The Golden Age Of Science Fiction Vol Iv Part 86

An angry voice snarled, "You up there, whoever you are, where'd you leave your brains? No civilian craft are allowed in the air, and that's orders straight from Washington. Don't you know there's a war on? Now get down here, before you're shot down--"

Shandor thought quickly. "This is a Federal Security ship," he snapped. "I'm just on a reconnaissance--"

The voice was cautious. "Security? What's your corroboration number?"

Shandor cursed. "JF223R-864. Name is Jerry Chandler. Give it a check if you want to." He flipped the switch, and accelerated for the ridge of hills that marked the Colorado border as the radio signal continued to bleep angrily, and a trio of pursuit planes on the ground began warming up. Shandor sighed, hoping they would check before they sent ships after him. It might at least delay them until he reached his destination.

Another hour carried him to the heart of the Rockies, and across the great salt fields of Utah. His fuel tanks were low, being emptied one by one as the tiny ship sped through the bright morning sky, and Tom was growing uneasy, until suddenly, far to the west and slightly to the north he spotted the plant, nestling in the mountain foothills. It lay far below, sprawling like some sort of giant spider across the rugged terrain. Several hundred cars spread out to the south of the plant, and he could see others speeding in from the temporary village across the ridge. Everything was quiet, orderly. He could see the shipments, crated, sitting in freight cars to the north. And then he saw the drill line running over to the right of the plant. He followed it, quickly checking a topographical map in the c.o.c.kpit, and his heart started pounding. The railroad branch ran between two low peaks and curved out toward the desert. Moving over it, he saw the curve, saw it as it cut off to the left--and seemed to stop dead in the middle of the desert sand-- Shandor circled even lower, keeping one ear c.o.c.ked on the radio, and settled the ship on the railroad line. And just as he cut the motors, he heard the shrill whine of three pursuit ships screaming in from the Eastern horizon-- He was out of the 'copter almost as soon as it had touched, throwing a jacket over his arm, and racing for the place where the drill line ended. Because he had seen as he slid in for a landing, just what he had suspected from the topographical map. The drill didn't end in the middle of a desert at all. It went right on into the mountainside.

The excavation was quite large, the entrance covered and camouflaged neatly to give the very impression that he had gotten from the air. Under the camouflage the s.p.a.ce was crowded, stacked with crates, boxes, materials, stacked all along the walls of the tunnel. He followed the rails in, lighting his way with a small pocket flashlight when the tunnel turned a corner, cutting off the daylight. Suddenly the tunnel widened, opening out into a much wider room. He sensed, rather than saw, the immense size of the vault, smelt the odd, bitter odor in the air. With the flashlight he probed the darkness, spotting the high, vaulted ceiling above him. And below him-- At first he couldn't see, probing the vast excavation before him, and then, strangely, he saw but couldn't realize what he saw. He stared for a solid minute, uncomprehending, then, stifling a gasp, he knew what he was looking at-- Lights. He had to have lights, to see clearly what he couldn't believe. Frantically, he spun the flashlight, seeking a light panel, and then, fascinated, he turned the little oval of light back to the pit. And then he heard the barest whisper of sound, the faintest intake of breath, and he ducked, frozen, as a blow whistled past his ear. A second blow from the side caught him solidly in the blackness, grunting, flailing out into a tangle of legs and arms, cursing, catching a foot in his face, striking up into soft, yielding flesh-- And his head suddenly exploded into a million dazzling lights as he sank unconscious to the ground-- * * * * *

It was a tiny room, completely without windows, the artificial light filtering through from ventilation slits near the top. Shandor sat up, shaking as the chill in the room became painfully evident. A small electric heater sat in the corner beaming valiantly, but the heat hardly reached his numbed toes. He stood up, shaking himself, slapping his arms against his sides to drive off the coldness--and he heard a noise through the door as soon as he had made a sound.

