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The Home Life of Poe.

by Susan Archer Weiss.

TO THE READER.

In considering this book, will the reader especially note that it is not a "Life" or a "Biography" of Poe, of which too many already exist and to which nothing can be added after the exhaustive works of Woodbury and Prof. Harrison. I have not treated Poe in his character of poet or author, but confined myself to his private home-life, domestic and social, as I have heard it described by Poe's most intimate friends who knew him from infancy--some of them my own relatives--and from my own brief knowledge of him in the last three months of his life. The book may therefore be considered as a _supplement_ to the more complete "Lives and Biographies," showing Poe in a character as yet wholly unknown to the public, but which should be known in order to enable us to form a correct judgment of his character. I have corrected various misstatements of writers which, repeated by one from another, have come to be received as truth.

I have made no attempt at producing an artistic work, but have treated the subject as it demands, in a plain and practical manner with regard to facts apart from idealism of any kind.



THE AUTHOR.

HOME LIFE OF POE.

CHAPTER I.

FIRST GLIMPSE OF EDGAR POE.

It may be regarded as a somewhat curious coincidence that the first glimpse afforded us of Edgar Poe is on the authority of my own mother.

This is the story, as she told it to me:

"In the summer of 1811 there was a fine company of players in Norfolk, and we children were as a special treat taken to see them. I remember the names of Mr. Placide, Mr. Green, Mr. Young and Mr. Poe, with their wives. I can recall Mrs. Young as a large, fair woman with golden hair; but my most distinct recollection is of Mrs. Poe. She was rather small, with a round, rosy, laughing face, short dark curls and beautiful large blue eyes. Her manner was gay and saucy, and the audience was continually applauding her. She appeared to me a young girl, but was past thirty, and had been twice married.

"At this time," continued my mother, "we were living on Main street, and my uncle, Dr. Robert b.u.t.t, of the House of Burgesses, lived close by, on Burmuda street. The large, bright garret-room of his house was used by our little cousins as a play-room, and was separated from that of the adjoining house by only a wooden part.i.tion. One day, when we were playing here, we heard voices on the other side of the part.i.tion, and, peeping through a small knothole, saw two pretty children, with whom we soon made acquaintance. Mr. and Mrs. Poe had taken lodgings in this garret with a little boy and girl and an old Welsh nurse. Sometimes this woman would say to us, 'Hush, hush, dumplings, don't make a noise,' and we knew that some one was sick in that room. Most of the time she had the children out of doors, and in the evenings we would play with them on the sidewalk. The boy was a merry, romping little fellow, but hard to manage. One day, when he would persist in playing in the middle of the street, a runaway horse came dashing around a corner, and I remember how the nurse rushed toward him, screaming: 'Ho! Hedgar! Hedgar!' s.n.a.t.c.hing him away at the risk of her own life.

"This nurse was a very nice old woman, plump, rosy and good-natured. She wore a huge white cap with flaring frills, and p.r.o.nounced her words in a way that amused us. She was devoted to the children, who were spoiled and wilful. The little girl was running all about, and the boy appeared about three years old."

Of this old lady it may be here said that she was really the mother of Mrs. Poe, whom she called "Betty." As an actress of the name of Arnold, she had played in various companies in both this country and Europe, taking parts in which comic songs were sung. Her pretty daughter, Elizabeth, she had brought up to her own profession, and had married her early to an actor named Hopkins, who died in October, 1805. Two months after his death his widow married David Poe, who was at that time a member of their company; and mean while her mother, Mrs. Arnold, had bestowed her own hand upon a musician of the romantic name of Tubbs, who soon left her a widow. Thenceforth she devoted herself to her daughter's family, remaining with the company and occasionally appearing in some unimportant part.

