The Golden Scarecrow Part 5

II

After a long time he was alone. About him the room, save for the yellow night-light above his head, was dark, humped with shadows, with grey pools of light near the windows, and a golden bar that some lamp beyond the house flung upon the wall. Ernest Henry lay and, now and again, cautiously felt the b.u.mp on his forehead; there was b.u.t.ter on the b.u.mp, and an interesting confusion and pain and importance round and about it.

Ernest Henry's eyes sought the golden bar, and then, lingering there, looked back upon the recent adventure. He had walked; yes, he had walked. This would, indeed, be something to tell his Friend.

His friend, he knew, would be very shortly with him. It was not every night that he came, but always, before his coming, Ernest Henry knew of his approach--knew by the happy sense of comfort that stole softly about him, knew by the dismissal of all those fears and shapes and terrors that, otherwise, so easily beset him. He sucked his thumb now, and felt his b.u.mp, and stared at the ceiling and knew that he would come. During the first months after Ernest Henry's arrival on this planet his friend was never absent from him at all, was always there, drawing through his fingers the threads of the old happy life and the new alarming one, mingling them so that the transition from the one to the other might not be too sharp--rea.s.suring, comforting, consoling. Then there had been hours when he had withdrawn himself, and that earlier world had grown a little vaguer, a little more remote, and certain things, certain foods and smells and sounds had taken their place within the circle of realised facts. Then it had come to be that the friend only came at night, came at that moment when the nurse had gone, when the room was dark, and the possible beasts--the first beast, the second beast, and the third beast--began to creep amongst those cool, grey shadows in the hollow of the room. He always came then, was there with his arm about Ernest Henry, his great body, his dark beard, his large, firm hands--all so rea.s.suring that the beasts might do the worst, and nothing could come of it. He brought with him, indeed, so much more than himself--brought a whole world of recollected wonders, of all that other time when Ernest Henry had other things to do, other disciplines, other triumphs, other defeats, and other glories. Of late his memory of the other time had been untrustworthy. Things during the day-time would remind him, but would remind him, nevertheless, with a strange mingling of the world at present about him, so that he was not sure of his visions. But when his friend was with him the memories were real enough, and it was the nurse, the fire, the red wallpaper, the smell of toast, the taste of warm milk, that were faint and shadowy.

His friend was there, just as always, suddenly sitting there on the bed with his arm round Ernest Henry's body, his dark beard just tickling Ernest Henry's neck, his hand tight about Ernest Henry's hand. They told one another things in the old way without tiresome words and sounds; but, for the benefit of those who are unfortunately too aged to remember that old and pleasant intercourse, one must make use of the English language. Ernest Henry displayed his b.u.mp, and explained its origin; and then, even as he did so, was aware that the reality of the b.u.mp made the other world just a little less real. He was proud that he had walked and stood up, and had been the master of his circ.u.mstance; but just because he had done so he was aware that his friend was a little, a very little farther away to-night than he had ever been before.

"Well, I'm very glad that you're going to stand on your own, because you'll have to. I'm going to leave you now--leave you for longer, far longer than I've ever left you before."

"Leave me?"

"Yes. I shan't always be with you; indeed, later on you won't want me.

Then you'll forget me, and at last you won't even believe that I ever existed--until, at the end of it all, I come to take you away. _Then_ it will all come back to you."

"Oh, but that's absurd!" Ernest Henry said confidently. Nevertheless, in his heart he knew that, during the day-time, other things did more and more compel his attention. There were long stretches during the day-time now when he forgot his friend.

"After your second birthday I always leave you more to yourselves. I shall go now for quite a time, and you'll see that when the old feeling comes, and you know that I'm coming back, you'll be quite startled and surprised that you'd got on so well without me. Of course, some of you want me more than others do, and with some of you I stay quite late in life. There are one or two I never leave at all. But you're not like that; you'll get on quite well without me."

"Oh, no, I shan't," said Ernest Henry, and he clung very tightly and was most affectionate. But he suddenly put his fingers to his b.u.mp, felt the b.u.t.ter, and his chin shot up with self-satisfaction.

"To-morrow I'll get ever so much farther," he said.

"You'll behave, and not mind the beasts or the creatures?" his friend said. "You must remember that it's not the slightest use to call for me.

