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The Letters of Elizabeth Barrett Browning Volume Ii Part 15

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The Storys are here on their way back to Rome. Oh, I mean to convert you, Isa! Is it true that the fever at Rome is still raging? Give my love to your dear invalid, who must be comforting you so much with her improvement. Penini is in a chronic state of packing up his desk to go to '_Bome_.' Robert's love with mine as ever. I can't write either legibly or otherwise than stupidly on this detestable paper, having never learnt to skate. Are we giving you too much trouble, dearest, kind Isa?

Your affectionate friend E.B.B.

After a few weeks only at Florence the Brownings moved on to Rome and there (at No. 43 Via Bocca di Leone) they pa.s.sed the winter. Both were now actively engaged on their new volumes of poetry--Mr. Browning on his 'Men and Women,' Mrs. Browning on 'Aurora Leigh,' both of which were, however, still far from completion.

_To Mrs. Jameson_

Via Bocca di Leone, Rome: December 21, 1853.



My dearest Mona Nina,--I have been longer than I thought to be in Rome without writing to you, especially when I have a letter of yours for which to thank you. My fancy was to wait till I had seen Gerardine in her own home, and then to write to you, but I have called on her three times, and the three Fates have been at it each time to prevent my getting in. Still, we have met _here_, and I would rather not wait any longer for whatever might be added to what I have seen and know already....

Ah, dearest friend! you have heard how our first step into Rome was a fall, not into a catacomb but a fresh grave[29], and how everything here has been slurred and blurred to us, and distorted from the grand antique a.s.sociations. I protest to you I doubt whether I shall get over it, and whether I ever shall feel that this is Rome. The first day at the bed's head of that convulsed and dying child; and the next two, three, four weeks in great anxiety about his little sister, who was all but given up by the physicians; the English nurse horribly ill of the same fever, and another case in this house. It was not only sympathy. I was selfishly and intensely frightened for my own treasures; I wished myself at the end of the world with Robert and Penini twenty times a day. Rome has been very peculiarly unhealthy; and I heard a Monsignore observe the other morning that there would not be much truce to the fever till March came. Still, I begin to take breath again and be reasonable. Penini's cheeks are red as apples, and if we avoid the sun, and the wind, and the damp, and, above all if G.o.d takes care of us, we shall do excellently.

_I_, of course, am in a flourishing condition; walk out nearly every day and scarcely cough at all. Which isn't enough for me, you see. Dear friend, we have not set foot in the Vatican. Oh, barbarians!

But we have seen Mrs. Kemble, and I am as enchanted as I ought to be, and even, perhaps, a little more. She has been very kind and gracious to me; she was to have spent an evening with us three days since, but something intervened. I am much impressed by her as well as attracted to her. What a voice, what eyes, what eyelids full of utterance!

Then we have had various visits from Mr. Thackeray and his daughters.

'She writes to me of Thackeray instead of Raffael, and she is at Rome'!

But she _isn't_ at Rome. There's the sadness of it. We got to Gibson's studio, which is close by, and saw his coloured Venus. I don't like her.

She has come out of her cloud of the ideal, and to my eyes is not too decent. Then in the long and slender throat, in the turn of it, and the setting on of the head, you have rather a grisette than a G.o.ddess. 'Tis over pretty and _pet.i.te_, the colour adding, of course, to this effect.

Crawford's studio (the American sculptor) was far more interesting to me than Gibson's. By the way, Mr. Page's portrait of Miss Cushman is really something wonderful--soul and body together. You can show nothing like it in England, take for granted. Indeed, the American artists consider themselves a little aggrieved when you call it as good as a t.i.tian.

'_Did_ t.i.tian ever produce anything like it?' said an admirer in my hearing. Critics wonder whether the colour will _stand_. It is a theory of this artist that time does not _tone_, and that t.i.tian's pictures were painted as we see them. The consequence of which is that his (Page's) pictures are undertoned in the first instance, and if they change at all will turn black[30]. May all Boston rather turn black, which it may do one of these days by an eruption from the South, when 'Uncle Tomison' gets strong enough.

