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=ENGLISH MUSIC= (1604-1904). Seventeen Lectures delivered at the Music Loan Exhibition of the Worshipful Company of Musicians. By T. L.
SOUTHGATE, W. H. c.u.mMINGS, H. WATSON, E. MARKHAM LEE, J. FINN, SIR F.
BRIDGE, A. S. ROSE, A. H. D. PRENDERGAST, F. J. SAWYER, G. F. HUNTLY, D.
J. BLAIKLEY, REV. F. W. GALPIN, W. W. COBBETT, J. E. BORLAND, A. H.
LITTLETON and SIR E. CLARKE. Frontispiece and 115 Ill.u.s.trations (Portraits, Instruments, t.i.tle Pages, etc.). Musical Examples. 16s.
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=MINSTRELSY.= By EDMONDSTOUNE DUNCAN. The whole body of Secular Music that has stood the test of time and which can be called national. Early Gleemen, the Minstrels (church and social), Troubadours, the Tudor period, the great Elizabethanists, etc. Pp. xvi, 337, 16s. _net_.
=MUSICAL FORM.= By C. LUCAS. The General Principles of the Art of Composition and how they have been arrived at; explaining the development of the scale, of tonic and dominant, cadences, phrases and motives, counterpoint, canon and fugue, harmony, style, song form, variations, sonata form. Pp. xvi, 226, 16s. _net_.
=BAGPIPE.= By W. H. GRATTAN FLOOD. Its History, Origin of Reed Pipes, the Pipes of ancient Celtic Ireland and Wales, the Scottish scene and Scottish melodies, changes from 16th to 19th centuries. 26 ill.u.s.trations, glossary, bibliography, list of players, index. Pp. xx, 237, 15s. _net_.
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=THE BIRTH OF ARTHUR= (Uther and Igraine), Choral Drama. The Libretto by R. R. BUCKLEY and RUTLAND BOUGHTON. This work was performed at Glas...o...b..ry, August, 1925, to the Music of RUTLAND BOUGHTON. 1s. 6d.
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=JOHN GAY'S "BEGGAR'S OPERA."= Piano Selection arranged by H. R. HOOD from the original Music by DR. PEPUSCH. Performed at Drury Lane and Covent Garden. Folio, 1s. _net_.
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=BLEST BE THAT AGE.= Vocal Trio for Tenor, Baritone and Ba.s.s. Words from Masonic Ritual. Music with Piano Accompaniment. By H. BOND. Folio, 2s.
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=MASONIC MUSICAL SERVICE BOOK FOR THE THREE DEGREES OF CRAFT MASONRY.= The Whole Compiled and Edited by T. J. LINEKAR (_of St. Trillo, 2569_).
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_The Freemason_ says: "It contains all that is necessary for the degrees in the way of Psalms, Hymns, Kyries, etc."
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=THE CREATION.= By HAYDN. Performing Edition. Edited by G. A. MACFARREN.
Paper, 3s. _net_, boards, 4s. _net_.
The edition as conducted by Sir Henry Wood in 1926, etc.
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=TWO SETS OF UNACCOMPANIED CHORAL VARIATIONS UPON ENGLISH FOLK SONGS=, by RUTLAND BOUGHTON (with Piano Acomp. for practice only). 1s. 8d.
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=RATIONAL ACCOMPANIMENT TO THE PSALMS.= By F. GILBERT WEBBE. Post 8vo, 1s. _net_.
=MODEST IDYLLS FOR MUSICAL SETTING.= By ERNEST ALFIERI. Crown 8vo, sewed, 2s. 6d. _net_.
=SONGS FROM THE RAVEL.= (Words for Musical Setting.) A Book of Prose-Lyrics from Life and Nature. By ERNEST AUSTIN. Op. 30. Crown 8vo, sewed, 2s. 6d. net.
=PARTHENIA.= 21 Compositions by Three Famous Sixteenth and Seventeenth Century Masters, William Byrd, Dr. John Bull and Orlando Gibbons, being Parthenia, or the First Musick ever printed for the Virginals. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN (_author of_ "Elizabethan Virginal Music and Composers"). Folio, 12s. 6d. _net_.
This edition has been entirely re-engraved. The work contains eight compositions by Byrd, seven by Bull, and six by Gibbons.
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=HOW TO MANAGE A CHORAL SOCIETY.= By N. KILBURN, Mus.Bac. Third Edition Revised. Crown 8vo, paper, 1s. _net_.
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