The Lazy Tour of Two Idle Apprentices Part 8

'Are their faces turned towards that n.o.ble prospect?'

'Your face is turned,' replied the old man, 'to the Castle wall.

When you are tied up, you see its stones expanding and contracting violently, and a similar expansion and contraction seem to take place in your own head and breast. Then, there is a rush of fire and an earthquake, and the Castle springs into the air, and you tumble down a precipice.'

His cravat appeared to trouble him. He put his hand to his throat, and moved his neck from side to side. He was an old man of a swollen character of face, and his nose was immoveably hitched up on one side, as if by a little hook inserted in that nostril. Mr.

Goodchild felt exceedingly uncomfortable, and began to think the night was hot, and not cold.

'A strong description, sir,' he observed.

'A strong sensation,' the old man rejoined.

Again, Mr. Goodchild looked to Mr. Thomas Idle; but Thomas lay on his back with his face attentively turned towards the One old man, and made no sign. At this time Mr. Goodchild believed that he saw threads of fire stretch from the old man's eyes to his own, and there attach themselves. (Mr. Goodchild writes the present account of his experience, and, with the utmost solemnity, protests that he had the strongest sensation upon him of being forced to look at the old man along those two fiery films, from that moment.)

'I must tell it to you,' said the old man, with a ghastly and a stony stare.

'What?' asked Francis Goodchild.

'You know where it took place. Yonder!'

Whether he pointed to the room above, or to the room below, or to any room in that old house, or to a room in some other old house in that old town, Mr. Goodchild was not, nor is, nor ever can be, sure. He was confused by the circ.u.mstance that the right forefinger of the One old man seemed to dip itself in one of the threads of fire, light itself, and make a fiery start in the air, as it pointed somewhere. Having pointed somewhere, it went out.

'You know she was a Bride,' said the old man.

'I know they still send up Bride-cake,' Mr. Goodchild faltered.

'This is a very oppressive air.'

'She was a Bride,' said the old man. 'She was a fair, flaxen- haired, large-eyed girl, who had no character, no purpose. A weak, credulous, incapable, helpless nothing. Not like her mother. No, no. It was her father whose character she reflected.

'Her mother had taken care to secure everything to herself, for her own life, when the father of this girl (a child at that time) died- -of sheer helplessness; no other disorder--and then He renewed the acquaintance that had once subsisted between the mother and Him.

He had been put aside for the flaxen-haired, large-eyed man (or nonent.i.ty) with Money. He could overlook that for Money. He wanted compensation in Money.

'So, he returned to the side of that woman the mother, made love to her again, danced attendance on her, and submitted himself to her whims. She wreaked upon him every whim she had, or could invent.

He bore it. And the more he bore, the more he wanted compensation in Money, and the more he was resolved to have it.

'But, lo! Before he got it, she cheated him. In one of her imperious states, she froze, and never thawed again. She put her hands to her head one night, uttered a cry, stiffened, lay in that att.i.tude certain hours, and died. And he had got no compensation from her in Money, yet. Blight and Murrain on her! Not a penny.

'He had hated her throughout that second pursuit, and had longed for retaliation on her. He now counterfeited her signature to an instrument, leaving all she had to leave, to her daughter--ten years old then--to whom the property pa.s.sed absolutely, and appointing himself the daughter's Guardian. When He slid it under the pillow of the bed on which she lay, He bent down in the deaf ear of Death, and whispered: "Mistress Pride, I have determined a long time that, dead or alive, you must make me compensation in Money.'

'So, now there were only two left. Which two were, He, and the fair flaxen-haired, large-eyed foolish daughter, who afterwards became the Bride.

'He put her to school. In a secret, dark, oppressive, ancient house, he put her to school with a watchful and unscrupulous woman.

"My worthy lady," he said, "here is a mind to be formed; will you help me to form it?" She accepted the trust. For which she, too, wanted compensation in Money, and had it.

'The girl was formed in the fear of him, and in the conviction, that there was no escape from him. She was taught, from the first, to regard him as her future husband--the man who must marry her-- the destiny that overshadowed her--the appointed certainty that could never be evaded. The poor fool was soft white wax in their hands, and took the impression that they put upon her. It hardened with time. It became a part of herself. Inseparable from herself, and only to be torn away from her, by tearing life away from her.

