The Judge Part 14

There was a clock on the mantelpiece which told it was not yet half-past four, but they both looked away from it. "Ay," said Mr. Mactavish James cheerfully, "you must run away home. I'll not have it said I drive a bairn to death with late hours. Good evening, la.s.sie." He was so terrified by the intensity of her emotion that he had given up playing his fish. There stabbed a question through his heart. Had Isabella Kingan suffered thus?

"Good evening, Mr. James," she said brightly, and went out into the hall letting the door swing to, and pulled on her coat and tam-o'-shanter in the darkness. Now that it did not matter if she cried, she did not feel nearly so much like crying. "That's the way things always are," she snorted, and began to hum the Ma.r.s.eillaise defiantly as she b.u.t.toned up her coat. But though she was not seen here, she was not alone. There pressed against her the unexpungeable fact of her disgrace.

Her eyes, mad with distress, with too much weeping, printed on the blackness the figure of the man with whom she had a.s.sociated herself in this awful way by that idiot capering before the gla.s.s, by those maniac words. With rapture and horror she saw his dark-lidded eyes with their brilliant yet secretive gaze, the lips that were parted yet not loose, that his reserve would not permit to close lest by their setting strangers should see whether he was smiling or moody; she remembered the bluish bloom that had been on his chin the first night she ever saw him.

At that she brought her clenched fist down on her other palm and sobbed with hate. He had brought all this upon her.

And hearing that, Mr. Mactavish James hobbled towards the door, purring endearments. He was better now. That anguished melody of speculation as to Isabella Kingan's heart he had played over again with the _tempo rubato_ and the pressed loud pedal of sentimentality, and it was now no more than agreeably affecting as a Scotch song ... being kind to the wean for the sake of her who was my sweethairt in auld lang syne....

She was so blind with hate of Yaverland that she was not aware of his presence till he bent over her, whinneying in the slow, complacent accents of Scottish sentiment, "Nelly, Nelly, what ails ye, la.s.sie?

Nothing's happened! I'll put it all right."

"Yes, of course nothing's happened!" she snapped, her hand on the doork.n.o.b. "Who said it had?" And then his words, "I'll put it all right," began to torment her. They threatened her that her disgrace was not to end here, that he might talk about it, that the thing might well be with her to her grave, that she had done for herself, that now and forever she had made her life not worth living. "Och, away with it!"

she almost screamed. "You've driven me so that I don't know what I'm doing, you and your nasty wee black poodle of a son!"

He had to laugh. "Nelly, Nelly, he's as G.o.d made him!"

"Ye shelve your responsibility!" she said, and breaking immediately into the bitterest tears of this long day of weeping, flung out of the door of this loathed place, to which she remembered with agony as she ran down the stairs she must return to-morrow to earn her living.

III

More than anything else she hated people to see her when she had been crying, yet she was sorry that the little house was dark. And though she had seen, as she came in through the square, that there were no lights in any window, and though the sitting-room door was ajar, and showed a cold hearth and furniture looking huddled and low-spirited as furniture does when dusk comes and there is no company, she stood in the hall and called, "Mother! Mother!" She more than half remembered as she called that her mother had that morning said something about spending the afternoon with an old friend at Trinity. But she cried out again, "Mother! Mother!" and lest the cry should sound piteous sent it out angrily. There was no answer but the complaining rattle of a window at the top of the house, which, like all dwellings of the very poor, was perpetually ailing in its fitments; and, letting her wet things fall to her feet, she moved desolately into the kitchen. The gleam of the caddies along the mantelpiece, the handles that protruded like stiff tails over the saucepan-shelf above the sink, struck her as looking queer and amusing in this twilight, and then made her remember that she had had no lunch and was now very hungry, so she briskly set a light to the gas-ring and put on the kettle. She had the luck to find in the breadpan a loaf far newer than it was their thrifty habit to eat, and carried it back to the table, finding just such delicious pleasure in digging her fingers into its sides as she found in standing on her heels on new asphalt; but turned her head sharply on an invisible derider.

"I do mean to commit suicide, though I am getting my tea!" she snapped.

