The Harvester Part 40

"Yes, if you can afford it," said the Girl.

"Forbear!" cried the Harvester. "We have the goods, the dealer has my check. Excuse me ten minutes, until I furnish another room."

The laughing Girl could catch glimpses of him busy over beds and dresser, floor and rugs; then he came where she sat.

"Woods guest chamber ready," he said. "Now we come to the interior apartment, that from its view might be called the marsh room. Aside from being two windows short, it is exactly similar to the others. It occurred to me that, in order to make up for the loss of those windows, and also because I may be compelled to ask some obliging woman to occupy it in case your health is precarious at any time, and in view of the further fact that if any such woman could be found, and would kindly and willingly care for us, my grat.i.tude would be inexpressible; on account of all these things, I got a shade the BEST furnishings for this room."

The Girl stared at him with blank face.

"You see," said the Harvester, "this is a question of ethics. Now what is a guest? A thing of a day! A person who disturbs your routine and interferes with important concerns. Why should any one be grateful for company? Why should time and money be lavished on visitors? They come.

You overwork yourself. They go. You are glad of it. You return the visit, because it's the only way to have back at them; but why pamper them unnecessarily? Now a good housekeeper, that means more than words can express. Comfort, kindness, sanitary living, care in illness! Here's to the prospective housekeeper of Medicine Woods! Rogers, hang those ruffled embroidered curtains. Observe that whereas mere guest beds are plain white, this has a touch of bra.s.s. Where guest rugs are floor coverings, this is a work of art. Where guest brushes are celluloid, these are enamelled, and the dresser cover is hand embroidered. Let me also call your attention to the chairs touched with gold, cushioned for ease, and a decorated pitcher and bowl. Watch the bounce of these springs and the thickness of this mattress and pad, and notice that where guests, however welcome, get a down cover of sateen, the lady of the house has silkaline. Won't she prepare us a breakfast after a night in this room?"

"David, are you in earnest?" gasped the Girl.

"Don't these things prove it?" asked the Harvester. "No woman can enter my home, when my necessities are so great I have to hire her to come, and take the WORST in the house. After my wife, she gets the best, every time. Whenever I need help, the woman who will come and serve me is what I'd call the real guest of the house. Friend? Where are your friends when trouble comes? It always brings a crowd on account of the excitement, and there is noise and racing; but if your soul is saved alive, it is by a steady, trained hand you pay to help you. Friends come and go, but a good housekeeper remains and is a business proposition--one that if conducted rightly for both parties and on a strictly common-sense basis, gives you living comfort. Now that we have disposed of the guests that go and the one that remains, we will proceed downward and arrange for ourselves."

"David, did you ever know any one who treated a housekeeper as you say you would?"

"No. And I never knew any one who raised medicinal stuff for a living, but I'm making a gilt-edged success of it, and I would of a housekeeper, too."

"It doesn't seem----"

"That's the bedrock of all the trouble on the earth," interrupted the Harvester. "We are a nation and a part of a world that spends our time on 'seeming.' Our whole outer crust is 'seeming.' When we get beneath the surface and strike the BEING, then we live as we are privileged by the Almighty. I don't think I give a tinker how anything SEEMS. What concerns me is how it IS. It doesn't 'seem' possible to you to hire a woman to come into your home and take charge of its cleanliness and the food you eat--the very foundation of life--and treat her as an honoured guest, and give her the best comfort you have to offer. The cold room, the old covers, the bare floor, and the cast off furniture are for her.

No wonder, as a rule, she gives what she gets. She dignifies her labour in the same ratio that you do. Wait until we need a housekeeper, and then gaze with awe on the one I will raise to your hand."

"I wonder----"

"Don't! It's wearing! Come tell me how to make our living-room less bare than it appears at present."

They went downstairs together, followed by the decorator, and began work on the room. The Girl was placed on a couch and made comfortable and then the Harvester looked around.

"That bundle there, Rogers, is the curtains we bought for this room. If you and my wife think they are not right, we will not hang them."

The decorator opened the package and took out curtains of tan-coloured goods with a border of blue and brown.

"Those are not expensive," said the Harvester, "but to me a window appears bare with only a shade, so I thought we'd try these, and when they become soiled we'll burn them and buy some fresh ones."

"Good idea!" laughed the Girl. "As a house decorator you surpa.s.s yourself as a Medicine Man."

"Fix these as you did those upstairs," ordered the Harvester. "We don't want any fol-de-rols. Put the bottom even with the sill and shear them off at the top."

"No, I am going to arrange these," said the decorator, "you go on with your part."

"All right!" agreed the Harvester. "First, I'll lay the big rug."

He cleared the floor, spread a large rug with a rich brown centre and a wide blue border. Smaller ones of similar design and colour were placed before each of the doors leading from the room.

"Now for the hearth," said the Harvester, "I got this tan goat skin.

Doesn't that look fairly well?"

It certainly did; and the Girl and the decorator hastened to say so. The Harvester replaced the table and chairs, and then sat on the couch at the Girl's feet.

