The Graysons Part 1

The Graysons.

by Edward Eggleston.

PREFACE.

_I had thought to close up the cycle of my stories of life in the Mississippi Valley with "Roxy" which was published in 1878. But when I undertook by request of the editor to write a short story for "The Century Magazine," and to found it on a legendary account of one of President Lincoln's trials, the theme grew on my hands until the present novel was the result. It was written mostly at Nervi, near Genoa, where I could not by any possibility have verified the story I had received about 1867 from one of Lincoln's old neighbors. To have investigated the accuracy of my version of the anecdote would have been, indeed, to fly in the face and eyes of providence, for popular tradition is itself an artist rough-hewing a story to the novelist's hands. During the appearance of this novel in serial form I have received many letters from persons acquainted in one way or another with the actors and sufferers in the events, of which these here related are the ideal counterparts. Some of these letters contain information or relate incidents of so much interest that I have it in mind to insert them in an appendix to some later edition of this book._

_EDWARD EGGLESTON._

_Joshua's Rock, Lake George, 1888._

This Book is respectfully inscribed to the Hon. Jonathan Chace, United States Senator from Rhode Island; the Hon. Joseph Hawley, United States Senator from Connecticut; the Hon. W. C. P. Breckenridge, Representative from Kentucky; and the Hon. Patrick A. Collins, Representative from Ma.s.sachusetts, who have recently introduced or had charge of International Copyright Bills, and to those Members of both Houses of Congress who have cooperated with them in the effort to put down literary buccaneering.

E. E.

To my friend, Mabel Cooke, I Dedicate the Ideals of which these Ill.u.s.trations are the Faint and Awkward Shadows.

THE ILl.u.s.tRATOR.

THE GRAYSONS

I

TURNING THE BIBLE

The place of the beginning of this story was a country neighborhood on a sh.o.r.e, if one may call it so, that divided a forest and prairie in Central Illinois. The date was nearly a lifetime ago. An orange-colored sun going down behind the thrifty orchard of young apple-trees on John Albaugh's farm, put into shadow the front of a dwelling which had stood in wind and weather long enough to have lost the raw look of newness, and to have its tints so softened that it had become a part of the circ.u.mjacent landscape. The phebe-bird, locally known as the pewee, had just finished calling from the top of the large barn, and a belated harvest-fly, or singing locust, as the people call him, was yet filling the warm air with the most summery of all summery notes--notes that seem to be felt as well as heard, pushing one another faster and yet faster through the quivering atmosphere, and then dying away by degrees into languishing, long-drawn, and at last barely audible vibrations.

Rachel, the daughter of the prosperous owner of the farm, was tying some jasmine vines to the upright posts that supported the roof of a porch, or veranda, which stretched along the entire front of the house. She wore a fresh calico gown, and she had something the air of one expecting the arrival of guests. She almost always expected company in the evening of a fine day. For the young person whose fortune it is to be by long odds the finest-looking woman in a new country where young men abound, and where women are appreciated at a rate proportioned to their scarcity, knows what it is to be a "reigning belle" indeed. In the vigorous phrase of the country, Rachel was described as "real knock-down handsome"; and, tried by severer standards than those of Illinois, her beauty would have been beyond question. She had the three essentials: eyes that were large and l.u.s.trous, a complexion rich and fresh, yet delicately tinted, and features well-balanced and harmonious. Her blonde hair was abundant, and, like everything about her, vital. Her hands and feet were not over-large, and, fortunately, they were not disproportionately small; but just the hands and feet of a well-developed country girl used to activity and the open air. Without being more than ordinarily clever, she had a certain pa.s.sive intelligence. Her voice was not a fine one, nor had her manners any particular charm except that which comes from the repose of one who understands that she is at her best when silent, and who feels herself easily ahead of rivals without making any exertion. Hers was one of those faces the sight of which quickens the pulses even of an old man, and attracts young men with a fascination as irresistible as it is beyond a.n.a.lysis or description. Many young men were visitors at John Albaugh's hospitable house, and where the young men came the young women were p.r.o.ne to come, and thus Albaugh's became a place of frequent and spontaneous resort for the young people from all the country round.

But it had happened with this much-courted girl, as it has happened to many another like her, that with all the world to choose from, she had tarried single longer than her companions. Rachel was now past twenty-three, in a land where a woman was accounted something of an old maid if unmarried at twenty. Beauties such as she find a certain pleasure in playing with their destiny, as p.u.s.s.y loves the excitement of trifling with the mouse that can hardly escape her in any way. Prey that comes too easily in reach is not highly valued. Every bid for such a woman's hand leads her to raise her estimation of her own value.

Rachel's lovers came and went, and married themselves to young women without beauty. Lately, however, Rachel Albaugh's neighbors began to think that she had at length fallen in love "for keeps," as the country phrase expressed it.

"I say, Rache," called her brother Ike, a youth of fifteen, who was just then half-hidden in the boughs of the summer apple-tree by the garden gate, "they's somebody coming."

"Who is it, Ike?"

"Henry Miller and the two Miller girls."

"Oh! is that all?" said Rachel, in a teasing tone.

"Is that _all_?" said Ike. "You don't care for anybody but Tom Grayson these days. I'll bet you Tom'll be here to-night."

"What makes you think so?" asked Rachel, trying not to evince any interest in the information.

"Don't you wish you knew?" he answered, glad to repay her teasing in kind.

"Did you see him to-day?"

"Say, Sis," said Ike, affecting to dismiss the subject, "here's an awful nice apple. Can you ketch?"

