The Hungry Stones, and Other Stories Part 2

Proudly he looked around him. None dared to accept his challenge, and he slowly took his seat like a lion who had just made a full meal of its victim. The pandits shouted, Bravo! The king remained silent with wonder, and the poet Shekhar felt himself of no account by the side of this stupendous learning. The a.s.sembly broke up for that day.

Next day Shekhar began his song. It was of that day when the pipings of love's flute startled for the first time the hushed air of the Vrinda forest. The shepherd women did not know who was the player or whence came the music. Sometimes it seemed to come from the heart of the south wind, and sometimes from the straying clouds of the hilltops. It came with a message of tryst from the land of the sunrise, and it floated from the verge of sunset with its sigh of sorrow. The stars seemed to be the stops of the instrument that flooded the dreams of the night with melody. The music seemed to burst all at once from all sides, from fields and groves, from the shady lanes and lonely roads, from the melting blue of the sky, from the shimmering green of the gra.s.s. They neither knew its meaning nor could they find words to give utterance to the desire of their hearts. Tears filled their eyes, and their life seemed to long for a death that would be its consummation.

Shekhar forgot his audience, forgot the trial of his strength with a rival. He stood alone amid his thoughts that rustled and quivered round him like leaves in a summer breeze, and sang the Song of the Flute. He had in his mind the vision of an image that had taken its shape from a shadow, and the echo of a faint tinkling sound of a distant footstep.

He took his seat. His hearers trembled with the sadness of an indefinable delight, immense and vague, and they forgot to applaud him. As this feeling died away Pundarik stood up before the throne and challenged his rival to define who was this Lover and who was the Beloved. He arrogantly looked around him, he smiled at his followers and then put the question again: "Who is Krishna, the lover, and who is Radha, the beloved?"

Then he began to a.n.a.lyse the roots of those names,--and various interpretations of their meanings. He brought before the bewildered audience all the intricacies of the different schools of metaphysics with consummate skill. Each letter of those names he divided from its fellow, and then pursued them with a relentless logic till they fell to the dust in confusion, to be caught up again and restored to a meaning never before imagined by the subtlest of word-mongers.

The pandits were in ecstasy; they applauded vociferously; and the crowd followed them, deluded into the certainty that they had witnessed, that day, the last shred of the curtains of Truth torn to pieces before their eyes by a prodigy of intellect. The performance of his tremendous feat so delighted them that they forgot to ask themselves if there was any truth behind it after all.

The king's mind was overwhelmed with wonder. The atmosphere was completely cleared of all illusion of music, and the vision of the world around seemed to be changed from its freshness of tender green to the solidity of a high road levelled and made hard with crushed stones.

To the people a.s.sembled their own poet appeared a mere boy in comparison with this giant, who walked with such case, knocking down difficulties at each step in the world of words and thoughts. It became evident to them for the first time that the poems Shekhar wrote were absurdly simple, and it must be a mere accident that they did not write them themselves. They were neither new, nor difficult, nor instructive, nor necessary.

The king tried to goad his poet with keen glances, silently inciting him to make a final effort. But Shekhar took no notice, and remained fixed to his seat.

The king in anger came down from his throne--took off his pearl chain and put it on Pundarik's head. Everybody in the hall cheered. From the upper balcony came a slight sound of the movements of rustling robes and waist-chains hung with golden bells. Shekhar rose from his seat and left the hall.

It was a dark night of waning moon. The poet Shekhar took down his MSS.

from his shelves and heaped them on the floor. Some of them contained his earliest writings, which he had almost forgotten. He turned over the pages, reading pa.s.sages here and there. They all seemed to him poor and trivial--mere words and childish rhymes!

One by one he tore his books to fragments, and threw them into a vessel containing fire, and said: "To thee, to thee, O my beauty, my fire! Thou hast been burning in my heart all these futile years. If my life were a piece of gold it would come out of its trial brighter, but it is a trodden turf of gra.s.s, and nothing remains of it but this handful of ashes."

The night wore on. Shekhar opened wide his windows. He spread upon his bed the white flowers that he loved, the jasmines, tuberoses and chrysanthemums, and brought into his bedroom all the lamps he had in his house and lighted them. Then mixing with honey the juice of some poisonous root he drank it and lay down on his bed.

Golden anklets tinkled in the pa.s.sage outside the door, and a subtle perfume came into the room with the breeze.

The poet, with his eyes shut, said; "My lady, have you taken pity upon your servant at last and come to see him?"

The answer came in a sweet voice "My poet, I have come."

Shekhar opened his eyes--and saw before his bed the figure of a woman.

His sight was dim and blurred. And it seemed to him that the image made of a shadow that he had ever kept throned in the secret shrine of his heart had come into the outer world in his last moment to gaze upon his face.

The woman said; "I am the Princess Ajita."

The poet with a great effort sat up on his bed.

The princess whispered into his car: "The king has not done you justice.

