The Great God Pan Part 5

Argentine was a great favourite of hers, and it is said she was in a terrible state for sometime after."

A curious look came over Villiers' face; he seemed undecided whether to speak or not. Austin began again.

"I never experienced such a feeling of horror as when I read the account of Argentine's death. I didn't understand it at the time, and I don't now. I knew him well, and it completely pa.s.ses my understanding for what possible cause he--or any of the others for the matter of that--could have resolved in cold blood to die in such an awful manner. You know how men babble away each other's characters in London, you may be sure any buried scandal or hidden skeleton would have been brought to light in such a case as this; but nothing of the sort has taken place. As for the theory of mania, that is very well, of course, for the coroner's jury, but everybody knows that it's all nonsense. Suicidal mania is not small-pox."

Austin relapsed into gloomy silence. Villiers sat silent, also, watching his friend. The expression of indecision still fleeted across his face; he seemed as if weighing his thoughts in the balance, and the considerations he was resolving left him still silent. Austin tried to shake off the remembrance of tragedies as hopeless and perplexed as the labyrinth of Daedalus, and began to talk in an indifferent voice of the more pleasant incidents and adventures of the season.

"That Mrs. Beaumont," he said, "of whom we were speaking, is a great success; she has taken London almost by storm. I met her the other night at Fulham's; she is really a remarkable woman."

"You have met Mrs. Beaumont?"

"Yes; she had quite a court around her. She would be called very handsome, I suppose, and yet there is something about her face which I didn't like. The features are exquisite, but the expression is strange. And all the time I was looking at her, and afterwards, when I was going home, I had a curious feeling that very expression was in some way or another familiar to me."

"You must have seen her in the Row."

"No, I am sure I never set eyes on the woman before; it is that which makes it puzzling. And to the best of my belief I have never seen anyone like her; what I felt was a kind of dim far-off memory, vague but persistent. The only sensation I can compare it to, is that odd feeling one sometimes has in a dream, when fantastic cities and wondrous lands and phantom personages appear familiar and accustomed."

Villiers nodded and glanced aimlessly round the room, possibly in search of something on which to turn the conversation. His eyes fell on an old chest somewhat like that in which the artist's strange legacy lay hid beneath a Gothic scutcheon.

"Have you written to the doctor about poor Meyrick?" he asked.

"Yes; I wrote asking for full particulars as to his illness and death.

I don't expect to have an answer for another three weeks or a month. I thought I might as well inquire whether Meyrick knew an Englishwoman named Herbert, and if so, whether the doctor could give me any information about her. But it's very possible that Meyrick fell in with her at New York, or Mexico, or San Francisco; I have no idea as to the extent or direction of his travels."

"Yes, and it's very possible that the woman may have more than one name."

"Exactly. I wish I had thought of asking you to lend me the portrait of her which you possess. I might have enclosed it in my letter to Dr.

Matthews."

"So you might; that never occurred to me. We might send it now. Hark!

what are those boys calling?"

While the two men had been talking together a confused noise of shouting had been gradually growing louder. The noise rose from the eastward and swelled down Piccadilly, drawing nearer and nearer, a very torrent of sound; surging up streets usually quiet, and making every window a frame for a face, curious or excited. The cries and voices came echoing up the silent street where Villiers lived, growing more distinct as they advanced, and, as Villiers spoke, an answer rang up from the pavement:

"The West End Horrors; Another Awful Suicide; Full Details!"

Austin rushed down the stairs and bought a paper and read out the paragraph to Villiers as the uproar in the street rose and fell. The window was open and the air seemed full of noise and terror.

"Another gentleman has fallen a victim to the terrible epidemic of suicide which for the last month has prevailed in the West End. Mr.

Sidney Crashaw, of Stoke House, Fulham, and King's Pomeroy, Devon, was found, after a prolonged search, hanging dead from the branch of a tree in his garden at one o'clock today. The deceased gentleman dined last night at the Carlton Club and seemed in his usual health and spirits.

He left the club at about ten o'clock, and was seen walking leisurely up St. James's Street a little later. Subsequent to this his movements cannot be traced. On the discovery of the body medical aid was at once summoned, but life had evidently been long extinct. So far as is known, Mr. Crashaw had no trouble or anxiety of any kind. This painful suicide, it will be remembered, is the fifth of the kind in the last month. The authorities at Scotland Yard are unable to suggest any explanation of these terrible occurrences."