Muted footsteps stopped outside the door, and a huge man stepped inside. He looked at Shandor carefully, then closed the door behind him, without locking it. "I'm Baker," he rasped cheerfully. "How are you feeling?"

Shandor rubbed his head, suddenly and acutely aware of a very sore nose and a bruised rib cage. "Not so hot," he muttered. "How long have I been out?"

"Long enough." The man pulled out a plug of tobacco, ripped off a chunk with his teeth. "Chew?"

"I smoke." Shandor fished for cigarettes in an empty pocket.

"Not in here you don't," said Baker. He shrugged his huge shoulders and settled affably down on a bench near the wall. "You feel like talking?"

Shandor eyed the unlocked door, and turned his eyes to the huge man. "Sure," he said. "What do you want to talk about?"

"I don't want to talk about nothin'," the big man replied, indifferently. "Thought you might, though."

"Are you the one that roughed me up?"

"Yuh." Baker grinned. "Hope I didn't hurt you much. Boss said to keep you in one piece, but we had to hurry up, and take care of those Army guys you brought in on your tail. That was dumb. You almost upset everything."

Memory flooded back, and Shandor's eyes widened. "Yes--they followed me all the way from Lincoln--what happened to them?"

Baker grinned and chomped his tobacco. "They're a long way away now. Don't worry about them."

Shandor eyed the door uneasily. The latch hadn't caught, and the door had swung open an inch or two. "Where am I?" he asked, inching toward the door. "What--what are you planning to do to me?"

Baker watched him edging away. "You're safe," he said. "The boss'll talk to you pretty soon if you feel like it--" He squinted at Tom in surprise, pointing an indolent thumb toward the door. "You planning to go out or something?"

Tom stopped short, his face red. The big man shrugged. "Go ahead. I ain't going to stop you." He grinned. "Go as far as you can."

Without a word Shandor threw open the door, looked out into the concrete corridor. At the end was a large, bright room. Cautiously he started down, then suddenly let out a cry and broke into a run, his eyes wide-- He reached the room, a large room, with heavy plastic windows. He ran to one of the windows, pulse pounding, and stared, a cry choking in his throat. The blackness of the crags contrasted dimly with the inky blackness of the sky beyond. Mile upon mile of jagged, rocky crags, black rock, ageless, unaged rock. And it struck him with a jolt how easily he had been able to run, how lightning-swift his movements. He stared again, and then he saw what he had seen in the pit, standing high outside the building on a rocky flat, standing bright and silvery, like a phantom finger pointing to the inky heavens, sleek, smooth, resting on polished tailfins, like an other-worldly bird poised for flight-- A voice behind him said, "You aren't really going anyplace, you know. Why run?" It was a soft voice, a kindly voice, cultured, not rough and biting like Baker's voice. It came from directly behind Shandor, and he felt his skin crawl. He had heard that voice before--many times before. Even in his dreams he had heard that voice. "You see, it's pretty cold out there. And there isn't any air. You're on the Moon, Mr. Shandor--"

He whirled, his face twisted and white. And he stared at the small figure standing at the door, a stoop-shouldered man, white hair slightly untidy, crow's-feet about his tired eyes. An old man, with eyes that carried a sparkle of youth and kindliness. The eyes of David P. Ingersoll.

Shandor stared for a long moment, shaking his head like a man seeing a phantom. When he found words, his voice was choked, the words wrenched out as if by force. "You're--you're alive."

"Yes. I'm alive."

"Then--" Shandor shook his head violently, turning to the window, and back to the small, white-haired man. "Then your death was just a fake."

The old man nodded tiredly. "That's right. Just a fake."

Shandor stumbled to a chair, sat down woodenly. "I don't get it," he said dully. "I just don't get it. The war--that--that I can see. I can see how you worked it, how you engineered it, but this--" he gestured feebly at the window, at the black, impossible landscape outside. "This I can't see. They're bombing us to pieces, they're bombing out Washington, probably your own home, your own family--last night--" he stopped, frowning in confusion--"no, it couldn't have been last night--two days ago?--well, whatever day it was, they were bombing us to pieces, and you're up here--why? What's it going to get you? This war, this whole rotten intrigue mess, and then this?"

