The High Window Part 17

"Why do I have to tell you?" she breathed.

"You don't. It's just how you feel about it."

"Will you promise not to tell anybody-anybody in the whole world, not even Mrs. Murdock?"

"Her last of all," I said. "I promise."

She opened her mouth and put a funny little confiding smile on her face, and then it went wrong. Her throat froze up. She made a croaking noise. Her teeth actually rattled.

I wanted to give her a good hard squeeze but I was afraid to touch her. We stood. Nothing happened. We stood. I was about as much use as a hummingbird's spare egg would have been.

Then she turned and ran. I heard her steps going along the hall. I heard a door close.

I went after her along the hall and reached the door. She was sobbing behind it. I stood there and listened to the sobbing.

There was nothing I could do about it. I wondered if there was anything anybody could do about it.

I went back to the gla.s.s porch and knocked on the door and opened it and put my head in. Mrs. Murdock sat just as I had left her. She didn't seem to have moved at all.

"Who's scaring the life out of that little girl?" I asked her.

"Get out of my house," she said between her fat lips.

I didn't move. Then she laughed at me hoa.r.s.ely.

"Do you regard yourself as a clever man, Mr. Marlowe?"

"Well, I'm not dripping with it," I said.

"Suppose you find out for yourself."

"At your expense?"

She shrugged her heavy shoulders. "Possibly. It depends. Who knows?"

"You haven't bought a thing," I said. "I'm still going to have to talk to the police."

"I haven't bought anything," she said, "and I haven't paid for anything. Except the return of the coin. I'm satisfied to accept that for the money I have already given you. Now go away. You bore me. Unspeakably."

I shut the door and went back. No sobbing behind the door. Very still. I went on.

I let myself out of the house. I stood there, listening to the sunshine burn the gra.s.s. A car started up in back and a gray Mercury came drifting along the drive at the side of the house. Mr. Leslie Murdock was driving it. When he saw me he stopped.

He got out of the car and walked quickly over to me. He was nicely dressed; cream colored gabardine now, all fresh clothes, slacks, black and white shoes, with polished black toes, a sport coat of very small black and white check, black and white handkerchief, cream shirt, no tie. He had a pair of green sun gla.s.ses on his nose.

He stood close to me and said in a low timid sort of voice: "I guess you think I'm an awful heel."

"On account of that story you told about the doubloon?"

"Yes."

"That didn't affect my way of thinking about you in the least," I said.

"Well-"

"Just what do you want me to say?"

He moved his smoothly tailored shoulders in a deprecatory shrug. His silly little reddish brown mustache glittered in the sun.

"I suppose I like to be liked," he said.

"I'm sorry, Murdock. I like your being that devoted to your wife. If that's what it is."

"Oh. Didn't you think I was telling the truth? I mean, did you think I was saying all that just to protect her?"

"There was that possibility."

"I see." He put a cigarette into the long black holder, which he took from behind his display handkerchief. "Well-I guess I can take it that you don't like me." The dim movement of his eyes was visible behind the green lenses, fish moving in a deep pool.

"It's a silly subject," I said. "And d.a.m.ned unimportant. To both of us."

He put a match to the cigarette and inhaled. "I see," he said quietly. "Pardon me for being crude enough to bring it up."

He turned on his heel and walked back to his car and got in. I watched him drive away before I moved. Then I went over and patted the little painted Negro boy on the head a couple of times before I left.

"Son," I said to him, "you're the only person around this house that's not nuts."

TWENTY-THREE.

The police loudspeaker box on the wall grunted and a voice said: "KGPL. Testing." A click and it went dead.

Detective-Lieutenant Jesse Breeze stretched his arms high in the air and yawned and said: "Couple of hours late, ain't you?"

I said: "Yes. But I left a message for you that I would be. I had to go to the dentist."

"Sit down."

He had a small littered desk across one corner of the room. He sat in the angle behind it, with a tall bare window to his left and a wall with a large calendar about eye height to his right. The days that had gone down to dust were crossed off carefully in soft black pencil, so that Breeze glancing at the calendar always knew exactly what day it was.

