The Ink-Stain (Tache d'encre) Part 1

The Ink-Stain.

by Rene Bazin.

RENE BAZIN

RENE-NICHOLAS-MARIE BAZIN was born at Angers, December 26, 1853. He studied for the bar, became a lawyer and professor of jurisprudence at the Catholic University in his native city, and early contributed to 'Le Correspondant, L'Ill.u.s.tration, Journal des Debats, Revue du Deux Mondes,' etc. Although quietly writing fiction for the last fifteen years or so, he was not well known until the dawn of the twentieth century, when his moral studies of provincial life under the form of novels and romances became appreciated. He is a profound psychologist, a force in literature, and his style is very pure and attractive.

He advocates resignation and the domestic virtues, yet his books are neither dull, nor tiresome, nor priggish; and as he has advanced in years and experience M. Bazin has shown an increasing ambition to deal with larger problems than are involved for instance, in the innocent love-affairs of 'Ma Tante Giron' (1886), a book which enraptured Ludovic Halevy. His novel, 'Une Tache d'Encre' (1888), a romance of scholarly life, was crowned by the French Academy, to which he was elected in 1903.

It is safe to say that Bazin will never develop into an author dangerous to morals. His works may be put into the hands of cloistered virgins, and there are not, to my knowledge, many other contemporary French imaginative writers who could endure this stringent test. Some critics, indeed, while praising him, scoff at his chaste and surprising optimism; but it is refreshing to recommend to English readers, in these days of Realism and Naturalism, the works of a recent French writer which do not require maturity of years in the reader. 'Une Tache d'Encre', as I have said, was crowned by the French Academy; and Bazin received from the same exalted body the "Prix Vitet" for the ensemble of his writings in 1896, being finally admitted a member of the Academy in June, 1903. He occupies the chair of Ernest Legouve.

Bazin's first romance, 'Stephanette', was published under the pseudonym "Bernard Seigny," in 1884; then followed 'Victor Pavie (1887); Noellet (1890); A l'Aventure (1891) and Sicile (1892)', two books on Italy, of which the last mentioned was likewise crowned by the French Academy; 'La Legende de Sainte-Bega (1892); La Sarcelle Bleue (1892); Madame Corentine (1893); Les Italiens d'aujourd'hui (1894); Humble Amour (1894); En Province (1896); De toute son Ame (1897)', a realistic but moderate romance of a workingman's life; 'Les Contes de Perrette (1898); La Terre qui Meurt (1899); Le Guide de l'Empereur (1901); Les Oberle (1902), a tale from Alsace of to-day, sketching the political situation, approximately correct, and lately adapted for the stage; 'Donatienne'

(1903).

With Bazin literary life does not become a mirage obscuring the vision of real life. Before being an author Rene Bazin is a man, with a family attached to the country, rooted in the soil; a guaranty of the dignity of his work as well as of the writer, and a safeguard against many extravagances. He has remained faithful to his province. He lives in the attractive city of Angers. When he leaves it, it is for a little tour through France, or a rare journey-once to Sicily and once to Spain.

He is seldom to be met on the Parisian boulevards. Not that he has any prejudice against Paris, or fails to appreciate the tone of its society, or the quality of its diversions; but he is conscious that he has nothing to gain from a residence in the capital, but, on the contrary, would run a risk of losing his intense originality and the freshness of his genius.

E. LAVISSE de l'Academie Francaise.

THE INK-STAIN

BOOK 1.

CHAPTER I. THE ACCIDENT

All I have to record of the first twenty-three years of my life is the enumeration of them. A simple bead-roll is enough; it represents their family likeness and family monotony.

I lost my parents when I was very young. I can hardly recall their faces; and I should keep no memories of La Chatre, our home, had I not been brought up quite close to it. It was sold, however, and lost to me, like all the rest. Yes, fate is hard, sometimes. I was born at La Chatre; the college of La Chatre absorbed eighteen years of my life. Our head master used to remark that college is a second home; whereby I have always fancied he did some injustice to the first.

My school-days were hardly over when my uncle and guardian, M. Brutus Mouillard, solicitor, of Bourges, packed me off to Paris to go through my law course. I took three years over it: At the end of that time, just eighteen months ago, I became a licentiate, and "in the said capacity"--as my uncle would say took an oath that transformed me into a probationary barrister. Every Monday, regularly, I go to sign my name among many others on an attendance list, and thereby, it appears, I am establishing a claim upon the confidence of the widow and the orphan.

In the intervals of my legal studies I have succeeded in taking my Arts Degree. At present I am seeking that of Doctor of Law. My examinations have been pa.s.sed meritoriously, but without brilliance; my tastes run too much after letters. My professor, M. Flamaran, once told me the truth of the matter: "Law, young man, is a jealous mistress; she allows no divided affection." Are my affections divided? I think not, and I certainly do not confess any such thing to M. Mouillard, who has not yet forgotten what he calls "that freak" of a Degree in Arts. He builds some hopes upon me, and, in return, it is natural that I should build a few upon him.

Really, that sums up all my past: two certificates! A third diploma in prospect and an uncle to leave me his money--that is my future. Can anything more commonplace be imagined?