You're on your own. Think of me, though. Don't forget me altogether. And don't forget all the other world in your new discoveries. Look out of the window sometimes. That will remind you more than anything."

He had kissed him, had put his hand for a moment on Ernest Henry's curls, and was gone. Ernest Henry, his thumb in his mouth, was fast asleep.

III

Suddenly, with a wild, agonising clutch at the heart, he was awake. He was up in bed, his hands, clammy and hot, pressed together, his eyes staring, his mouth dry. The yellow night-light was there, the bars of gold upon the walls, the cool, grey shadows, the white square of the window; but there, surely, also, were the beasts. He knew that they were there--one crouching right away there in the shadow, all black, damp; one crawling, blacker and damper, across the floor; one--yes, beyond question--one, the blackest and cruellest of them all, there beneath the bed. The bed seemed to heave, the room flamed with terror. He thought of his friend; on other nights he had invoked him, and instantly there had been a.s.surance and comfort. Now that was of no avail; his friend would not come. He was utterly alone. Panic drove him; he thought that there, on the farther side of the bed, claws and a black arm appeared. He screamed and screamed and screamed.

The door was flung open, there were lights, his nurse appeared. He was lying down now, his face towards the wall, and only dry, hard little sobs came from him. Her large red hand was upon his shoulder, but brought no comfort with it. Of what use was she against the three beasts? A poor creature.... He was ashamed that he should cry before her. He bit his lip.

"Dreaming, I suppose, sir," she said to some one behind her. Another figure came forward. Some one sat down on the edge of the bed, put his arm round Ernest Henry's body and drew him towards him. For one wild moment Ernest Henry fancied that his friend had, after all, returned.

But no. He knew that these were the conditions of this world, not of that other. When he crept close to his friend he was caught up into a soft, rosy comfort, was conscious of nothing except ease and rest. Here there were k.n.o.bs and hard little b.u.t.tons, and at first his head was pressed against a cold, slippery surface that hurt. Nevertheless, the pressure was pleasant and comforting. A warm hand stroked his hair. He liked it, jerked his head up, and hit his new friend's chin.

"Oh, d.a.m.n!" he heard quite clearly. This was a new sound to Ernest Henry; but just now he was interested in sounds, and had learnt lately quite a number. This was a soft, pleasant, easy sound. He liked it.

And so, with it echoing in his head, his curly head against his father's shoulder, the b.u.mp glistening in the candle-light, the beasts defeated and derided, he tumbled into sleep.

IV

A pleasant sight at breakfast was Ernest Henry, with his yellow curls gleaming from his bath, his bib tied firmly under his determined chin, his fat fingers clutching a large spoon, his body barricaded into a high chair, his heels swinging and kicking and swinging again. Very fine, too, was the nursery on a sunny morning--the fire crackling, the roses on the brown carpet as lively as though they were real, and the whole place glittering, glowing with size and cleanliness and vigour. In the air was the crackling smell of toast and bacon, in a gla.s.s dish was strawberry jam, through the half-open window came all the fun of the Square--the sparrows, the carts, the motor-cars, the bells, and horses.... Oh, a fine morning was fine indeed!

Ernest Henry, deep in the business of conveying securely his bread and milk from the bowl--a beautiful bowl with red robins all round the outside of it--to his mouth, laughed at the three beasts. Let them show themselves here in the sunlight, and they'd see what they'd get. Let them only dare!

He surveyed, with pleased antic.i.p.ation, the probable progress of his day. He glanced at the pile of toys in the farther corner of the room, and thought to himself that he might, after all, find some diversion there. Yesterday they had seemed disappointing; to-day in the glow of the sun they suggested, adventure. Then he looked towards that stretch of country--that wall-to-screen marathon--and, with an eye upon his nurse, meditated a further attempt. He put down his spoon, and felt his b.u.mp. It was better; perchance there would be two b.u.mps by the evening.

And then, suddenly, he remembered.... He felt again the terror, saw the lights and his nurse, then that new friend.... He pondered, lifted his spoon, waved it in the air; and then smiling with the happy recovery of a pleasant, friendly sound, repeated half to himself, half to his nurse: "d.a.m.n! d.a.m.n! d.a.m.n!"