We have been to St. Peter's; we have stood in the Forum and seen the Coliseum. Penini says: 'The sun has tome out. I think G.o.d knows I want to go out to walk, and _so_ He has sent the sun out.' There's a child who has faith enough to put us all to shame. A vision of angels wouldn't startle him in the least. When his poor little friend died, and we had to tell him, he inquired, fixing on me those earnest blue eyes, 'Did papa _see_ the angels when they took away Joe?' And when I answered 'No'

(for I never try to deceive him by picturesque fictions, I should not dare, I tell him simply what I believe myself), 'Then did Joe _go up_ by himself?' In a moment there was a burst of cries and sobs. The other day he asked me if I thought _Joe had seen the Dute of Wellyton_. He has a medal of the Duke of Wellington, which put the name into his head.

By-the-bye, Robert yesterday, in a burst of national vanity, informed the child that this was the man who beat Napoleon. 'Then I sint he a velly naughty man. What! he beat Napoleon _wiz a st.i.t_?' (with a stick).

Imagine how I laughed, and how Robert himself couldn't help laughing.

So, the seraphs judge our glories!

If you have seen Sir David Brewster lately I should like to know whether he has had more experience concerning the tables, and has modified his conclusions in any respect. I myself am convinced as I can be of any fact, that there is an _external intelligence_; the little I have seen is conclusive to me. And this makes me more anxious that the subject should be examined with common fairness by learned persons. Only the learned won't learn--that's the worst of them. Their hands are too full to gather simples. It seems to me a new development of law in the human const.i.tution, which has worked before in exceptional cases, but now works in general.

Dearest friend, I do not speak of your own anxious watch and tender grief, but think of them deeply. Believe that I love you always and in all truth.

Your E.B.B.

_To Miss E.F. Haworth_

[Rome:] 43 Bocca di Leone: December 27, [1853].

My dearest f.a.n.n.y,--I can't judge of your 'obstacles,' of course, but as to your being snowed up on the road or otherwise impeded between Rome and Civita (Castellana or Vecchia), there's certainly not room for even a dream of it. There has been beautiful weather here ever since we came, except for exacting invalids. I, for instance, have been kept in the house for a fortnight or more (till Christmas Day, when I was able to get to St. Peter's) by tramontana; but there has been sun on _most_ days of cold, and nothing has been _severe_ as cold. The hard weather came in November, before we arrived. I was out yesterday, and may be to-day, perhaps. 'Judge ye!'...

You bid me write. But to what end, if you are here on New Year's Day?

There's not time for a letter.

And at first I intended not to write, till beginning to consider how, as you are not actually of the race of Medes and Persians, you might possibly so modify your plans as to be able to receive these lines. Oh, a provoking person or persons you are, since you and Ellen Heaton are plural henceforth! No, I won't include her. _You_ are _singular_, by your own confession, on this occasion. And, instead of Christmas solemnisations, I shall take to reading the Commination Service over you if you stay any longer at Florence because of the impracticable, snowed-up roads around Rome. You really might as well object to coming on account of the heat!...

I thank you very much for meaning to bring my goods for me. I wish I could have seen your pictures before they took to themselves golden wings and fled away. Is it true, really, that you think to exhibit in London Penini's portrait at the piano, as Sophie Eckley tells me? I shall like to hear that you succeed in that.

I see _her_ every day almost, if not quite. n.o.body is like her. And there are quant.i.ties of people here to choose from. I have not taken heart and 'an evening for reception' yet, but we have had '_squeezes_'

of more or less stringency. Miss Ogle is here--and her family, of course, for she is young--the author of 'A Lost Love,' that very pretty book; and she is natural and pleasing. Do you know Lady Oswald, and her daughter and son? She is Lady Elgin's sister-in-law, and brought a letter to me from Lady Augusta Bruce. Then the Marshalls found us out through Mr. De Vere (_her_ cousin), and in the name of Alfred Tennyson (their intimate friend). Mrs. Marshall was a Miss Spring Rice, and is very refined in all senses. Refinement expresses the whole woman. Yes, there are some nice people here--nice people; it's the word. n.o.body as near to me as Mr. Page, whom we often see, I am happy to say, and who has just presented the world (only _that_ is generally said of the lady) with a _son_, and is on the point of presenting said world with a Venus.

_Will_ you come to see? I wonder....

I want you here to see a portrait taken of me in chalks by Miss Fox. I said 'No' to her in London, which was my sole reason for saying 'Yes' to her in Rome, when she asked me for a patient--or victim. She draws well, and has been very successful with the hair at least. For the likeness you shall judge for yourself. She comes here for an hour in the morning to execute me, and I'm as well as can be expected under it....

