The Human Drift Part 5

The difference between the sea-life then and now can be no better epitomised than in Dana's description of the dress of the sailor of his day:

"The trousers tight around the hips, and thence hanging long and loose around the feet, a superabundance of checked shirt, a low-crowned, well- varnished black hat, worn on the back of the head, with half a fathom of black ribbon hanging over the left eye, and a peculiar tie to the black silk neckerchief."

Though Dana sailed from Boston only three-quarters of a century ago, much that is at present obsolete was then in full sway. For instance, the old word _larboard_ was still in use. He was a member of the _larboard_ watch. The vessel was on the _larboard_ tack. It was only the other day, because of its similarity in sound to starboard, that _larboard_ was changed to _port_. Try to imagine "All larboard bowlines on deck!" being shouted down into the forecastle of a present day ship. Yet that was the call used on the _Pilgrim_ to fetch Dana and the rest of his watch on deck.

The chronometer, which is merely the least imperfect time-piece man has devised, makes possible the surest and easiest method by far of ascertaining longitude. Yet the _Pilgrim_ sailed in a day when the chronometer was just coming into general use. So little was it depended upon that the _Pilgrim_ carried only one, and that one, going wrong at the outset, was never used again. A navigator of the present would be aghast if asked to voyage for two years, from Boston, around the Horn to California, and back again, without a chronometer. In those days such a proceeding was a matter of course, for those were the days when dead reckoning was indeed something to reckon on, when running down the lat.i.tude was a common way of finding a place, and when lunar observations were direly necessary. It may be fairly a.s.serted that very few merchant officers of to-day ever make a lunar observation, and that a large percentage are unable to do it.

"Sept. 22nd., upon coming on deck at seven bells in the morning we found the other watch aloft throwing water upon the sails, and looking astern we saw a small, clipper-built brig with a black hull heading directly after us. We went to work immediately, and put all the canvas upon the brig which we could get upon her, rigging out oars for studding-sail yards; and contined wetting down the sails by buckets of water whipped up to the mast-head . . . She was armed, and full of men, and showed no colours."

The foregoing sounds like a paragraph from "Midshipman Easy" or the "Water Witch," rather than a paragraph from the soberest, faithfullest, and most literal chronicle of the sea ever written. And yet the chase by a pirate occurred, on board the brig _Pilgrim_, on September 22nd, 1834--something like only two generations ago.

Dana was the thorough-going type of man, not overbalanced and erratic, without quirk or quibble of temperament. He was efficient, but not brilliant. His was a general all-round efficiency. He was efficient at the law; he was efficient at college; he was efficient as a sailor; he was efficient in the matter of pride, when that pride was no more than the pride of a forecastle hand, at twelve dollars a month, in his seaman's task well done, in the smart sailing of his captain, in the clearness and trimness of his ship.

There is no sailor whose c.o.c.kles of the heart will not warm to Dana's description of the first time he sent down a royal yard. Once or twice he had seen it done. He got an old hand in the crew to coach him. And then, the first anchorage at Monterey, being pretty _thick_ with the second mate, he got him to ask the mate to be sent up the first time the royal yards were struck. "Fortunately," as Dana describes it, "I got through without any word from the officer; and heard the 'well done' of the mate, when the yard reached the deck, with as much satisfaction as I ever felt at Cambridge on seeing a 'bene' at the foot of a Latin exercise."

"This was the first time I had taken a weather ear-ring, and I felt not a little proud to sit astride of the weather yard-arm, past the ear-ring, and sing out 'Haul out to leeward!'" He had been over a year at sea before he essayed this able seaman's task, but he did it, and he did it with pride. And with pride, he went down a four-hundred foot cliff, on a pair of top-gallant studding-sail halyards bent together, to dislodge several dollars worth of stranded bullock hides, though all the acclaim he got from his mates was: "What a d-d fool you were to risk your life for half a dozen hides!"

In brief, it was just this efficiency in pride, as well as work, that enabled Dana to set down, not merely the photograph detail of life before the mast and hide-droghing on the coast of California, but of the untarnished simple psychology and ethics of the forecastle hands who droghed the hides, stood at the wheel, made and took in sail, tarred down the rigging, holystoned the decks, turned in all-standing, grumbled as they cut about the kid, criticised the seamanship of their officers, and estimated the duration of their exile from the cubic s.p.a.ce of the hide- house.

JACK LONDON Glen Ellen, California, August 13, 1911.

A WICKED WOMAN (Curtain Raiser) BY JACK LONDON

Scene--California.

Time--Afternoon of a summer day.

CHARACTERS

LORETTA, A sweet, young thing. Frightfully innocent. About nineteen years old. Slender, delicate, a fragile flower. Ingenuous.

NED BASHFORD, A jaded young man of the world, who has philosophised his experiences and who is without faith in the veracity or purity of women.

BILLY MARSH, A boy from a country town who is just about as innocent as Loretta. Awkward. Positive. Raw and callow youth.

ALICE HEMINGWAY, A society woman, good-hearted, and a match-maker.

JACK HEMINGWAY, Her husband.

MAID.

A WICKED WOMAN

[Curtain rises on a conventional living room of a country house in California. It is the Hemingway house at Santa Clara. The room is remarkable for magnificent stone fireplace at rear centre. On either side of fireplace are generous, diamond-paned windows. Wide, curtained doorways to right and left. To left, front, table, with vase of flowers and chairs. To right, front, grand piano.]

[Curtain discovers LORETTA seated at piano, not playing, her back to it, facing NED BASHFORD, who is standing.]

LORETTA. [Petulantly, fanning herself with sheet of music.] No, I won't go fishing. It's too warm. Besides, the fish won't bite so early in the afternoon.

NED. Oh, come on. It's not warm at all. And anyway, we won't really fish. I want to tell you something.

LORETTA. [Still petulantly.] You are always wanting to tell me something.

NED. Yes, but only in fun. This is different. This is serious. Our . . . my happiness depends upon it.

LORETTA. [Speaking eagerly, no longer petulant, looking, serious and delighted, divining a proposal.] Then don't wait. Tell me right here.

NED. [Almost threateningly.] Shall I?

LORETTA. [Challenging.] Yes.

[He looks around apprehensively as though fearing interruption, clears his throat, takes resolution, also takes LORETTA's hand.]

[LORETTA is startled, timid, yet willing to hear, naively unable to conceal her love for him.]

NED. [Speaking softly.] Loretta . . . I, . . . ever since I met you I have--

[JACK HEMINGWAY appears in the doorway to the left, just entering.]

[NED suddenly drops LORETTA's hand. He shows exasperation.]

[LORETTA shows disappointment at interruption.]

NED. Confound it

LORETTA. [Shocked.] Ned! Why will you swear so?

NED. [Testily.] That isn't swearing.

LORETTA. What is it, pray?

NED. Displeasuring.

JACK HEMINGWAY. [Who is crossing over to right.] Squabbling again?

LORETTA. [Indignantly and with dignity.] No, we're not.

NED. [Gruffly.] What do you want now?

JACK HEMINGWAY. [Enthusiastically.] Come on fishing.

NED. [Snappily.] No. It's too warm.

JACK HEMINGWAY. [Resignedly, going out right.] You needn't take a fellow's head off.