"Indeed, I never meant to come home at all; I found myself running up the Mound from sheer force of habit. Did you never hear that human beings are creatures of habit? And now I'm here I might as well get myself something to eat. Besides, I'm not going shauchling down to the Dean Bridge in wet shoes either." She kicked them off and moved for a time with a certain conscious pomp, setting out the b.u.t.ter and the milk and the sugar with something of a sacramental air, and sometimes sobbing at the thought of how far the journey through the air would be after she had let go the Dean Bridge bal.u.s.trade. But as she put her head into the larder to see if there was anything left in the pot of strawberry jam her hand happened on a bowl full of eggs. There was nothing, she had always thought, nicer to touch than an egg. It was cool without being chill, and took the warmth of one's hand flatteringly soon, as if it liked to do so, yet kept its freshness; it was smooth without being glossy, mat as a pearl, and as delightful to roll in the hand; and of an exquisite, alarming frangibility that gave it, in its small way, that flavour which belongs to pleasures that are dogged by the danger of a violent end. As elaborately as this she had felt about it; for she was silly, as poets are, and believed it possible that things can be common and precious too.

She held an egg against the vibrating place in her throat, and, shaken with silent weeping, thought how full of delights for the sight and the touch was this world she was going to leave. It also seemed to her that she could do very well with it as an addition to her tea. "Mother'll not grudge it me for my last meal on earth," she muttered mournfully, putting it in the kettle to save time. "And I ought to keep up my strength, for I must write a good-bye letter that will show people what they've lost...."

The egg was good; and as she would never eat another she cut her b.u.t.tered bread into fingers and dipped them into the yolk, though she knew grown-up people never did it. The bread was good too. It was only because of all the things there are to eat this was a dreadful world to leave. She thought reluctantly of food; the different delicate textures of the nuts of meat that, lying in such snug unity within the crisp brown skin, make up a saddle of mutton; yellow country cream, whipped no more than makes it bland as forgiveness; little strawberries, red and moist as a pretty mouth; Scotch bun, dark and rich and romantic like the plays of Victor Hugo; all sorts of things nice to eat, and points of departure for the fancy. Even a potato roasted in its skin, if it was the right floury sort, had an entrancing, ethereal substance; one could imagine that thus a cirrus cloud might taste in the mouth. If the name were changed, angels might eat it. Potato plants were lovely, too.

Very vividly, for her mind's eye was staring wildly on the past rather than look on this present, which, with all the honesty of youth, she meant should have no future, there sprung up before her on the bare plastered wall a potato-field she and her mother had seen one day when they went to Cramond. Thousands and thousands of white flowers running up to a skyline in ruler-drawn lines. They had walked by the River Almond afterwards, linking arms, exclaiming together over the dark gla.s.sy water, which slid over small frequent weirs, the tents of green fire which the sun made of the overarching branches, the patches of moss that grew so symmetrically between the tree-trunks on the steep river-banks above the path that they might have been the dedicatory tablets of rustic altars. When the cool of the evening came they had sat and watched a wedding-party dance quadrilles on a lawn by the river, overhung by chestnut trees and severed by a clear and rapid channel, weedless as the air, from an island crowded by the weather-bleached ruins of a mill. The bride and bridegroom were not young, and the stiff movements with which they yet gladly led the dance, and the quiet, tired merriment of their middle-aged friends, gave the occasion a quality of its own; with which the faded purples of the loosestrife and mallows leaning out above the water on the white walls on the island were somehow in harmony. That was a day most happily full of things to notice. Surely this was a world to stay in, not to leave before one need! Ah, but it was now.

If to-morrow they started on such a walk the path by the river would be impa.s.sable by reason of the shadow of a tall, dark man that would fall across it, and she would not be able to sit and watch the dancers because in any moment of stillness she would be revisited by thoughts of the madness that had made her say those dreadful things, at the thought of which she laid her spread hand across her mouth, that had made her so rude to the good old man who was their only friend. Again she trembled with hate of Yaverland, a hate that seemed to swell out from her heart.

She knew, as she would have known if a flame had destroyed her sight, that the turn life had taken had robbed her of the beauty of the world and was bringing her existence down to this ugly terminal focus, this moment when she sat in this cold kitchen, its cheap print and plaster the colour of uncleaned teeth, and tried to pluck up her energy to put on wet shoes and go through streets full of indifferent people and greased with foul weather to throw herself over a bridge on to rocks.

She rose and felt for her shoes that she might go out to die....

Then at the door there came his knock. There was no doubt but that it was his knock. Who else in all the time that these two women had lived there had knocked so? Two loud, slow knocks, expectant of an immediate opening yet without fuss: the way men ask for things. Peace and apprehension mingled in her. She crossed her hands on her breast, sighed deeply, and cast down her head. It seemed good, as she went to the door and reluctantly turned the handle, that she was in her stockinged feet; her noiseless steps gave her a feeling of mischief and confidence as if there was to follow a game of pursuits and flights into a darkness.

