The Illusion Of Separateness Part 1

The Illusion of Separateness.

Simon van Booy.

MARTIN.

LOS ANGELES,.

2010.

I.

THE MERE THOUGHT of him brought comfort. They believed he could do anything, and that he protected them.

He listened to their troubles without speaking.

He performed his duties when they were asleep, when he could think about his life the way a child stands in front of the sea. Always rising at first light, he filled his bucket, then swished along the corridors with pine soap and hot water. There were calluses where he gripped the handle. The bucket was blue and difficult to carry when full. The water got dirty quickly, but it didn't annoy him. When it was done, he leaned his mop against the wall and went into the garden.

He sometimes drove to the pier at Santa Monica. It was something he did alone.

A long time ago, he proposed to a woman there.

There was mist because it was early and their lives were being forged around them. They could hear waves chopping but saw nothing.

In those days, Martin was a baker at the Cafe Parisienne. He had a mustache and woke up very early. She was an actress who came in for coffee one morning and never quite managed to leave.

She would have liked the Starlight Retirement Home. Many of the residents were in films. They come to breakfast in robes with their initials on the pocket. They call him Monsieur Martin on account of his French accent. After dinner they sit around a piano and remember their lives. They knew the same people but have different stories. The frequency with which a resident receives guests is a measure of status.

Martin is often mistaken for a resident himself.

It would be easier if people knew exactly how old he was, but the conditions of his birth are a mystery.

He grew up in Paris. His parents ran a bakery and they lived upstairs in three rooms.

When Martin was old enough to begin school, his parents seated him at the kitchen table with a gla.s.s of milk, and told him the story of when someone gave them a baby.

"It was summer," his mother said. "The war was on. I can't even remember what the man looked like, but there was suddenly a child in my arms. It happened so quickly."

Martin liked the story and wanted to know more.

"Then she brought the child into my bakery for something to eat," his father said.

"That's right," his mother added. "It's how we met."

His father stood at the dark window and confessed to the reflection of his son how they waited years before doing anything official.

His mother's tears made circles on the tablecloth. Martin looked at her hands. Her nails were smooth with rising moons. She pressed on his cheek and he blushed. He imagined the rough hands of a stranger and felt the weight of a baby in his own arms.

When he asked what happened to the child, they were forced to be direct. Martin stared at the milk until it made him cry. His mother left the table and returned with a bottle of chocolate syrup. She poured some into his gla.s.s and swirled it with a tall spoon.

"Our love for you," she said, "will always be stronger than any truth."

He was allowed to sleep in their bed for a few days, but then missed his toys and the routine in which he had come to recognize himself fully.

A short time later his sister, Yvette, was born.

When Yvette was six years old and Martin a teenager, they closed the bakery and left Paris for California.

Martin never quite understood why they waited so long to apply for adoption papers. Then, when he was a freshman at a small college in Chicago, smoking in bed with a lover, the curtain was lifted.

It was snowing. They ordered Chinese food. A good film was about to start on television. As Martin reached for the ashtray, the sheet uncovered his body. His legs were so muscular. She laid her cheek against them. He told her about West Hollywood High School, track records still unbroken. She listened, then confessed how she was curious, had been wondering why, unlike other European men, Martin was circ.u.mcised.

He stopped attending cla.s.ses.

He read until his eyes were unable to focus.

He was outside the library when it opened and worked until closing. When the director found out what he was doing, she gave him a s.p.a.ce in the staff refrigerator. He requested books with t.i.tles no one could p.r.o.nounce. Every photograph was a mirror.

The semester came to an end, and he went home to Los Angeles.

His parents knew he would find out eventually, but couldn't tell him anything new. His small clothes had been too soiled to keep.

He went to the beach with his sister and watched her swim. He sat on the stairs and listened to his family watch television. He took long drives in the middle of the night.

He worked at the family cafe. They sold croissants and fruit tarts in boxes tied with blue-and-white twine.

One afternoon, after making deliveries, Martin returned to find the front door of the shop locked with the blinds pulled down. After entering through the back door, he was surprised to find the kitchen in darkness. When he reached the counter, the lights came on suddenly and a roomful of people shouted, "Surprise!"

