The High Window Part 9

"Tell me about them," I said. "I'd like to know."

"Look, buddy," he said earnestly, "you must got some friends somewhere. Surely."

"I've got a good friend in the Sheriffs office, but I'd rather leave him out of it."

He lifted his eyebrows. "Why? Maybe you're going to need friends. A good word from a cop we know to be right might go a long way."

"He's just a personal friend," I said. "I don't ride around on his back. If I get in trouble, it won't do him any good."

"How about the homicide bureau?"

"There's Randall," I said. "If he's still working out of Central Homicide. I had a little time with him on a case once. But he doesn't like me too well."

Breeze sighed and moved his feet on the floor, rustling the newspapers he had pushed down out of the chair.

"Is all this on the level-or are you just being smart? I mean about all the important guys you don't know?"

"It's on the level," I said. "But the way I am using it is smart."

"It ain't smart to say so right out."

"I think it is."

He put a big freckled hand over the whole lower part of his face and squeezed. When he took the hand away there were round red marks on his cheeks from the pressure of thumb and fingers. I watched the marks fade.

"Why don't you go on home and let a man work?" he asked crossly.

I got up and nodded and went towards the door. Breeze said to my back: "Gimme your home address."

I gave it to him. He wrote it down. "So long," he said drearily: "Don't leave town. We'll want a statement-maybe tonight."

I went out. There were two uniformed cops outside on the landing. The door across the way was open and a fingerprint man was still working inside. Downstairs I met two more cops in the hallway, one at each end of it. I didn't see the carroty manager. I went out the front door. There was an ambulance pulling away from the curb. A knot of people hung around on both sides of the street, not as many as would acc.u.mulate in some neighborhoods.

I pushed along the sidewalk. A man grabbed me by the arm and said: "What's the damage, Jack?"

I shook his arm off without speaking or looking at his face and went on down the street to where my car was.

TWELVE.

It was a quarter to seven when I let myself into the office and clicked the light on and picked a piece of paper off the floor. It was a notice from the Green Feather Messenger Service saying that a package was held awaiting my call and would be delivered upon request at any hour of the day or night. I put it on the desk, peeled my coat off and opened the windows. I got a half bottle of Old Taylor out of the deep drawer of the desk and drank a short drink, rolling it around on my tongue. Then I sat there holding the neck of the cool bottle and wondering how it would feel to be a homicide d.i.c.k and find bodies lying around and not mind at all, not have to sneak out wiping doork.n.o.bs, not have to ponder how much I could tell without hurting a client and how little I could tell without too badly hurting myself. I decided I wouldn't like it.

I pulled the phone over and looked at the number on the slip and called it. They said my package could be sent right over. I said I would wait for it.

It was getting dark outside now. The rushing sound of the traffic had died a little and the air from the open window, not yet cool from the night, had that tired end-of-the-day smell of dust, automobile exhaust, sunlight rising from hot walls and sidewalks, the remote smell of food in a thousand restaurants, and perhaps, drifting down from the residential hills above Hollywood-if you had a nose like a hunting dog-a touch of that peculiar tomcat smell that eucalyptus trees give off in warm weather.

I sat there smoking. Ten minutes later the door was knocked on and I opened it to a boy in a uniform cap who took my signature and gave me a small square package, not more than two and a half inches wide, if that. I gave the boy a dime and listened to him whistling his way back to the elevators.

The label had my name and address printed on it in ink, in a quite fair imitation of typed letters, larger and thinner than pica. I cut the string that tied the label to the box and unwound the thin brown paper. Inside was a thin cheap cardboard box pasted over with brown paper and stamped Made in j.a.pan Made in j.a.pan with a rubber stamp. It would be the kind of box you would get in a j.a.p store to hold some small carved animal or a small piece of jade. The lid fitted down all the way and tightly. I pulled it off and saw tissue paper and cotton wool. with a rubber stamp. It would be the kind of box you would get in a j.a.p store to hold some small carved animal or a small piece of jade. The lid fitted down all the way and tightly. I pulled it off and saw tissue paper and cotton wool.

Separating these I was looking at a gold coin about the size of a half dollar, bright and shining as if it had just come from the mint.

The side facing me showed a spread eagle with a shield for a breast and the initials E.B. punched into the left wing. Around these was a circle of beading, between the beading and the smooth unmilled edge of the coin, the legend E PLURIBUS UNUM E PLURIBUS UNUM. At the bottom was the date 1787.