That began for him the difficulties of his day. He was hustled, shaken; words, words, words were poured down upon him. He understood that, in some strange, unexpected, bewildering fashion he had done wrong. There was nothing more puzzling in his present surroundings than that amazingly sudden transition from serenity to danger. Here one was, warm with food, bathed in sunlight, with a fine, ripe day in front of one....

Then the mere murmur of a sound, and all was tragedy.

He hated his toys, his nurse, his food, his world; he sat in a corner of the room and glowered.... How was he to know? If, under direct encouragement, he could be induced to say "dada," or "horse," or "twain," he received nothing but applause and, often enough, reward.

Yet, let him make use of that pleasant new sound that he had learnt, and he was in disgrace. Upon this day, more than any other in his young life, he ached, he longed for some explanation. Then, sitting there in his corner, there came to him a discovery, the force of which was never, throughout all his later life, to leave him. He had been deserted by his friend. His last link with that other life was broken. He was here, planted in the strangest of strange places, with nothing whatever to help him. He was alone; he must fight for his own hand. He would--from that moment, seated there beneath the window, Ernest Henry Wilberforce challenged the terrors of this world, and found them sawdust--he would say "d.a.m.n" as often as he pleased. "d.a.m.n, d.a.m.n, d.a.m.n, d.a.m.n," he whispered, and marked again, with meditative eye, the s.p.a.ce from wall to screen.

After this, greatly cheered, he bethought him of the Square. Last night his friend had said to him that when he wished to think of him, and go back for a time to the other world, a peep into the Square would a.s.sist him. He clambered up on to the window-seat, caught behind him those sounds, "Now, Master Ernest," which he now definitely connected with condemnation and disapproval, shook his curls in defiance, and pressed his nose to the gla.s.s. The Square was a dazzling sight. He had not as yet names for any of the things that he saw there, nor, when he went out on his magnificent daily progress in his perambulator did he a.s.sociate the things that he found immediately around him with the things that he saw from his lofty window; but, with every absorbed gaze they stood more securely before him, and were fixed ever more firmly in his memory.

This was a Square with fine, white, lofty houses, and in the houses were an infinite number of windows, sometimes gay and sometimes glittering.

In the middle of the Square was a garden, and in the middle of the garden, very clearly visible from Ernest Henry's window, was a fountain.

It was this fountain, always tossing and leaping, that gave Ernest Henry the key to his memories. Gazing at it he had no difficulty at all to find himself back in the old life. Even now, although only two years had pa.s.sed, it was difficult not to reveal his old experiences by means of terms of his new discoveries. He thought, for instance, of the fountain as a door that led into the country whose citizen he had once been, and that country he saw now in terms of doors and pa.s.sages and rooms and windows, whereas, in reality, it had been quite otherwise.

But now, perched up there on the window-sill, he felt that if he could only bring the fountain in with him out of the Square into his nursery, he would have the key to both existences. He wanted to understand--to understand what was the relation between his friend who had left last night, why he might say "dada," but mustn't say "d.a.m.n," why, finally, he was here at all. He did not consciously consider these things; his brain was only very slightly, as yet, concerned in his discoveries; but, like a flowing river, beneath his movements and actions, the interplay of his two existences drove him on through, his adventure.

There were, of course, many other things in the Square besides the fountain. There was, at the farther corner, just out of the Square, but quite visible from Ernest Henry's window, a fruit-shop with coloured fruit piled high on the boards outside the windows. Indeed, that side street, of which one could only catch this glimpse, promised to be most wonderful always; when evening came a golden haze hovered round and about it. In the garden itself there were often many children, and for an hour every afternoon Ernest Henry might be found amongst them. There were two statues in the Square--one of a gentleman in a beard and a frock-coat, the other of a soldier riding very finely upon a restless horse; but Ernest Henry was not, as yet, old enough to realise the meaning and importance of these heroes.

Outside the Square there were many dogs, and even now as he looked down from his window he could see a number of them, black and brown and white.

The trees trembled in a little breeze, the fountain flashed in the sun, somewhere a barrel-organ was playing.... Ernest Henry gave a little sigh, of satisfaction.

He was back! He was back! He was slipping, slipping into distance through the window into the street, under the fountain, its glittering arms had caught him; he was up, the door was before him, he had the key.