'Eleven years she had lived in the dark house and its gloomy garden. He was jealous of the very light and air getting to her, and they kept her close. He stopped the wide chimneys, shaded the little windows, left the strong-stemmed ivy to wander where it would over the house-front, the moss to acc.u.mulate on the untrimmed fruit-trees in the red-walled garden, the weeds to over-run its green and yellow walks. He surrounded her with images of sorrow and desolation. He caused her to be filled with fears of the place and of the stories that were told of it, and then on pretext of correcting them, to be left in it in solitude, or made to shrink about it in the dark. When her mind was most depressed and fullest of terrors, then, he would come out of one of the hiding-places from which he overlooked her, and present himself as her sole resource.

'Thus, by being from her childhood the one embodiment her life presented to her of power to coerce and power to relieve, power to bind and power to loose, the ascendency over her weakness was secured. She was twenty-one years and twenty-one days old, when he brought her home to the gloomy house, his half-witted, frightened, and submissive Bride of three weeks.

'He had dismissed the governess by that time--what he had left to do, he could best do alone--and they came back, upon a rain night, to the scene of her long preparation. She turned to him upon the threshold, as the rain was dripping from the porch, and said:

'"O sir, it is the Death-watch ticking for me!"

'"Well!" he answered. "And if it were?"

'"O sir!" she returned to him, "look kindly on me, and be merciful to me! I beg your pardon. I will do anything you wish, if you will only forgive me!"

'That had become the poor fool's constant song: "I beg your pardon," and "Forgive me!"

'She was not worth hating; he felt nothing but contempt for her.

But, she had long been in the way, and he had long been weary, and the work was near its end, and had to be worked out.

'"You fool," he said. "Go up the stairs!"

'She obeyed very quickly, murmuring, "I will do anything you wish!"

When he came into the Bride's Chamber, having been a little r.e.t.a.r.ded by the heavy fastenings of the great door (for they were alone in the house, and he had arranged that the people who attended on them should come and go in the day), he found her withdrawn to the furthest corner, and there standing pressed against the paneling as if she would have shrunk through it: her flaxen hair all wild about her face, and her large eyes staring at him in vague terror.

'"What are you afraid of? Come and sit down by me."

'"I will do anything you wish. I beg your pardon, sir. Forgive me!" Her monotonous tune as usual.

'"Ellen, here is a writing that you must write out to-morrow, in your own hand. You may as well be seen by others, busily engaged upon it. When you have written it all fairly, and corrected all mistakes, call in any two people there may be about the house, and sign your name to it before them. Then, put it in your bosom to keep it safe, and when I sit here again to-morrow night, give it to me."

'"I will do it all, with the greatest care. I will do anything you wish."

'"Don't shake and tremble, then."

'"I will try my utmost not to do it--if you will only forgive me!"

'Next day, she sat down at her desk, and did as she had been told.

He often pa.s.sed in and out of the room, to observe her, and always saw her slowly and laboriously writing: repeating to herself the words she copied, in appearance quite mechanically, and without caring or endeavouring to comprehend them, so that she did her task. He saw her follow the directions she had received, in all particulars; and at night, when they were alone again in the same Bride's Chamber, and he drew his chair to the hearth, she timidly approached him from her distant seat, took the paper from her bosom, and gave it into his hand.

'It secured all her possessions to him, in the event of her death.

He put her before him, face to face, that he might look at her steadily; and he asked her, in so many plain words, neither fewer nor more, did she know that?

'There were spots of ink upon the bosom of her white dress, and they made her face look whiter and her eyes look larger as she nodded her head. There were spots of ink upon the hand with which she stood before him, nervously plaiting and folding her white skirts.

'He took her by the arm, and looked her, yet more closely and steadily, in the face. "Now, die! I have done with you."

'She shrunk, and uttered a low, suppressed cry.

'"I am not going to kill you. I will not endanger my life for yours. Die!"

'He sat before her in the gloomy Bride's Chamber, day after day, night after night, looking the word at her when he did not utter it. As often as her large unmeaning eyes were raised from the hands in which she rocked her head, to the stern figure, sitting with crossed arms and knitted forehead, in the chair, they read in it, "Die!" When she dropped asleep in exhaustion, she was called back to shuddering consciousness, by the whisper, "Die!" When she fell upon her old entreaty to be pardoned, she was answered "Die!"

When she had out-watched and out-suffered the long night, and the rising sun flamed into the sombre room, she heard it hailed with, "Another day and not dead?--Die!"

'Shut up in the deserted mansion, aloof from all mankind, and engaged alone in such a struggle without any respite, it came to this--that either he must die, or she. He knew it very well, and concentrated his strength against her feebleness. Hours upon hours he held her by the arm when her arm was black where he held it, and bade her Die!