When in the summer of that year of 1811 Mr. Placide's company left Norfolk to open a season in Richmond, Mr. David Poe was too ill with consumption to accompany them, and his family remained in Norfolk. He must undoubtedly have died there; for from that time in all the affairs of his family his name is not once mentioned, nor is the remotest allusion made to him. He was probably buried by the city in one of the obscure suburban cemeteries. By his death the widow was left penniless, and Mr. Placide, to whose company she still belonged, and who was anxious to have her services in his Richmond campaign, sent one of his employees to bring the family to Richmond at his own expense. A room and board had been engaged for them "at the house of a milliner named Fipps on Main street," in the low-lying district between Fifteenth and Seventeenth streets, still known as "_Bird-in-hand_." This room was not by any means the wretched apartment which it has been described by some of Poe's biographers. It was not a "cellar," not even a bas.e.m.e.nt room, but one back of the shop, the family residing above, and must have been comfortably furnished, for this neighborhood was at this time the shopping district of the ladies of Richmond, and Mrs. Fipps was probably a fashionable shopkeeper. Damp Mrs. Poe's room must have been, since this locality was the lowest point in the city, where, when the river overflowed its banks, as was frequently the case, the water would rise to the back doors of the Main street buildings and at times flood the ground floors. In this room Mrs. Poe contracted the malarial fever then known as "ague-and-fever," which proved fatal to her.

Owing to her illness Mrs. Poe, though her appearance was constantly advertised, did not appear on the stage more than a half dozen times, if as often. Mr. Placide wrote to her husband's relatives in Baltimore in behalf of herself and children, but received no satisfactory answer, and the company kindly gave her a benefit performance. Also, one of the Richmond papers, the "_Enquirer_," of November 25th, made an appeal "to the kind-hearted of the city" in behalf of the sick actress and her little children. This brought to their aid among others Mr. John Allan and his friend, Mr. Mackenzie.

Both these gentlemen were engaged in the tobacco business, and being of Scotch nationality, the feeling of clanship led them to take a special interest in this family, whom they discovered to be of good Scotch stock. Everything possible was done for their comfort, and Mrs. Allan herself came to minister to the sick woman. On her first visit she found Mrs. Tubbs feeding the children with bread soaked in sweetened gin and water, which she called "gin-tea," and explained that it was her custom, in order to "make them strong and healthy." This was little Edgar's initiation into the habit which became the bane and ruin of his life.

It soon became evident that Mrs. Poe was very near her end. Pneumonia set in; and on the 8th of December, 1811, she died.

The question now was, what was to be done with the children? After a consultation among all parties, it was agreed that Mr. Mackenzie and Mr.

Allan should take charge of them at their own homes until they should be claimed by their Baltimore relatives.

It was a sad scene when the little ones were lifted up to look their last upon the face of their dead mother, and then to be separated forever from the grandmother who had so loved and cared for them. In parting she gave to each a memento of their mother; to the boy a small water-color portrait of the latter, inscribed, "For my dear little son, Edgar, from his mother," and to the girl a jewel case, the contents of which had long since been disposed of. It was all that she had had to leave them, and with this slender inheritance in their hands the little waifs were taken away to the homes of strangers.

On the day following a small funeral procession wended its way up the steep ascent of Church Hill to the graveyard of St. John's church,[1]

crowning its summit. At that day it was no easy matter to get one whose profession had been that of an actor buried in consecrated ground; yet Mr. Mackenzie succeeded in effecting this. The grave was in a then obscure part of the cemetery, "close against the eastern wall," and here, after the brief service, the mother of Edgar Poe was laid to rest.

[1] In this historical church it was that Patrick Henry thrilled the hearts of his hearers with the memorable words, "Give me liberty or give me death!" and sent them forever "ringing down the grooves of time."

Mrs. Tubbs remained with Mr. Placide's company, and doubtless returned with them to England and to her own family.

Six weeks after the death of Mrs. Poe occurred that awful tragedy and holocaust of the burning of the Richmond theatre, which shrouded the whole country in gloom. On that night a large and fashionable audience attended the performance of "_The Bleeding Nun_," eighty of whom perished in the flames. Mrs. Allen had expressed a wish to attend, with her sister and little Edgar, but her husband objected and instead took them on a Christmas visit to the country; so they escaped the tragedy, as did also the members of Placide's company.

