The Impossibles Part 35

In other words, Malone thought, if you put handcuffs on a teleport, would the handcuffs vanish when the teleport did? And did that include the part of the cuff you were holding?

What happened if you snapped half the cuff around your own wrist first? Did you go along with the teleport? Or did your wrist go, while you stayed behind and wondered how long it would take to bleed to death?

Or what?

All the questions were intriguing ones. Malone sighed, wishing he knew the answer to even one of them.

It was somewhat comforting to think that he'd managed to progress a little, anyway. The kids hadn't meant anybody to find out about them; but Malone had found out about them, and alerted all the cops in town, as well as the rest of the FBI. He knew just who they were, and where they lived, and how they performed the "miracles" they performed.

Anyhow, he knew something about that last item.

He even knew who had his notebook.

He tabled that thought, and went back to feeling victorious. Within a few seconds, the sense of achievement was gone, and futility had come in its place. After all, he still didn't know how to catch the kids, did he?

No.

He thought about handcuffs some more and then gave up. He'd just have to try it and see how it worked. And if the teleports took his wrist away he'd--he'd go after them and make them give it back.

Sure he would.

That reminded him of the notebook again, and since the thing was being so persistent, he decided he might as well pay some attention to it.

Dorothea had the notebook. Malone tried to see himself barging in on her and asking for it, and he didn't care for the picture at all--no matter how Good Queen Bess felt about it.

After all, she thought Mike Fueyo was basically a nice kid.

So what did she know?

He closed his eyes. There he was, in the Fueyo apartment, talking to Dorothea.

"Dorothea," he muttered. "You filched my notebook."

That didn't sound very effective. And besides, it wasn't really his notebook. He tried again.

"Dorothea, you pinched your brother's notebook."

Now, for some reason, it sounded like something covered by the Vice Squad. It sounded terrible. But there were other ways of saying the same thing.

"Dorothea," he muttered, "you borrowed your brother's notebook."

That was too patronizing. Malone told himself that he sounded like a character straight out of 3-D screens, and settled himself gamely for another try.

"Dorothea, you _have_ your brother's notebook."

To which the obvious answer was, "Yes, I do, and so what?"

Or possibly, "How do you know?"

And Malone thought about answering that one. "Queen Elizabeth told me," was the literal truth, but somehow it didn't sound like it. And he couldn't find another answer to give the girl.

"Dorothea," he said, and a voice from nowhere added:

"Will you have another drink?"

"d.a.m.n it," Malone exploded, "that's not the question. Drinks have nothing to do with notebooks. It's notebooks I'm after. Can't you understand..." Belatedly, he looked up.

There was Ray, the barman. "Oh," he said.

"I just came over," Ray said. "And I figured if you couldn't find your notebook, maybe you'd like a drink. So long as you're here."

"Ray," Malone said with feeling, "you are an eminently reasonable fellow. I accept your solution. Nay, more. I endorse your solution.

Wholeheartedly."

Ray went off to mix, and Malone stared after him happily. This was really a nice place, he reflected; almost as nice as the City Hall Bar in Chicago, where he'd gone long ago with his father.

But he tore his mind away from the happy past, and concentrated instead on the miserable present. He decided for the last time that he was not going to ask Dorothea for the book--not just yet, anyhow.

After all, it wasn't as if he needed the book; he knew his own name, and he knew Lynch's name, and he knew the names on the second page.

And he didn't see any particular need for a picture of a red Cadillac, no matter how nicely colored it was.

So, he asked himself, why embarra.s.s everybody by trying to get it back?

Of course, it _was_ technically a crime to pick pockets, and that went double or triple for the pockets of FBI agents. But Malone told himself that he didn't feel like pressing charges, anyhow. And Dorothy probably didn't make a habit of pocket-picking.

He sighed and glanced at his watch. It was fifteen minutes of six.

Now he knew what his next move was going to be.

He was going to go back to his hotel and change his clothes.

That is, he amended, as soon as he finished the drink that Ray was setting up in front of him.

11

By the time Malone reached the Hotel New Yorker it was six-twenty.

Malone hadn't reckoned with New York's rush-hour traffic, and, after seeing it, he still didn't believe it. Finding a cab had been impossible, and he had started for the subway, hoping that he wouldn't get lost and end up somewhere in Brooklyn.

But one look at the shrieking mob trying to sardine itself into the Seventh Avenue subway entrance had convinced him it was better to walk. Bucking the street crowds was bad enough. Bucking the subway crowds was something Malone didn't even want to think about.

He let himself into his room, and was taking off his shoes with a grateful sigh when there was a rap on the door of the bathroom that connected his room with Boyd's. Malone padded over to the door, his shoes in one hand. "Tom?" he said.

"You are expecting maybe t.i.tus Moody?" Boyd called.

"Okay," Malone said. "Come on in."

Boyd pushed open the door. He was stripped to the waist, a state of dress which showed the largest expanse of chest Malone had ever seen, and he was carrying the small scissors which he used to trim his Henry VIII beard. He stabbed the scissors toward Malone, who shuffled back hurriedly.