The History of David Grieve Part 67

And again he made a threatening step forward. But when he came close to her he broke down.

'I would have worked for you so,' he said thickly. 'For your sake I would have given up my country. I would have made myself French altogether. It should have been marriage or no marriage as you pleased. You should have been free to go or stay. Only I would have laid myself down for you to walk over. I have some money. I would have settled here. I would have protected you. It is not right for a woman to be alone--anyone so young and so pretty. I thought you understood--that you must understand--that your heart was melting to me. I should have done your work no harm--I should have been your slave--you know that. That _cursed, cursed_ art!'

He spoke with a low intense emphasis; then turning away he buried his face in his hands.

'David!'

He looked up startled. She was stepping towards him, a smile of ineffable charm floating as it were upon her tears.

'I don't know what is the matter with me!' she said tremulously.

'There is trouble in it, I know.' It is the broken gla.s.s coming true. _Mais, Voyons! c'est plus fort que moi!_ Do you care so much--would it break your heart--would you let me work--and never, _never_ get in the way? Would you be content that art should come first and you second? I can promise you no more than that--not one little inch! _Would_ you be content? Say!'

He ran to her with a cry. She let him put his arms round her, and a shiver of excitement ran through her.

'What does it mean?' she said breathlessly. 'One is so strong one moment--and the next--like this! Oh, why did you ever come?'

Then she burst into tears, hiding her eyes upon his breast.

'Oh! I have been so much alone! but I have got a heart somewhere all the same. If you will have it, you must take the consequences.'

Awed by the mingling of his silence with that painful throbbing beneath her cheek, she looked up. He stooped--and their young faces met.

CHAPTER VII

During the three weeks which had ended for David and Elise in this scene of pa.s.sion, Louie had been deliberately going her own way, managing even in this unfamiliar _milieu_ to extract from it almost all the excitement or amus.e.m.e.nt it was capable of yielding her. All the morning she dragged Madame Cervin about the Paris streets: in the afternoon she would sometimes pose for Montjoie, and sometimes not; he had to bring her bonbons and theatre tickets to bribe her, and learn new English wherewith to flatter her. Then in the evenings she made the Cervins take her to theatres and various entertainments more or less reputable, for which of course David paid. It seemed to Madame Cervin, as she sat staring beside them, that her laughs never fell in with the laughs of other people. But whether she understood or no, it amused her, and go she would.

A looker-on might have found the relations between Madame Cervin and her boarder puzzling at first sight. In reality they represented a compromise between considerations of finance and considerations of morals--as the wife of the _ancien prix de Rome_ understood these last. For the ex-modiste was by no means without her virtues or her scruples. She had ugly manners and ideas on many points, but she had lived a decent life at any rate since her marriage with a man for whom she had an incomprehensible affection, heavily as he burdened and exploited her; and though she took all company pretty much as it came, she had a much keener sense now than in her youth of the practical advantages of good behaviour to a woman, and of the general reasonableness of the _bourgeois_ point of view with regard to marriage and the family. Her youth had been stormy; her middle age tended to a certain conservative philosophy of common sense, and to the development of a rough and ready conscience.

Especially was she conscious of the difficulties of virtue. When Elise Delaunay, for instance, was being scandalously handled by the talkers in her stuffy _salon_, Madame Cervin sat silent. Not only had she her own reasons for being grateful to the little artist, but with the memory of her own long-past adventures behind her she was capable by now of a secret admiration for an unprotected and struggling girl who had hitherto held her head high, worked hard, and avoided lovers.

So that when the artist's wife undertook the charge of the good-looking English girl she had done it honestly, up to her lights, and she had fulfilled it honestly. She had in fact hardly let Louie Grieve out of her sight since her boarder was handed over to her.

These facts, however, represent only one side of the situation.

Madame Cervin was now respectable. She had relinquished years before the _cha.s.se_ for personal excitement; she had replaced it by 'the _cha.s.se_ of the five-franc piece.' She loved her money pa.s.sionately; but at the same time she loved power, gossip, and small flatteries. They distracted her, these last, from the depressing spectacle of her husband's gradual and inevitable decay.

So that her life represented a balance between these various instincts. For some time past she had gathered about her a train of small artists, whom she mothered and patronised, and whose wild talk and pecuniary straits diversified the monotony of her own childless middle age. Montjoie, whose undoubted talent imposed upon a woman governed during all her later life by the traditions and the admirations of the artist world, had some time before established a hold upon her, partly dependent on a certain magnetism in the man, partly, as Elise had suspected, upon money relations. For the grasping little _bourgeoise_ who would haggle for a morning over half a franc, and keep a lynx-eyed watch over the woman who came to do the weekly cleaning, lest the miserable creature should appropriate a crust or a cold potato, had a weak side for her artist friends who flattered and amused her.

She would lend to them now and then out of her h.o.a.rds; she had lent to Montjoie in the winter when, after months of wild dissipation, he was in dire straits and almost starving.

But having lent, the thought of her jeopardised money would throw her into agonies, and she would scheme perpetually to get it back.