"I call this almost finished," he remarked. "All we need now is a bouquet and something on the walls, and that is serious business.

What goes on them usually remains for a long time, and so it should be selected with care. Ruth, have you a picture of your mother?"

"None since she was my mother. I have some lovely girl photographs."

"Good!" cried the Harvester. "Exactly the thing! I have a picture of my mother when she was a pretty girl. We will select the best of yours and have them enlarged in those beautiful brown prints they make in these days, and we'll frame one for each side of the mantel. After that you can decorate the other walls as you see things you want. Fifteen minutes gone; we are ready to take up the line of march to the dining-room. Oh I forgot my pillows! Here are a half dozen tan, brown, and blue for this room. Ruth, you arrange them."

The Girl heaped four on the couch, stood one beside the hearth, and laid another in a big chair.

"Now I don't know what you will think of this," said the Harvester. "I found it in a magazine at the library. I copied this whole room. The plan was to have the floor, furniture, and casings of golden oak and the walls pale green. Then it said get yellow curtains bordered with green and a green rug with yellow figures, so I got them. I had green leather cushions made for the window seats, and these pillows go on them. Hang the saffron curtains, Rogers, and we will finish in good shape for dinner by six. By the way, Ruth, when will you select your dishes? It will take a big set to fill all these shelves and you shall have exactly what you want."

"I can use those you have very well."

"Oh no you can't!" cried the Harvester. "I may live and work in the woods, but I am not so benighted that I don't own and read the best books and magazines, and subscribe for a few papers. I patronize the library and see what is in the stores. My money will buy just as much as any man's, if I do wear khaki trousers. Kindly notice the word. Save in deference to your ladyship I probably would have said pants. You see how ELITE I can be if I try. And it not only extends to my wardrobe, to a 'yaller' and green dining-room, but it takes in the 'chany' as well. I have looked up that, too. You want china, cut gla.s.s, silver cutlery, and linen. Ye! Ye! You needn't think I don't know anything but how to dig in the dirt. I have been studying this especially, and I know exactly what to get."

"Come here," said the Girl, making a place for him beside her. "Now let me tell you what I think. We are going to live in the woods, and our home is a log cabin----"

"With acetylene lights, a furnace, baths, and hot and cold water----"

interpolated the Harvester.

The Girl and the decorator laughed.

"Anyway," said she, "if you are going to let me have what I would like, I'd prefer a set of tulip yellow dishes with the Dutch little figures on them. I don't know what they cost, but certainly they are not so expensive as cut gla.s.s and china."

"Is that earnest or is it because you think I am spending too much money?"

"It is what I want. Everything else is different; why should we have dishes like city folk? I'd dearly love to have the Dutch ones, and a white cloth with a yellow border, gla.s.s where it is necessary, and silver knives, forks, and spoons."

"That would be great, all right!" endorsed the decorator. "And you have got a priceless old l.u.s.tre tea set there, and your willow ware is as fine as I ever saw. If I were you, I wouldn't buy a dish with what you have, except the yellow set."

"Great day!" e.j.a.c.u.l.a.t.ed the Harvester. "Will you tell me why my great grandmother's old pink and green teapot is priceless?"

The Girl explained pink l.u.s.tre. "That set in the shop I knew in Chicago would sell for from three to five hundred dollars. Truly it would! I've seen one little pink and green pitcher like yours bring nine dollars there. And you've not only got the full tea set, but water and dip pitchers, two bowls, and two bread plates. They are priceless, because the secret of making them is lost; they take on beauty with age, and they were your great-grandmother's."

The Harvester reached over and energetically shook hands.

"Ruth, I'm so glad you've got them!" he bubbled. "Now elucidate on my willow ware. What is it? Where is it? Why have I willow ware and am not informed. Who is responsible for this? Did my ancestors buy better than they knew, or worse? Is willow ware a crime for which I must hide my head, or is it further riches thrust upon me? I thought I had investigated the subject of proper dishes quite thoroughly; but I am very certain I saw no mention of l.u.s.tre or willow. I thought, in my ignorance, that l.u.s.tre was a dress, and willow a tree. Have I been deceived? Why is a blue plate or pitcher willow ware?"

"Bring that platter from the mantel," ordered the Girl, "and I will show you."

The Harvester obeyed and followed the finger that traced the design.

"That's a healthy willow tree!" he commented. "If Loon Lake couldn't go ahead of that it should be drained. And will you please tell me why this precious platter from which I have eaten much stewed chicken, fried ham, and in youthful days sopped the gravy----will you tell me why this relic of my ancestors is called a willow plate, when there are a majority of orange trees so extremely fruitful they have neglected to grow a leaf?

Why is it not an orange plate? Look at that boat! And in plain sight of it, two paG.o.das, a summer house, a water-sweep, and a pair of corpulent swallows; you would have me believe that a couple are eloping in broad daylight."

"Perhaps it's night! And those birds are doves."