The Guest of Quesnay Part 21

"If Rousseau could come to life and see this sketch of yours, I imagine he would be very much interested, but if he saw mine he might say, 'That is my fault!'"

"OH!" she cried, her colour rising quickly; she looked troubled for a second, then her eyes twinkled. "You're not going to let my work make a difference between us, are you?"

"I'll even try to look at it from your own point of view," I answered, stepping back several yards to see it better, though I should have had to retire about a quarter of the length of a city block to see it quite from her own point of view.

She moved with me, both of us walking backward. I began:

"For a day like this, with all the colour in the trees themselves and so very little in the air--"

There came an interruption, a voice of unpleasant and wiry nasality, speaking from behind us.

"WELL, WELL!" it said. "So here we are again!"

I faced about and beheld, just emerged from a by-path, a fox-faced young man whose light, well-poised figure was jauntily clad in gray serge, with scarlet waistcoat and tie, white shoes upon his feet, and a white hat, gaily beribboned, upon his head. A recollection of the dusky road and a group of people about Pere Baudry's lamplit door flickered across my mind.

"The historical tourist!" I exclaimed. "The highly pedestrian tripper from Trouville!"

"You got me right, m'dear friend," he replied with condescension; "I rec'leck meetin' you perfect."

"And I was interested to learn," said I, carefully observing the effect of my words upon him, "that you had been to Les Trois Pigeons after all. Perhaps I might put it, you had been through Les Trois Pigeons, for the maitre d'hotel informed me you had investigated every corner--that wasn't locked."

"Sure," he returned, with rather less embarra.s.sment than a brazen Vishnu would have exhibited under the same circ.u.mstances. "He showed me what pitchers they was in your studio. I'll luk 'em over again fer ye one of these days. Some of 'em was right gud."

"You will be visiting near enough for me to avail myself of the opportunity?"

"Right in the Pigeon House, m'friend. I've just come down t'putt in a few days there," he responded coolly. "They's a young feller in this neighbourhood I take a kind o' fam'ly interest in."

"Who is that?" I asked quickly.

For answer he produced the effect of a laugh by widening and lifting one side of his mouth, leaving the other, meantime, rigid.

"Don' lemme int'rup' the conv'sation with yer lady-friend," he said winningly. "What they call 'talkin' High Arts,' wasn't it? I'd like to hear some."

CHAPTER XVI

Miss Elliott's expression, when I turned to observe the effect of the intruder upon her, was found to be one of brilliant delight. With glowing eyes, her lips parted in a breathless ecstasy, she gazed upon the newcomer, evidently fearing to lose a syllable that fell from his lips. Moving closer to me she whispered urgently:

"Keep him. Oh, keep him!"

To detain him, for a time at least, was my intention, though my motive was not merely to afford her pleasure. The advent of the young man had produced a singularly disagreeable impression upon me, quite apart from any antagonism I might have felt toward him as a type. Strange suspicions leaped into my mind, formless--in the surprise of the moment--but rapidly groping toward definite outline; and following hard upon them crept a tingling apprehension. The reappearance of this rattish youth, casual as was the air with which he strove to invest it, began to a.s.sume, for me, the character of a theatrical entrance of unpleasant portent--a suggestion just now enhanced by an absurdly obvious notion of his own that he was enacting a part. This was written all over him, most legibly in his att.i.tude of the knowing amateur, as he surveyed Miss Elliott's painting patronisingly, his head on one side, his cane in the crook of his elbows behind his back, and his body teetering genteelly as he shifted his weight from his toes to his heels and back again, nodding meanwhile a slight but judicial approbation.

"Now, about how much," he said slowly, "would you expec' t' git f'r a pitcher that size?"

"It isn't mine," I informed him.

"You don't tell me it's the little lady's--what?" He bowed genially and favoured Miss Elliott with a stare of warm admiration. "Pretty a thing as I ever see," he added.

"Oh," she cried with an ardour that choked her slightly. "THANK you!"

"Oh, I meant the PITCHER!" he said hastily, evidently nonplussed by a grat.i.tude so fervent.

The incorrigible damsel cast down her eyes in modesty. "And I had hoped," she breathed, "something so different!"

I could not be certain whether or not he caught the whisper; I thought he did. At all events, the surface of his easy a.s.surance appeared somewhat disarranged; and, perhaps to restore it by performing the rites of etiquette, he said:

"Well, I expec' the smart thing now is to pa.s.s the cards, but mine's in my grip an' it ain't unpacked yet. The name you'd see on 'em is Oil Poicy."

"Oil Poicy," echoed Miss Elliott, turning to me in genuine astonishment.

"Mr. Earl Percy," I translated.

"Oh, RAPTUROUS!" she cried, her face radiant. "And WON'T Mr. Percy give us his opinion of my Art?"

Mr. Percy was in doubt how to take her enthusiasm; he seemed on the point of turning surly, and hesitated, while a sharp vertical line appeared on his small forehead; but he evidently concluded, after a deep glance at her, that if she was making game of him it was in no ill-natured spirit--nay, I think that for a few moments he suspected her liveliness to be some method of her own for the incipient stages of a flirtation.

Finally he turned again to the easel, and as he examined the painting thereon at closer range, amazement overspread his features. However, pulling himself together, he found himself able to reply--and with great gallantry:

"Well, on'y t' think them little hands cud 'a' done all that rough woik!"

The unintended viciousness of this retort produced an effect so marked, that, except for my growing uneasiness, I might have enjoyed her expression.

As it was, I saved her face by entering into the conversation with a question, which I put quickly:

"You intend pursuing your historical researches in the neighborhood?"

The facial contortion which served him for a laugh, and at the same time as a symbol of unfathomable reserve, was repeated, accompanied by a jocose manifestation, in the nature of a sharp and taunting cackle, which seemed to indicate a conviction that he was getting much the best of it in some conflict of wits.

"Them fairy tales I handed you about ole Jeanne d'Arc and William the Conker," he said, "say, they must 'a' made you sore after-WOIDS!"

"On the contrary, I was much interested in everything pertaining to your too brief visit," I returned; "I am even more so now."

"Well, m'friend"--he shot me a sidelong, distrustful glance--"keep yer eyes open."

"That is just the point!" I laughed, with intentional significance, for I meant to make Mr. Percy talk as much as I could. To this end, remembering that specimens of his kind are most indiscreet when carefully enraged, I added, simulating his own manner:

"Eyes open--and doors locked! What?"

At this I heard a gasp of astonishment from Miss Elliott, who must have been puzzled indeed; but I was intent upon the other. He proved perfectly capable of being insulted.

"I guess they ain't much need o' lockin' YOUR door," he retorted darkly; "not from what I saw when I was in your studio!" He should have stopped there, for the hit was palpable and justified; but in his resentment he overdid it. "You needn't be scared of anybody's cartin'

off THEM pitchers, young feller! WHOOSH! An' f'm the luks of the CLO'ES I saw hangin' on the wall," he continued, growing more nettled as I smiled cheerfully upon him, "I don' b'lieve you gut any worries comin'

about THEM, neither!"

"I suppose our tastes are different," I said, letting my smile broaden.

"There might be protection in that."