Everyone was dressed up, and there were balloons tied to the chairs. People kissed him on the cheek and forehead. Many of the customers he'd known for years were there, and some of the men wore yarmulkes. Music came on and people clapped.

Martin was stunned. "I don't understand," he said. "Has something happened?"

"We just thought we'd give you a kind of coming-of-age celebration," his mother said.

"It's tradition in many cultures," his father added.

After that, Martin's story was told at every dinner table in Beverly Hills. People came in just to meet him, to tell him their stories, to show him photographs, to convince him that he was not alone-that he would never be alone. One day a woman came into the shop and just stood at the counter in front of Martin. Then she started screaming, "My son! My son! My son!"

Martin's parents took her into the back and gave her hot tea. Then his father drove her home, where her sister was waiting in the driveway.

Sundays were the busiest days.

Martin served customers and decorated birthday cakes with a plump funnel of icing. He felt light-headed at the endless list of names, each one a small voice; each one a thumping heart, but louder, deeper, and more permanent now in its silence.

He had been reborn into the nightmare of truth. The history of others had been his all along. The idea of it was more than he could bear. People hiding in the sewers; women giving birth in the dark, in the damp and filth, then suffocating their babies so as not to give the others away.

Families ripped apart like bits of paper thrown into the wind.

They all blew into his face.

Martin decided not to go back to college, so his father revealed the mysteries of flour, water, heat, and time. He shared recipes from old postcards of tiny writing. Audrey Hepburn sometimes drank coffee in the back with his mother. She laughed and held the mug with both hands. Arthur Miller and his sister, Joan, came in for tea and madeleines. The cafe was famous for running out of things to sell, and often closed by 3:00 p.m.

Martin was a good son. He worked hard and looked after his parents. For him, there was nothing to forgive. He told his mother this on her deathbed in 2002.

"My love for you," he said, "will always be stronger than any truth."

II.

THEY HAD MOVED to California when Martin was a teenager.

It all started when a global human rights organization sent a telegram to their Paris apartment. His mother was to be recognized publicly as a hero for her actions in 1943 and 1944. Martin and Yvette cheered and drew pictures. They wondered what she could have done that was so brave, but after supper she burned the letter in the sink. Martin's father opened a window and washed away the charred sc.r.a.ps.

A few weeks later, a certificate arrived with her name in gold. There was also an invitation to something official. When she failed to respond, a lawyer showed up in the middle of dinner one night. They asked him to come back another time, but he insisted.

"I tell you I wasn't in the Resistance," Martin's mother kept saying. "It must have been another Anne-Lise."

"That's right," his father said. "We weren't even in Paris during the war. The family bakery was closed."

"But I have proof," the lawyer insisted, opening his briefcase.

Martin and his sister were sent to their rooms. They tried to listen through the door but were soon distracted.

A few hours later they changed into their nightclothes and crept out to the kitchen. Their mother had been crying. The lawyer was quiet and slumped in his chair. When he saw Martin and his sister in the doorway, he stood up to leave.

He thanked them for the meal, then looked around at the peeling paint, the uneven floors, the boiled white tablecloth, and the less expensive cut of meat they had served him with wine he drank out of courtesy.

"There is also a sizable monetary award," he told them at the door, "to go with the certificate, which I'm afraid will be impossible to refuse."

They used half the money to emigrate, and the other half to open the Cafe Parisienne in an area of Los Angeles that seemed friendly and calm in 1955.

The cafe is still open today and run by Martin's sister, Yvette. The regulars say bonjour and merci, but that's the limit of their French. The walls are crowded with signed photographs and Christmas cards collected over the years. Tourists take pictures with camera phones. Yvette plays jazz on the radio, and the net curtains his mother hung are still in the window. The bell above the door is from their old shop in Paris, which became a Laundromat that goes all night.

Martin sees his sister once a week. Sometimes they walk around the block, or sit down and eat something. He always leaves with a cake, which he lays on the backseat of his station wagon.

His drive home is a long boulevard with many lights. Sometimes people next to him glance over. When he smiles, they mostly look away. But Martin likes to think they carry his smile for a few blocks-that even the smallest gesture is something grand.