The old man walked across the room and stared for a moment at the silent ship outside. "I hope I can make you understand. We had to come here. We had no choice. We couldn't do what we wanted any other way than to come here--first. Before anybody else."

"But why here? They're building a rocket there in Arizona. They'll be up here in a few days, maybe a few weeks--"

"Approximately forty-eight hours," corrected Ingersoll quietly. "Within forty-eight hours the Arizona rocket will be here. If the Russian rocket doesn't get here first."

"It doesn't make sense. It won't do you any good to be here if the Earth is blasted to bits. Why come here? And why bring me here, of all people? What do you want with me?"

Ingersoll smiled and sat down opposite Shandor. "Take it easy," he said gently. "You're here, you're safe, and you're going to get the whole story. I realize that this is a bit of a jolt--but you had to be jolted. With you I think the jolt will be very beneficial, since we want you with us. That's why we brought you here. We need your help, and we need it very badly. It's as simple as that."

Shandor was on his feet, his eyes blazing. "No dice. This is your game, not mine. I don't want anything to do with it--"

"But you don't know the game--"

"I know plenty of the game. I followed the trail, right from the start. I know the whole rotten mess. The trail led me all the way around Robin Hood's barn, but it told me things--oh, it told me plenty! It told me about you, and this war. And now you want me to help you! What do you want me to do? Go down and tell the people it isn't really so bad being pounded to shreds? Should I tell them they aren't really being bombed, it's all in their minds? Shall I tell them this is a war to defend their freedoms, that it's a great crusade against the evil forces of the world? What kind of a sap do you think I am?" He walked to the window, his whole body trembling with anger. "I followed this trail down to the end, I sc.r.a.ped my way down into the dirtiest, slimiest depths of the barrel, and I've found you down there, and your rotten corporations, and your crowd of heelers. And on the other side are three hundred million people taking the lash end of the whip on Earth, helping to feed you. And you ask me to help you!"

"Once upon a time," Ingersoll interrupted quietly, "there was a fox."

Shandor stopped and stared at him.

"--and the fox got caught in a trap. A big bear trap, with steel jaws, that clamped down on him and held him fast by the leg. He wrenched and he pulled, but he couldn't break that trap open, no matter what he did. And the fox knew that the farmer would come along almost any time to open that bear trap, and the fox knew the farmer would kill him. He knew that if he didn't get out of that trap, he'd be finished, sure as sin. But he was a clever fox, and he found a way to get out of the bear trap." Ingersoll's voice was low, tense in the still room. "Do you know what he did?"

Shandor shook his head silently.

"It was a very simple solution," said Ingersoll. "Drastic, but simple. He gnawed off his leg."

Another man had entered the room, a small, weasel-faced man with sallow cheeks and slick black hair. Ingersoll looked up with a smile, but Mariel waved him on, and took a seat nearby.

"So he chewed off his leg," Shandor repeated dully. "I don't get it."

"The world is in a trap," said Ingersoll, watching Shandor with quiet eyes. "A great big bear trap. It's been in that trap for decades--ever since the first World War. The world has come to a wall it can't climb, a trap it can't get out of, a vicious, painful, torturous trap, and the world has been struggling for seven decades to get out. It hasn't succeeded. And the time is drawing rapidly nigh for the farmer to come. Something had to be done, and done fast, before it was too late. The fox had to chew off its leg. And I had to bring the world to the brink of a major war."

Shandor shook his head, his mind buzzing. "I don't see what you mean. We never had a chance for peace, we never had a chance to get our feet on the ground from one round to the next. No time to do anything worthwhile in the past seventy years--I don't see what you mean about a trap."

