The Letters of Elizabeth Barrett Browning Volume I Part 16

How is the dog? and how does dear Mr. Martin find himself in Arcadia?

Do we all stand in his recollection like a species of fog, or a concentrated essence of brick wall? How I wish--and since I said it aloud to you I have often wished it over in a whisper--that you would put away your romance, or cut it in two, and spend six months of the year in London with us! Miss Mitford believes that wishes, if wished hard enough, realise themselves, but my experience has taught me a less cheerful creed. Only if wishes _do_ realise themselves!

Miss Mitford is at Bath, where she has spent one week and is about to spend two, and then goes on her way into Devonshire. She amused me so the other day by desiring me to look at the date of Mr. Landor's poems in their first edition, because she was sure that it must be fifty years since, and she finds him at this 1843, the very Lothario of Bath, enchanting the wives, making jealous the husbands, and 'enjoying,' altogether, the worst of reputations. I suggested that if she proved him to be seventy-five, as long as he proved himself enchanting, it would do no manner of good in the way of practical ethics; and that, besides, for her to travel round the world to investigate gentlemen's ages was invidious, and might be alarming as to the safe inscrutability of ladies' ages. She is delighted with the _scenery of Bath_, which certainly, take it altogether, marble and mountains, is the most beautiful town I ever looked upon. Cheltenham, I think, is a mere commonplace to it, although the avenues are beautiful, to be sure....

Mrs. Southey complains that she has lost half her income by her marriage, and her friend Mr. Landor is anxious to persuade, by the means of intermediate friends, Sir Robert Peel to grant her a pension.

She is said to be in London now, and has at least left Keswick for ever. It is not likely that Wordsworth should come here this year, which I am sorry for now, although I should certainly be sorry if he did come. A happy state of contradiction, not confined either to that particular movement or no-movement, inasmuch as I was gratified by his sending me the poem you saw, and yet read it with such extreme pain as to incapacitate me from judging of it. Such stuff we are made of!

This is a long letter--and you are tired, I feel by instinct!

May G.o.d bless you, my dearest Mrs. Martin. Give my love to Mr. Martin, and think of me as

Your very affectionate,

BA.

Henry and Daisy have been to see the _lying in state_, as lying stark and dead is called whimsically, of the Duke of Suss.e.x. It was a fine sight, they say.

_To H.S. Boyd_ May 9, 1843 [postmark].

My very dear Friend,--I thank you much for the copies of your 'Anti-Puseyistic Pugilism.' The papers reached my hands quite safely and so missed setting the world on fire; and I shall be as wary of them evermore (be sure) as if they were gunpowder. Pray send them to Mary Hunter. Why not? Why should you think that I was likely to 'object' to your doing so? She will laugh. _I_ laughed, albeit in no smiling mood; for I have been transmigrating from one room to another, and your packet found me half tired and half excited, and _whole_ grave. But I could not choose but laugh at your Oxford charge; and when I had counted your great guns and javelin points and other military appurtenances of the Punic war, I said to myself--or to Flush, 'Well, Mr. Boyd will soon be back again with the dissenters.'

Upon which I think Flush said, 'That's a comfort.'

Mary's direction is, 111 London Road, Brighton. You ought to send the verses to her yourself, if you mean to please her entirely: and I cannot agree with you that there is the slightest danger in sending them by the post. Letters are never opened, unless you tempt the flesh by putting sovereigns, or shillings, or other metallic substances inside the envelope; and if the devil entered into me causing me to write a libel against the Queen, I would send it by the post fearlessly from John o' Groat's to Land's End inclusive.

One of your best puns, if not the best,

Hatching succession apostolical, With other falsehoods diabolical,

lies in an octosyllabic couplet; and what business has _that_ in your heroic libel?

The 'pearl' of maidens sends her love to you.

Your very affectionate ELIZABETH B. BARRETT.

_To H.S. Boyd_ May 14, 1843.

My very dear Friend,--I hear with wonder from Arabel of your repudiation of my word 'octosyllabic' for the two lines in your controversial poem. Certainly, if you count the syllables on your fingers, there are ten syllables in each line: of _that_ I am perfectly aware; but the lines are none the less belonging to the species of versification called octosyllabic. Do you not observe, my dearest Mr. Boyd, that the final accent and rhyme fall on the eighth syllable instead of the tenth, and that _that_ single circ.u.mstance determines the cla.s.s of verse--that they are in fact octosyllabic verses with triple rhymes?

Hatching succession apostolical, With other falsehoods diabolical.

Pope has double rhymes in his heroic verses, but how does he manage them? Why, he admits eleven syllables, throwing the final accent and rhyme on the tenth, thus:

Worth makes the man, and want of it the f_e_llow, The rest is nought but leather and prun_e_lla.

