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The Inferno Part 15

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Inexorable, motionless, the past is endowed with the attributes of divinity, because, for believers as well as for unbelievers, the great attribute of G.o.d is that of being prayed to.

The pregnant woman had gone out. I saw her go to the door, softly with maternal carefulness of herself.

Anna and the sick man were left alone. The evening had a gripping reality. It seemed to live, to be firmly rooted, and to hold its place. Never before had the room been so full of it.

"One more day coming to an end," he said, and went on as if pursuing his train of thought:

"We must get everything ready for our marriage."

"Michel!" cried the young woman instinctively, as if she could not hold the name back.

"Michel will not be angry at us," the man replied. "He knows you love him, Anna. He will not be frightened by a formality, pure and simple-- by a marriage /in extremis,"/ he added emphatically, smiling as though to console himself.

They looked at each other. He was dry, feverish. His words came from deep down in his being. She trembled.

With his eyes on her, so white and tall and radiant, he made a visible effort to hold himself in, as if not daring to reach her with a single word. Then he let himself go.

"I love you so much," he said simply.

"Ah," she answered, "you will not die!"

"How good you were," he replied, "to have been willing to be my sister for so long!"

"Think of all you have done for me!" she exclaimed, clasping her hands and bending her magnificent body toward him, as if prostrating herself before him.

You could tell that they were speaking open-heartedly. What a good thing it is to be frank and speak without reticence, without the shame and guilt of not knowing what one is saying and for each to go straight to the other. It is almost a miracle.

They were silent. He closed his eyes, though continuing to see her, then opened them again and looked at her.

"You are my angel who do not love me."

His face clouded. This simple sight overwhelmed me. It was the infiniteness of a heart partaking of nature--this clouding of his face.

I saw with what love he lifted himself up to her. She knew it. There was a great gentleness in her words, in her att.i.tude toward him, which in every little detail showed that she knew his love. She did not encourage him, or lie to him, but whenever she could, by a word, by a gesture, or by some beautiful silence, she would try to console him a little for the harm she did him by her presence and by her absence.

After studying her face again, while the shadow drew him still nearer to her in spite of himself, he said:

"You are the sad confidante of my love of you."

He spoke of their marriage again. Since all preparations had been made, why not marry at once?

"My fortune, my name, Anna, the chaste love that will be left to you from me when--when I shall be gone."

He wanted to transform his caress--too light, alas--into a lasting benefit for the vague future. For the present all he aspired to was the feeble and fict.i.tious union implied in the word marriage.

"Why speak of it?" she said, instead of giving a direct answer, feeling an almost insurmountable repugnance, doubtless because of her love for Michel, which the sick man had declared in her stead. While she had consented in principle to marrying him and had allowed the preliminary steps to be taken, she had never replied definitely to his urgings.

But it looked to me as if she were about to make a different decision, one contrary to her material interests, in all the purity of her soul, which was so transparent--the decision to give herself to him freely.

"Tell me!" he murmured.

There was almost a smile on her mouth, the mouth to which supplications had been offered as to an altar.

The dying man, feeling that she was about to accept, murmured:

"I love life." He shook his head. "I have so little time left, so little time that I do not want to sleep at night any more."

Then he paused and waited for her to speak.

"Yes," she said, and lightly touched--hardly grazed--the old man's hand with her own.

And in spite of myself, my inexorable, attentive eye could not help detecting the stamp of theatrical solemnity, of conscious grandeur in her gesture. Even though devoted and chaste, without any ulterior motive, her sacrifice had a self-glorifying pride, which I perceived--I who saw everything.

In the boarding-house, the strangers were the sole topic of conversation. They occupied three rooms and had a great deal of baggage, and the man seemed to be very rich, though simple in his tastes. They were to stay in Paris until the young woman's delivery, in a month or so. She expected to go to a hospital nearby. But the man was very ill, they said. Madame Lemercier was extremely annoyed.

She was afraid he would die in her house. She had made arrangements by correspondence, otherwise she would not have taken these people in--in spite of the tone that their wealth might give to her house. She hoped he would last long enough to be able to leave. But when you spoke to her, she seemed to be worried.

When I saw him again, I felt he was really going to die soon. He sat in his chair, collapsed, with his elbows on the arms of the chair and his hands drooping. It seemed difficult for him to look at things, and he held his face bowed down, so that the light from the window did not reveal his pupils, but only the edge of the lower lids, which gave the impression of his eyes having been put out. I remembered what the poet had said, and I trembled before this man whose life was over, who reviewed almost his entire existence like a terrible sovereign, and was wrapped in a beauty that was of G.o.d.

CHAPTER IX

Some one knocked at the door.

It was time for the doctor. The sick man raised himself uncertainly in awe of the master.

"How have you been to-day?"

"Bad."

"Well, well," the doctor said lightly.

They were left alone together. The man dropped down again with a slowness and awkwardness that would have seemed ridiculous if it had not been so sad. The doctor stood between us.

"How has your heart been behaving?"

By an instinct which seemed tragic to me, they both lowered their voices, and in a low tone the sick man gave his daily account of the progress of his malady.

The man of science listened, interrupted, and nodded his head in approval. He put an end to the recital by repeating his usual meaningless a.s.surances, in a raised voice now and with his usual broad gesture.

"Well, well, I see there's nothing new."

He shifted his position and I saw the patient, his drawn features and wild eyes. He was all shaken up by this talking about the dreadful riddle of his illness.

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The Inferno Part 15 summary

You're reading The Inferno. This manga has been translated by Updating. Author(s): Henri Barbusse. Already has 563 views.

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