I may add that I never felt any temptation at all to put these things on record until to-day, the tenth of December, 1884. Nothing had ever happened to me; my history was a blank. I might have died thus. But who can foresee life's sudden transformations? Who can foretell that the skein, hitherto so tranquilly unwound, will not suddenly become tangled?

This afternoon a serious adventure befell me. It agitated me at the time, and it agitates me still more upon reflection. A voice within me whispers that this cause will have a series of effects, that I am on the threshold of an epoch, or, as the novelists say, a crisis in my existence. It has struck me that I owe it to myself to write my Memoirs, and that is the reason why I have just purchased this brown memorandum-book in the Odeon Arcade. I intend to make a detailed and particular entry of the event, and, as time goes on, of its consequences, if any should happen to flow from it.

"Flow from it" is just the phrase; for it has to do with a blot of ink.

My blot of ink is hardly dry. It is a large one, too; of abnormal shape, and altogether monstrous, whether one considers it from the physical side or studies it in its moral bearings. It is very much more than an accident; it has something of the nature of an outrage. It was at the National Library that I perpetrated it, and upon--But I must not antic.i.p.ate.

I often work in the National Library; not in the main hall, but in that reserved for literary men who have a claim, and are provided with a ticket, to use it. I never enter it without a gentle thrill, in which respect is mingled with satisfied vanity. For not every one who chooses may walk in. I must pa.s.s before the office of the porter, who retains my umbrella, before I make my way to the solemn beadle who sits just inside the doorway--a double precaution, attesting to the majesty of the place.

The beadle knows me. He no longer demands my ticket. To be sure, I am not yet one of those old acquaintances on whom he smiles; but I am no longer reckoned among those novices whose pa.s.sport he exacts. An inclination of his head makes me free of the temple, and says, as plainly as words, "You are one of us, albeit a trifle young. Walk in, sir."

And in I walk, and admire on each occasion the vast proportions of the interior, the severe decoration of the walls, traced with broad foliated pattern and wainscoted with books of reference as high as hand can reach; the dread tribunal of librarians and keepers in session down yonder, on a kind of judgment-seat, at the end of the avenue whose carpet deadens all footsteps; and behind again, that holy of holies where work the doubly privileged--the men, I imagine, who are members of two or three academies. To right and left of this avenue are rows of tables and armchairs, where scatters, as caprice has chosen and habit consecrated, the learned population of the library. Men form the large majority. Viewed from the rear, as they bend over their work, they suggest reflections on the ravages wrought by study upon hair-clad cuticles. For every hirsute Southerner whose locks turn gray without dropping off, heavens, what a regiment of bald heads! Visitors who look in through the gla.s.s doors see only this aspect of devastation. It gives a wrong impression. Here and there, at haphazard, you may find a few women among these men. George Sand used to come here. I don't know the names of these successors of hers, nor their business; I have merely observed that they dress in sober colors, and that each carries a number of shawls and a thick veil. You feel that love is far from their thoughts. They have left it outside, perhaps--with the porter.

Several of these learned folk lift their heads as I pa.s.s, and follow me with the dulled eye of the student, an eye still occupied with the written thought and inattentive to what it looks on. Then, suddenly, remorse seizes them for their distraction, they are annoyed with me, a gloomy impatience kindles in their look, and each plunges anew into his open volume. But I have had time to guess their secret e.j.a.c.u.l.a.t.i.o.ns: "I am studying the Origin of Trade Guilds!" "I, the Reign of Louis the Twelfth!" "I, the Latin Dialects!" "I, the Civil Status of Women under Tiberius!" "I am elaborating a new translation of Horace!" "I am fulminating a seventh article, for the Gazette of Atheism and Anarchy, on the Russian Serfs!" And each one seems to add, "But what is thy business here, stripling? What canst thou write at thy age? Why troublest thou the peace of these hallowed precincts?" My business, sirs? Alas! it is the thesis for my doctor's degree. My uncle and venerated guardian, M. Brutus Mouillard, solicitor, of Bourges, is urging me to finish it, demands my return to the country, grows impatient over the slow toil of composition. "Have done with theories,"

he writes, "and get to business! If you must strive for this degree, well and good; but what possessed you to choose such a subject?"

I must own that the subject of my thesis in Roman law has been artistically chosen with a view to prolonging my stay in Paris: "On the 'Latini Juniani.'" Yes, gentle reader, a new subject, almost incapable of elucidation, having no connection--not the remotest--with the exercise of any profession whatsoever, entirely devoid of practical utility. The trouble it gives me is beyond conception.

It is true that I intersperse my researches with some more attractive studies, and one or two visits to the picture-galleries, and more than an occasional evening at the theatre. My uncle knows nothing of this.

To keep him soothed I am careful to get my reader's ticket renewed every month, and every month to send him the ticket just out of date, signed by M. Leopold Delisle. He has a box full of them; and in the simplicity of his heart Monsieur Mouillard has a lurking respect for this nephew, this modern young anchorite, who spends his days at the National Library, his nights with Gaius, wholly absorbed in the Junian Latins, and indifferent to whatsoever does not concern the Junian Latins in this Paris which my uncle still calls the Modern Babylon.

