The Greater Inclination Part 13

Her eyes defied him.

"Why not?"

He dropped her hands and rose from her side.

"Can you?" he said sadly.

The hour was late and the lamp flickered and sank. She stood up with a shiver and turned toward the door of her room.

V

At daylight a sound in Lydia's room woke Gannett from a troubled sleep.

He sat up and listened. She was moving about softly, as though fearful of disturbing him. He heard her push back one of the creaking shutters; then there was a moment's silence, which seemed to indicate that she was waiting to see if the noise had roused him.

Presently she began to move again. She had spent a sleepless night, probably, and was dressing to go down to the garden for a breath of air.

Gannett rose also; but some undefinable instinct made his movements as cautious as hers. He stole to his window and looked out through the slats of the shutter.

It had rained in the night and the dawn was gray and lifeless. The cloud-m.u.f.fled hills across the lake were reflected in its surface as in a tarnished mirror. In the garden, the birds were beginning to shake the drops from the motionless laurustinus-boughs.

An immense pity for Lydia filled Gannett's soul. Her seeming intellectual independence had blinded him for a time to the feminine cast of her mind. He had never thought of her as a woman who wept and clung: there was a lucidity in her intuitions that made them appear to be the result of reasoning. Now he saw the cruelty he had committed in detaching her from the normal conditions of life; he felt, too, the insight with which she had hit upon the real cause of their suffering.

Their life was "impossible," as she had said--and its worst penalty was that it had made any other life impossible for them. Even had his love lessened, he was bound to her now by a hundred ties of pity and self-reproach; and she, poor child! must turn back to him as Latude returned to his cell....

A new sound startled him: it was the stealthy closing of Lydia's door.

He crept to his own and heard her footsteps pa.s.sing down the corridor.

Then he went back to the window and looked out.

A minute or two later he saw her go down the steps of the porch and enter the garden. From his post of observation her face was invisible, but something about her appearance struck him. She wore a long travelling cloak and under its folds he detected the outline of a bag or bundle. He drew a deep breath and stood watching her.

She walked quickly down the laurustinus alley toward the gate; there she paused a moment, glancing about the little shady square. The stone benches under the trees were empty, and she seemed to gather resolution from the solitude about her, for she crossed the square to the steam-boat landing, and he saw her pause before the ticket-office at the head of the wharf. Now she was buying her ticket. Gannett turned his head a moment to look at the clock: the boat was due in five minutes. He had time to jump into his clothes and overtake her--

He made no attempt to move; an obscure reluctance restrained him. If any thought emerged from the tumult of his sensations, it was that he must let her go if she wished it. He had spoken last night of his rights: what were they? At the last issue, he and she were two separate beings, not made one by the miracle of common forbearances, duties, abnegations, but bound together in a _noyade_ of pa.s.sion that left them resisting yet clinging as they went down.

After buying her ticket, Lydia had stood for a moment looking out across the lake; then he saw her seat herself on one of the benches near the landing. He and she, at that moment, were both listening for the same sound: the whistle of the boat as it rounded the nearest promontory.

Gannett turned again to glance at the clock: the boat was due now.

Where would she go? What would her life be when she had left him? She had no near relations and few friends. There was money enough ... but she asked so much of life, in ways so complex and immaterial. He thought of her as walking bare-footed through a stony waste. No one would understand her--no one would pity her--and he, who did both, was powerless to come to her aid....

He saw that she had risen from the bench and walked toward the edge of the lake. She stood looking in the direction from which the steamboat was to come; then she turned to the ticket-office, doubtless to ask the cause of the delay. After that she went back to the bench and sat down with bent head. What was she thinking of?

The whistle sounded; she started up, and Gannett involuntarily made a movement toward the door. But he turned back and continued to watch her.

She stood motionless, her eyes on the trail of smoke that preceded the appearance of the boat. Then the little craft rounded the point, a dead-white object on the leaden water: a minute later it was puffing and backing at the wharf.

