Vincent, with the Spanish fleet, commanded by Don Juan Langara, which he defeated, and captured four sail of the line.-E.