His male breadth blocked the door. She smiled to see how huge he was, and stood obediently in the silence he evidently desired, for he neither greeted her nor made any movement to enter, but remained looking down into her face. His deep breath measured some long s.p.a.ce of time. Her eyes wandered past him and to the little huddled houses, the laurels standing round the lamp, their leaves bobbing under the straight silver rake of the lamplit rain; and she marvelled that these things looked as they had always looked on any night.

"Come out, I want to see you," he whispered at last, and his hand closing on her drew her out of the dark hall. She liked the wetness of the flags under her stockinged feet, the fall of the rain on her face.

"You little thing! You little thing!" he muttered: and then, "I love you."

Her head drooped. She lifted it bravely.

"Ellen! Ellen!" He repeated the name in a pa.s.sion of wonder, till, feeling the raindrops on her head, he exclaimed urgently, "But you're getting wet! Darling, let us go in."

When he had shut the front door and they were left alone in the dark, and she was free from the compulsion of his beauty and the intent gaze he had set on her face, she tried to seize her life's last chance of escape. She wrenched away her wrist and made a timid hostile noise. But he linked his arm in hers and whispered rea.s.suringly, "I love you," and drew her, since there was a light there, into the kitchen. He put his hat down on the table beside her plate and cup and threw his wet coat across a chair, while she said querulously, sobbingly, "Why do you call me little? I am not little!"

He took her hands in his; her inky fingers were intertwined with his fingers, long and stained with strange stains, ma.s.sive and powerful and yet tremulous. The sight and touch filled her with extraordinary joy and terror. At last things were beginning to happen to her, and she did not know if she had strength enough to support it. If she could have countermanded her destiny she would, although she knew from the rich colour that tinged this moment, in spite of her inadequacy, it was going to be of some high kind of glory.

He took her in his arms. His lips, brushing her ear, asked, "Do you love me? Tell me, tell me, do you love me?" Dreamily, incredulously, she listened to that strong heart-beat which she had imagined. But he pressed her. "Ellen, be kind! Tell me, do you love me?" That was cruel of him. She was not sure that she approved of love. The position of women being what it was. Men were tyrants, and they seemed to be able to make their wives ign.o.ble. Married women were often anti-Suffragists; they were often fat; they never seemed to go out long walks in the hills or to write poetry. She laid her hands flat against his chest and pushed away from him. "No!" she whimpered. But he bent on her a face wolfish with a hunger that was nevertheless sweet-tempered, since it was beautifully written in the restraint which hung like a veil before his pa.s.sion that he would argue only gently with her denial. And at the sight she knew his whisper, "Ellen, be kind, tell me that you love me,"

was such a call to her courage as the trumpet is to the soldier. She held up her head, and cried out, "I love you!" but was amazed to find that she too was whispering.

"Oh, you dear giving thing!" he murmured. "It is such charity of you to love me!" A tremor ran through his body, his embrace became a gentle tyranny. He was going to kiss her. But this she could not bear. She loved to lay her hand on the blue shadowed side of marble, she loved to see gleaming blocks of ice going through the streets in lorries, she loved the wind as it blows in the face of the traveller as he b.r.e.a.s.t.s the pa.s.s, she loved swift running and all austerity; and she had confused intimations that this that he wanted to do would in some deep way make war on these preferences. "Ah, no!" she whimpered. "I have told you that I love you. Why need you touch me? I can love you without touching you. Please ... please...."

Oh, if he wanted it he must have it. As she let her head fall back on her throat it came to her that though she had not known that she had ever thought of love, although she would have sworn that she had never thought of anything but getting on, there had been many nights when, between sleeping and waking, she had dreamed of this moment. It was going to be (his deep slow breath, gentle with amorousness, a.s.sured her) as she had then prefigured it; romantic as music heard across moonlit water, as a deep voice speaking Shakespeare, as rich colours spilt on marble when the sun sets behind cathedral windows; but warm as summer, soft as the south wind....

But this was pain. How could he call by the name of delight this hard, interminable, sucking pressure when it sent agony downwards from her mouth to the furthest cell of her body, changing her bones so that ever after they would be more brittle, her flesh so that it would be more subject to bruises! She did not suspect him of cruelty, for his arms still held her kindly, but her eyes filled with tears at the strangeness, which she felt would somehow work out to her disadvantage, of the world where people held wine and kisses to be pleasant things.