Ingersoll settled back in his chair, the light catching his face in sharp profile. "It's been a century of almost continuous war," he said. "You've pointed out the whole trouble. We haven't had time to catch our breath, to make a real peace. The first World War was a sorry affair, by our standards--almost a relic of earlier European wars. Trench fighting, poor rifles, soap-box aircraft--nothing to distinguish it from earlier wars but its scope. But twenty uneasy years went by, and another war began, a very different sort of war. This one had fast aircraft, fast mechanized forces, heavy bombing, and finally, to cap the climax, atomics. That second World War could hold up its head as a real, strapping, fighting war in any society of wars. It was a stiff war, and a terrible one. Quite a bit of progress, for twenty years. But essentially, it was a war of ideologies, just as the previous one had been. A war of intolerance, of unmixable ideas--"

The old man paused, and drew a sip of water from the canister in the corner. "Somewhere, somehow, the world had missed the boat. Those wars didn't solve anything, they didn't even make a very strong pretense. They just made things worse. Somewhere, human society had gotten into a trap, a vicious circle. It had reached the end of its progressive tether, it had no place to go, no place to expand, to great common goal. So ideologies arose to try to solve the dilemma of a basically static society, and they fought wars. And they reached a point, finally, where they could destroy themselves unless they broke the vicious circle, somehow."

Shandor looked up, a deep frown on his face. "You're trying to say that they needed a new frontier."

"Exactly! They desperately needed it. There was only one more frontier they could reach for. A frontier which, once attained, has no real end." He gestured toward the black landscape outside. "There's the frontier. s.p.a.ce. The one thing that could bring human wars to an end. A vast, limitless frontier which could drive men's spirits upward and outward for the rest of time. And that frontier seemed unattainable. It was blocked off by a wall, by the jaws of a trap. Oh, they tried. After the first war the work began. The second war contributed unimaginably to the technical knowledge. But after the second war, they could go no further. Because it cost money, it required a tremendous effort on the part of the people of a great nation to do it, and they couldn't see why they should spend the money to get to s.p.a.ce. After all, they had to work up the atomics and new weapons for the next war--it was a trap, as strong and treacherous as any the people of the world had ever encountered.

"The answer, of course, was obvious. Each war brought a great surge of technological development, to build better weapons, to fight bigger wars. Some developments led to extremely beneficial ends, too--if it hadn't been for the second war, a certain British biologist might still be piddling around his understaffed, underpaid laboratory, wishing he had more money, and wondering why it was that that dirty patch of mold on his petri dish seemed to keep bacteria from growing--but the second war created a sudden, frantic, urgent demand for something, anything, that would stop infection--fast. And in no time, penicillin was in ma.s.s production, saving untold thousands of lives. There was no question of money. Look at the Manhattan project. How many millions went into that? It gave us atomic power, for war, and for peace. For peaceful purposes, the money would never have been spent. But if it was for the sake of war--"

Ingersoll smiled tiredly. "Sounds insane, doesn't it? But look at the record. I looked at the record, way back at the end of the war with China. Other men looked at the record, too. We got together, and talked. We knew that the military advantage of a rocket base on the moon could be a deciding factor in another major war. Military experts had recognized that fact back in the 1950's. Another war could give men the technological kick they needed to get them to s.p.a.ce--possibly in time. If men got to s.p.a.ce before they destroyed themselves, the trap would be broken, the frontier would be opened, and men could turn their energies away from destruction toward something infinitely greater and more important. With s.p.a.ce on his hands men could get along without wars. But if we waited for peacetime to go to s.p.a.ce, we might never make it. It might be too late.