Spangler was sitting sideways at a smaller and much neater desk. It had a green blotter and an onyx pen set and a small bra.s.s calendar and an abalone sh.e.l.l full of ashes and matches and cigarette stubs. Spangler was flipping a handful of bank pens at the felt back of a seat cushion on end against the wall, like a Mexican knife thrower flipping knives at a target. He wasn't getting anywhere with it. The pens refused to stick.

The room had that remote, heartless, not quite dirty, not quite clean, not quite human smell that such rooms always have. Give a police department a brand new building and in three months all its rooms will smell like that. There must be something symbolic in it.

A New York police reporter wrote once that when you pa.s.s in beyond the green lights of a precinct station you pa.s.s clear out of this world, into a place beyond the law.

I sat down. Breeze got a cellophane-wrapped cigar out of his pocket and the routine with it started. I watched it detail by detail, unvarying, precise. He drew in smoke, shook his match out, laid it gently in the black gla.s.s ashtray, and said: "Hi, Spangler."

Spangler turned his head and Breeze turned his head. They grinned at each other. Breeze poked the cigar at me.

"Watch him sweat," he said.

Spangler had to move his feet to turn far enough around to watch me sweat. If I was sweating, I didn't know it.

"You boys are as cute as a couple of lost golf b.a.l.l.s," I said. "How in the world do you do it?"

"Skip the wisecracks," Breeze said. "Had a busy little morning?"

"Fair," I said.

He was still grinning. Spangler was still grinning. Whatever it was Breeze was tasting he hated to swallow it.

Finally he cleared his throat, straightened his big freckled face out, turned his head enough so that he was not looking at me but could still see me and said in a vague empty sort of voice: "Hench confessed."

Spangler swung clear around to look at me. He leaned forward on the edge of his chair and his lips were parted in an ecstatic half smile that was almost indecent.

I said: "What did you use on him-a pickax?"

"Nope."

They were both silent, staring at me.

"A wop," Breeze said.

"A what?"

"Boy, are you glad?" Breeze said.

"You are going to tell me or are you just going to sit there looking fat and complacent and watch me being glad?"

"We like to watch a guy being glad," Breeze said. "We don't often get a chance."

I put a cigarette in my mouth and jiggled it up and down.

"We used a wop on him," Breeze said. "A wop named Palermo."

"Oh. You know something?"

"What?" Breeze asked.

"I just thought of what is the matter with policemen's dialogue."

"What?"

"They think every line is a punch line."

"And every pinch is a good pinch," Breeze said calmly. "You want to know-or you want to just crack wise?"

"I want to know."

"Was like this, then. Hench was drunk. I mean he was drunk deep inside, not just on the surface. Screwy drunk. He'd been living on it for weeks. He'd practically quit eating and sleeping. Just liquor. He'd got to the point where liquor wasn't making him drunk, it was keeping him sober. It was the last hold he had on the real world. When a guy gets like that and you take his liquor away and don't give him anything to hold him down, he's a lost cuckoo."

I didn't say anything. Spangler still had the same erotic leer on his young face. Breeze tapped the side of his cigar and no ash fell off and he put it back in his mouth and went on.

"He's a psycho case, but we don't want any psycho case made out of our pinch. We make that clear. We want a guy that don't have any psycho record."

"I thought you were sure Hench was innocent."

Breeze nodded vaguely. "That was last night. Or maybe I was kidding a little. Anyway in the night, bang, Hench is bugs. So they drag him over to the hospital ward and shoot him full of hop. The jail doc does. That's between you and me. No hop in the record. Get the idea?"

"All too clearly," I said.

"Yeah." He looked vaguely suspicious of the remark, but he was too full of his subject to waste time on it. "Well, this a.m. he is fine. Hop still working, the guy is pale but peaceful. We go see him. How you doing, kid? Anything you need? Any little thing at all? Be glad to get it for you. They treating you nice in here? You know the line."

"I do," I said. "I know the line."

Spangler licked his lips in a nasty way.