It was you who won at the combat, my poet, and I have come to crown you with the crown of victory."

She took the garland of flowers from her own neck, and put it on his hair, and the poet fell down upon his bed stricken by death.

ONCE THERE WAS A KING

"Once upon a time there was a king."

When we were children there was no need to know who the king in the fairy story was. It didn't matter whether he was called Shiladitya or Shaliban, whether he lived at Kashi or Kanauj. The thing that made a seven-year-old boy's heart go thump, thump with delight was this one sovereign truth; this reality of all realities: "Once there was a king."

But the readers of this modern age are far more exact and exacting.

When they hear such an opening to a story, they are at once critical and suspicious. They apply the searchlight of science to its legendary haze and ask: "Which king?"

The story-tellers have become more precise in their turn. They are no longer content with the old indefinite, "There was a king," but a.s.sume instead a look of profound learning, and begin: "Once there was a king named Ajatasatru,"

The modern reader's curiosity, however, is not so easily satisfied. He blinks at the author through his scientific spectacles, and asks again: "Which Ajatasatru?"

"Every schoolboy knows," the author proceeds, "that there were three Ajatasatrus. The first was born in the twentieth century B.C., and died at the tender age of two years and eight months, I deeply regret that it is impossible to find, from any trustworthy source, a detailed account of his reign. The second Ajatasatru is better known to historians. If you refer to the new Encyclopedia of History...."

By this time the modern reader's suspicions are dissolved. He feels he may safely trust his author. He says to himself: "Now we shall have a story that is both improving and instructive."

Ah! how we all love to be deluded! We have a secret dread of being thought ignorant. And we end by being ignorant after all, only we have done it in a long and roundabout way.

There is an English proverb; "Ask me no questions, and I will tell you no lies." The boy of seven who is listening to a fairy story understands that perfectly well; he withholds his questions, while the story is being told. So the pure and beautiful falsehood of it all remains naked and innocent as a babe; transparent as truth itself; limpid as afresh bubbling spring. But the ponderous and learned lie of our moderns has to keep its true character draped and veiled. And if there is discovered anywhere the least little peep-hole of deception, the reader turns away with a prudish disgust, and the author is discredited.

When we were young, we understood all sweet things; and we could detect the sweets of a fairy story by an unerring science of our own. We never cared for such useless things as knowledge. We only cared for truth. And our unsophisticated little hearts knew well where the Crystal Palace of Truth lay and how to reach it. But to-day we are expected to write pages of facts, while the truth is simply this:

"There was a king."

I remember vividly that evening in Calcutta when the fairy story began.

The rain and the storm had been incessant. The whole of the city was flooded. The water was knee-deep in our lane. I had a straining hope, which was almost a certainty, that my tutor would be prevented from coming that evening. I sat on the stool in the far corner of the veranda looking down the lane, with a heart beating faster and faster. Every minute I kept my eye on the rain, and when it began to grow less I prayed with all my might; "Please, G.o.d, send some more rain till half-past seven is over." For I was quite ready to believe that there was no other need for rain except to protect one helpless boy one evening in one corner of Calcutta from the deadly clutches of his tutor.

If not in answer to my prayer, at any rate according to some grosser law of physical nature, the rain did not give up.

But, alas! nor did my teacher.

Exactly to the minute, in the bend of the lane, I saw his approaching umbrella. The great bubble of hope burst in my breast, and my heart collapsed. Truly, if there is a punishment to fit the crime after death, then my tutor will be born again as me, and I shall be born as my tutor.

As soon as I saw his umbrella I ran as hard as I could to my mother's room. My mother and my grandmother were sitting opposite one another playing cards by the light of a lamp. I ran into the room, and flung myself on the bed beside my mother, and said:

"Mother dear, the tutor has come, and I have such a bad headache; couldn't I have no lessons today?"

I hope no child of immature age will be allowed to read this story, and I sincerely trust it will not be used in text-books or primers for schools. For what I did was dreadfully bad, and I received no punishment whatever. On the contrary, my wickedness was crowned with success.

My mother said to me: "All right," and turning to the servant added: "Tell the tutor that he can go back home."

It was perfectly plain that she didn't think my illness very serious, as she went on with her game as before, and took no further notice. And I also, burying my head in the pillow, laughed to my heart's content. We perfectly understood one another, my mother and I.

But every one must know how hard it is for a boy of seven years old to keep up the illusion of illness for a long time. After about a minute I got hold of Grandmother, and said: "Grannie, do tell me a story."

I had to ask this many times. Grannie and Mother went on playing cards, and took no notice. At last Mother said to me: "Child, don't bother.

Wait till we've finished our game." But I persisted: "Grannie, do tell me a story." I told Mother she could finish her game to-morrow, but she must let Grannie tell me a story there and then.

At last Mother threw down the cards and said: "You had better do what he wants. I can't manage him." Perhaps she had it in her mind that she would have no tiresome tutor on the morrow, while I should be obliged to be back to those stupid lessons.