"It was a dreadful undertaking. I saw the wealth in the company I directed and controlled at the end of the Chinese war, and the idea grew strong. I saw that a huge industrial amalgamation could be undertaken, and succeed. We had a weapon in our favor, the most dangerous weapon ever devised, a thousand times more potent than atomics. Hitler used it, with terrible success. Stalin used it. Haro-Tsing used it. Why couldn't Ingersoll use it? Propaganda--a terrible weapon. It could make people think the right way--it could make them think almost any way. It made them think war. From the end of the last war we started, with propaganda, with politics, with money. The group grew stronger as our power became more clearly understood. Mariel handled propaganda through the newspapers, and PIB, and magazines--a clever man--and Harry Dartmouth handled production. I handled the politics and diplomacy. We had but one aim in mind--to bring about a threat of major war that would drive men to s.p.a.ce. To the moon, to a man-made satellite, somewhere or anywhere to break through the Earth's gravity and get to s.p.a.ce. And we aimed at a controlled war. We had the power to do it, we had the money and the plants. We just had to be certain it wasn't the ultimate war. It wasn't easy to make sure that atomic weapons wouldn't be used this time--but they will not. Both nations are too much afraid, thanks to our propaganda program. They both leaped at a chance to make a face-saving agreement. And we hoped that the war could be held off until we got to the moon, and until the Arizona rocket project could get a ship launched for the moon. The wheels we had started just moved too fast. I saw at the beginning of the Berlin Conference that it would explode into war, so I decided the time for my 'death' had arrived. I had to come here, to make sure the war doesn't go on any longer than necessary."

Shandor looked up at the old man, his eyes tired. "I still don't see where I'm supposed to fit in. I don't see why you came here at all. Was that a wild-goose chase I ran down there, learning about this?"

"Not a wild goose chase. The important work can't start, you see, until the rocket gets here. It wouldn't do much good if the Arizona rocket got here, to fight the war. It may come for war, but it must go back for peace. We built this rocket to get us here first--built it from government specifications, though they didn't know it. We had the plant to build it in, and we were able to hire technologists not to find the right answers in Arizona until we were finished. Because the whole value of the war-threat depended solely and completely upon our getting here first. When the Arizona rocket gets to the moon, the war must be stopped. Only then can we start the real 'operation Bear Trap.' That ship, whether American or Russian, will meet with a great surprise when it reaches the Moon. We haven't been spotted here. We left in darkness and solitude, and if we were seen, it was chalked off as a guided missile. We're well camouflaged, and although we don't have any sort of elaborate base--just a couple of sealed rooms--we have a ship and we have weapons. When the first ship comes up here, the control of the situation will be in our hands. Because when it comes, it will be sent back with an ultimatum to all nations--to cease warfare, or suffer the most terrible, nonpartisan bombardment the world has ever seen. A pinpoint bombardment, from our ship, here on the Moon. There won't be too much bickering I think. The war will stop. All eyes will turn to us. And then the big work begins."

He smiled, his thin face showing tired lines in the bright light. "I may die before the work is done. I don't know, nor care. I have no successor, nor have we any plans to perpetuate our power once the work is done. As soon as the people themselves will take over the work, the job is theirs, because no group can hope to ultimately control s.p.a.ce. But first people must be sold on s.p.a.ce, from the bottom up. They must be forced to realize the implications of a ship on the moon. They must realize that the first ship was the hardest, that the trap is sprung. The amputation is a painful one, there wasn't any known anaesthetic, but it will heal, and from here there is no further need for war. But the people must see that, understand its importance. They've got to have the whole story, in terms that they can't mistake. And that means a propagandist--"

"You have Mariel," said Shandor. "He's had the work, the experience--"

"He's getting tired. He'll tell you himself his ideas are slow, he isn't on his toes any longer. He needs a new man, a helper, to take his place. When the first ship comes, his job is done." The old man smiled. "I've watched you, of course, for years. Mariel saw that you were given his job when he left PIB to edit 'Fighting World.' He didn't think you were the man, he didn't trust you--thought you had been raised too strongly on the sort of gibberish you were writing. I thought you were the only man we could use. So we let you follow the trail, and watched to see how you'd handle it. And when you came to the Nevada plant, we knew you were the man we had to have--"

Shandor scowled, looking first at Ingersoll, then at Mariel's impa.s.sive face. "What about Ann?" he asked, and his voice was unsteady. "She knew about it all the time?"