Rachel held up her hands to catch the apple, baring her pretty arms by the falling back of her loose sleeves. The mischievous Ike threw a swift ball, and Rachel, holding her hands for it, could not help shrinking as the apple came flying at her. She shut her eyes and ducked her head, and of course the apple went past her, bowling away along the porch and off the other end of it into the gra.s.s.

"That's just like a girl," said Ike. "Here's a better apple. I won't throw so hard this time." And Rachel caught the large striped apple in her two hands.

"I say, Ike," she said, coaxingly, "where did you see Tom?"

"Oh! I met him over on the big road as I went to mill this morning; he was going home to his mother's, an' he said he was coming over to see you to-night. An' I told him to fetch Barbara, so 's I'd have somebody to talk to, 'cause you wouldn't let me get a word in ageways with him.

An' Tom laughed an' looked tickled."

"I guess you won't talk much to Barbara while Ginnie Miller's here,"

Rachel said; and by this time Henry Miller and his two sisters were nearing the white gate which stood forty feet away from the cool front porch of the house.

"Howdy, Rachel!" said Henry Miller, as he reached the gate, and "Howdy!

Howdy!" came from the two sisters, to which Rachel answered with a cordial "Howdy! Come in!" meant for the three. When they reached the porch, she led the way through the open front door to the "settin' room"

of the house, as the living-room was always called in that day. The fire-place looked like an extinct crater; curtains of narrow green slats hung at the windows, and the floor was covered by a new rag-carpet in which was imbedded a whole history of family costume; a patient geologist might have discovered in it traces of each separate garment worn in the past five years by the several members of the Albaugh family. The mantel-piece was commonplace enough, of "poplar" wood--that is, tulip-tree--painted brown. The paint while fresh had been scratched in rhythmical waves with a common coa.r.s.e comb. This graining resembled that of some wood yet undiscovered. The table at the side of the room farthest from the door had a cover of thin oil-cloth decorated with flowers; most of them done in yellow. A tall wooden clock stood against the wall at the right of the door as you entered, and its slow ticking seemed to make the room cooler. For the rest, there was a black rocking-chair with a curved wooden seat and uncomfortable round slats in the back; there were some rank-and-file chairs besides,--these were black, with yellow stripes; and there was a green settee with three rockers beneath and an arm at each end.

Henry Miller was a square-set young fellow, without a spark of romance in him. He had plowed corn all day, and he would have danced all night had the chance offered, and then followed the plow the next day. His sisters were like him, plain and of a square type that bespoke a certain sort of "Pennsylvania Dutch" ancestry, though the Millers had migrated to Illinois, not from Pennsylvania, but from one of the old German settlements in the valley of Virginia. Ike jumped out of the apple-tree to follow Virginia, the youngest of the Millers, into the house; there was between him and "Ginnie," as she was called, that sort of adolescent attachment, or effervescent reaction, which always appears to the parties involved in it the most serious interest in the universe, and to everybody else something deliciously ridiculous; a sort of burlesque of the follies of people more mature.

This was destined to be one of Rachel's "company evenings"; she had not more than seated the Millers and taken the girls' bonnets to a place of security, when there was a knock on the door-jamb. It was Mely McCord, who had once been a hired help in the Albaugh family. There were even in that day wide differences in wealth and education in Illinois, but cla.s.s demarcations there were not. Nothing was more natural than that Mely, who had come over from Hubbard township to visit some cousin in the neighborhood, should visit the Albaughs. Mely McCord was a girl--she was always called a girl, though now a little in the past tense--with a stoop in the shoulders, and hair that would have been better if it had been positively and decoratively red. As it was, her head seemed always striving to be red without ever attaining to any purity of color.

Half an hour later, Magill, an Irish bachelor of thirty-five, who, being county clerk, was prudently riding through the country in order to keep up his acquaintance with the voters, hitched his horse at the fence outside of the Albaugh gate, and came in just as Rachel was bringing a candle. Though he had no notion of c.u.mbering himself with a family or with anything else likely to interfere with the freedom or pleasure of "an Irish gentleman," Magill was very fond of playing at gallantry, and he affected a great liking for what he called "faymale beauty," and plumed himself on the impression his own sprucely dressed person and plump face--a little overruddy, especially toward the end of the nose--might make on the s.e.x. He could never pa.s.s Albaugh's without stopping to enjoy a platonic flirtation with Rachel. George Lockwood arrived at the same time; he was a clerk in Wooden's store, at the county-seat village of Moscow, and he could manage, on his busiest days even, to spend half an hour in selling a spool of cotton thread to Rachel Albaugh. He had now come five miles in the vain hope of finding her alone. The country beauty appreciated the flattery of his long ride, and received his attention with a pleasure undisguised.

George Lockwood's was no platonic sentiment. He watched intently every motion of Rachel's arms only half-hidden in her open-sleeved dress; even the rustling of the calico of her gown made his pulses flutter. He made a shame-faced effort to conceal his agitation; he even tried to devote himself to Mely McCord and the "Miller girls" now and then; but his eyes followed Rachel's tranquil movements, as she amused herself with Magill's bald flatteries, and Lockwood could not help turning himself from side to side in order to keep the ravishing vision in view when he was talking to some one else.

"You had better make the most of your chance, Mr. Lockwood," said pert little Virginia Miller, piqued by his absent-minded pretense of talking with her.

"What do you mean?" he asked.

"Oh, talk to Rachel while you can, for maybe after a while you can't!"

"Why can't I?"

"She's glad enough to talk to you now, but just you wait till Tom Grayson comes. If he should happen in to-night, what do you think would become of you?"

"Maybe I'm not so dead in love as you think," he answered.

"You? You're past hope. Your eyes go round the room after her like a sunflower twistin' its neck off to see the sun."