For a long time now, he has been aware that anyone in the world could be his mother, or his father, or his brother or sister.

He realized this early on, and realized too that what people think are their lives are merely its conditions. The truth is closer than thought and lies buried in what we already know.

III.

MARTIN'S DUTIES AT the Starlight Retirement Home are numerous, but days grant only a fraction of their possibility. Residents buzz at the slightest provocation: the sink is draining too slow; the lightbulb has gone and I can't see; the window is stuck and I need some air; I can't work the DVD or find the remote; I can't find my eyegla.s.ses either and believe they've been stolen; the flowers my son brought last week need fresh water and the vase is too heavy.

They close their eyes when he brushes their hair. Some want a good-night kiss or to be held. Martin cares for them without seeming to age. When he changes their sheets in the night, they watch as he wrestles the mattress. He rea.s.sures them and stays until they feel tired again.

There is always an a.s.sortment of colored pills beside the bed, and photographs of the long dead in heavy frames. On the desk: newspapers folded carefully, social announcements, bingo schedules, Medicaid forms, invitations to graduation ceremonies, and other records of achievement.

It's all happening again but for someone else.

Today, Martin carries a bucket of plastic letters down the corridor. It's very early-only the whir of air-conditioning through floor vents. The cafeteria is empty but smells of food and carpet deodorant. The carpet is thin so wheelchairs and walkers glide smoothly. There is a place to park them away from the tables. Some of the residents are proud and have not adapted well.

It's January, but California is always sunny. The brown leather sandals that Martin wears make him look gentle. His feet are ash white, and the hairs on each foot come alive in the bathtub. He likes to stare at his body in the water. A long time ago in Paris, it was given away by a faceless man on a crowded street to become an object of desire for his late wife.

Sometimes he closes his eyes and sinks.

In the darkness, behind a veil of thought, there is always someone to meet him.

Long ago, when he was invisible, Martin swam from one person into another. He was alone, but for the echo of that other heart.

The absence later would require a G.o.d.

After long days of small problems, Martin lifts his feet from the sandals and soaks them in a basin of warm water with antiseptic that his sister orders from France.

Most nights, he watches television. Then he falls asleep and the television watches him. When there is wind or rain, he turns everything off and opens a window.

He was married for thirty-four years.

They lived in Pasadena. The memories keep him company. He doesn't believe in finding anyone new. He's happy with what he had. Desire is met with the memory of satisfaction.

The white letters in the bucket are made of plastic. Thin roots anchor them to a message board pocked with holes. The letters speak without a speaker. Martin closes the frame and stands back.

There are knives chopping in the kitchen. Laughter. The thread of a radio. With the sign in his arms, he wonders if he should have carried it to the entrance of the dining hall before applying the letters. But logic barely applies in this instance: each letter weighs only the same as a matchstick.

A new resident arrived on Friday from England.

Martin remembers seeing him in the hallway because his head is severely disfigured. He arrived in the back of a white Mercedes with only a suitcase. There was a young man with him, a son or grandson whom some of the residents recognized from the movie business.

When he was growing up in Paris, there was an alley behind the bakery and a park opposite. Martin was allowed to go there and run around. Rough boys from the housing blocks sometimes threw stones or chased him into the alleyway. Priests from a nearby seminary perched on the benches in twos and threes. They hissed at the bullies and shook their fists. In winter, the priests wore long coats and shared cigarettes.

The homeless slept at one end of the park as a group, then rolled out across the city at first light.

Martin sometimes took them food. His father always scolded him, but never told him to stop doing it. One of those men had a disfigurement too. He hardly spoke and never came forward, so Martin made sure he brought enough for everyone.

So much has happened since then, yet nothing has changed. Martin sees the same men on benches in Santa Monica, and though their faces are different, they eat their day-old pastries from the Cafe Parisienne with the same expression.

The sign is finished, but one of the letters is too low and falls out of the word as if trying to flee.

COME WELCOME NEW RESIDENT.

MR. HUGO.

3PM TODAY.

STARLIGHT LOUNG.