Yet when the long kiss came to an end she was glad that he set another on her lips, for she had heard his deep sigh of delight. She would always let him kiss her as much as he liked, although she could not quite see what pleasure he found in it. Yet, could she not? Of course it was beautiful to be held close by Richard Yaverland! His substance was so dear, that his very warmth excited her tenderness and the rhythm of his breathing made wetness dwell about her lashes; it was most foolish that she should feel about this great oak-strong man as if he were a little helpless thing that could lie in the crook of her arm, like an ailing puppy; or perhaps a baby.

A pervading weakness fell on her; her arms, which had somehow become linked round his neck, were now as soft as garlands, her knees failed under her shivering body; but through her mind thundered grandiose convictions of new power. There was no sea, however black with chill and depth, in which she would not dive to save him, no desert whose unwatered sands she would not travel if so she served his need. It was as if already some brown arm had thrown a spear and she had flung herself before him and blissfully received the flying steel into her happy flesh. Love began to travel over her body, lighting here and there little fires of ecstasy, making her adore him with her skin as she had always adored him with her heart. And as the life of her nerves became more and more intense, her sensations more and more luminous, she became less conscious of her materiality. At the end she felt like a flash of lightning. From that moment she sank confused into the warm darkness of his embrace, while above her his voice muttered hesitant with solemnity: "Ellen ... you are the answer ... to everything...."

They drew apart and stood far off, looking into each other's eyes. The clock, ticking away time, seemed a curious toy. "You. In this little room. Oh, Ellen, it is a miracle," he said.

Pressing her hands together beneath her chin, she smiled.

"Ah, you are so beautiful! Your hair. Your eyes. The little white ball of your chin. As a matter of hard fact, you are more beautiful than I've ever imagined anybody else to be. The wildest lies I've ever told myself about the women I've wanted to love are true of you." For a moment he was still, thinking of Mariquita de Rojas as a swimmer might look down through fathoms of clear water on the face of a drowned woman. "But you ... you are beautiful as ... as an impersonal thing...." He clenched his fists in exasperation. All his life the one gift he had exercised easily and indubitably, not losing it even when his besetting despair stood between him and the sun, was the power to talk. While he was speaking the dominoes lay untouched on the greasy cafe table; men bent forward on their elbows that with his tongue he might make them companions of men who were half the world distant, maybe the whole world distant in their graves, that he might warm them with the beams of a sun long set on a horizon they would never see. That was vanity; or, more justly, the filling in of dangerously empty hours, holes in existence through which it seemed likely the soul might run out. But now, when it was absolutely necessary that he should tell her what she was to him, he could not talk at all. He stuttered on to try to win in the way he knew her generous heart could be won by a statement of her new joy.

"Ellen--you know what I mean? There's a particular kind of rapture that comes when you're looking at an impersonal thing. I mean a thing that doesn't amuse you, doesn't tickle up your greed or vanity, doesn't feed you. Like looking at the dawn. I feel like that when I look at you. And yet you are so sweet too. Oh, you dear Puritan, you will not like me to say you are like scent. But you are. Even at the feminine game you could beat all other women. You see, it is the loveliest thing in the world to watch women dancing; but with other women, when their bodies stop it's all over. They stand beside you showing minds that have never moved, that have been paralysed since they were babies. But when you stopped dancing your soul would go on dancing. Your mind has as neat ankles as your body. You are the treasure of this earth! Ellen, do you know that I am a little frightened? I do believe that love is a real magic."

He had fallen into that lecturer's manner she had noticed on the first night at the office, when he had told them about bullfights. Her heart p.r.i.c.ked with pride because she perceived that now she was his subject.

"I have been up and down the world and I have seen no other real magic.

I do not believe that in this age G.o.d has altered anyone. People love G.o.d nowadays as much as the temperaments they were born with tell them to. He has grown too old for miracles. After two thousand years he has no longer the force to turn water into wine. Ellen, I love your dear prim smile. But always, everywhere, I have found the love of men and women doing that. Sometimes the love of places does something very like it. A man may land on a strange island, and abandon the journey on which he set out, and the home he set out from, to live there for ever. But there his soul has just sunk to sleep. It hasn't been changed. But love changes people. I've seen the dirtiest little greasers clean themselves up and become capable of decency and courage, because there was some woman about. And oh, my darling! that happened with quite ordinary women. _Vin Ordinaire._ Pieces cut from the roll of ordinary female stuff. But how will the magic word act when you are part of the spell--you who are the most wonderful thing in the whole world, who are the flower of the earth's crop of beauty, who have such a genius for just being! Oh, it will be a tremendous thing."

