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The Land of Fire.
by Mayne Reid.
As we are told in the Preface, this is the last book Reid wrote before his death in 1883. A young farm-boy walks down to Portsmouth, a port not too far away, and eventually gets taken on as a hand on an American barque, trading with the Pacific. Four years later he has risen to be second mate. But when rounding Cape Horn a severe storm overwhelms the vessel, and she is lost after springing a very bad leak. All on board take to the boats, but the pinnace gets separated from the gig, on which our heroes have made their escape. The ship's carpenter, an old and experienced seaman, a former whaler, has an extraordinary amount of knowledge of the natives of Tierra del Fuego--the Land of Fire--for that is where they are. Without that knowledge the party would not have survived. Unfortunately this great seaman (somewhat after the style of Masterman Ready) does not speak in educated English, but you will just have to get used to that.
There are various encounters with the tribes of the region, all very well told. Eventually, shortly after their most serious brush with the locals, they reach a large vessel at anchor, and the pinnace alongside her, so that they are saved.
Reid, being a good naturalist, tells us a good deal about the local flora and fauna. We also learn how to make fire in a land where it rains five days in six. His account of the local tribes, their skills and their shortcomings, will give you much food for thought. And the book makes a very nice audiobook.
THE LAND OF FIRE, BY CAPTAIN MAYNE REID.
PREFACE.
This tale is the last from the pen of Captain Mayne Reid, whose stories have so long been the delight of English boys. Our readers may, perhaps, like to know something of the writer who has given them so much pleasure; especially as his own life was full of adventure and of brave deeds.
Mayne Reid was born in the north of Ireland in 1819; his father was a Presbyterian minister, and wished that his son should also be a clergyman; but the boy longed for adventure, and to see the world in its wildest places, and could not bring himself to settle down to a quiet life at home.
When he was twenty years old he set out on his travels, and, landing at New Orleans, began a life of adventure in the prairies and forests of America--good descriptions of which were given by him in his books.
In 1845 a war broke out between the United States and Mexico, and young Reid instantly volunteered his services to fight on the United States'
side.
He received the commission of lieutenant in a New York regiment, and fought all through the campaign with the most dauntless courage. He received several wounds, and gained a high reputation for generous good feeling.
The castle of Chapultepec commanded the high road to the city of Mexico, and as it was _very_ strongly defended, and the Mexicans had thirty thousand soldiers to the American six thousand, to take it was a work requiring great courage.
Reid was guarding a battery which the Americans had thrown up on the south-east side of the castle, with a grenadier company of New York volunteers and a detachment of United States' marines under his command.
From thence he cannonaded the main gate for a whole day. The following morning a storming party was formed of five hundred volunteers, and at eleven o'clock the batteries ceased firing, and the attack began.
Reid and the artillery officers, standing by their guns, watched with great anxiety the advance of the line, and were alarmed when they saw that half-way up the hill there was a halt.
"I knew," he said in his account, "that if Chapultepec was not taken, neither would the city be; and, failing that, not a man of us might ever leave the Valley of Mexico alive." He instantly asked leave of the senior engineering officer to join the storming-party with his grenadiers and marines. The officer gave it, and Reid and his men at once started at a swift run, and came up with the storming-party under the brow of the hill, where it had halted to wait for scaling ladders.
The fire from the castle was constant, and very fatal. The men faltered, and several officers were wounded while urging them on.
Suddenly Reid, conspicuous by his brilliant uniform, sprang to his feet, and shouted, "Men, if we don't take Chapultepec, the American army is lost. Let us charge up the walls!"
The soldiers answered, "We are ready."
At that moment the three guns on the parapet fired simultaneously.
There would be a moment's interval while they reloaded. Reid seized that interval, and crying "Come on," leaped over the scarp, and rushed up to the very walls. Half-way up he saw that the parapet was crowded with Mexican gunners, just about to discharge their guns. He threw himself on his face, and thus received only a slight wound on his sword hand, while another shot cut his clothes.
Instantly on his feet again, he made for the wall, but in front of it he was struck down by a Mexican bullet tearing through his thigh.
There Lieutenant Cochrane, of the Voltigeurs, saw him as he advanced to the walls. Reid raised himself, and sang out, entreating the men to stand firm.
"Don't leave the wall," he cried, "or we shall be cut to pieces. Hold on, and the castle is ours."
"There is no danger of our leaving it, captain," said Cochrane; "never fear!"
Then the scaling ladders were brought, the rush was made, and the castle taken. But Reid had been _the very first man under its walls_.
When the war was over, Captain Reid resigned his commission in the American army, and organised a body of men in New York to go and fight for the Hungarians, but news reached him in Paris that the Hungarian insurrection was ended, so he returned to England.
Here he settled down to literary work, publishing "The Scalp Hunters,"
and many wonderful stories of adventure and peril.
The great African explorer, the good Dr Livingstone, said in the last letter he ever wrote, "Captain Mayne Reid's boys' books are the stuff to make travellers."
Captain Mayne Reid died on the twenty-first of October, 1883, and the "Land of Fire" is his unconscious last legacy to the boys of Great Britain, and to all others who speak the English language.
CHAPTER ONE.