"No. She didn't know anything about it. We were afraid she had upset things when she didn't turn my files over to Dartmouth as he'd told her. We were afraid you'd go ahead and write the story as you saw it then, which would have wrecked our plan completely. As it was, she helped us sidestep the danger in the long run, but she didn't know what she was really doing." He grinned. "The error was ours, of course. We simply underestimated our man. We didn't know you were that tenacious."

Shandor's face was haggard. "Look. I--I don't know what to think. This ship in Arizona--how long? When will it come? How do you know it'll ever come?"

"We waited until our agents there gave us a final report. The ship may be leaving at any time. But there's no doubt that it'll come. If it doesn't, one from Russia will. It won't be long." He looked at Shandor closely. "You'll have to decide by then, Tom."

"And if I don't go along with you?"

"We could lose. It's as simple as that. Without a spokesman, the plan could fall through completely. There's only one thing you need to make your decision, Tom--faith in men, and a sure conviction that man was made for the stars, and not for an endless circle of useless wars. Think of it, Tom. That's what your decision means."

Shandor walked to the window, stared out at the bleak landscape, watched the great bluish globe of earth, hanging like a huge balloon in the black sky. He saw the myriad pinpoints of light in the blackness on all sides of it, and shook his head, trying to think. So many things to think of, so very many things-- "I don't know," he muttered. "I just don't know--"

It was a long night. Ideas are cruel, they become a part of a man's brain, an inner part of his chemistry, they carve grooves deep in his mind which aren't easily wiped away. He knew he'd been living a lie, a bitter, hopeless, endless lie, all his life, but a liar grows to believe his own lies. Even to the point of destruction, he believes them. It was so hard to see the picture, now that he had the last piece in place.

A fox, and a bear trap. Such a simple a.n.a.logy. War was a h.e.l.lish proposition, it was cruel, it was evil. It could be lost, so very easily. And it seemed so completely, utterly senseless to cut off one's own leg-- And then he thought, somewhere, sometime, he'd see her again. Perhaps they'd be old by then, but perhaps not--perhaps they'd still be young, and perhaps she wouldn't know the true story yet. Perhaps he could be the first to tell her, to let her know that he had been wrong-- Maybe there could be a chance to be happy, on Earth, sometime. They might marry, even, there might be children. To be raised for what? Wars and wars and more wars? Or was there another alternative? Perhaps the stars were winking brighter-- * * * * *

A hoa.r.s.e shout rang through the quiet rooms. Ingersoll sat bolt upright, turned his bright eyes to Mariel, and looked down the pa.s.sageway. And then they were crowding to the window as one of the men snapped off the lights in the room, and they were staring up at the pale bluish globe that hung in the sky, squinting, breathless-- And they saw the tiny, tiny burst of brightness on one side of that globe, saw a tiny whisp of yellow, cutting an arc from the edge, moving farther and farther into the black circle of s.p.a.ce around the Earth, slicing like a thin scimitar, moving higher and higher, and then, magically, winking out, leaving a tiny, evaporating trail behind it.

"You saw it?" whispered Mariel in the darkness. "You saw it, David?"

"Yes. I saw it." Ingersoll breathed deeply, staring into the blackness, searching for a glimmer, a glint, some faint rea.s.surance that it had not been a mirage they had seen. And then Ingersoll felt a hand in his, Tom Shandor's hand, gripping his tightly, wringing it, and when the lights snapped on again, he was staring at Shandor, tears of happiness streaming from his pale, tired eyes. "You saw it?" he whispered.

Shandor nodded, his heart suddenly too large for his chest, a peace settling down on him greater than any he had ever known in his life.

"They're coming," he said.

