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The Grain Ship Part 15

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"'Did you give her your key? Give me that key--the key of your studio.

Hurry up!'

"A dim light of intelligence flashed over his cheerful face, and he grinned.

"'Oh, yesh--yesh; thash so!' He pulled out a bunch of keys. 'Here's keys, ol' man--street-door key and studio key.'

"As he staggered off, I bounded up the stairs, with the two keys he had pulled from his bunch.



"The widow met me at my door.

"'Has a lady called here?' I asked, hastily.

"'Somebody peeped in,' she said. 'It may have been a lady, but I thought it was Mr. Bunker, and as soon as I could--I was dressing my eye--I followed out; but he was gone.'

"'Oh, Lord!' I groaned. 'If it was she, she's gone out to my place, and she will tell my wife.'

"Then I remembered that Mrs. Milner did not have my country address, and was comforted.

"But I had been extremely agitated, and now my shattered nervous system went back on me so completely that I practically turned that interesting female out.

"'The lady may come back at any moment,' I said. 'Here are the keys--this one for the outer door, this one for the studio. Don't let her find you with me in this place.'

"I gave the widow the keys, and she left, saying that she would make a call on someone who had promised her employment, and that she would not annoy me further. She was extremely grateful for my kindness, and all that.

"I hurried her out; and, after a while, settled down to my desk, and worked through the evening--worked hard, to keep from worrying over the whereabouts of Mrs. Milner, alone in that great city.

"Mrs. Milner quite failed to appear; but, at eleven o'clock the other one came. I heard her in the hall, fumbling at the keyhole of Bunker's door, and went out.

"'This key will not unlock the door,' she said, and I joined her.

"Trying the key, I found that it did not fit--in fact, that it was a key shaped differently from all other door-keys in that building; and I knew that the befuddled Bunker had made a mistake.

"'He gave you the right key for the street-door,' the widow whimpered; 'why did he give the wrong one for this door?'

"'Drunk,' I growled. 'Come in, and we'll talk it over.'

"'Oh, I cannot,' she complained. 'To think of it! the terrible position I am in! Oh, to think of it!'

"'Don't think of it,' I answered; 'it's all right. Don't think of it, and don't talk of it. I'll say nothing, and I'll go home as soon as I've finished the page I'm on. Come in and sit down.'

"I led her in, and sat her down, but her plaint would not cease. I fancied there was a smell of liquor in the air, but I could not be sure that it was not the clinging odor left by Bunker. I turned to my work, and endeavored to write, but could not; for now her mood changed to one of patronage, and she advised me upon my methods, my style of writing, my manner of living. She promised to be a friend to me all her life.

She would help me to reform my rather slap-dash style of writing, and to give it the literary touch, and she would help me in my punctuation.

She had made a study of my editorials, and knew all my weak points.

"All this was enough to exasperate a steadier-nerved man than myself.

It drove me, barely convalescent from mental collapse, to distraction.

"'Here,' I said, rudely, standing up, 'you will not stop talking, so I must stop work. I'll give it up and go home.'

"'Oh, don't let me disturb you,' she said, pleadingly, as she, too, rose and approached me; 'I will be quiet, I really will.'

"But I smelt the odor of liquor again now plainly from her breath, and I did not believe that she could stop talking if she tried. My resolution to go was made stronger.

"I went to a cabinet at the far end of the studio, to get some papers I wished to carry home with me. I returned quickly.

"But, in that short time, she had made changes; she had laid aside her hat and jacket when she came in, but now she stood before my mirror, shaking her hair down her back, and unb.u.t.toning her collar. She smiled sweetly as she turned to me.

"Without a word, I caught up my hat, and fled.

"Down in the street, I looked at my watch. It was nearly midnight. It would take me until two in the morning to get home, where I would have to wake my wife, and relate the whole truth--or else tell her a lie as to why I was home a day ahead of time. I cared to do neither, and thought of a hotel. But, though I had a commutation ticket in my pocket, my money was now reduced to twenty-five cents--not enough to pay for a night's lodging. There was not a soul left in that darkened building to whom I could appeal.

"Then I bethought me of a friend of many years' standing, who lived on the top floor of a bachelor apartment not far away. With my grip in my hand, I hurried to his street, and was taken up by the elevator to the top floor, dimly lighted and bordered with doors.

"I knew his door, and knocked on it. There was no answer. I knocked again and again, but he did not respond. At last, in desperation, I rang for the elevator, and asked the attendant where my friend was. The boy did not know, but thought that the gentleman must be in, and asleep.

"However, I went down, and waited for a half-hour at the door, hoping that he had been out late and would soon appear. But he did not, and I went up again, resolved to batter down his door, if necessary. I began the attack at once, and, though I produced no effect on the door, I did upon my knuckles and the repose of other tenants of the floor. Doors opened, and tired, sleepy voices inquired the reason of the tumult. I made no answer, but banged away.

"'Tom,' I shouted, at last; 'Tom, get up! Let me in! I want to see you; it's important. Let me in!'

"A voice from a half-opened door informed me that if I did not stop the noise I should be pitched down the stairs. Still, I banged away at Tom's door. There was no response, and I grew sick at heart.

"Then, just as I was about to go away, a door leading up to the attic opened, and Tom appeared, clad in street clothing--overcoat and all.

"'What's up?' he inquired, with chattering teeth.

"'Tom!' I exclaimed, reaching his side at a bound, 'I want to talk with you. Take me into your place. I'm in trouble. I want to sleep in your room with you. Take me in.'

"'Come upstairs,' he said, calmly.

"I followed him up to the bare and chilly attic, where he lighted a candle, and offered me a seat--on the floor. I told him my agonized tale of woe, but he did not show the sympathy I had antic.i.p.ated; in fact, he laughed, softly and long.

"'You can sleep with me, if you insist,' he said. 'I've a Persian rug that will almost cover us both, and I'll share this pillow with you.

Then, here's a single portiere--not very warm--and two New York _Heralds_ and a Sunday _Times_ that will help out. But, in fact, I'd rather not entertain you to-night. I'd rather you'd go out and walk the street, or sleep in the Park. I couldn't sleep a wink myself with you alongside of me, and neither could you.'

"'But your room,' I gasped; 'what's the matter with your room?'

"'I've been turned out of my room,' he said. 'I'm allowed to sleep here, to-night; and I don't know how it will be to-morrow night--can't tell.'

"'Well, I'll bunk in with you, here.'

"'No,' he rejoined, heartlessly; 'on the whole, I don't want you. Get out and walk the street, or try someone else.'

"'Then lend me some money. I'll go to a hotel.'

"'If I had any money, do you think I should be sleeping here, to-night?'

"'I suppose not,' I sighed. 'Well, I think I'll go. You won't help me?'

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The Grain Ship Part 15 summary

You're reading The Grain Ship. This manga has been translated by Updating. Author(s): Morgan Robertson. Already has 436 views.

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