CHAPTER II.

POE'S FIRST HOME.

Mr. and Mrs. Mackenzie, on taking charge of the Poe children, entered into a correspondence with their grandfather, Mr. David Poe, of Baltimore, in regard to them. He was by no means anxious to claim them.

He represented that he and his wife were old and poor, and that already having the eldest child, William Henry, upon his hands, he could not afford to burden himself with the others. Finally he proposed that the children should be placed in an orphan asylum, where they would be properly cared for, on hearing of which Mrs. Mackenzie declared that she would never turn the baby, Rosalie, out of her home, but would bring her up with her own children; while Mrs. Allan, who was childless and had become much attached to Edgar, proposed to her husband to adopt him.

Mr. Allan demurred. His chief objection was that the boy was the child of actors, and that to have him brought up as his son would not be advisable for him or creditable to themselves. It required some special pleading on the part of the lady, and she so far prevailed as that her husband consented to keep and care for the boy as for a son, but refused to be bound by any terms of legal responsibility as either guardian or adoptive parent, preferring to remain free to act in the future as he might think proper. Mr. Mackenzie pursued the same course with regard to Rosalie, though each bestowed on his protege his own family name in baptism.

There has been much useless discussion among Poe's biographers in regard to the ages of the children at this time. Woodbury "_calculates_,"

according to certain data obtained from a Boston newspaper regarding the appearance of Mrs. Poe on the stage. "At this time," he says, speaking of her prolonged absence in 1807, "William Henry _may have_ been born;"

and accordingly fixes Edgar's birth as having occurred two years later, in 1809.

Wishing to satisfy myself on this point, I some time since decided to go to the fountain-head for information, and wrote to Mrs. Byrd, a daughter of Mrs. Mackenzie, who had been brought up with Rosalie Poe.

Her answer I have carefully preserved and here give _verbatim_:

"Dear S----.--You ask the ages of Rose and Edgar. He was born in 1808, Rose in 1810. A remark of his (in answer to an invitation to her wedding) was that if I had put off my marriage one week it would have been on his birthday. I was married on the 5th of October.... Their mother died on the 8th Dec., 1811; and on the 9th the children were taken to Mr. Allan's and our house.... Their mother was boarding at Mrs.

Fipps', a milliner on Main street. She was Scotch and of good family; and my father and Mr. Allan had her put away decently at the old Church on the Hill.... Mr. Poe died first."

This account of the children's ages is ent.i.tled to more weight than those of his biographers, based upon mere calculation and "_probabilities_." When the children were baptized as Edgar Allan and Rosalie Mackenzie, their ages were also recorded, though whether in church or family records is not known; and it is not likely that Mrs.

Byrd, who was brought up with Rosalie Poe, could be mistaken on this point.

Were Woodbury correct in a.s.suming that William Henry, the eldest child, "_may have_ been born" in October, 1807, and Edgar, January 19, 1809, it would follow that the latter, when taken charge of by the Allans in December, 1811, was less than two years old; an impossibility, considering that his sister was then over one year old and running about playing with other children. As to Mr. Poe's claim to October 12 as his birthday, it is not likely that, howsoever often he may have given a false date to others, he would have ventured upon it to the daughter of Mrs. Mackenzie, the latter of whom would have detected the error.

It must be accepted as a final conclusion that, as Mrs. Byrd states, Edgar was born in 1808 and Rosalie in 1810.[2] Her positive a.s.sertion is proof sufficient against all mere calculation and conjecture; and in this book I shall hold to these dates as authentic.

[2] The official date of Rosalie Poe's death, on June 14, 1874, represents her as 64 years of age. This would make her a year and a half old when adopted by the Mackenzies, in December, 1811.

CHAPTER III.

THE ALLAN HOME.

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The Home Life of Poe Part 1 summary

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