May G.o.d bless you, dearest f.a.n.n.y. What Christmas wishes warm from the heart by heartfuls I throw at you! And say to Ellen Heaton, with cordial love, that I thank her much for her kind letter, and remember her in all affectionate wishes made for friends. I shall write to Mr. Ruskin.

_Don't_ get this letter, I say.

Your E.B.B.

Robert's love, and _Penini's_. If 'f.a.n.n.y' strikes you, 'Madame Bovary'

will thunder-strike you.

_To Miss Mitford_

43 Via di Leone, Rome: January 7, 18[54].

It is long, my ever dearest Miss Mitford, since I wrote to you last, but since we came to Rome we have had troubles, out of the deep pit of which I was unwilling to write to you, lest the shadows of it should cleave as blots to my pen. Then one day followed another, and one day's work was laid on another's shoulders. Well, we are all well, to begin with, and have been well; our troubles came to us through sympathy entirely. A most exquisite journey of eight days we had from Florence to Rome, seeing the great monastery and triple church of a.s.sisi and the wonderful Terni by the way--that pa.s.sion of the waters which makes the human heart seem so still. In the highest spirits we entered Rome, Robert and Penini singing actually; for the child was radiant and flushed with the continual change of air and scene, and he had an excellent scheme about 'tissing the Pope's foot,' to prevent his taking away 'mine gun,'

somebody having told him that such dangerous weapons were not allowed by the Roman police. You remember my telling you of our friends the Storys--how they and their two children helped to make the summer go pleasantly at the baths of Lucca? They had taken an apartment for us in Rome, so that we arrived in comfort to lighted fires and lamps as if coming home, and we had a glimpse of their smiling faces that evening.

In the morning, before breakfast, little Edith was brought over to us by the manservant with a message--'The boy was in convulsions; there was danger.' We hurried to the house, of course, leaving Edith with Wilson.

Too true! All that first day was spent beside a death-bed; for the child never rallied, never opened his eyes in consciousness, and by eight in the evening he was gone. In the meanwhile, Edith was taken ill at our house--could not be moved, said the physicians. We had no room for her, but a friend of the Storys on the floor immediately below--Mr. Page, the artist--took her in and put her to bed. Gastric fever, with a tendency to the brain, and within two days her life was almost despaired of; exactly the same malady as her brother's. Also the English nurse was apparently dying at the Storys' house, and Emma Page, the artist's youngest daughter, sickened with the same symptoms. Now you will not wonder that, after the first absorbing flow of sympathy, I fell into a selfish human panic about my child. Oh, I 'lost my head,' said Robert; and if I _could_ have caught him up in my arms and run to the ends of the world, the hooting after me of all Rome could not have stopped me. I wished--how I wished!--for the wings of a dove, or any unclean bird, to fly away with him to be at peace. But there was no possibility but to stay; also the physicians a.s.sured me solemnly that there was no contagion possible, otherwise I would have at least sent him from us to another house. To pa.s.s over this dreary time, I will tell you at once that the three patients recovered; only in poor little Edith's case Roman fever followed the gastric, and has persisted so, ever since, in periodical recurrence, that she is very pale and thin. Roman fever is not dangerous to life--simple fever and ague--but it is exhausting if not cut off, and the quinine fails sometimes. For three or four days now she has been free from the symptoms, and we are beginning to hope. Now you will understand at once what ghastly flakes of death have changed the sense of Rome to me. The first day by a death-bed! The first drive out to the cemetery, where poor little Joe is laid close to Sh.e.l.ley's heart (_Cor cordium_, says the epitaph), and where the mother insisted on going when she and I went out in the carriage together. I am horribly weak about such things. I can't look on the earth-side of death; I flinch from corpses and graves, and never meet a common funeral without a sort of horror. When I look deathwards I look _over_ death, and upwards, or I can't look that way at all. So that it was a struggle with me to sit upright in that carriage in which the poor stricken mother sate so calmly--not to drop from the seat, which would have been worse than absurd of me. Well, all this has blackened Rome to me. I can't think about the Caesars in the old strain of thought; the antique words get muddled and blurred with warm dashes of modern, every-day tears and fresh grave-clay. Rome is spoiled to me--there's the truth.