Austin put down the paper in mute horror.

"I shall leave London to-morrow," he said, "it is a city of nightmares.

How awful this is, Villiers!"

Mr. Villiers was sitting by the window quietly looking out into the street. He had listened to the newspaper report attentively, and the hint of indecision was no longer on his face.

"Wait a moment, Austin," he replied, "I have made up my mind to mention a little matter that occurred last night. It stated, I think, that Crashaw was last seen alive in St. James's Street shortly after ten?"

"Yes, I think so. I will look again. Yes, you are quite right."

"Quite so. Well, I am in a position to contradict that statement at all events. Crashaw was seen after that; considerably later indeed."

"How do you know?"

"Because I happened to see Crashaw myself at about two o'clock this morning."

"You saw Crashaw? You, Villiers?"

"Yes, I saw him quite distinctly; indeed, there were but a few feet between us."

"Where, in Heaven's name, did you see him?"

"Not far from here. I saw him in Ashley Street. He was just leaving a house."

"Did you notice what house it was?"

"Yes. It was Mrs. Beaumont's."

"Villiers! Think what you are saying; there must be some mistake. How could Crashaw be in Mrs. Beaumont's house at two o'clock in the morning? Surely, surely, you must have been dreaming, Villiers; you were always rather fanciful."

"No; I was wide awake enough. Even if I had been dreaming as you say, what I saw would have roused me effectually."

"What you saw? What did you see? Was there anything strange about Crashaw? But I can't believe it; it is impossible."

"Well, if you like I will tell you what I saw, or if you please, what I think I saw, and you can judge for yourself."

"Very good, Villiers."

The noise and clamour of the street had died away, though now and then the sound of shouting still came from the distance, and the dull, leaden silence seemed like the quiet after an earthquake or a storm.

Villiers turned from the window and began speaking.

"I was at a house near Regent's Park last night, and when I came away the fancy took me to walk home instead of taking a hansom. It was a clear pleasant night enough, and after a few minutes I had the streets pretty much to myself. It's a curious thing, Austin, to be alone in London at night, the gas-lamps stretching away in perspective, and the dead silence, and then perhaps the rush and clatter of a hansom on the stones, and the fire starting up under the horse's hoofs. I walked along pretty briskly, for I was feeling a little tired of being out in the night, and as the clocks were striking two I turned down Ashley Street, which, you know, is on my way. It was quieter than ever there, and the lamps were fewer; altogether, it looked as dark and gloomy as a forest in winter. I had done about half the length of the street when I heard a door closed very softly, and naturally I looked up to see who was abroad like myself at such an hour. As it happens, there is a street lamp close to the house in question, and I saw a man standing on the step. He had just shut the door and his face was towards me, and I recognized Crashaw directly. I never knew him to speak to, but I had often seen him, and I am positive that I was not mistaken in my man. I looked into his face for a moment, and then--I will confess the truth--I set off at a good run, and kept it up till I was within my own door."

"Why?"

"Why? Because it made my blood run cold to see that man's face. I could never have supposed that such an infernal medley of pa.s.sions could have glared out of any human eyes; I almost fainted as I looked.

I knew I had looked into the eyes of a lost soul, Austin, the man's outward form remained, but all h.e.l.l was within it. Furious l.u.s.t, and hate that was like fire, and the loss of all hope and horror that seemed to shriek aloud to the night, though his teeth were shut; and the utter blackness of despair. I am sure that he did not see me; he saw nothing that you or I can see, but what he saw I hope we never shall. I do not know when he died; I suppose in an hour, or perhaps two, but when I pa.s.sed down Ashley Street and heard the closing door, that man no longer belonged to this world; it was a devil's face I looked upon."

There was an interval of silence in the room when Villiers ceased speaking. The light was failing, and all the tumult of an hour ago was quite hushed. Austin had bent his head at the close of the story, and his hand covered his eyes.

"What can it mean?" he said at length.

"Who knows, Austin, who knows? It's a black business, but I think we had better keep it to ourselves, for the present at any rate. I will see if I cannot learn anything about that house through private channels of information, and if I do light upon anything I will let you know."