I turned the coin over on my palm. It was heavy and cold and my palm felt moist under it. The other side showed a sun rising or setting behind a sharp peak of mountain, then a double circle of what looked like oak leaves, then more Latin, NOVA EBORACA COLUMBIA EXCELSIOR NOVA EBORACA COLUMBIA EXCELSIOR. At the bottom of this side, in smaller capitals, the name BRASHER BRASHER.

I was looking at the Brasher Doubloon.

There was nothing else in the box or in the paper, nothing on the paper. The handwritten printing meant nothing to me. I didn't know anybody who used it.

I filled an empty tobacco pouch half full, wrapped the coin up in tissue paper, snapped a rubber band around it and tucked it into the tobacco in the pouch and put more in on top. I closed the zipper and put the pouch in my pocket. I locked the paper and string and box and label up in a filing cabinet, sat down again and dialed Elisha Morningstar's number on the phone. The bell rang eight times at the other end of the line. It was not answered. I hardly expected that. I hung up again, looked Elisha Morningstar up in the book and saw that he had no listing for a residence phone in Los Angeles or the outlying towns that were in the phone book.

I got a shoulder holster out of the desk and strapped it on and slipped a Colt .38 automatic into it, put on hat and coat, shut the windows again, put the whiskey away, clicked the lights off and had the office door unlatched when the phone rang.

The ringing bell had a sinister sound, for no reason of itself, but because of the ears to which it rang. I stood there braced and tense, lips tightly drawn back in a half grin. Beyond the closed window the neon lights glowed. The dead air didn't move. Outside the corridor was still. The bell rang in darkness, steady and strong.

I went back and leaned on the desk and answered. There was a click and a droning on the wire and beyond that nothing. I depressed the connection and stood there in the dark, leaning over, holding the phone with one hand and holding the flat riser on the pedestal down with the other. I didn't know what I was waiting for.

The phone rang again. I made a sound in my throat and put it to my ear again, not saying anything at all.

So we were there silent, both of us, miles apart maybe, each one holding a telephone and breathing and listening and hearing nothing, not even the breathing.

Then after what seemed a very long time there was the quiet remote whisper of a voice saying dimly, without any tone: "Too bad for you, Marlowe."

Then the click again and the droning on the wire and I hung up and went back across the office and out.

THIRTEEN.

I drove west on Sunset, fiddled around a few blocks without making up my mind whether anyone was trying to follow me, then parked near a drugstore and went into its phone booth. I dropped my nickel and asked the O-operator for a Pasadena number. She told me how much money to put in.

The voice which answered the phone was angular and cold. "Mrs. Murdock's residence."

"Philip Marlowe here. Mrs. Murdock, please." I was told to wait. A soft but very clear voice said: "Mr. Marlowe? Mrs. Murdock is resting now. Can you tell me what it is?"

"You oughtn't to have told him."

"I-who-?"

"That loopy guy whose handkerchief you cry into."

"How dare you?"

"That's fine," I said. "Now let me talk to Mrs. Murdock. I have to."

"Very well. I'll try." The soft clear voice went away and I waited a long wait. They would have to lift her up on the pillows and drag the port bottle out of her hard gray paw and feed her the telephone. A throat was cleared suddenly over the wire. It sounded like a freight train going through a tunnel.

"This is Mrs. Murdock."

"Could you identify the property we were talking about this morning, Mrs. Murdock? I mean could you pick it out from others just like it?"

"Well-are there others just like it?"

"There must be. Dozens, hundreds for all I know. Anyhow dozens. Of course I don't know where they are."

She coughed. "I don't really know much about it. I suppose I couldn't identify it then. But in the circ.u.mstances-"

"That's what I'm getting at, Mrs. Murdock. The identification would seem to depend on tracing the history of the article back to you. At least to be convincing."

"Yes. I suppose it would. Why? Do you know where it is?"

"Morningstar claims to have seen it. He says it was offered to him for sale-just as you suspected. He wouldn't buy. The seller was not a woman, he says. That doesn't mean a thing, because he gave me a detailed description of the party which was either made up or was a description of somebody he knew more than casually. So the seller may have been a woman."

"I see. It's not important now."

"Not important?"

