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A stupor and a sort of shame overwhelmed me as I heard that man trying to extract the utmost entertainment possible from the dark happenings that had been torturing me for a month.
I thought of that great voice, now silenced, which had said so clearly and forcefully that the writers of to-day imitate the caricaturists.
I, who had penetrated into the heart of humanity and returned again, found nothing human in this jiggling caricature! It was so superficial that it was a lie.
He said in front of me--of me the awful witness:
"It is man stripped of all outward appearances that I want people to see. Others are fiction, I am the truth."
"It has a philosophical bearing, too."
"Perhaps. But that wasn't my object. Thank G.o.d, I am a writer, and not a thinker."
And he continued to travesty the truth, and I was impotent--the truth, that profound thing whose voice was in my ears, whose shadow was in my eyes, and whose taste was in my mouth.
Was I so utterly forsaken? Would no one speak the word I was in search of?
The Room was flooded with moonlight. In that magnificent setting there was an obscure white couple, two silent human beings with marble faces.
The fire was out. The clock had finished its work and had stopped, and was listening with its heart.
The man's face dominated. The woman was at his feet. They did nothing. An air of tenderness hovered over them. They looked like monuments gazing at the moon.
He spoke. I recognised his voice. It lit up his face for me, which had been shrouded from my sight before. It was /he,/ the nameless lover and poet whom I had seen twice before.
He was telling Amy that on his way that evening he had met a poor woman, with her baby in her arms.
She walked, jostled and borne along by the crowd returning home from work, and finally was tossed aside up against a post under a porch, and stopped as though nailed there.
"I went up to her," he said, "and saw she was smiling.
"What was she smiling at? At life, on account of her child. Under the refuge where she was cowering, facing the setting sun, she was thinking of the growth of her child in the days to come. However terrible they might be, they would be around him, for him, in him. They would be the same thing as her breath, her walk, her look.
"So profound was the smile of this creator who bore her burden and who raised her head and gazed into the sun, without even looking down at the child or listening to its babbling.
"I worked this woman and child up into a poem."
He remained motionless for a moment, then said gently without pausing, in that voice from the Beyond which we a.s.sume when we recite, obeying what we say and no longer mastering it:
"The woman from the depths of her rags, a waif, a martyr--smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day.
She loved the chilly dawn, the sultry noontime, the dreamy evening.
The child would grow up, a saviour, to give life to everything again.
Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature.
He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the pa.s.sersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world."
The poet seemed to be searching for something, to be seeing things, and believing infinitely. He was in another world where everything we see is true and everything we say is unforgettable.
Amy was still on her knees with eyes upraised to his. She was all attention, filled with it like a precious vase.
"But her smile," he went on, "was not only in wonder about the future.
There was also something tragic in it, which pierced my heart. I understood it perfectly. She adored life, but she detested men and was afraid of them, always on account of the child. She already disputed over him with the living, although he himself was as yet scarcely among the living. She defied them with her smile. She seemed to say to them, 'He will live in spite of you, he will use you, he will subdue you either to dominate you or to be loved by you. He is already braving you with his tiny breath, this little one that I am holding in my maternal grasp.' She was terrible. At first, I had seen her as an angel of goodness. Now, although she had not changed, she was like an angel of mercilessness and vengeance. I saw a sort of hatred for those who would trouble him distort her face, resplendent with superhuman maternity. Her cruel heart was full of one heart only. It foresaw sin and shame. It hated men and settled accounts with them like a destroying angel. She was the mother with fearful nails, standing erect, and laughing with a torn mouth."
Amy gazed at her lover in the moonlight. It seemed to me that her looks and his words mingled.
"I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right--oh, without G.o.d, without a harbour, without enough rags to cover us, all we have, standing erect on the land of the dead, is the rebellion of our smile, the rebellion of being gay when darkness envelops us. We are divinely alone, the heavens have fallen on our heads."
The heavens have fallen on our heads! What a tremendous idea! It is the loftiest cry that life hurls. That was the cry of deliverance for which I had been groping until then. I had had a foreboding it would come, because a thing of glory like a poet's song always gives something to us poor living shadows, and human thought always reveals the world. But I needed to have it said explicitly so as to bring human misery and human grandeur together. I needed it as a key to the vault of the heavens.
These heavens, that is to say, the azure that our eyes enshrine, purity, plenitude--and the infinite number of suppliants, the sky of truth and religion. All this is within us, and has fallen upon our heads. And G.o.d Himself, who is all these kinds of heavens in one, has fallen on our heads like thunder, and His infinity is ours.
We have the divinity of our great misery. And our solitude, with its toilsome ideas, tears and laughter, is fatally divine. However wrong we may go in the dark, whatever our efforts in the dark and the useless work of our hearts working incessantly, and whatever our ignorance left to itself, and whatever the wounds that other human beings are, we ought to study ourselves with a sort of devotion. It is this sentiment that lights our foreheads, uplifts our souls, adorns our pride, and, in spite of everything, will console us when we shall become accustomed to holding, each at his own poor task, the whole place that G.o.d used to occupy. The truth itself gives an effective, practical, and, so to speak, religious caress to the suppliant in whom the heavens spread.
"I have such respect for the actual truth that there are moments when I do not dare to call things by their name," the poet ended.
"Yes," said Amy, very softly, and nothing else. She had been listening intently. Everything seemed to be carried away in a sort of gentle whirlwind.
"Amy," he whispered.
She did not stir. She had fallen asleep with her head on her lover's knees. He looked at her and smiled. An expression of pity and benevolence flitted across his face. His hands stretched out part way toward the sleeping woman with the gentleness of strength. I saw the glorious pride of condescension and charity in this man whom a woman prostrate before him deified.
CHAPTER XVII
I have given notice. I am going away to-morrow evening, I with my tremendous memory. Whatever may happen, whatever tragedies may be reserved for me in the future, my thought will not be graver or more important when I shall have lived my life with all its weight.
But my whole body is one pain. I cannot stand on my legs any more. I stagger. I fall back on my bed. My eyes close and fill with smarting tears. I want to be crucified on the wall, but I cannot. My body becomes heavier and heavier and filled with sharper pain. My flesh is enraged against me.
I hear voices through the wall. The next room vibrates with a distant sound, a mist of sound which scarcely comes through the wall.
I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.
Here they will pa.s.s again, day after day, year after year, all the prisoners of rooms will pa.s.s with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. Here below they will seek a perfect union of hearts. Up above they will seek everlastingness among the shades and a G.o.d in the clouds.
The monotonous murmur of voices comes through the wall steadily, but I do not catch what is being said. I am like anybody else in a room.
I am lost, just as I was the evening I came here when I took possession of this room used by people who had disappeared and died--before this great change of light took place in my destiny.
Perhaps because of my fever, perhaps because of my lofty pain, I imagine that some one there is declaiming a great poem, that some one is speaking of Prometheus. He has stolen light from the G.o.ds. In his entrails he feels the pain, always beginning again, always fresh, gathering from evening to evening, when the vulture steals to him as it would steal to its nest. And you feel that we are all like Prometheus because of desire, but there is neither vulture nor G.o.ds.