The Letters of Elizabeth Barrett Browning Volume Ii Part 26

[About December 1856.]

My dearest Isa,--Just before your note came I had the pleasure of burning my own to you yesterday, which was not called for, as I expected. You would have seen from _that_, that Robert was going to you of his own accord and mine....

I am rather glad you have not seen the 'Athenaeum'; the a.n.a.lysis it gives of my poem is so very unfair and partial. You would say the conception was really _null_. It does not console me at all that I should be praised and over-praised, the idea given of the poem remaining so absolutely futile. Even the outside sh.e.l.l of the plan is but half given, and the double action of the metaphysical intention entirely ignored. I protest against it. Still, Robert thinks the article not likely to do harm. Perhaps not. Only one hates to be misrepresented.

So glad I am that Robert was good last night. He told me he had been defending Swedenborg and the spirits, which suggested to me some notion of superhuman virtue on his part. Yes; love him. He is my right 'glory'; and the 'lute and harp' would go for nothing beside him, even if 'Athenaeums' spelled one out properly.

Dearest Isa, may G.o.d bless you! Let me hear by a word, when Ansuno pa.s.ses, how you are. Your loving

E.B.B.

The following letter was written almost immediately after the receipt of the news of Mr. Kenyon's death. Mrs. Kinney, to whom it is addressed, was the wife of the Hon. William Burnett Kinney, who was United States Minister at the Court of Sardinia in 1851. After his term of office he removed to Florence, for the purpose of producing an historical work, but he did not live to accomplish it. Mrs. Kinney, who was herself a poet, was also the mother of the well-known American poet and critic, Mr. E.C. Stedman.[51]

_To Mrs. W.B. Kinney_

Casa Guidi: Friday evening [December 1856].

Your generous sympathy, my dear Mrs. Kinney, would have made me glad yesterday, if I had not been so very, very sad with some news of the day before, telling me of the loss of the loved friend to whom that book is dedicated. So sad I was that I could not lift up my head to write and express to you how gratefully I felt the recognition of your letter. You are most generous--overflowingly generous. If I said I wished to deserve it better, it would be like wishing you less generous; so I won't. I will only thank you from my heart; _that_ shall be all I shall say.

Affectionately yours always, ELIZABETH BARRETT BROWNING.

_To Mrs. Jameson_

Florence: December 26, 1856 [postmark].

My ever dear Friend,--To have three letters from you all unanswered seems really to discredit me to myself, while it gives such proof of your kindness and affection. No other excuse is to be offered but the sort of interruption which sadness gives. I really had not the heart to sit down and talk of my 'Aurora,' even in reference to the pleasure and honour brought to me by the expression of your opinion, when the beloved friend a.s.sociated with the poor book was lost to me in this world, gone where perhaps he no longer sympathises with pleasure or honour of mine, now--for nearly the first time. _Perhaps._ After such separations the sense of _distance_ is the thing felt first. And certainly my book at least is naturally saddened to me, and the success of it wholesomely spoiled.

Yet your letter, my dearest Mona Nina, arrived in time to give me great, great pleasure--true pleasure indeed, and most tenderly do I thank you for it. I have had many of such letters from persons loved less, and whose opinions had less weight; and you will like to hear that in a fortnight after publication Chapman had to go to press with the second edition. In fact, the kind of reception given to the book has much surprised me, as I was prepared for an outcry of quite another kind, and extravagances in a quite opposite sense. This has been left, however, to the 'Press,' the 'Post,' and the 'Tablet,' who calls 'Aurora' 'a brazen-faced woman,' and brands the story as a romance in the manner of Frederic Soulie--in reference, of course, to its gross indecency.

I can't leave this subject without noticing (by the way) what you say of the likeness to the catastrophe of 'Jane Eyre.' I have sent to the library here for 'Jane Eyre' (but haven't got it yet) in order to refresh my memory on this point; but, as far as I do recall the facts, the hero was monstrously disfigured and blinded in a fire the particulars of which escape me, and the circ.u.mstance of his being hideously scarred is the thing impressed chiefly on the reader's mind; certainly it remains innermost in mine. Now if you read over again those pages of my poem, you will find that the only injury received by Romney in the fire was from a blow and from the emotion produced by the _circ.u.mstances_ of the fire. Not only did he _not_ lose his eyes in the fire, but he describes the ruin of his house as no blind man could. He was standing there, a spectator. Afterwards he had a fever, and the eyes, the visual nerve, perished, showing no external stain--perished as Milton's did. I believe that a great shock on the nerves might produce such an effect in certain const.i.tutions, and the reader on referring as far back as Marian's letter (when she avoided the marriage) may observe that his eyes had never been strong, that her desire had been to read his notes at night, and save them. For it was necessary, I thought, to the bringing-out of my thought, that Romney should be mulcted in his natural sight. The 'Examiner' saw that. Tell me if, on looking into the book again, you modify your feeling at all.

Dearest Mona Nina, you are well now, are you not? Your last dear letter seems brighter altogether, and seems to promise, too, that quiet in Italy will restore the tone of your spirits and health. Do you know, I almost advise you (though it is like speaking against my heart) to go from Ma.r.s.eilles to Rome straight, and to give us the spring. The spring is beautiful in Florence; and then I should be free to go and see the pictures with you, and enjoy you in the in-door and out-of-door way, both....

You will have heard (we heard it only three days ago) how our kindest friend, who never forgot us, remembered us in his will. The legacy is eleven thousand pounds; six thousand five hundred of which are left to Robert, marking delicately a sense of trust for which I am especially grateful Of course, this addition to our income will free us from the pressure which has been upon us. .h.i.therto. But oh, how much sadness goes to making every gain in this world! It has been a sad, sad Christmas to me. A great gap is left among friends, and the void catches the eyes of the soul, whichever way it turns. He has been to me in much what my father might have been, and now the place is empty twice over.

You are yet _unconvinced_. You will be convinced one day, I think. Here are wide-awake men (some of them most anti-spiritual to this hour, as to theory) who agree in giving testimony to facts of one order. You shall hear their testimony when you come. As to the 'supernatural,' if you mean by that the miraculous, the suspension of natural law, I certainly believe in it no more than you do. What happens, happens according to a natural law, the development of which only becomes fuller and more observable. The movement, such as it is, is accelerated, and the whole structure of society in America is becoming affected more or less for good or evil, and very often for evil, through the extreme tenacity or slowness of those who ought to be leaders in every revolution of thought, but who, on this subject, are pleased to leave their places to the unqualified and the fanatical. Wise men will be sorry presently.

When Faraday was asked to go and see Hume, to see a heavy table lifted without the touch of a finger, he answered that 'he had not time.' Time has its 'revenges.'

I am very glad that dear Mr. Procter has had some of these last benefits of one beloved by so many. What a loss, what a loss! Was there no bequest to yourself? We have heard scarcely anything.

May G.o.d bless you, dearest Mona Nina, with the blessing of years old and new.

Robert's love. Your ever attached

BA.

_To Mrs. Martin_

Florence: December 29, 1856.

My dearest Mrs. Martin,--I am very, very sorry. I feel for you to the bottom of my heart. But she was a pure spirit, leaning out the way G.o.d had marked for her to go, and you had not a.s.sociated this world too much with her, as if she could have been meant to stay long in it. Always you felt that she was about to go--did you not, dear friend?--and so that she does not stay cannot be an astonishment to you. The pain is the same; only it can't be the bitter, unnatural pain of certain separations. Her sweetness has gone to the sweet, her lovely nature to the lovely; no violence was done to her in carrying her home. May G.o.d enable you to dwell on this till you are satisfied--glad, and not sorry!

That the spirits do not go far, and that they love us still, has grown to me surer and surer. And yet, how death shakes us!

Yes indeed. I, too, have been very, very sad. This Christmas has come to me like a cloud. I can scarcely fancy England without that bright face and sympathetic hand, that princely nature, in which you might put your trust more reasonably than in princes. These ten years back he has stood to me almost in my father's place; and now the place is empty--doubly.

Since the birth of my child (seven years since) he has allowed us--rather, insisted on our accepting (for my husband was loth)--a hundred a year, and without it we should have often been in hard straits. His last act was to leave us eleven thousand pounds; and I do not doubt but that, if he had not known our preference of a simple mode of life and a freedom from worldly responsibilities (born artists as we both are), the bequest would have been greater still. As it is, we shall be relieved from pecuniary pressure, and your affectionateness will be glad to hear this, but I shall have more comfort from the consideration of it presently than I can at this instant, when the loss, the empty chair, the silent voice, the apparently suspended sympathy, must still keep painfully uppermost.

You will wonder at a paragraph from the 'Athenaeum,' which Robert thought out of taste until he came to understand the motive of it--that there had been (two days previous to its appearance) a brutal attack on the _will_, to the effect that literary persons had been altogether overlooked in the dispositions of the testator, in consequence of his, being a disappointed literary pretender himself. Therefore we were brought forward, you see, together with Barry Cornwall and Dr. Southey, producing a wrong impression on the other side--only I can't blame the 'Athenaeum' writer for it; nor can anyone, I think. The effect, however, to ourselves is most uncomfortable, as we are overwhelmed with 'congratulations' on all sides, just as if we had not lost a dear, tender, faithful friend and relative--just as if, in fact, some stranger had made us a bequest as a tribute to our poetry. People are so obtuse in this world--as Robert says, so '_dense_'; as Lord Brougham says, so '_cra.s.s_.'

Whatever may be your liking or disliking of 'Aurora Leigh,' you will like to hear that it's a great success, and in a way which I the least expected, for a fortnight after the day of publication it had to go to press for the second edition. The extravagances written to me about that book would make you laugh, if you were in a laughing mood; and the strange thing is that the press, the daily and weekly press, upon which I calculated for furious abuse, has been, for the most part, furious the other way. The 'Press' newspaper, the 'Post,' and the 'Tablet' are exceptions; but for the rest, the 'Athenaeum' is the coldest in praising.

It's a puzzle to me, altogether. I don't know upon what principle the public likes and dislikes poems. Any way, it is very satisfactory at the end of a laborious work (for much hard working and hard thinking have gone to it) to hear it thus recognised, however I must think, with some bitterness, that the beloved and sympathetic friend to whom it was dedicated scarcely lived to know what would have given him so much pleasure as this.

Dearest Mrs. Martin, mind you tell me the truth exactly. I should like much to have pleased you and Mr. Martin, but I like the truth _best_ of all from you....

Dearest friends, keep kind thoughts of

Your affectionate BA.

_To Miss Browning_

[Florence: January 1857.]

My dearest Sarianna,--A great many happy years to you, and also to the dear Nonno. I am glad, for my part, to be out of the last, which has been gloomy and almost embittering to me personally; but we must throw our burdens behind our backs as far as possible, and be cheerful for the rest of the road. If Robert alone wrote about 'Aurora,' I won't leave it to him to be alone grateful to dear M. Milsand for his extraordinary kindness. Do tell him, with my love, that I could not have expected it, even from himself--which is saying much. Most thankfully I leave everything to his discretion and judgment. On this subject I have been, from the beginning, divided between my strong desire of being translated and my strong fear of being ill-translated. Harrison Ainsworth's novels are quite one thing, and a poem of mine quite another. Oh yes! and yet, so great is my faith in Milsand, that the touch of his hand and the overseership of his eyes must tranquillise me. I am simply grateful.

Peni has been overwhelmed with gifts this year. I gave him on Christmas Day (by his own secret inspiration) 'a sword with a blade to dazzle the eyes'; Robert, a box of tools and carpenter's bench; and we united in a 'Robinson Crusoe,' who was well received. Then from others he had sleeve-studs, a silver pencil-case, books, &c. According to his own magniloquent phrase, he was '_exceptionally_ happy.' He has taken to long words; I heard him talking of '_evidences_' the other day. Poor little Pen! it's the more funny that he has by no means yet left off certain of his babyisms of articulation, and the combined effects are curious. You asked of Ferdinando.[52] Peni's attachment for Ferdinando is undiminished. Ferdinando can't be found fault with, even in gentleness, without a burst of tears on Peni's part. Lately I ventured to ask not to be left quite alone in the house on certain occasions; and though I spoke quite kindly, there was Peni in tears, a.s.suring me that we ought to have another servant to open the door, for that 'poor Ferdinando had a great deal too much work'! When I ventured to demur to that, the next charge was, 'plainly I did not love Ferdinando as much as I loved Penini,' which I could not deny; and then with pa.s.sionate sobs Peni said that 'I was very unjust indeed.' 'Indeed, indeed, dear mama, you _are_ unjust! Ferdinando does everything for you, and I do nothing, except tease you, and even' (sobbing) 'I am sometimes a very naughty boy.' I had to mop up his tears with my pocket-handkerchief, and excuse myself as well as I could from the moral imputation of loving Peni better than Ferdinando.

We have been very glad in a visit from Frederick Tennyson.... G.o.d bless you! Robert won't wait.

Your ever attached BA.

_To Mrs. Jameson_