Contents

CROSSROADS OF DESTINY.

by H. Beam Piper

No wonder he'd been so interested in the talk of whether our people accepted these theories!

CROSSROADS OF DESTINY.

I still have the dollar bill. It's in my box at the bank, and I think that's where it will stay. I simply won't destroy it, but I can think of n.o.body to whom I'd be willing to show it--certainly n.o.body at the college, my History Department colleagues least of all. Merely to tell the story would brand me irredeemably as a crackpot, but crackpots are tolerated, even on college faculties. It's only when they begin producing physical evidence that they get themselves actively resented.

When I went into the club-car for a nightcap before going back to my compartment to turn in, there were five men there, sitting together.

One was an Army officer, with the insignia and badges of a Staff Intelligence colonel. Next to him was a man of about my own age, with sandy hair and a bony, Scottish looking face, who sat staring silently into a highball which he held in both hands. Across the aisle, an elderly man, who could have been a lawyer or a banker, was smoking a cigar over a gla.s.s of port, and beside him sat a plump and slightly too well groomed individual who had a tall colorless drink, probably gin-and-tonic. The fifth man, separated from him by a vacant chair, seemed to be dividing his attention between a book on his lap and the conversation, in which he was taking no part. I sat down beside the sandy-haired man; as I did so and rang for the waiter, the colonel was saying: "No, that wouldn't. I can think of a better one. Suppose you have Columbus get his ships from Henry the Seventh of England and sail under the English instead of the Spanish flag. You know, he did try to get English backing, before he went to Spain, but King Henry turned him down. That could be changed."

I p.r.i.c.ked up my ears. The period from 1492 to the Revolution is my special field of American history, and I knew, at once, the enormous difference that would have made. It was a moment later that I realized how oddly the colonel had expressed the idea, and by that time the plump man was speaking.

"Yes, that would work," he agreed. "Those kings made decisions, most of the time, on whether or not they had a hangover, or what some court favorite thought." He got out a notebook and pen and scribbled briefly. "I'll hand that to the planning staff when I get to New York. That's Henry the Seventh, not Henry the Eighth? Right. We'll fix it so that Columbus will catch him when he's in a good humor."

That was too much. I turned to the man beside me.

"What goes on?" I asked. "Has somebody invented a time machine?"

He looked up from the drink he was contemplating and gave me a grin.

"Sounds like it, doesn't it? Why, no; our friend here is getting up a television program. Tell the gentleman about it," he urged the plump man across the aisle.

The waiter arrived at that moment. The plump man, who seemed to need little urging, waited until I had ordered a drink and then began telling me what a positively sensational idea it was.

"We're calling it Crossroads of Destiny," he said. "It'll be a series, one half-hour show a week; in each episode, we'll take some historic event and show how history could have been changed if something had happened differently. We dramatize the event up to that point just as it really happened, and then a commentary-voice comes on and announces that this is the Crossroads of Destiny; this is where history could have been completely changed. Then he gives a resume of what really did happen, and then he says, 'But--suppose so and so had done this and that, instead of such and such.' Then we pick up the dramatization at that point, only we show it the way it might have happened. Like this thing about Columbus; we'll show how it could have happened, and end with Columbus wading ash.o.r.e with his sword in one hand and a flag in the other, just like the painting, only it'll be the English flag, and Columbus will shout: 'I take possession of this new land in the name of His Majesty, Henry the Seventh of England!'" He brandished his drink, to the visible consternation of the elderly man beside him. "And then, the sailors all sing G.o.d Save the King."

"Which wasn't written till about 1745," I couldn't help mentioning.

"Huh?" The plump man looked startled. "Are you sure?" Then he decided that I was, and shrugged. "Well, they can all shout, 'G.o.d Save King Henry!' or 'St. George for England!' or something. Then, at the end, we introduce the program guest, some history expert, a real name, and he tells how he thinks history would have been changed if it had happened this way."