He paused, marvelling at his own exultation, which marked, he knew, so great a change in him. For always before it had been his chief care that nothing at all should happen to him emotionally, and especially had he feared this alchemy of pa.s.sion. He had been unable to pray for purity, since he felt it an ideal ridiculously not indigenous to this richly-coloured three-dimensional universe, and he had observed that it made men liable to infatuations in later life; but he had prayed for l.u.s.t, which he knew to be the most drastic preventive of love. But it had evaded him as virtue evades other men. Never had he been able to look on women with the single eye of desire; always in the middle of his l.u.s.t, like the dark stamen in a bright flower, there appeared his inveterate concern for people's souls. Every woman to whom he wanted to make love was certain to be engaged in some defensive struggle against fate, for that is the condition of strong personality, and his quick sense would soon detect its nature; and since there is nothing more lovable than the sight of a soul standing up against fate, looking so little under the dome of the indifferent sky, he would find himself nearly in love. And because that meant, as he had observed, this magic change of the self, he would turn his back on the adventure, for all his life he had disliked profound emotional processes with exactly the same revulsion that a decent man feels for some operation which, though within the law, is outside the dictates of honesty. He knew there was no reason that could be formulated why he should not become a real lover; but nevertheless he had always felt as if for him it would be an act of disloyalty to some fair standard.

He quaked at his own oddness, until there struck home to his heart, as an immense rea.s.surance, the expression on Ellen's face. It had been blank with the joy of being loved, a romantic mask, lit steadily with a severe receptive pa.s.sion; but the abstraction in his voice and an accompanying failure of invention in his compliments had not escaped unnoticed by her, and there was playing about her dear obstinate mouth and fierce-coloured eyebrows the most delicious look of shrewdness, as if she had his secret by the coat-tail and would deliver it up to justice; and over all there was the sweetest, most playful smile, which showed that she would make a jest of his negligence, that she was one of those who exclude ugliness from their lives by imposing beautiful interpretations on all that happened to her; and behind these lovely things she did shone the still lovelier thing she was. It struck home to him the immense degree to which brooding on so perfect and adventurous a thing would change him, and once more he was not afraid. Taking her again in his arms, he cried out: "Ellen! Ellen! You mean so much to me!

I love you as a child loves its mother, partly for real, disinterested love and partly for the thing you give me! You are going to do such a lot for me! You will put an end to this d.a.m.ned misery! And just the sight of you about my home, you slip of light, you dear miracle!"

She put her hand across his mouth, blushing at the familiarity of her gesture yet urgently impelled to it. "That'll do," she said. "I know you think I'm nice. But what were you saying about being miserable? You're not miserable, are you?"

"Sometimes. I have been lately."

"You miserable!" she softly exclaimed. "You so big and strong--and victorious! But why?"

"Oh, no reason. It's a mood that comes on me."

"I have them myself. It's proof of our superior delicacy of organisation," she gravely told him.

"Oh, I don't know. The feeling that comes on you when you've taken particular care to turn up for an important appointment, and you get to the place ten minutes before the time, and find there's n.o.body there, and wait about, and suddenly find you've come a day late. And still you go on hanging round, feeling there must be something you can do, although you know you can't. It stays months sometimes. A sense of having missed some opportunity that won't come again. I don't know what it means. But it turns life sour. It seems to take the power out of one's fingers, to make one's brainstuff hot and thick and dark. It makes one's work seem not worth doing. But that's all over. It won't come again now I have you!" He sat down on the basket chair and drew her on to his knee, giving her light caresses to correct the heavy things he had just been saying. She received them abstractedly, as if she were thinking silent vows. "Ellen, I don't know what your eyes are like. The sea never looks kind like that, and they are wittier than flowers.

You're not really like a flower at all, you know, though I believe that in our circ.u.mstances it's considered the proper thing for me to tell you that you are. You're too important, and you wouldn't like growing in a garden, which even wild flowers seem to want to do. I'll tell you what you're like. You're like an olive tree. They're slim like you, and their branches go up like arms, as if they were asking for a vote, and they grow dangerously (just as you would if you were a tree) on the very edge of cliffs; and one looks past them at the blue sea, just as I look past you at the glorious life I'm going to have now I've got you.

Dearest, when can we get married?"

"Oh!" exclaimed Ellen, greatly pleased. "Are you in a position to keep a wife?"

He burst out laughing. "You darling! Do you know, I believe I could keep two."