Like all the rest of Montjoie's creditors she was hanging on the Maenad, which promised indeed to be the _chef--d'oeuvre_ of an indisputable talent, could that talent only be kept to work. When the sculptor--whose curiosity had been originally roused by certain phrases of Barbier's in his preliminary letters to his nephew, phrases embellished by Dubois' habitual _fanfaronnade_--had first beheld the English girl, he had temporarily thrown up his work and was lounging about Paris in moody despair, to Madame Cervin's infinite disgust. But at sight of Louie his artist's zeal rekindled. Her wild nature, her half-human eye, the traces of Greek form in the dark features--these things fired and excited him.

'Get me that girl to sit,' he had said to Madame Cervin, 'and the Maenad will be sold in six weeks!'

And Madame Cervin, fully determined on the one hand that Montjoie should finish his statue and pay his debts, and on the other that the English girl should come to no harm from a man of notorious character, had first led up to the sittings, and then superintended them with the utmost vigilance. She meant no harm--the brother was a fool for his pains--but Montjoie should have his sitter. So she sat there, dragon-like, hour after hour, knitting away with her little fat hands, while Louie posed, and Montjoie worked; and groups of the sculptor's friends came in and out, providing the audience which excited the ambition of the man and the vanity of the girl.

So the days pa.s.sed. At last there came a morning when Louie came out early from the Cervins' door, shut it behind her, and ran up the ladder-like stairs which led to David's room.

'David!'

Her voice was pitched in no amiable key, as she violently shook the handle of the door. But, call and shake as she might, there was no answer, and after a while she paused, feeling a certain bewilderment.

'It is ridiculous! He can't be out; it isn't half-past eight. It's just his tiresomeness.'

And she made another and still more vehement attempt, all to no purpose. Not a sound was to be heard from the room within. But as she was again standing irresolute, she heard a footstep behind her on the narrow stairs, and looking round saw the _concierge_, Madame Merichat. The woman's thin and sallow face--the face of a born pessimist--had a certain sinister flutter in it.

She held out a letter to the astonished Louie, saying at the same time with a disagreeable smile:

'What is the use of knocking the house down when there is no one there?'

'Where is he?' cried Louie, not understanding her, and looking at the letter with stupefaction.

The woman put it into her hand.

'No one came back last night,' she said with a shrug. 'Neither monsieur nor mademoiselle; and this morning I receive orders to send letters to "Barbizon, pres Fontainebleau."'

Louie tore open her letter. It was from David, and dated Barbizon.

He would be there, it said, for nearly a month. If she could wait with Madame Cervin till he himself could take her home, well and good. But if that were disagreeable to her, let her communicate with him 'chez Madame Pyat, Barbizon, Fontainebleau,' and he would write to Dora Lomax at once, and make arrangements for her to lodge there, till he returned to Manchester. Some one could easily be found to look after her on the homeward journey if Madame Cervin took her to the train. Meanwhile he enclosed the money for two weeks' _pension_ and twenty francs for pocket money.

No other person was mentioned in the letter, and the writer offered neither explanation nor excuses.

Louie crushed the sheet in her hand, with an exclamation, her cheeks flaming.

'So they are amusing themselves at Fontainebleau?' inquired Madame Merichat, who had been leaning against the wall, twisting her ap.r.o.n and studying the English girl with her hard, malicious eyes. 'Oh! I don't complain; there was a letter for me too. Monsieur has paid all. But I regret for mademoiselle--if mademoiselle is surprised.'

She spoke to deaf ears.

Louie pushed past her, flew downstairs, and rang the Cervins' bell violently. Madame Cervin herself opened the door, and the girl threw herself upon her, dragged her into the _salon_, and then said with the look and tone of a fury:

'Read that!'

She held out the crumbled letter. Madame Cervin adjusted her spectacles with shaking hands.

'But it is in English!' she cried in despair.

Louie could not have beaten her for not understanding. But, herself trembling with excitement, she was forced to bring all the French words she knew to bear, and between them, somehow, piecemeal, Madame Cervin was brought to a vague understanding of the letter.

'Gone to Fontainebleau!' she cried, subsiding on to the sofa. 'But why, with whom?'

'Why, with that girl, that _creature--can't_ you understand?'

said Louie, pacing up and down.

'Ah, I will go and find out all about that!' said Madame Cervin, and hastily exchanging the blue cotton ap.r.o.n and jacket she wore in the mornings in the privacy of her own apartment for her walking dress, she whisked out to make inquiries.

Louie was left behind, striding from end to end of the little _salon_, brows knit, every feature and limb tense with excitement.

As the meaning of her discovery grew plainer to her, as she realised what had happened, and what the bearing of it must be on herself and her own position, the tumult within her rose and rose. After that day in the Louvre her native shrewdness had of course very soon informed her of David's infatuation for the little artist. And when it became plain, not only to her, but to all Elise Delaunay's acquaintance, there was much laughter and gossip on the subject in the Cervins' apartment. It was soon discovered that Louie had taken a dislike, which, perhaps, from the beginning had been an intuitive jealousy, to Elise, and had, moreover, no inconvenient sensitiveness on her brother's account, which need prevent the discussion of his love affairs in her presence. So the discussion went freely on, and Louie only regretted that, do what she would to improve herself in French, she understood so little of it. But the tone towards Elise among Montjoie's set, especially from Montjoie himself, was clearly contemptuous and hostile; and Louie instinctively enjoyed the mud which she felt sure was being thrown.