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Nature makes legitimate her tricks. Let the Genius of the Race lure us with pa.s.sion and dreaming! We are not the losers by it. And if the dream fades and we grow gray despite what has been lived, then it is something to remember that soul and sense have leapt and pulsed. I am thankful that romance has an aftermath, and that old men and women can prattle about days that were robust. I am thankful that the soldiers of life are at the end given a furlough in which to fondle the arms they wielded with clumsiness and with spirit, and in which to pa.s.s themselves in review before their pension expires and their days are over. Youth has the romance of loving, and age the romance of remembering.
Lovers are not always compatible, you say, and, before all, you insist upon good partnership. How will you insure yourself against unfitness?
Surely not by a registering and weighing of qualities, not by bargaining and speculating. We do not choose our wives as we do our saddle-horses; we do not plan our marriages as we plan our houses. It may sound paradoxical, but there is a higher compatibility than that of quality and degree. It is not whether people can live together, but whether they should live together. "It is an awkward thing to play with souls,"--you override the fastidiousness of the soul in marrying your companion.
Unless you are an automaton, you cannot rest happy in the fact that you and she do not disagree. For comfort's sake you would have a negative dimension to your cosmos, forgetting that your longings and your needs and, it may be, your dreams, are positive. If s.e.x-comradeship and affection were not as accidental and as dependent on mood as love itself, your position would have much in its favour. You could then arrange for compatibility in marriage.
You speak of the methods in economics that conserve energy and capital, such as the employ of the machine-guiding boy, which saves the labour power of a hundred men, and you hold that in the realm of personal life like methods may obtain with value and dignity. I can see how natural it has become for you to take this viewpoint. One can be a zealot in matters frigid. The law behind the fact has you in its coil, and your pa.s.sion goes to ice. You burn for that cold thing, compatibility. You, too, are in the market-place bound to a stake--it is not for such as you to escape the fire. If you look to compatibility and want it intensely, as others want love, then you suffer, and from your standpoint (not mine) you raise a vain cry; for compatibility, like everything else, is illusory. The illusions of love are a strength, and the ways of love are divine; through them we come to that feeling of completion which is compatibility and which is as ineffable as the white-lipped promise of waves heard by those who have also listened to weeping. Love is not responsible for inst.i.tutionalism. There would be no fewer marriages if people married for convenience, nor would the law make such unions less binding. It is not the fault of love that the great social paradox exists. In the precipitancy of feeling, you say, the lover fastens upon an unsuitable mate, and, with possession, love dies. Here I attack your facts. If an awakening comes, it is not for either of these reasons.
Love is not essentially rational, but then it is love. There is some consistency in affairs natural, and the esoteric draught that enchanted at one time cannot poison at another.
Love is not essentially rational, and it will not of a sudden become so at the possession of the loved one. People who marry from convenience may wake to find their union most inconvenient. "There are more things in heaven and earth," and there are more intricacies of feeling and more sloughs and depths, than are dreamed of in your philosophy. A definite understanding as to sofa cushions and tobacco smoke does not always insure unwearied forbearance and devotion. With love, on the other hand, disappointment is very much less likely to spring up, for the reason that it is free from calculation. Love is a sympathy. It takes hold, it grows upon the soul and the senses, and it does not flee before argument and explanation.
Still less can I admit that possession kills love. Do we give up living because the world is based on Will and Idea? Yet to will is to want, Schopenhauer tells us, and to want is to be in pain. Do we know ourselves in pain every minute of our lives? Hardly. This applies. You hold that, with the fulfilled hope and the appeased hunger, indifference takes the place of desire. It reads so in logic, but not in life. If what is in our possession be good, we prize it more highly for its being within reach. The good in our keeping does not sate; it pains with divine hungers. We do not tire of what we have; we rise to it. We do not know the sweetness of being steadfast until we are so impelled by the love with which we have grown great. The lover may well say: "She was not my ideal; before I knew her I was not great enough to think her. She taught me."
Besides, an acquaintance with your wife's faults does not kill your love. You cannot turn from your brother or your friend if he commit even a lurid act; you cannot turn from a stranger; much less can you turn from your beloved. Herbert, when men set themselves to judge, they are invariably ridiculous and an offence to high heaven. Believe me, it is artificial. The true judge cares not for the fact of the deed, but for its motive. And the lover knows the motive. He has the key to the life.