Again, if there is a double rhyme to an octosyllabic verse, there are always _nine_ syllables in that verse, the final accent and rhyme falling on the eighth syllable, thus:

Compound for sins that we're incl_i_ned to, By d.a.m.ning those we have no m_i_nd to.

('Hudibras.')

Again, if there is a triple rhyme to an octosyllabic verse (precisely the present case) there must always be ten syllables in that verse, the final accent and rhyme falling on the eighth syllable; thus from 'Hudibras' again:

Then in their robes the penit_e_ntials Are straight presented with cred_e_ntials.

Remember how in arms and p_o_litics, We still have worsted all your h_o_ly tricks.

You will admit that these last couplets are precisely of the same structure as yours, and certainly they are octosyllabics, and made use of by Butler in an octosyllabic poem, whereas yours, to be rendered of the heroic structure, should run thus:

Hatching at ease succession apostolical, With many other falsehoods diabolical.

I have written a good deal about an oversight on your part of little consequence; but as you charged me with a mistake made in cold blood and under corrupt influences from Lake-mists, why I was determined to make the matter clear to you. And as to the _influences_, if I were guilty of this mistake, or of a thousand mistakes, Wordsworth would not be guilty _in_ me. I think of him now, exactly as I thought of him during the first years of my friendship for you, only with _an equal_ admiration. He was a great poet to me always, and always, while I have a soul for poetry, will be so; yet I said, and say in an under-voice, but steadfastly, that Coleridge was the grander genius. There is scarcely anything newer in my estimation of Wordsworth than in the colour of my eyes!

Perhaps I was wrong in saying '_a pun._' But I thought I apprehended a double sense in your application of the term 'Apostolical succession'

to Oxford's 'breeding' and 'hatching,' words which imply succession in a way unecclesiastical.

After all which quarrelling, I am delighted to have to talk of your coming nearer to me--within reach--almost within my reach. Now if I am able to go in a carriage at all this summer, it will be hard but that I manage to get across the park and serenade you in Greek under your window.

Your ever affectionate ELIZABETH B. BARRETT.

_To H.S. Boyd_ May 18, 1843.

My very dear Friend,--Yes, you have surprised me!

I always have thought of you, and I always think and say, that you are truthful and candid in a supreme degree, and therefore it is not your candour about Wordsworth which surprises me.

He had the kindness to send me the poem upon Grace Darling when it first appeared; and with a curious mixture of feelings (for I was much gratified by his attention in sending it) I yet read it with _so_ much pain from the nature of the subject, that my judgment was scarcely free to consider the poetry--I could scarcely determine to myself what I _thought_ of it from feeling too much.

_But_ I do confess to you, my dear friend, that I suspect--through the mist of my sensations--the poem in question to be very inferior to his former poems; I confess that the impression left on my mind is, of its decided inferiority, and I have heard that the poet's friends and critics (all except _one_) are mourning over its appearance; sighing inwardly, 'Wordsworth is old.'

One thing is clear to me, however, and over _that_ I rejoice and triumph greatly. If you can esteem this poem of 'Grace Darling,' you must be susceptible to the grandeur and beauty of the poems which preceded it; and the cause of your past reluctance to recognise the poet's power must be, as I have always suspected, from your having given a very partial attention and consideration to his poetry. You were partial in your attention _I_, perhaps, was injudicious in my extracts; but with your truth and his genius, I cannot doubt but that the time will come for your mutual amity. Oh that I could stand as a herald of peace, with my wool-twisted fillet! I do not understand the Greek metres as well as you do, but I understand Wordsworth's genius better, and do you forgive that it should console me.

I will ask about his collegian extraction. Such a question never occurred to me. Apollo taught him under the laurels, while all the Muses looked through the boughs.

Your ever affectionate ELIZABETH B. BARRETT,

Oh, yes, it delights me that you should be nearer. Of course you know that Wordsworth is Laureate.[77]

[Footnote 77: Wordsworth was nominated Poet Laureate after the death of Southey in March 1843.]

_To John Kenyan_ May 19, 1843,

Thank you, my dear cousin, for all your kindness to me. There is ivy enough for a thyrsus, and I almost feel ready to enact a sort of Bacchus triumphalis 'for jollitie,' as I see it already planted, and looking in at me through the window. I never thought to see such a sight as _that_ in my London room, and am overwhelmed with my own glory.

And then Mr. Browning's note! Unless you say 'nay' to me, I shall keep this note, which has pleased me so much, yet not more than it ought.

_Now_, I forgive Mr. Merivale for his hard thoughts of my easy rhymes.

But all this pleasure, my dear Mr. Kenyon, I owe to _you_, and shall remember that I do.