"THE SEA! THE SEA! THE OPEN SEA!"
One of the most interesting of English highways is the old coach road from London to Portsmouth. Its interest is in part due to the charming scenery through which it runs, but as much to memories of a bygone time.
One travelling this road at the present day might well deem it lonely, as there will be met on it only the liveried equipage of some local magnate, the more unpretentious turn-out of country doctor or parson, with here and there a lumbering farm waggon, or the farmer himself in his smart two-wheeled "trap," on the way to a neighbouring market.
How different it was half a century ago, when along this same highway fifty four-horse stages were "tooled" to and fro from England's metropolis to her chief seaport town, top-heavy with fares--often a noisy crowd of jovial Jack tars, just off a cruise and making Londonward, or with faces set for Portsmouth, once more to breast the billows and brave the dangers of the deep! Many a naval officer of name and fame historic, such as the Rodneys, Cochranes, Collingwoods, and Codringtons,--even Nile's hero himself,--has been whirled along this old highway.
All that is over now, and long has been. To-day the iron horse, with its rattling train, carries such travellers by a different route--the screech of its whistle being just audible to wayfarers on the old road, as in mockery of their crawling pace. Of its ancient glories there remain only the splendid causeway, still kept in repair, and the inns encountered at short distances apart, many of them once grand hostelries. They, however, are not in repair; instead, altogether out of it. Their walls are cracked and crumbling to ruins, the ample courtyards are gra.s.s-grown and the stables empty, or occupied only by half a dozen clumsy cart-horses; while of human kind moving around will be a lout or two in smock-frocks, where gaudily-dressed postillions, booted and spurred, with natty ostlers in sleeve-waistcoats, tight-fitting breeches, and gaiters, once ruled the roast.
Among other ancient landmarks on this now little-used highway is one of dark and tragic import. Beyond the town of Petersfield, going southward, the road winds up a long steep ridge of chalk formation--the "South Downs," which have given their name to the celebrated breed of sheep. Near the summit is a crater-like depression, several hundred feet in depth, around whose rim the causeway is carried--a dark and dismal hole, so weird of aspect as to have earned for it the appellation of the "Devil's Punch Bowl." Human agency has further contributed to the appropriateness of the t.i.tle. By the side of the road, just where it turns around the upper edge of the hollow, is a monolithic monument, recording the tragic fate of a sailor who was there murdered and his dead body flung into the "Bowl." The inscription further states that justice overtook his murderers, who were hanged on the selfsame spot, the scene of their crime. The obelisk of stone, with its long record, occupying the place where stood the gallows-tree.
It is a morning in the month of June; the hour a little after daybreak.
A white fog is over the land of South Hampshire--so white that it might be taken for snow. The resemblance is increased by the fact of its being but a layer, so low that the crests of the hills and tree-tops of copses appear as islets in the ocean, with sh.o.r.es well defined, though constantly shifting. For, in truth, it is the effect of a mirage, a phenomenon aught but rare in the region of the South Downs.
The youth who is wending his way up the slope leading to the Devil's Punch Bowl takes no note of this illusion of nature. But he is not un.o.bservant of the fog itself; indeed, he seems pleased at having it around him, as though it afforded concealment from pursuers. Some evidence of this might be gathered from his now and then casting suspicious glances rearward, and at intervals stopping to listen.
Neither seeing nor hearing anything, however, he continues up the hill in a brisk walk, though apparently weary. That he is tired can be told by his sitting down on a bank by the roadside as soon as he reaches the summit, evidently to rest himself. What he carries could not be the cause of his fatigue--only a small bundle done up in a silk handkerchief. More likely it comes from his tramp along the hard road, the thick dust over his clothes showing that it had been a long one.
Now, high up the ridge, where the fog is but a thin film, the solitary wayfarer can be better observed, and a glance at his face forbids all thought of his being a runaway from justice. Its expression is open, frank, and manly; whatever of fear there is in it certainly cannot be due to any consciousness of crime. It is a handsome face, moreover, framed in a profusion of blonde hair, which falls curling down cheeks of ruddy hue. An air of rusticity in the cut of his clothes would bespeak him country bred, probably the son of a farmer. And just that he is, his father being a yeoman-farmer near G.o.dalming, some thirty miles back along the road. Why the youth is so far from home at this early hour, and afoot--why those uneasy glances over the shoulder, as if he were an escaping convict--may be gathered from some words of soliloquy half-spoken aloud by him, while resting on the bank:
"I hope they won't miss me before breakfast-time. By then I ought to be in Portsmouth, and if I've the luck to get apprenticed on board a ship, I'll take precious good care not to show myself on sh.o.r.e till she's off.
But surely father won't think of following this way--not a bit of it.
The old bailiff will tell him what I said about going to London, and that'll throw him off the scent completely."
The smile that accompanied the last words is replaced by a graver look, with a touch of sadness in the tone of his voice as he continues:
"Poor dear mother, and sis Em'ly! It'll go hard with them for a bit, grieving. But they'll soon get over it. 'Tisn't like I was leaving them never to come back. Besides, won't I write mother a letter soon as I'm sure of getting safe off?"
A short interval of silent reflection, and then follow words of a self-justifying nature: