The Hollow - Sign Of Seven 2 Part 25

"No, just taking a walk around." He looked back toward the shop. "I'm sorry Lorrie and John are closing down, leaving town." When he looked back at Fox, his eyes were somber, and another layer of worry weighed in his voice. "I'm sorry the town has to lose anyone."

"I know. They took a hard hit."

"I heard you did, too. I heard what happened with Block."

"I'm all right."

"At times like this, when I see the signs. All the signs, Fox, I wish there was more I could do than call your father and have him fix broken windows." "We're going to do more than get through this time, Mr. Hawkins.

We're going to stop it this time."

"Cal believes that, too. I'm trying to believe it. Well." He let out a sigh.

"I'll be calling your father shortly, have him take a look at this place.

He'll fix it up, spruce it here and there. And I'll look for somebody who wants to start a business on Main Street."

Fox frowned at the building. "I might have an idea on that."

"Oh?"

"I have to think about it, see if ... See. Maybe you could let me know before you start looking, or before you decide on a new tenant."

"I'm happy to do that. The Hollow needs ideas. It needs businesses on Main Street."

"And people who care enough to fix what's broken," Fox said, thinking of Layla's words. "I'll get back to you on it."

Fox drove on. He had something new to turn over in his mind now, something interesting. And something, for him, that symbolized hope.

He parked in front of his office, stepped out into the cold, wet snow, and noticed his office lights glinting against the windows. When he walked in, Layla glanced up from her keyboard.

"I told you that you didn't have to come in today."

"I had busywork." She stopped typing to swivel toward him. "I rearranged the storage closet so it works better for me. And the kitchen, and some of the files. Then ... Is it still snowing?"

"Yeah." He shrugged out of his light jacket. "It's after five, Layla." And he didn't like the idea of her being alone in the building for hours at a time.

"I got caught up. We've been so focused on the journal entries, we've let some of the other areas go. Cybil's hunted up all the newspaper reports on anything related to the Seven, the anecdotal evidence, specifics we've gleaned from you guys, coordinating pa.s.sages from some of the books on the Hollow. I've been putting them together in various files.

Chronologically, geographically, type of incident, and so on."

"Twenty years of that. It'll take a while."

"I do better when I have a system, have order. Plus, we all know that considering the amount of time, the amount of damage, the actual reports are scarce." She brushed back her hair, c.o.c.ked her head. "How did it go in court?"

"Good."

"Should I ask how things went before court?"

"I did my part. They said I could just, ah, pa.s.s off the ... second round to Sage for transport in the morning. Then I guess we wait and see if any soldier makes a landing."

"You don't have to wait long these days."

He shrugged, slipped his hands into his pockets. "I didn't think of you."

"Sorry?"

"I mean, you know, when I ... donated. I didn't think of you because it seemed rude."

Layla's lips twitched. "I see. Who did you think of?"

"They provide visual stimulation in the form of skin mags. I didn't actually catch her name."

"Men."

"I'm thinking of you now."

Her brows lifted when he walked back, locked the door. "Are you?"

"And I'm thinking I need you to come back to my office." He came over, took her hand. "And put in a little overtime."

"Why, Mr. O'Dell. If only I'd put my hair in a bun and worn gla.s.ses."

He grinned as he drew her across the room, down the hall. "If only. But .

. ." He let go of her hands to unb.u.t.ton her crisp white shirt. "Let's see what's under here today."

"I thought you wanted me to take a letter."

"To whom it may concern, frilly white bras with-oh yeah-front hooks are now standard office attire."

"I don't think this one will fit you," she said, then surprised him by tugging on his tie. "Let's see what's under here. I've thought about you, Mr. O'Dell." She slid the tie off, tossed it aside. "About your hands, your mouth, about how many ways you used them on me." She unhooked his belt as she backed him into his office. "About how many ways you might use them on me again."

Like the tie, she whipped off the belt, let it fall. She shoved his suit jacket off his shoulders, tugged it away. "Start now." "You're pretty bossy for a secretary."

"Office manager."

"Either way." He bit her bottom lip. "I like it."

"Then you're going to love this." She pushed him down into his desk chair, pointed a finger to keep him in place. Then with her eyes on his, wiggled out of her panties.

"Oh. Boy."

After tossing them aside, she straddled him.

He'd been thinking couch, maybe the floor, but at the moment, with her mouth like a fever on his, the chair seemed perfect. He yanked at her shirt, closed his mouth over her lace-covered breast. This wasn't a woman looking for slow seduction, but for fire and speed. So he used his hands, his mouth, and let her set the pace.

"As soon as you walked in, I wanted this." She fumbled between them, dragged down the zipper of his trousers. "As soon as you walked in, Fox."

She closed around him the moment he was inside her. Tightened as her head fell back, as she gasped. Then her lips were on his throat, on his face, were clashing against his in desperation as her hips pumped.

She took him over with her urgency, her sudden, fierce greed. He let himself be taken, be ruled. Unable to resist, he let himself be filled, and let himself empty. When he came, when his mind was still dazzled by his body's race, she caught his face in her hands and rode him ruthlessly to her own end.

He continued to sit, bemused, after they'd gotten their breath back, even after she rose and started to step back into her panties.

"Wait. I think those are mine now."

When she laughed, he solved the matter by getting up and s.n.a.t.c.hing them out of her hand.

"Give me those. I can't walk around without-"

"You and I will be the only ones who know. It's already driving me crazy. I need to go up, change out of this suit. Come on up, then I'll drive you home."

"I'll wait here, because if I go up there, you'll get me into bed. Fox, I need those panties. They match the bra." He only smiled as he strolled out. He intended to get the bra later. And was considering having them preserved in Lucite, along with his desk chair.

ALL GOOD THINGS MUST COME TO AN END, FOX thought, as they spent the next few hours picking through the second journal, turning Ann's ordinary words to every possible angle looking for hidden meanings. Once again, Gage's demand to skip the h.e.l.l ahead was outvoted.

"Same reasons against apply," Cybil pointed out, taking advantage of the break to roll tension out of her neck and shoulders. "We have to consider the fact that she's lost the man she loved, a traumatic event.

That she's about to give birth to triplets. And if that isn't a traumatic event I don't know what would be. This is her lull. She needs to steady herself and gear up at the same time. I think we have to respect that."

"I think it's more." Layla reached out to touch the book Quinn had set down. "I think she's writing about sewing, about cooking, about the heat because she needs some distance. She doesn't write about Giles, about the deaths, what was done. She doesn't write about what she thinks or fears about what's going to happen. It's all the moment."

She looked at Fox, and he nodded.

"I've been leaning that way. It's what she's not writing about. Every day she gets through is an effort. She fills them with routines. But I can't believe that she's not thinking about before and after. Not feeling all of that. It's not a lull so much as ... She wanted us to find the journals, even this one that seems to be so full of daily debris. To me it says- she's saying-that after great loss, personal sacrifice, horror, put a name on it. After that, before and after a new beginning, the births, there's still life. That it's still important to live, to go about your business. Isn't that what we do, seven years at a time? We live, and that's important."

"And what the h.e.l.l does that tell us?" Gage demanded.

"That part of the process is just living. That's giving Twisse the finger, every day. Does it know? In whatever h.e.l.lhole Dent took it to, does it know? I think it does, and I think it burns its a.s.s that we get up every morning and do what we do." "I like it." Quinn tapped a finger on her lips. "Maybe it even sucks on its power. It thrives on violent emotions, violent acts. When it's able, it feeds on them, creates them and feeds. Wouldn't the opposite be true?

That ordinary emotions and acts, or loving ones starve it?"

"Sweetheart dance." Layla straightened in her chair. "Ordinary, fun, happy. It came there to ruin that."

"And before, in the dining room of the hotel. Sure it wanted to scare us off," Quinn said to Layla. "But its choice of time and place may be a factor. There was a couple celebrating, flirting over candlelight and wine."

"What do you do when a bee stings you?" Cybil asked.

"You swat at it. Maybe we're giving him a few stings. We'll take a closer look at the known incidents, known sightings. And this idea rolls into another for me. Writing something down gives it power, especially names. It's possible she wanted to wait, or needed to wait until some time had pa.s.sed. Until she felt more secure."

"We wrote down the words," Cal murmured. "We wrote down the words we said that night at the stone, for the blood brothers ritual."

"Adding to their power," Quinn agreed. "Writing, it's another answer.

We're writing everything down. While that may be giving him more power-bringing him earlier- it's giving him more stings."

"When we know what we have to do, when we think we know what it's going to take," Fox continued, "we have to write it down. Like Ann did, like we did that night."

"Signed in blood at the dark of the moon."

Amused, Cybil glanced over at Gage. "I wouldn't discount that."

Gage rose to go to the kitchen. He wanted more coffee. He wanted, more than the coffee, a few minutes without the chatter. At this point, and as far as he could see for the next several points, it was all talk, no action.

He was a patient man, had to be, but he was starting to itch for action.

When Cybil came in he ignored her. It took some doing. She wasn't a woman fashioned to be ignored, but he'd been working on it.

"Being irritable and negative doesn't add much."

He leaned back against the counter with his coffee. "That's why I left." After a moment's consideration, she opted for wine over tea. "You're a little bored, too. But your way hasn't finished the job. New days, new ways." She mirrored his pose, leaning against the other counter with her wine. "It's harder for people like you and me."

"You and me?"

"We're plagued with glimpses of what might come, and sometimes does. How do we know what to do, or if we should do anything, to stop it, or change it? If we do, will it be worse?"

"Everything's a risk. That doesn't worry me."

"Annoys you though." She sipped. "You're annoyed right now because of the way things are shaping up."

"How are things shaping up?"

"Our little group's paired off. Q and Cal, Layla and Fox.

That leaves you and me, big guy. So you're annoyed, and I can't blame you. Just FYI, I'm no happier than you are with the idea that some hand of fate might be moving you and me together like chess pieces."

"Chess is Fox's game."

She drew in a breath. "Dealing us into the same hand then."

His brows rose in acknowledgment. "That's why there's a discard pile.

No offense."

"None taken."

"You're just not my type."

When she smiled, just that way, a man heard siren songs. "Believe me, if I aimed at you, you wouldn't have any other type. But that's neither here nor there. I came in to propose a kind of alliance, a bargain, a deal.

However it suits you."

"What's the deal?"

"That you and I will work together, we'll fight together if it comes to it.

We'll join our particular talents when and if necessary. And I won't seduce you or pretend to let you seduce me."