He knows his beloved, not as she is, but "as she was born to be." His lips press and his arms enfold not her so much as the ideal of her, and unless she unmake herself, he cannot unlove her. "To judge a man by the fruit of his actions," says Professor Edward Howard Griggs, "it is necessary to know all of the fruit, which is impossible. You can only know what he eternally must be if you catch the aspect of his soul and grow to understand his aspirations and his loves." To idealise, therefore, is not to be blind, but to be far-seeing.
There is another way of looking on this question of the paradox. Granted that it is caused by romantic love, romantic love is still exclusively the best thing in the world. You cannot pay too dearly for the good of life. I know that the misery of being in the intimacy of wedlock with one who is not loved is unutterable. It is to become degraded and unrecognisable, it is to wear the brand of liar before G.o.d! The man whose outer life belies the inner is an enforced suicide. There is something of majesty on "laying one's self down with a will," and there is something of strength in cloistering the body for the spirit's health's sake, but to die when all within is warm and clamorous for life is terrible. Such a death they die who are held together, not by the bonds of the spirit, but by those of convention. They who would go from each other and dare not, die the ignominious death of fear. The suicide is contemptible, besides being pitiable, when he is hounded out of life despite himself, when he is a little embezzler of a clerk who rushes from the music hall to the Thames and thinks of the unfinished gla.s.s with his last breath. No, I do not underestimate the tragedy of the paradox. Yet I say that if love were accountable for it (which it is not), it would still be folly to forswear love. Do you ask why? Because its dangers are the dangers common to all life, and we are so made that we cannot be frightened away from our portion of experience. We are as loth to give up our nights as our days. The winters as the summers, all the seasons and all the climes, the fears as the hopes, all the travail of deepest, fullest living, we claim as our own forever. We guard jealously our heritage of feeling. Would you for all the world sleep rather than wake, forget rather than remember? Then cease the requiem of your speech about the dangers of disillusion!
Madness and selfishness were the cause of Louisa Naveret's death, and the man who was mad and selfish was her lover. The poor man had not the strength to renounce when he thought he found himself face to face with the necessity of renouncing. But all lovers are not too weak to cope with love. John Ruskin, if you remember, loved his wife, and he shot neither himself, nor her, nor Millais. Charles J. Johnson is not a Ruskin, and Ruskin's love was not a madness.
And, Herbert, to me there is nothing comic in a stress of feeling. Let the lover pale and flutter and faint; in the presence of his deity it is an acceptable form of worship. The very self-possessed lover is more preposterous!
Your book has not yet reached me. To-morrow I shall write again, providing I remember how to write a natural letter.
Yours, DANE KEMPTON.
XXIII
FROM THE SAME TO THE SAME
LONDON.
June 20, 19--.
There are impersonal hours when the things of the day drop below consciousness and the spirit grows devotional and wends a pilgrimage to larger spheres, there to sit apart. Such a respite was mine to-day.
There had been a call to rouse and put forth work, and I wrought with all the puniness of my might (woe is me!), and earned my post at the window that looks out upon the large things. The best of nights and days of toil is that there comes a twilight in which fatigued eyes see clear.
I said it did not matter how you do about your marriage. Time may right you in a way I cannot know. I said it did not matter if you are not righted in this, there being so much that never rights itself. Both hope and despair were followed by a calm of neutrality. The inquiry waited no solution. The stress no longer touched me, and my twilight became luminous. I saw things as from a height and forms dropped out of my range, when Barbara came tugging at me, and my pale while of abstraction was at an end.
She wanted to know what troubled me. She made her way to me, hurried but resolved, and stated her demand. "You catechised me yesterday; to-night you shall answer."
She had come to defend herself. My talk having of late taken on the sameness of that of the man of one idea, Barbara was aroused. I was gauging her because she distressed me, was her thought. (I had been trying to find whether it is possible to live differently from her and live happily and well.) "You think I am not close enough to Earl, because I mourn for my little one, perhaps. You think me not sufficiently happy to be wifely." Could I suppose aught else from such an utterance but that there was an estrangement and hidden pain? How, unless there were sorrow, could the woman see herself sorrowed for? My mind leapt to possibilities. Little Barbara on the rack was more than I could bear. I groped for her hands. It was a fault in her to be so much on her guard. She had no sorrow to confess, and spoke--only to ward off what was not directed toward her.
