The House of Toys Part 19

She ended. But over at least one of her audience the spell of her voice lingered. For a long moment David sat motionless, lips parted, staring wonderingly at her, even after she had swung around to face them.

"Why--" he stammered foolishly. "Why--I didn't think--"

The rose pink in her cheeks became rose madder and it was easy to see that she was happy over something. "Oh," she said, "it just happens to be one of my good days. Sometimes my voice leaves me in the middle of a note and lets me down flat." She laughed, as though there were humor in that.

David did not laugh. He saw no humor in that. He could not believe that it had ever happened. . . .

And so she became the iris girl. But he did not suspect that yet. He was not looking for iris girls; it is much to his credit.

They did not notice the excitement glistening in Jonathan's eyes.

"You have been practising again," he declared.

"Just a little. And only for the fun of it. Not in earnest of course.

It's your turn now."

He said no more about her practise but got out his violin, tuned it carefully, opened a book of music before her and waited for her to play the prelude. Then, tucking the violin under his chin with an eager caressing gesture, he began to play.

That was a night of wonders to David. He was transported from a world of failures and disappointments into a delectable land where a d.i.n.ky little man, armed with nothing but a horsehair bow and his own nimble fingers, compelled a gut-strung box to sing songs of love and throb with pain and dark pa.s.sions and splendid triumphs. That is always magic, though some call it genius. And the magic did not cease there. It touched the player, transformed him. The homely manikin, a bit ridiculous with his mannerisms and whiskers, a trifle too obvious in his good will to others, disappeared. Where he had been stood a man strong but fine and gentle in his strength, proud and pa.s.sionate, as strong men are apt to be, but brave enough to turn willingly from his chosen path because another way seemed best. David, watching the player's swaying body and transfigured face, understood, as even the blind little mother could never understand, how much her son had given to her.

"If only he could be playing always!"

Jonathan's mother slept. But for two hours the man who was no longer manikin and the girl who in real life was only a frail little bookkeeper played to David: a brilliant polonaise, a nocturne that was moonlight and shadow set to music, a concerto that only the masters attempt, a few n.o.ble old cla.s.sics. Between them she sang thrice, songs chosen by Jonathan, each a little more taxing than the one before. Not once did she falter and only once, in the last song where her contralto voice had to take _b_-flat above middle _c_, was there a hint of strain.

More than rare harmonies and melodies and rhythms were coming to David.

Player and singer, though they did not know it, were giving themselves to him. This was the man, and that the girl, whom--rather patronizingly, as though he were conferring a favor--he had let proffer their simple unaffected friendship! "He gave up his work of his own accord for that poor old woman who can't even guess at what it cost him. _She_ was forced out of hers when success was in sight. I don't know which is worse. And _they_ don't make gloomy grandeur out of it."

The last song, to which Jonathan improvised an obbligato, ended the music. Esther--for that was her name--pointed in dismay, toward the clock and the sleeping hostess.

"Thank you," said David from his heart. He was thanking them for more than the music.

Mrs. Radbourne stirred, yawning daintily. "Are you stopping so soon? My dear, you sang very prettily. Jonathan, you surpa.s.sed yourself.

Particularly in the _Largo_. I remember Ole Bull, in 'sixty-seven. . . ."

When that anecdote was concluded, the guests rose to leave. Because it was very late, Mrs. Radbourne prevailed upon Esther to stay overnight.

David would not be persuaded. So they gathered around him at the door.

And, having shaken hands, he said again:

"Thank you. And I should like to say--"

A sudden awkward lump jumped into his throat. He began anew, "I should like to say--"

But what he would like to say would not be said. "Good night," he forced out abruptly and hurried into the night.

Jonathan Radbourne stood before the cold fireplace, tugging with both hands at his whiskers.

"Miss Summers," he said, "that young man grows nicer all the time."

"Yes," she said.

"I wish I could make things brighter for him."

"You are, I think."

"No more than he has earned from me. He's a very faithful worker, you know. I must look up some of his professional work. And I have an idea that concerns you, young lady. There's a new throat specialist I've just heard of. You're to call on him on Monday."

David walked home. When that absurd lump had been conquered he began to whistle determinedly, as became a young man who was no longer to make gloomy grandeur out of his failure. He kept it up until he reached the apartment and its chill loneliness smote him.

"Oh, Shirley," he cried, "if only you were--" And that was another saying he did not complete, because it might have been lacking in loyalty. . . .

A new tenant for the apartment had been found. The next Sat.u.r.day David turned the key for the last time on a scene of defeat. He was not sorry to leave. That night he took a train for an over-Sunday visit with Shirley. She had been urging him to come.

"I know it's an extravagance," she wrote. "All the nice things are. But Davy Junior and I are so homesick for you." David's heart cut no capers at that, even before he read what followed. "I'm afraid people will think it queer, your not coming, and of course, I can't tell them it's because we are _poor_."

It was an unsuccessful trip from the beginning, though Shirley, all smiles and exclamations, met him at the station and hugged him so hard that she wrinkled his collar. She took him to Aunt Clara's in that lady's new car, saying, "Home, Charles," as if she had been born to automobiles and chauffeurs. There the day was taken up by many guests--including the resplendent Sam Hardy, in cutaway and silk waistcoat, New York made, that made David feel shabbier than he looked--come to inspect Shirley's husband. The only real "aside" he had was with Aunt Clara, who quizzed him concerning the state of his debts.

"You are doing quite well," she was pleased to approve. "I begin to believe there's something in you, after all."

"Thank you," David murmured, as politely as the case allowed.

"Now don't get huffy with me, young man," she said. "That's saying a great deal, from me to you. You can't expect _me_ to fall on your neck."

"Not exactly," said David.

"Humph!" she sniffed. "Sounds much like 'G.o.d forbid!' Which isn't grateful. You've much to thank me for, if you only knew it. Shirley's better off here--and you're much better off having her here--than back there pinching pennies with you. There are some things Shirley never could understand."

David answered nothing, but a little voice within was piping, "It is true! It is true!"

Aunt Clara looked at him sharply, then suddenly--to her own great surprise--blew a trumpet blast from her long nose and said:

"Tut! tut! Don't mind my impertinent old tongue. I like you better than I sound. You may never set the river afire, but you have a pretty patience _I_ never had. And I could be a fool over you, if I let myself.

Do you want me to send her back home? I will, if you say the word."

David hesitated a moment.

"Do you want her to go?"

"No," said Aunt Clara. "Shirley can be good company when things go to her taste."

"Does she want to go?"

"If she does," said Aunt Clara, quite herself once more, "she's bearing up under the disappointment remarkably well--for Shirley. I take it my question is answered."

Shirley and David went to the station as they had gone from it, alone in Aunt Clara's car. All the way he was trying to tell her of the new resolve he had taken when Jonathan and Esther Summers made music for him.

It was strangely hard to tell. Not until they were in the station, with but a few minutes left, did he find words for the essay.

"Shirley, I'm afraid you thought I was pretty babyish--about giving up my profession. I--I _was_ babyish. I'd like you to know I've got my nerve back."