"No. Have you anything else to report?"

"Another question to ask. Do you know a youngish blond fellow named George Anson Phillips? Rather heavy set, wearing a brown suit and a dark pork pie hat with a gay band. Wearing that today. Claimed to be a private detective. "

"I do not. Why should I?"

"I don't know. He enters the picture somewhere. I think he was the one who tried to sell the article. Morningstar tried to call him up after I left. I snuck back into his office and overheard."

"You what?"

"I snuck."

"Please do not be witty, Mr. Marlowe. Anything else?"

"Yes, I agreed to pay Morningstar one thousand dollars for the return of the-the article. He said he could get it for eight hundred..."

"And where were you going to get the money, may I ask?"

"Well, I was just talking. This Morningstar is a downy bird. That's the kind of language he understands. And then again you might have wanted to pay it. I wouldn't want to persuade you. You could always go to the police. But if for any reason you didn't want to go to the police, it might be the only way you could get it back-buying it back."

I would probably have gone on like that for a long time, not knowing just what I was trying to say, if she hadn't stopped me with a noise like a seal barking.

"This is all very unnecessary now, Mr. Marlowe. I have decided to drop the matter. The coin has been returned to me."

"Hold the wire a minute," I said.

I put the phone down on the shelf and opened the booth door and stuck my head out, filling my chest with what they were using for air in the drugstore. n.o.body was paying any attention to me. Up front the druggist, in a pale blue smock, was chatting across the cigar counter. The counter boy was polishing gla.s.ses at the fountain. Two girls in slacks were playing the pinball machine. A tall narrow party in a black shirt and a pale yellow scarf was fumbling magazines at the rack. He didn't look like a gunman.

I pulled the booth shut and picked up the phone and said: "A rat was gnawing my foot. It's all right now. You got it back, you said. Just like that. How?"

"I hope you are not too disappointed," she said in her uncompromising baritone. "The circ.u.mstances are a little difficult. I may decide to explain and I may not. You may call at the house tomorrow morning. Since I do not wish to proceed with the investigation, you will keep the retainer as payment in full."

"Let me get this straight," I said. "You actually got the coin back-not a promise of it, merely?"

"Certainly not. And I'm getting tired. So, if you-"

"One moment, Mrs. Murdock. It isn't going to be as simple as all that. Things have happened."

"In the morning you may tell me about them," she said sharply, and hung up.

I pushed out of the booth and lit a cigarette with thick awkward fingers. I went back along the store. The druggist was alone now. He was sharpening a pencil with a small knife, very intent, frowning.

"That's a nice sharp pencil you have there," I told him.

He looked up, surprised. The girls at the pinball machine looked at me, surprised. I went over and looked at myself in the mirror behind the counter. I looked surprised.

I sat down on one of the stools and said: "A double Scotch, straight."

The counter man looked surprised. "Sorry, this isn't a bar, sir. You can buy a bottle at the liquor counter."

"So it is," I said. "I mean, so it isn't. I've had a shock. I'm a little dazed. Give me a cup of coffee, weak, and a very thin ham sandwich on stale bread. No, I better not eat yet either. Good-by."

I got down off the stool and walked to the door in a silence that was as loud as a ton of coal going down a chute. The man in the black shirt and yellow scarf was sneering at me over the New Republic.

"You ought to lay off that fluff and get your teeth into something solid, like a pulp magazine," I told him, just to be friendly.

I went on out. Behind me somebody said: "Hollywood's full of them."

FOURTEEN.

The wind had risen and had a dry taut feeling, tossing the tops of trees, and making the swung arc light up the side street cast shadows like crawling lava. I turned the car and drove east again.

The hock shop was on Santa Monica, near Wilc.o.x, a quiet old-fashioned little place, washed gently by the lapping waves of time. In the front window there was everything you could think of, from a set of trout flies in a thin wooden box to a portable organ, from a folding baby carriage to a portrait camera with a four-inch lens, from a mother-of-pearl lorgnette in a faded plush case to a Single Action Frontier Colt, .44 caliber, the model they still make for Western peace officers whose grandfathers taught them how to file the trigger and shoot by fanning the hammer back.

I went into the shop and a bell jangled over my head and somebody shuffled and blew his nose far at the back and steps came. An old Jew in a tall black skull cap came along behind the counter, smiling at me over cut out gla.s.ses.