The few pa.s.sengers who were waiting--two or three peasants and a snuffy priest--were cl.u.s.tered near the ticket-office. Lydia stood apart under the trees.

The boat lay alongside now; the gang-plank was run out and the peasants went on board with their baskets of vegetables, followed by the priest.

Still Lydia did not move. A bell began to ring querulously; there was a shriek of steam, and some one must have called to her that she would be late, for she started forward, as though in answer to a summons. She moved waveringly, and at the edge of the wharf she paused. Gannett saw a sailor beckon to her; the bell rang again and she stepped upon the gang-plank.

Half-way down the short incline to the deck she stopped again; then she turned and ran back to the land. The gang-plank was drawn in, the bell ceased to ring, and the boat backed out into the lake. Lydia, with slow steps, was walking toward the garden....

As she approached the hotel she looked up furtively and Gannett drew back into the room. He sat down beside a table; a Bradshaw lay at his elbow, and mechanically, without knowing what he did, he began looking out the trains to Paris....

A COWARD

"My daughter Irene," said Mrs. Carstyle (she made it rhyme with _tureen_), "has had no social advantages; but if Mr. Carstyle had chosen--" she paused significantly and looked at the shabby sofa on the opposite side of the fire-place as though it had been Mr. Carstyle.

Vibart was glad that it was not.

Mrs. Carstyle was one of the women who make refinement vulgar. She invariably spoke of her husband as _Mr. Carstyle_ and, though she had but one daughter, was always careful to designate the young lady by name. At luncheon she had talked a great deal of elevating influences and ideals, and had fluctuated between apologies for the overdone mutton and affected surprise that the bewildered maid-servant should have forgotten to serve the coffee and liqueurs _as usual_.

Vibart was almost sorry that he had come. Miss Carstyle was still beautiful--almost as beautiful as when, two days earlier, against the leafy background of a June garden-party, he had seen her for the first time--but her mother's expositions and elucidations cheapened her beauty as sign-posts vulgarize a woodland solitude. Mrs. Carstyle's eye was perpetually plying between her daughter and Vibart, like an empty cab in quest of a fare. Miss Carstyle, the young man decided, was the kind of girl whose surroundings rub off on her; or was it rather that Mrs.

Carstyle's idiosyncrasies were of a nature to color every one within reach? Vibart, looking across the table as this consolatory alternative occurred to him, was sure that they had not colored Mr. Carstyle; but that, perhaps, was only because they had bleached him instead. Mr.

Carstyle was quite colorless; it would have been impossible to guess his native tint. His wife's qualities, if they had affected him at all, had acted negatively. He did not apologize for the mutton, and he wandered off after luncheon without pretending to wait for the diurnal coffee and liqueurs; while the few remarks that he had contributed to the conversation during the meal had not been in the direction of abstract conceptions of life. As he strayed away, with his vague oblique step, and the stoop that suggested the habit of dodging missiles, Vibart, who was still in the age of formulas, found himself wondering what life could be worth to a man who had evidently resigned himself to travelling with his back to the wind; so that Mrs. Carstyle's allusion to her daughter's lack of advantages (imparted while Irene searched the house for an undiscoverable cigarette) had an appositeness unintended by the speaker.

"If Mr. Carstyle had chosen," that lady repeated, "we might have had our city home" (she never used so small a word as town) "and Ireen could have mixed in the society to which I myself was accustomed at her age."

Her sigh pointed unmistakably to a past when young men had come to luncheon to see _her_.

The sigh led Vibart to look at her, and the look led him to the unwelcome conclusion that Irene "took after" her mother. It was certainly not from the sapless paternal stock that the girl had drawn her warm bloom: Mrs. Carstyle had contributed the high lights to the picture.

Mrs. Carstyle caught his look and appropriated it with the complacency of a vicarious beauty. She was quite aware of the value of her appearance as guaranteeing Irene's development into a fine woman.