"The tenour of your talk led me on to believe--" she stammered with hot cheeks. It is a standing offence of hers to imagine herself accused, and she admits it is a weakness born of lack of poise. "But I took all for granted, I thought you fortunate beyond any other woman," I protested.
At this the radiance broke forth. I forgave the chill that her first words on entering the room struck to my heart, and she forgot what she had imagined.
There is nothing more important than the play and interplay of feeling.
Were Barbara "unwifely," I could not blame her, but neither could I have at hand my proof of dear miracles. My proof remained to me, for there she stood, her face lifted toward mine, her mouth tremulous, her grey eyes swimming. The mate woman was stirred. Barbara is twenty-six and has been married seven years, and she still vibrates with the old wonder to find herself loving and beloved.
I meant to tell you of what we spoke later, in the hope that I could show you a little better what I hold dear and why. But my hand grows nerveless. The twilight of abstraction has set in. A little while ago this hand was quick to rest on Barbara's as I called her my heroine. She is that, not alone because she is pure and good and strong, but because she can accept the test of her instincts. It takes both faith and strength to obey oneself. "When shows break up, what but one's Self remains?" asks Whitman. The shows are but shows for Barbara. Will I look into your eyes on the morrow and find them, like hers, clear? Grant that it be!
DANE.
XXIV
FROM HERBERT WACE TO DANE KEMPTON
THE RIDGE, BERKELEY, CALIFORNIA.
July 1, 19--.
Somewhere in Ward you may read, "It must constantly be borne in mind that all progress consists in the arbitrary alteration, by human efforts and devices, of the normal course of nature, so that civilisation is wholly an artificial product." Why, Dane, this is large enough to base a sociology upon. And I must ask you first, is it true? Second, do you understand, do you appreciate, the tremendous significance of it? And third, how can you bring your philosophy of love in accord with it?
Romantic love is certainly not natural. It is an artifice, blunderingly and unwittingly introduced by man into the natural order. Is this audacious? Let us see. In a state of nature the love which obtains is merely the pa.s.sion for perpetuation devoid of all imagination. The male possesses the prehensile organs and the superior strength. Beyond the ardour of pursuit the female has no charms for him. But he is driven irresistibly to pursuit. And by virtue of his prehensile organs and superior strength he ravishes the females of his species and goes his way. But life creeps slowly upward, increasing in complexity and necessarily in intelligence. When some forgotten inventor of the older world smote his rival or enemy with a branch of wood and found that it was good and thereafter made a practice of smiting rivals and enemies with branches of wood, then, and on that day, artificiality may be said to have begun. Then, and on that day, was begun a revolution destined to change the history of life. Then, and on that day, was laid the cornerstone of that most tremendous of artifices, CIVILISATION!
Trace it up. Our ape-like and arboreal ancestors entered upon the first of many short cuts. To crack a marrow-bone with a rock was the act which fathered the tool, and between the cracking of a marrow-bone and the riding down town in an automobile lies only a difference of degree. The one is crudely artificial, the other consummately artificial. That is all. There have been improvements. The first inventors grasped that truthful paradox, "the longest way round is the shortest way home," and forsook the direct pursuit of happiness for the indirect pursuit of happiness. If the happiness of a savage depended upon his crossing an extensive body of water, he did not directly proceed to swim it, but turned his back upon it, selected a tree from the forest, shaped it with his rude tools and hollowed it out with fire, then launched it in the water and paddled toward where his happiness lay.
Now concerning love. In the state of nature it is a brutal pa.s.sion, nothing more. There is no romance attached. But life creeps upward, and the gregarious human forms social groups the like of which never existed before. Consider the family group, for instance. Such a group becomes in itself an ent.i.ty. By means of the group man is better enabled to pursue happiness. But to maintain the group it must be regulated; so man formulates rules, codes, dim ethical laws for the conduct of the group members. s.e.xual ties are made less promiscuous and more orderly. A greater privacy is observed. And out of order and privacy spring respect and sacredness.
But life creeps upward, and the family group itself becomes but a unit of greater and greater groups. And rules and codes change in accordance, until the marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forebears loved, but as his group loves. And the love method of his group is determined by its love traditions. Does the individual compare his beloved's eyes to the stars--it is a trick of old time which has come down to him. Does he serenade under her window or compose an ode to her beauty or virtue--his father did it before him. In his lover's voice throb the voices of myriads of lovers all dead and dust.