I came down this morning in the most industrious mood, when the misfortune befell. Close by the sanctum where the librarians sit are two desks where you write down the list of the books you want. I was doing so at the right-hand desk, on which abuts the first row of tables. Hence all the mischief. Had I written at the left-hand desk, nothing would have happened. But no; I had just set down as legibly as possible the t.i.tle, author, and size of a certain work on Roman Antiquities, when, in replacing the penholder, which is attached there by a small bra.s.s chain, some inattentiveness, some want of care, my ill-luck, in short, led me to set it down in unstable equilibrium on the edge of the desk. It tumbled-I heard the little chain rattle-it tumbled farther-then stopped short. The mischief was done. The sudden jerk, as it pulled up, had detached an enormous drop of ink from the point of the pen, and that drop--Ah! I can see him yet, as he rose from the shadow of the desk, that small, white-haired man, so thin and so very angry!

"Clumsy idiot! To blot an Early Text!"

I leaned over and looked. Upon the page of folio, close to an illuminated capital, the black drop had flattened itself. Around the original sphere had been shed splashes of all conceivable shapes-rays, rockets, dotted lines, arrowheads, all the freakish impromptu of chaos.

Next, the slope lending its aid, the channels had drained into one, and by this time a black rivulet was crawling downward to the margin. One or two readers near had risen, and now eyed me like examining magistrates.

I waited for an outbreak, motionless, dazed, muttering words that did not mend the case at all. "What a pity! Oh, I'm so sorry! If I had only known--" The student of the Early Text stood motionless as I. Together we watched the ink trickle. Suddenly, summoning his wits together, he burrowed with feverish haste in his morocco writing-case, pulled out a sheet of blotting-paper, and began to soak up the ink with the carefulness of a Sister of Mercy stanching a wound. I seized the opportunity to withdraw discreetly to the third row of tables, where the attendant had just deposited my books. Fear is so unreasoning. Very likely by saying no more about it, by making off and hiding my head in my hands, like a man crushed by the weight of his remorse, I might disarm this wrath. I tried to think so. But I knew well enough that there was more to come. I had hardly taken my seat when, looking up, I could see between my fingers the little man standing up and gesticulating beside one of the keepers. At one moment he rapped the d.a.m.ning page with his forefinger; the next, he turned sidewise and flung out a hand toward me; and I divined, without hearing a word, all the bitterness of his invective. The keeper appeared to take it seriously.

I felt myself blushing. "There must be," thought I, "some law against ink-stains, some decree, some regulation, something drawn up for the protection of Early Texts. And the penalty is bound to be terrible, since it has been enacted by the learned; expulsion, no doubt, besides a fine--an enormous fine. They are getting ready over there to fleece me.

That book of reference they are consulting is of course the catalogue of the sale where this treasure was purchased. I shall have to replace the Early Text! O Uncle Mouillard!"

I sat there, abandoned to my sad reflections, when one of the attendants, whom I had not seen approaching, touched me on the shoulder.

"The keeper wishes to speak to you."

I rose up and went. The terrible reader had gone back to his seat.

"It was you, sir, I believe, who blotted the folio just now?"

"It was, sir."

"You did not do so on purpose?"

"Most certainly not, sir! I am indeed sorry for he accident."

"You ought to be. The volume is almost unique; and the blot, too, for that matter. I never saw such a blot! Will you, please, leave me your Christian name, surname, profession, and address?"

I wrote down, "Fabien Jean Jacques Mouillard, barrister, 91 Rue de Rennes."

"Is that all?" I asked.

"Yes, sir, that is all for the present. But I warn you that Monsieur Charnot is exceedingly annoyed. It might be as well to offer him some apology."

"Monsieur Charnot?"

"Yes. It is Monsieur Charnot, of the Inst.i.tute, who was reading the Early Text."

"Merciful Heavens!" I e.j.a.c.u.l.a.t.ed, as I went back to my seat; "this must be the man of whom my tutor spoke, the other day! Monsieur Flamaran belongs to the Academy of Moral and Political Science, the other to the Inst.i.tute of Inscriptions and the Belles-Lettres. Charnot? Yes, I have those two syllables in my ear. The very last time I saw Monsieur Flamaran he let fall 'my very good friend Charnot, of the 'Inscriptions.' They are friends. And I am in a pretty situation; threatened with I don't know what by the Library--for the keeper told me positively that this was all 'for the present'--but not for the future; threatened to be disgraced in my tutor's eyes; and all because this learned man's temper is upset.

"I must apologize. Let me see, what could I say to Monsieur Charnot? As a matter of fact, it's to the Early Text that I ought to apologize. I have spilled no ink over Monsieur Charnot. He is spotless, collar and cuffs; the blot, the splashes, all fell on the Text. I will say to him, 'Sir, I am exceedingly sorry to have interrupted you so unfortunately in your learned studies! 'Learned studies' will tickle his vanity, and should go far to appease him."

I was on the point of rising. M. Charnot antic.i.p.ated me.