"Time for you to put your things on, Master Ernest. And 'ow you've dirtied your knees! There! Look!"

He shook himself, clambered down from the window, gave his nurse what she described as "One of his old, old looks. Might be eighty when he's like that.... They're all like it when they're young."

With a sigh he translated himself back into this new, tiresome existence.

V

But after that morning things were never again quite the same. He gave himself up deliberately to the new life.

With that serious devotion towards anything likely to be of real practical value to him that was, in his later years, never to fail him, he attacked this business of "words." He discovered that if he made certain sounds when certain things were said to him he provoked instant applause. He liked popularity; he liked the rewards that popularity brought him. He acquired a formula that amounted practically to "Wash dat?" And whenever he saw anything new he produced his question. He learnt with amazing rapidity. He was, his nurse repeatedly told his father, "a most remarkable child."

It could not truthfully be said that during these weeks he forgot his friend altogether. There were still the dark hours at night when he longed for him, and once or twice he had cried aloud for him. But slowly that slipped away. He did not look often now at the fountain.

There were times when his friend was almost there. One evening, kneeling on the floor before the fire, arranging shining soldiers in a row, he was aware of something that made him sharply pause and raise his head.

He was, for the moment, alone in the room that was glowing and quivering now in the firelight. The faint stir and crackle of the fire, the rich flaming colour that rose and fell against the white ceiling might have been enough to make him wonder. But there was also the scent of a clump of blue hyacinths standing in shadow by the darkened window, and this scent caught him, even as the fountain had caught him, caught him with the stillness, the leaping fire, the twisted sense of romantic splendours that came, like some magician's smoke and flame, up to his very heart and brain. He did not turn his head, but behind him he was sure, there on the golden-brown rug, his friend was standing, watching him with his smiling eyes, his dark beard; he would be ready, at the least movement, to catch him up and hold him. Swiftly, Ernest Henry turned. There was no one there.

But those moments were few now; real people were intervening. He had no mother, and this was doubtless the reason why his nurse darkly addressed him as "Poor Lamb" on many occasions; but he was, of course, at present unaware of his misfortune. He _had_ an aunt, and of this lady he was aware only too vividly. She was long and thin and black, and he would not have disliked her so cordially, perhaps, had he not from the very first been aware of the sharpness of her nose when she kissed him. Her nose hurt him, and so he hated her. But, as he grew, he discovered that this hatred was well-founded. Miss Wilberforce had not a happy way with children; she was nervous when she should have been bold, and secret when she should have been honesty itself. When Ernest Henry was the merest atom in a cradle, he discovered that she was afraid of him; he hated the shiny stuff of her dress. She wore a gold chain that--when you pulled it--snapped and hit your fingers. There were sharp pins at the back of her dress. He hated her; he was not afraid of her, and yet on that critical night when his friend told him of his departure, it was the fear of being left alone with the black cold shiny thing that troubled him most; she bore of all the daylight things the closest resemblance to the three beasts.

There was, of course, his nurse, and a great deal of his time was spent in her company; but she had strangely little connection with his main problem of the relation of this, his present world, to that, his preceding one. She was there to answer questions, to issue commands, to forbid. She had the key to various cupboards--to the cupboard with pretty cups and jam and sugar, to the cupboard with ugly things that tasted horrible, things that he resisted by instinct long before they arrived under his nose. She also had certain sounds, of which she made invariable use on all occasions. One was, "Now, Master Ernest!" Another: "Mind-what-you're-about-now!" And, at his "Wash dat!" always "Oh-bother-the-boy!" She was large and square to look upon, very often pins were in her mouth, and the slippers that she wore within doors often clipclapped upon the carpet. But she was not a person; she had nothing to do with his progress.

The person who had to do with it was, of course, his father. That night when his friend had left him had been, indeed, a crisis, because it was on that night that his father had come to him. It was not that he had not been aware of his father before, but he had been aware of him only as he had been aware of light and heat and food. Now it had become a definite wonder as to whether this new friend had been sent to take the place of the old one. Certainly the new friend had very little to do with all that old life of which the fountain was the door. He belonged, most definitely, to the new one, and everything about him--the delightfully mysterious tick of his gold watch, the solid, firm grasp of his hand, the sure security of his shoulder upon which Ernest Henry now gloriously rode--these things were of this world and none other.