"So after a while he opens his trap just enough to say 'Palermo.' Palermo is the name of the wop across the street that owns the funeral home and the apartment house and stuff. You remember? Yeah, you remember. On account of he said something about a tall blond. All hooey. Them wops got tall blonds on the brain. In sets of twelve. But this Palermo is important. I asked around. He gets the vote out up there. He's a guy that can't be pushed around. Well, I don't aim to push him around. I say to Hench, 'You mean Palermo's a friend of yours?' He says, 'Get Palermo.' So we come back here to the hutch and phone Palermo and Palermo says he will be right down. Okay. He is here very soon. We talk like this: Hench wants to see you, Mr. Palermo. I wouldn't know why. He's a poor guy, Palermo says. A nice guy. I think he's okay. He wanta see me, that's a fine. I see him. I see him alone. Without any coppers. I say, Okay, Mr. Palermo, and we go over to the hospital ward and Palermo talks to Hench and n.o.body listens. After a while Palermo comes out and he says, Okay, copper. He make the confess. I pay the lawyer, maybe. I like the poor guy. Just like that. He goes away."

I didn't say anything. There was a pause. The loudspeaker on the wall put out a bulletin and Breeze c.o.c.ked his head and listened to ten or twelve words and then ignored it.

"So we go in with a steno and Hench gives us the dope. Phillips made a pa.s.s at Hench's girl. That was day before yesterday, out in the hall. Hench was in the room and he saw it, but Phillips got into his apartment and shut the door before Hench could get out. But Hench was sore. He socked the girl in the eye. But that didn't satisfy him. He got to brooding, the way a drunk will brood. He says to himself, that guy can't make a pa.s.s at my girl. I'm the boy that will give him something to remember me by. So he keeps an eye open for Phillips. Yesterday afternoon he sees Phillips go into his apartment. He tells the girl to go for a walk. She don't want to go for a walk, so Hench socks her in the other eye. She goes for a walk. Hench knocks on Phillips' door and Phillips opens it. Hench is a little surprised at that, but I told him Phillips was expecting you. Anyway the door opens and Hench goes in and tells Phillips how he feels and what he is going to do and Phillips is scared and pulls a gun. Hench hits him with a sap. Phillips falls down and Hench ain't satisfied. You hit a guy with a sap and he falls down and what have you? No satisfaction, no revenge. Hench picks the gun off the floor and he is very drunk there being dissatisfied and Phillips grabs for his ankle. Hench doesn't know why he did what he did then. He's all fuzzy in the head. He drags Phillips into the bathroom and gives him the business with his own gun. You like it?"

"I love it," I said. "But what is the satisfaction in it for Hench?"

"Well, you know how a drunk is. Anyway he gives him the business. Well it ain't Hench's gun, you see, but he can't make a suicide out of it. There wouldn't be any satisfaction for him in that. So Hench takes the gun away and puts it under his pillow and takes his own gun out and ditches it. He won't tell us where. Probably pa.s.ses it to some tough guy in the neighborhood. Then he finds the girl and they eat."

"That was a lovely touch," I said. "Putting the gun under his pillow. I'd never in the world have thought of that."

Breeze leaned back in his chair and looked at the ceiling. Spangler, the big part of the entertainment over, swung around in his chair and picked up a couple of bank pens and threw one at the cushion.

"Look at it this way," Breeze said. "What was the effect of that stunt? Look how Hench did it. He was drunk, but he was smart. He found that gun and showed it before Phillips was found dead. First we get the idea that a gun is under Hench's pillow that killed a guy-been fired anyway-and then we get the stiff. We believed Hench's story. It seemed reasonable. Why would we think any man would be such a sap as to do what Hench did? It doesn't make any sense. So we believed somebody put the gun under Hench's pillow and took Hench's gun away and ditched it. And suppose Hench ditched the death gun instead of his own, would he have been any better off? Things being what they were we would be bound to suspect him. And that way he wouldn't have started our minds thinking any particular way about him. The way he did he got us thinking he was a harmless drunk that went out and left his door open and somebody ditched a gun on him."

He waited, with his mouth a little open and the cigar in front of it, held up by a hard freckled hand and his pale blue eyes full of dim satisfaction.

"Well," I said, "if he was going to confess anyway, it wouldn't have made very much difference. Will he cop a plea?"

"Sure. I think so. I figure Palermo could get him off with manslaughter. Naturally I'm not sure."

"Why would Palermo want to get him off with anything?"

"He kind of likes Hench. And Palermo is a guy we can't push around."