The singers of a thousand songs are the ghostly chorus to the song of love he sings. His ideas, his very feelings are not his, but the ideas and feelings of countless lovers who lived and loved and whose lives and loves are remembered. Their mistaken facts and foolish precepts are his, and likewise their imaginative absurdities and sentimental philanderings. Without an erotic literature, a history of great loves and lovers, a garland of love songs and ballads, a sheaf of spoken love tales and adventures--without all this, which is the property of his group, he could not possibly love in the way he does.
To ill.u.s.trate: Isolate a boy babe and a girl babe of cultured breed upon a desert isle. Let them feed and grow strong on sh.e.l.l-fish and fruit; but let them see none other of their species; hear no speech of mouth, nor acquire knowledge in any way of their kind and the things their kind has done. Well, and what then? They will grow to man and woman and mate as the beasts mate, without romance and without imagination. Does the woman oppose her will to that of the man--he will beat her. Does he become over-violent in the manifestation of his regard, she will flee away, if she can, to secret hiding-places. He will not compare her eyes to the stars; nor will she dream that he is Apollo; nor will the pair moon in the twilight over the love of Hero and Leander. And the many monogamic generations out of which he has descended would fail to prevent polygamy did another woman chance to strand on that particular isle.
It is the common practice of the man of the London slum to kick his wife to death when she has offended him. And the man of the London slum is a very natural beast who expresses himself in a very natural manner. He has never heard of Hero and Leander, and the comparison of the missus'
eyes to the stars would to him be arrant bosh. The gentle, tender, considerate male is an artificial product. And so is the romantic lover, who is fashioned by the love traditions which come down to him and by the erotic literature to which he has access.
And now to the point. Romantic love being an artificial product, you cannot base its retention upon the claim that it is natural. Your only claim can be that it is the best possible artifice for the perpetuation of life, or that it is the only perfect, all-sufficient, and all-satisfying artifice that man can devise. On the one hand, for the perpetuation of life, man demonstrates the inefficiency of romantic love by his achievements in the domestic selection of animals. And on the other hand, the very irrationality of romantic love will tend to its gradual elimination as the human grows wiser and wiser. Also, because it is such a crude artifice, it forces far too many to contract the permanent marriage tie without possessing compatibility. During the time romantic love runs its course in an individual, that individual is in a diseased, abnormal, irrational condition. Mental or spiritual health, which is rationality, makes for progress, and the future demands greater and greater mental or spiritual health, greater and greater rationality.
The brain must dominate and direct both the individual and society in the time to come, not the belly and the heart. Granted that the function romantic love has served has been necessary; that is no reason to conclude that it must always be necessary, that it is eternally necessary. There is such a thing as rudimentary organs which served functions long since fallen in disuse and now unremembered.
The world has changed, Dane. Sense delights are no longer the sole end of existence. The brain is triumphing over the belly and the heart. The intellectual joy of living is finer and higher than the mere s.e.xual joy of living. Darwin, at the conclusion of his "Origin of Species,"
experienced a n.o.bler and more exquisite pleasure than did ever Solomon with his thousand concubines and wives. And while our sense delights themselves have become refined, their very refinement has been due to the increasing dominion over them of the intellect. Our canons of art are not founded on the heart. No emotion elaborated the laws of composition. We cannot experience a sense of delight in any art object unless it satisfies our intellectual discrimination. "He is a _natural_ singer," we say of the poet who works unscientifically; "but he is lame, his numbers halt, and he has no knowledge of technique."
The intellect, not the heart, made man, and is continuing to make him--ah, slowly, Dane, for life creeps slowly upward. The "Advanced Margin" is a favourite shibboleth of yours. And I take it that the Advanced Margin is that portion of our race which is more dominated by intellect than the race proper. And I, as a member of that group, propose to order my affairs in a rational manner. My reason tells me that the mere pa.s.sion of begetting and the paltry romance of pursuit are not the greatest and most exquisite delights of living. Intellectual delight is my bribe for living, and though the bargain be a hard one, I shall endeavour to exact the last shekel which is my due.
Wherefore I marry Hester Stebbins. I am not impelled by the archaic s.e.x madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which my reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. My life shall be free and broad and great, and I will not be the slave to the sense delights which chained my ancient ancestry. I reject the heritage. I break the entail. And who are you to say I am unwise?
HERBERT WACE.
XXV
FROM THE SAME TO THE SAME