Still, one lives through one's a.s.sociations when not too strong, and I have arrived at almost enjoying some things--the climate, for instance, which, though perilous to the general health, agrees particularly with me, and the sight of the blue sky floating like a sea-tide through the great gaps and rifts of ruins. We read in the papers of a tremendously cold winter in England and elsewhere, while I am able on most days to walk out as in an English summer, and while we are all forced to take precautions against the sun. Also Robert is well, and our child has not dropped a single rose-leaf from his radiant cheeks. We are very comfortably settled in rooms turned to the sun, and do work and play by turns--having almost too many visitors--hear excellent music at Mrs.

Sartoris's (Adelaide Kemble) once or twice a week, and have f.a.n.n.y Kemble to come and talk to us with the doors shut, we three together. This is pleasant. I like her decidedly. If anybody wants small-talk by handfuls of glittering dust swept out of salons, here's Mr. Thackeray besides; and if anybody wants a snow-man to match Southey's snow-woman (see 'Thalaba'), here's Mr. Lockhart, who, in complexion, hair, conversation, and manners, might have been made out of one of your English '_drifts_'--'sixteen feet deep in some places,' says Galignani. Also, here's your friend _V._--Mrs. Archer Clive.[31] We were at her house the other evening. She seems good-natured, but what a very peculiar person as to looks, and even voice and general bearing; and what a peculiar unconsciousness of peculiarity. I do not know her much. I go out very little in the evening, both from fear of the night air and from disinclination to stir. Mr. Page, our neighbour downstairs, pleases me much, and you ought to know more of him in England, for his portraits are like t.i.tian's--flesh, blood, and soul. I never saw such portraits from a living hand. He professes to have discovered secrets, and plainly _knows_ them, from his wonderful effects of colour on canvas--not merely in words. His portrait of Miss Cushman is a miracle. Gibson's famous painted Venus is very pretty--that's my criticism. Yes, I will say besides that I have seldom, if ever, seen so indecent a statue. The colouring with an approximation to flesh tints produces that effect, to my apprehension. I don't like this statue colouring--no, not at all.

Dearest Miss Mitford, will you write to me? I don't ask for a long letter, but a letter--a letter. And I entreat you not to _prepay_. Among other disadvantages, that prepaying tendency of yours may lose me a letter one day. I want much to hear how you are bearing the winter--how you are. Give me details about your dear self.

[_The remainder of this letter is missing_]

_To Mr. Westwood_

43 Via Bocca di Leone, Rome: February 2, [1854].

Thank you, my dear Mr. Westwood, for your kind defence of me against the stupid, blind, cur-dog backbiting of the American writer. I will tell you. Three weeks ago I had a letter from my brother, apprising me of what had been said, and pressing on me the propriety of a contradiction in form. Said I in reply: 'When you marry a wife, George, take her from the cla.s.s of those who have never printed a book, if this thing vexes you. A woman in a crowd can't help the pushing up against her of dirty coats; happy if somebody in boots does not tread upon her toes! Words to that effect, I said. I really could not do the American the honour of sitting down at the table with him to say: 'Sir, you are considerably mistaken.' He was not only mistaken, you see, but so stupid and self-willed in his mistake, so determined to make a system of it, but he was too disreputable to set right. Also of the tendency of one's writings one's readers are the best judges. I don't profess to write a religious commentary on my writings. I am content to stand by the obvious meaning of what I have written, according to the common sense of the general reader.

The tendency of my writings to Swedenborgianism has been observed by others, though I had read Swedenborg, when I wrote most of them, as little as the American editor of 'Robert Hall' can have done, and less can't be certainly. Otherwise, the said editor would have known that the central doctrine of Swedenborgianism being the G.o.dhead of Jesus Christ, no Unitarian, liberal or unliberal, could have produced works Swedenborgian in character, and that William and Mary Howitt being Unitarian (which I believe they are) couldn't have a tendency at the same time to Swedenborgianism, unless it should be possible for them to be bolt upright with a leaning to the floor. I speak to a wise man.

Judge what I say. For my own part I have thought freely on most subjects, and upon the state of the Churches among others, but never at any point of my life, and now, thank G.o.d, least of all, have I felt myself drawn towards Unitarian opinions. I should throw up revelation altogether if I ceased to recognise Christ as divine. Sectarianism I do not like, even in the form of a State Church, and the Athanasian way of stating opinions, between a scholastic paradox and a curse, is particularly distasteful to me. But I hold to Christ's invisible Church as referred to in Scripture, and to the Saviour's humanity and divinity as they seem to me conspicuous in Scripture, and so you have done me justice and the American has done me injustice....

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The Letters of Elizabeth Barrett Browning Volume Ii Part 15 summary

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