"But perhaps," she continued, taking up the thread of her explanation, "you have heard of Mr. Carstyle's extraordinary hallucination. Mr.

Carstyle knows that I call it so--as I tell him, it is the most charitable view to take."

She looked coldly at the threadbare sofa and indulgently at the young man who filled a corner of it.

"You may think it odd, Mr. Vibart, that I should take you into my confidence in this way after so short an acquaintance, but somehow I can't help regarding you as a friend already. I believe in those intuitive sympathies, don't you? They have never misled me--" her lids drooped retrospectively--"and besides, I always tell Mr. Carstyle that on this point I will have no false pretences. Where truth is concerned I am inexorable, and I consider it my duty to let our friends know that our restricted way of living is due entirely to choice--to Mr. Carstyle's choice. When I married Mr. Carstyle it was with the expectation of living in New York and of keeping my carriage; and there is no reason for our not doing so--there is no reason, Mr. Vibart, why my daughter Ireen should have been denied the intellectual advantages of foreign travel. I wish that to be understood. It is owing to her father's deliberate choice that Ireen and I have been imprisoned in the narrow limits of Millbrook society. For myself I do not complain. If Mr.

Carstyle chooses to place others before his wife it is not for his wife to repine. His course may be n.o.ble--Quixotic; I do not allow myself to p.r.o.nounce judgment on it, though others have thought that in sacrificing his own family to strangers he was violating the most sacred obligations of domestic life. This is the opinion of my pastor and of other valued friends; but, as I have always told them, for myself I make no claims.

Where my daughter Ireen is concerned it is different--"

It was a relief to Vibart when, at this point, Mrs. Carstyle's discharge of her duty was cut short by her daughter's reappearance. Irene had been unable to find a cigarette for Mr. Vibart, and her mother, with beaming irrelevance, suggested that in that case she had better show him the garden.

The Carstyle house stood but a few yards back from the brick-paved Millbrook street, and the garden was a very small place, unless measured, as Mrs. Carstyle probably intended that it should be, by the extent of her daughter's charms. These were so considerable that Vibart walked back and forward half a dozen times between the porch and the gate, before he discovered the limitations of the Carstyle domain. It was not till Irene had accused him of being sarcastic and had confided in him that "the girls" were furious with her for letting him talk to her so long at his aunt's garden-party, that he awoke to the exiguity of his surroundings; and then it was with a touch of irritation that he noticed Mr. Carstyle's inconspicuous profile bent above a newspaper in one of the lower windows. Vibart had an idea that Mr. Carstyle, while ostensibly reading the paper, had kept count of the number of times that his daughter had led her companion up and down between the syringa-bushes; and for some undefinable reason he resented Mr.

Carstyle's unperturbed observation more than his wife's zealous self-effacement. To a man who is trying to please a pretty girl there are moments when the proximity of an impartial spectator is more disconcerting than the most obvious connivance; and something about Mr.

Carstyle's expression conveyed his good-humored indifference to Irene's processes.

When the garden-gate closed behind Vibart he had become aware that his preoccupation with the Carstyles had shifted its centre from the daughter to the father; but he was accustomed to such emotional surprises, and skilled in seizing any compensations they might offer.

II

The Carstyles belonged to the all-the-year-round Millbrook of paper-mills, cable-cars, brick pavements and church sociables, while Mrs. Vance, the aunt with whom Vibart lived, was an ornament of the summer colony whose big country-houses dotted the surrounding hills.

Mrs. Vance had, however, no difficulty in appeasing the curiosity which Mrs. Carstyle's enigmatic utterances had aroused in the young man.

Mrs. Carstyle's relentless veracity vented itself mainly on the "summer people," as they were called: she did not propose that any one within ten miles of Millbrook should keep a carriage without knowing that she was ent.i.tled to keep one too. Mrs. Vance remarked with a sigh that Mrs.

Carstyle's annual demand to have her position understood came in as punctually as the taxes and the water-rates.